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The Nikon Z 50mm f/1.4 is cheaper than the f/1.8 S – what gives in this battle of the ‘nifty fifties’?
By Mike Harris published
Feature The Nikon Z 50mm f/1.4 vs the Nikon Z 50mm f/1.8 S is all about speed over optical quality – here’s which one I’d go for

Fish face-off! How the Nikon D850 and Nikkor 8-15mm fisheye lens captured this dramatic shot in crystal-clear detail
By Tom May published
WINNER Hungarian photographer Ferenc Lorincz reveals the technical setup behind his stunning underwater image.

Digital cameras that look like film are trendy. I shoot both film and digital, and these are my top picks
By Hillary K. Grigonis published
OPINION These are my favorite digital cameras that look like film, as a photographer who shoots both digital and film

This new standard zoom is one of the best you can shoot with – and it leads Japan's top 10 lenses
By Kim Bunermann published
NEWS The most popular lenses right now – from Nikon Z zooms to Sony E-mount favorites, Canon RF telephotos and more of Japan's best-selling optics

The Nikon Z50 II is a camera that redefines entry-level – and that’s 100 percent why I love it
By Hillary K. Grigonis published
OPINION The Nikon Z50 II is an entry-level camera, but it has unusual autofocus and durability for the price

Nikon Z DX 16-50mm f/2.8 VR review: The Z DX system comes of age with this premium standard zoom
By Matthew Richards published
Review The Nikon Z DX 16-50mm f/2.8 VR is an APS-C format ‘trinity’ standard zoom that takes Nikon’s crop-sensor mirrorless system into new territory

This is the one camera I truly regret selling – the first TRUE system camera that rewrote the rulebook for pro photography
By David S Young published
Classic Cameras Nearly 60 years after I bought it, I still regret selling this incredible camera

Nikon Z DX MC 35mm f/1.7 review: an APS-C standard prime for everyday shooting and macro photography
By Matthew Richards published
Review The Nikon Z DX MC 35mm f/1.7 is a conveniently compact and lightweight standard prime with a usefully fast aperture rating, plus the bonus of serious close-up potential
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