
Rod Lawton
Rod is an independent photography journalist and editor, and a long-standing Digital Camera World contributor, having previously worked as DCW's Group Reviews editor. Before that he has been technique editor on N-Photo, Head of Testing for the photography division and Camera Channel editor on TechRadar, as well as contributing to many other publications. He has been writing about photography technique, photo editing and digital cameras since they first appeared, and before that began his career writing about film photography. He has used and reviewed practically every interchangeable lens camera launched in the past 20 years, from entry-level DSLRs to medium format cameras, together with lenses, tripods, gimbals, light meters, camera bags and more. Rod has his own camera gear blog at fotovolo.com but also writes about photo-editing applications and techniques at lifeafterphotoshop.com
Latest articles by Rod Lawton

The best full frame DSLR in 2025: top cameras for enthusiasts and pros
By Sebastian Oakley last updated
Buying guide The best full frame DSLRs don't have to cost a fortune. Here are the top choices for amateurs, enthusiasts and pros

8K DCI or 8K UHD? Which video setting should you use for your filmmaking?
By Rod Lawton published
Jargon explained 8K is 8K, right? Not quite, because there is more than one standard for the horizontal resolution and aspect ratio.

Frustrated by your iPhone's Camera app? Try this free photo app and get much more control over your shots
By Rod Lawton published
iPhone tips You don’t even have to buy an Adobe Lightroom subscription if you don’t mind basic options. Here’s how it works

The best APS-C compact cameras: top image quality in your pocket
By Gareth Bevan last updated
BUYING GUIDE Big image quality in a small package: here are the best compact cameras packing APS-C image sensors

8K vs 4K: Why more resolution isn't always better
By Rod Lawton published
Jargon explained You can’t get far in photography these days without hearing about 4K and 8K – but what exactly ARE they?

4K vs 1080p: What’s the difference, and should I even bother shooting full HD video in 2025?
By Rod Lawton published
Feature You might think that 4K video would have replaced full HD/1080 video, but today’s cameras still offer both.

10-bit vs 8-bit video? What are they, and is there a real difference?
By Rod Lawton published
Jargon explained 8-bit video capture is the basic option, so what’s different about 10-bit video and why would you need it?

The best Fujifilm cameras: from retro X-mount mirrorless to affordable medium format
By Gareth Bevan last updated
BUYING GUIDE The best Fujifilm cameras appeal to traditionalists, enthusiasts, and professionals alike, blending retro style with the latest tech

What is 32-bit float audio – and do you need it on your video camera or sound recording set-up?
By Rod Lawton published
Jargon explained It’s become a major selling point for microphones and audio recorders, but what is it and do you need it?

What is RAW video? And do I really need it on my camera?
By Rod Lawton published
Feature RAW video is like raw files for photographers – the actual image data captured by the sensor. But do you need it and can you handle it?

The best messenger bags for photographers in 2025: carry your camera gear in style
By Rod Lawton last updated
Buying Guide Over-the-shoulder bags are practical and stylish solutions for packing your photo kit and a laptop, whether you're traveling, shooting or commuting

What is Rec.709 vs Rec.2020 in video?
By Rod Lawton published
Jargon explained These are two different color spaces used in video production, so which is the one you should be using?

4:2:2 vs 4:2:0 video: What are they and why do they matter on your camera?
By Rod Lawton published
Jargon explained You’ll see this choice a lot on hybrid cameras. 4:2:0 is ‘basic’ video, 4:2:2 is better quality. But what does it actually mean?

What is a stacked sensor – and do you actually need one in your camera?
By Rod Lawton published
Jargon explained Not so long ago, a back-illuminated sensor was the thing to have. Now it’s a ‘stacked sensor’ – so what is this, exactly?

What is a LUT? Here's why lookup tables matter for video AND photo editing
By Rod Lawton published
Jargon explained Suddenly LUTs are everywhere. They’ve been in video editors for years but now they’re in cameras like the Lumix S9 and even in photo editors

Best lenses for the Leica SL3 in 2025
By Rod Lawton last updated
Buying guide Leica’s 60MP flagship produces superb images that deserve the best glass – so what are the best lenses for the Leica SL3?

Fed up of converging verticals in your iPhone's wide-angle shots? Follow these tips…
By Rod Lawton published
iPhone tip Everyone knows how skewed horizons happen, but why do photos of tall buildings get distorted?

DxO PureRAW 5 review: your raw files never looked so good!
By Rod Lawton published
Review DxO PureRAW 5 brings more control, a slicker workflow and beta DeepPRIME XD3 support for X-Trans Fujifilm owners

This gadget lets you rig up your iPhone with lights and mics without a cage
By Rod Lawton published
iPhone tip It’s called the Shoulderpod G2, it’s made in Barcelona, and I bet you’ve never seen anything like it (well I haven’t, anyway)

The best Leica cameras in 2025: from classic rangefinders to modern mirrorless
By Sebastian Oakley last updated
Buying guide Leica cameras don’t come cheap - but they earn their price tag, offering an experience and image quality that few rivals can match.

You can't disable the iPhone's HDR mode any more, but you CAN do this…
By Rod Lawton published
iPhone tip Apple’s HDR usually does a good job in extreme lighting, but sometimes the results can just look a little flat

If you make a vlogging camera, the least you can do is give it a bigger screen
By Rod Lawton published
Opinion When you're filming with a camera that has no EVF and only a rear screen, then it had better be a good one

In-camera black and white film simulations are just plain boring
By Rod Lawton published
Opinion Black-and-white photography needs more than safe-but-sterile ‘monochromatic’ modes
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