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Latest about Photography Styles

These mind-bending photos from Artemis II show what a solar eclipse looks like from the dark side of the moon
By Hillary K. Grigonis published
ARTEMIS II Photos from Artemis II offer a glimpse at what it was like for the astronauts to experience a 54-minute solar eclipse from the dark side of the moon

This Artemis II photograph is only hours old, but I predict it’s going to be legendary. Artemis II recreates iconic 1968 space photo with Earthset
By Hillary K. Grigonis published
MOON In one of the newest shots beamed back from Artemis II, the Earth and Moon appear to have swapped places as a “crescent” Earth rises over the lunar surface

The art of doing nothing: what Michael Kenna can teach every photographer about composition and taking it slow
By Tom May published
News His new book is a masterclass in emptiness, restraint, and the discipline of taking less from a frame, not more

Artemis II astronauts have 32 cameras aboard. But recreating one of the most famous space photos of all time will still be a challenge
By Hillary K. Grigonis published
SPACE Artemis II astronauts want to recreate one of the iconic space photos, but despite modern camera tech, timing and distance will make recreating the 1968 Earthrise a challenge

Why Pen Densham photographs waves at dusk on a 400mm lens at f/40
By Tom May published
The Oscar-nominated filmmaker-turned-photographer explains the technique behind his impressionist pictures

I used to believe a good photograph had to be technically perfect – sharp focus, balanced exposure, no blur, no grain, and no flare. I chased technical perfection because it felt safe. I now realize the images I remember broke these rules
By Natalia Zmyslowska published
Opinion Real life is not flawlessly sharp, and technical perfection isn't always what makes your image stand out – Here's what I learned over time as a photographer

Photographer planned how to shoot this fairytale scene for weeks – and a 15-second exposure "seemed to be just right"
By Digital Photographer published
Features "I had to shoot it at that special time of day when the sun shines through the hole in the bridge"

Forget frames per second – this WW1 photographer captured galloping horses using a glass plate camera that took 3 frames PER MINUTE!
By Alan Palazon published
HISTORY British WW1 photographer, John Warwick Brooke, used a cumbersome glass plate camera to snap galloping horses

Black-and-white photography is a creative choice, not a backup plan! We need to change our mindset and treat monochrome with the respect it deserves
By Natalia Zmyslowska published
OPINION Iconic photographers didn't just remove color – they chose to go with monochrome tones, and that's why their images are impactful for decades
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