Digital Camera’s 10-part series ‘Teach Yourself Photoshop’ builds into a complete video reference library. These easy-to-follow video guides will take you on a start-to-finish journey through perfecting your photos in the digital darkroom.

In this video you’ll find out how to recreate a traditional solarise effect. In the darkroom, this effect was created by exposing a negative halfway through development time. This resulted in hit-and-miss effects, but in the digital darkroom we can be more consistent. Learn how to use Colour Curves, Adjustment Layers and more for a creative mono effect.

Click the links to the right and build up the complete collection with each new issue of Digital Camera.

Digital Camera’s 10-part series ‘Teach Yourself Photoshop’ builds into a complete video reference library. These easy-to-follow video guides will take you on a start-to-finish journey through perfecting your photos in the digital darkroom. In this video you’ll discover how to mimic traditional film grain into your black and white conversions. Using film grain can transform a slightly dull landscape image into a moody masterpiece. Also discover how to add a white border to finish off the shot. Click the links to the right and build up the complete collection with each new issue of Digital Camera.

Digital Camera’s 10-part series ‘Teach Yourself Photoshop’ builds into a complete video reference library. These easy-to-follow video guides will take you on a start-to-finish journey through perfecting your photos in the digital darkroom. In this video find out how to use a Hue/Saturation adjustment layer to create a black and white image and tweak specific areas. Click the links to the right and build up the complete collection with each new issue of Digital Camera.

Digital Camera’s 10-part series ‘Teach Yourself Photoshop’ builds into a complete video reference library. These easy-to-follow video guides will take you on a start-to-finish journey through perfecting your photos in the digital darkroom. In this video you’ll discover how to use Photoshop Elements and the Convert to Black and White command. Find out how to convert a portrait for best effects using different style presets and experimenting with colour sliders. Click the links to the right and build up the complete collection with each new issue of Digital Camera.

Without the extra dimension (or confusion!) of colour, you can more easily explore the shapes, lighting and textures of an image in a new way. These quick photography tips show you how.

1 Think in mono

It’s all very well using Photoshop to do a mono conversion of a colour shot and hoping that it looks good, but the greatest black-and-white images by all the best photographers have been pre-visualised that way. Even if you’re capturing your original images in colour, try to think of and look for subjects with mono shots in mind and you’ll start producing better results.

2 Filter effects

Traditional film photographers used coloured filters to control the type of mono images they produced – a red filter would generally increase the contrast, for example. You can put a filter on your digital camera and achieve similar results, although your original file will be tinted with the colour before you convert to black and white. If you’d like the best of both worlds, shoot without a filter but replicate the effect in post-processing. Most image-editing packages offer a menu of filter presets.

3 Duotone

A duotone effect can be used to enhance your mono images. The effect can be replicated using software such as Photoshop CS or Photoshop Elements in a number of ways, and it’s a relatively easy technique to learn. But it’s important to think about how a coloured tint will affect the overall mood of your picture. A blue tint evokes a sense of coolness that might not be appropriate for some subjects but perfect for others. A yellow or brownish tint, such as sepia, might allude to something old and historical.

4 Split-toning

This wonderful technique was popular with traditional black-and-white photographers who, using a concoction of chemicals, would literally split the tones in their prints. The end result would show a subtle shift to one tint in the highlights and lighter tones while another tint would colour the dark tones. The results could be spectacular. Like many old darkroom techniques you can easily recreate a split-tone effect in Photoshop and other software, and it’s a lot less messy.

5 Texture, form & shape

Without colour a black-and-white image is reliant on texture, form and shape. As you go about your photographic business, train your brain and eye to disregard the colour information and instead concentrate on the shapes and light within the frame.

6 Shoot RAW

Shoot in RAW and use the power of processing software such as Adobe Camera Raw to convert your images non-destructively to black and white. You can also change the tones and contrast and even add a coloured tint. It’s also possible to replicate the effect of a split-tone image and add a vignette effect for an extra creative touch.

7 Black & white portraits

Portraiture can be greatly enhanced with a competent mono conversion. Where clothing and hair colours can clash and distract from your subject’s face, a black and white conversion can draw the eyes to their facial features instead. It’s also a good way to smooth out facial skin tones. Just don’t expect to get a great image if you simply desaturate the picture. You’ll end up with a flat grey photo. Instead, follow this guide to quality black and white conversion and use dodge and burn techniques to boost contrast in specific areas.

8 High key/low key

Through a combination of lighting and digital darkroom techniques you can create mono images that are either very light or dark in their tonal quality. Images produced in this way can be beautiful and emotive, but it’s not simply a case of over- or under-exposing your shots or pushing Photoshop’s Levels sliders to the extremes. Use lighting and exposure to create images that still have detail in the highlights or shadows. Your camera’s histogram and highlight clipping alerts will come in very handy for this technique.

9 Mono HDR

Ansel Adams (1902-1984) was a master mono photographer who developed the zone system so that he could get details in both the highlight and shadows of his splendid scenes. Today you can cheat a little. By taking several images of a scene at different exposures you can combine them using HDR (High Dynamic Range) software, such as Photomatix. This is a great way to get an image with a full tonal range, but don’t go over the top!

10 Practice!

The more you train your eye to see in black and white the better your images will be. There’s no substitute for hard graft and, as with most crafts, practice makes perfect. So get out there, keep your mono eyes open and shoot like crazy!

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In the traditional darkroom, split-tone effects are applied to images using a combination of chemicals to tint different tonal areas, such as shadows and highlights. This can be created using Photoshop, and is a great way to add creativity to black-and-white shots. In this tutorial we’ll show you how to use the powerful tools in Photoshop CS3′s Adobe Camera Raw editor to apply a split-tone effect.

More often than not, a simple scene will provide a better picture than a busy one, and by positioning large subjects in the background you can draw the viewer’s eye into your shot. Our short guide to spotting the perfect scene for a black and white shot will have you looking at things you may not have normally considered.

How to spot your scene…

Create depth

By positioning the building in the far distance, the image’s main point of interest is in the background. The eye is drawn through the image to the building, the derelict wall in the foreground giving the shot a sense of depth.

Look for balance

In this image, there are three main points of interest: the derelict cottage in the background that provides shape and form on the horizon; the glimmers of white shining through from the hill; and the lone sheep. Three is the magic number!

Keep it simple

Sometimes it can be too easy to miss the perfect shot because of a scene‘s simplicity. But keeping it simple is often the best policy. Here, the building dominates the frame but there‘s plenty of foreground and background interest.

Use natural props

Finding rustic objects can really boost the impact of a mono image. They may not look that interesting when you come across them, but try to imagine how they‘ll appear in black and white. Tones and textures can really make a shot.