When you switch your camera to Live View, the image is no longer reflected up into the viewfinder or down on to the phase-detection AF sensor. It passes straight through to the sensor, which relays the image ‘live’ to the LCD display on the back of the camera. The image on the sensor is also used to check and adjust the focus. In this tutorial we’ll explain just how your camera’s Live View autofocus works and how you can use it to ensure optimum sharpness.
Giving your car photography a sense of speed doesn’t have to be difficult or dangerous. In this easy-to-follow car photography tutorial we show you how to use a ‘bolt-on’ technique get dramatic photos with blurred backgrounds.
Shooting raw format photos means fewer pictures on your card and more time spent editing your images. So why do nearly all pros do it? Below find answers to 8 common questions every beginner has about shooting raw format.
If you’ve considered buying a ball head mount to replace your three-way lead, you may be wondering how best to use them. In this tutorial we explain the best way to use a ball head tripod mount to ensure the sharpest pictures possible.
Recently we explained how to use an ND grad filter to rectify murky foregrounds or over-exposed skies. This week we thought we’d show how to use a variable ND filter, which you can use to capture amazing motion-blur effects.
You can! Many DSLRs now have their own raw converters built in via their in-camera editing menu. You can even adjust raw parameters before saving a JPEG conversion. Here’s what you need to know…
Trompe l’oeil, or trick of the eye, is a popular compositional technique that can add some fun to your photography. There are endless ways to do it, and it’s easy to do, but it does take time to find the right subjects and angles for really convincing shots. Here’s how it’s done.
In our latest Raw Tuesday post we turn our attention to file sizes and how shooting raw vs JPEG can make a big difference in how many images you can store on a memory card.
Not all of us can afford expensive lenses, but that doesn’t mean we have to put up with poor quality images. In this quick tutorial we’ll show you how to make simple in-camera adjustments to fine-tune your lens’ performance and help eliminate imperfections like colour fringing and chromatic aberrations.
If you’re struggling to get close enough to your wildlife subjects to create images with any real impact, why not try digiscoping? In this quick guide we’ll show you how to use a spotting scope with your camera to nearly double your magnification.