Terrible images are going to save photography from AI – and this is why
AI is becoming increasingly capable of generating "perfect" images… at a time when no one wants perfect photographs any more

Motion, blur, out-of-focus shots, harsh direct flash – some of the biggest trends in photography right now are the very things that I first learned to avoid as a beginner. But these so-called “bad” photographs that break all the rules aren’t just trending; these “terrible” photographs are what’s going to save photography from AI.
I don’t think it's a coincidence that the retro photo look is returning at the same time that computers are becoming capable of generating “perfect” images.
Generative AI is becoming increasingly accurate at creating photo-realistic graphics with fewer errors. With a training data set filled with sharp, high-resolution images, AI is becoming far more capable of spitting out images that look like they were taken by a computer that memorized all the photography tutorials.
Yet, at the same time, shoppers are spending hundreds of dollars on cameras that do less, not more. Cameras like the Fujifilm X Half that intentionally limit the features in a film mode are becoming best sellers. Disposable film cameras are making a comeback (along with digital dupes).
Lenses and filters are launching with imperfect image quality – and listing that imperfection as a selling point. Point-and-shoots are returning as AI increasingly automatically edits every photo snapped with a smartphone.
Yes, some of the rise in intentionally capturing imperfect images is due in part to the rise of retro tech in general. I can now buy actual records at the same store where I buy my groceries, and retro-styled cameras are among some of the most popular models.
But I think part of this rise in retro-styled, imperfect imagery has simpler roots: we’re growing increasingly tired of digital perfection. I’m craving authenticity and simplicity in an increasingly digitally altered world.
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The photographs that intentionally break the rules and do it well are “terrible” only by the traditional definition of what makes a photograph “good”: a sharp subject, an interesting composition and good lighting.
The “terrible” images that are going to save photography have one major feature in common: emotion. The photographs that break the rules and break them well do so to create a photograph with far more emotional impact.
Photographs with motion blur put the whirlwind feel of how quickly time passes into a single image. Images with old-school colors and grain give memories a nostalgic feel, even if those memories are only from yesterday.
AI is becoming increasingly capable of creating images that look realistic – and even images that actually look like real people. But I don’t want perfect photographs.
I want photographs that remind me of that awkward smile when my kid lost a tooth. I want photographs of my daughter’s messy morning hair, of my son’s sand-covered toes at the beach. I want photographs that remind me of not just the memory, but the feeling that I was experiencing in that moment.
AI can improve – training has already reduced the number of times an AI will generate extra fingers and badly spelled text. But a computer can’t feel emotion – and that’s exactly what is going to save photography from AI.
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With more than a decade of experience writing about cameras and technology, Hillary K. Grigonis leads the US coverage for Digital Camera World. Her work has appeared in Business Insider, Digital Trends, Pocket-lint, Rangefinder, The Phoblographer, and more. Her wedding and portrait photography favors a journalistic style. She’s a former Nikon shooter and a current Fujifilm user, but has tested a wide range of cameras and lenses across multiple brands. Hillary is also a licensed drone pilot.
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