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How to capture stunning winter wildlife – Part 2: subjects close to home

A little yellowhammer demonstrates just how small in the frame the subject can be, yet still remain the focal point (Image credit: Andy Parkinson)
Meet the pro: Andrew Parkinson

Andy Parkinson

(Image credit: Andy Parkinson)

Andy Parkinson is an award-winning wildlife photographer, regular National Geographic contributor and a recent Nikon ambassador. Working with wild animals only, he often speaks about conservation, animal rights and photo ethics.

www.andrewparkinson.com (opens in new tab)
@andyparkinsonphoto (opens in new tab)

When snow is forecast in my local area of Derbyshire, UK, I tend to prefer focusing on guaranteed, easily accessible subjects such as mute swans, grey squirrels or smaller garden/farmland birds, such as the yellowhammer above. 

The transient nature of recent winters means that this way I can maximise opportunities, however brief, rather than speculatively hoping to capture images of more challenging subjects, such as foxes.

In recent years we’ve only had one or two days of decent snowfall each winter, so this strategy is what I’d recommend if where you live only has brief winters. 

Remember, it doesn’t matter how familiar or overlooked the subject might be, be it a mallard, coot, swan, or grey squirrel. All species will still look fantastic in falling snow, and that way you increase your chances of producing successful and compelling images.

The most important thing is that you familiarise yourself with your local subjects in advance, and then, when the forecast is right, make sure you arrive in plenty of time.

QUICK TIP!

(Image credit: Andrew Parkinson)
More in this five-part series

Part 1: Kit and clothing (opens in new tab)
Part 3: Intimate wildlife portraits (opens in new tab)
Part 4: Wildlife in the landscape (opens in new tab)
Part 5: Boost your creativity (opens in new tab)

How to photograph winter garden birds

(Image credit: Andrew Parkinson)

1. Change your perch
Always consider your perspective when preparing to photograph. Here I sat below some garden steps, which made capturing the robins at eye level more comfortable than simply trying to lie on the snow-covered ground.

(Image credit: Andrew Parkinson)

2. Consider the daylight
Take time to notice the fall of light and where in your garden, and at what time of day, it occurs most beautifully. Here I shot using backlight, the predictable, fluttering flight of the wagtail making for some relatively easy flight images.

(Image credit: Andrew Parkinson)

3. Include falling snow
Whether it’s falling or windblown, the presence of airborne snow will immediately add an extra element to your images. Try to shoot against a darker backdrop so that the snow is easily visible.

(Image credit: Andrew Parkinson)

4. Capture the action
Competition over food resources can result in conflict. While never to be encouraged, if it does occur, notice when, where and why, and use this knowledge to increase the chance of capturing it.

5. Ethical responsibilities
Remember at all times how marginal the existence of small birds can be, and how difficult it is for them to find food in winter. If you can’t sustain your feeding right through until spring then it’s best not to start. If your circumstances suddenly change then be sure to phase out your feeding over days or weeks, allowing the birds time to acclimatise to the diminishing food resources.

Get closer with a teleconverter

Teleconverters are an effective and fairly inexpensive way to increase the focal length of your lens. I use a 1.4x teleconverter, (turning my Nikon 200-400mm f/4 lens into a 280-560mm f/5.6 lens) but 2x teleconverters are also available. You will lose a stop of light on a 1.4x and two stops on a 2x, and the AF speed of the lens will likely be slowed slightly.

Read more: 

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Lauren Scott
Lauren Scott

Lauren is the Managing Editor of Digital Camera World, having previously served as Editor of Digital Photographer (opens in new tab) magazine, a practical-focused publication that inspires hobbyists and seasoned pros alike to take truly phenomenal shots and get the best results from their kit. 


An experienced photography journalist who has been covering the industry for over eight years, she has also served as technique editor for both PhotoPlus: The Canon Magazine (opens in new tab)PhotoPlus: The Canon Magazine and DCW's sister publication, Digital Camera Magazine (opens in new tab)


In addition to techniques and tutorials that enable you to achieve great results from your cameras, lenses, tripods and other photography equipment, Lauren can regularly be found interviewing some of the biggest names in the industry, sharing tips and guides on subjects like landscape and wildlife photography, and raising awareness for subjects such as mental health and women in photography.