Depth of Field
Latest about Depth of Field

DZO Film unveils fast T1.4 Arles cinema lens series inspired by Vincent van Gogh
By Sebastian Oakley published
News New Arles T1.4 primes from DZO Film bring high performance at an affordable price point for solo filmmakers

5-minute photo tips: Avoiding overexposure using filters
By Karolina Konsur published
5-MINUTE TIPS Pro advice on how to avoid overexposing summer scenes while emphasising the dynamic range

Zeiss Loxia 35mm F2 review: a classic street photography lens for Sony E-mount full-frame cameras
By Matthew Richards published
review The Zeiss Loxia 35mm F2 manual-focus lens combines a classic focal length with classic looks and handling.

Zeiss Milvus 135mm F2 review: ready for your close-up?
By Matthew Richards published
review The Zeiss Milvus 135mm F2 aims for portrait perfection with Canon and Nikon DSLRs.

Zeiss Milvus 15mm F2.8 review: the widest of a family of 11 lenses
By Matthew Richards published
review The Zeiss Milvus 15mm F2.8 is the most wide-angle lens in the line-up of 11 Milvus prime lenses for Canon and Nikon DSLRs.

Zeiss Loxia 21mm f/2.8 review: widest-angle prime lens from Zeiss’s Loxia family
By Matthew Richards published
review The Zeiss Loxia 21mm F2.8 is a classy ultra-wide-angle, manual-focus prime lens for Sony E-mount cameras.

Zeiss Batis 18mm f/2.8 review: wide-angle autofocus lens for Sony shooters
By Matthew Richards published
review Unusually, the Zeiss Batis 18mm F2.8 is a Zeiss prime with autofocus and the electronic attractions don’t stop there.

Zeiss Milvus 21mm f/2.8 review: Go wide with this up-market prime lens for Canon and Nikon DSLRs
By Matthew Richards published
review The Zeiss Milvus 21mm F2.8 combines an ultra-wide viewing angle with a fairly fast aperture, designed for DSLRs

Sigma 28-45mm F1.8 DG DN Art review: the world’s first constant-aperture f/1.8 zoom lens for full-frame cameras
By Matthew Richards published
Review The Sigma 28-45mm F1.8 DG DN Art is geared to Sony and L-mount shooters who feel the need for a speedy aperture rating, at the expense of a limited zoom range
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