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Photographers waited for this full-frame camera with "headline-grabbing improvements" – now these mirrorless bundles get a price cut
By Kim Bunermann Published
DEALS Save big on flagship-like gear built for both stills and video with these Sony A7 V deals

Nikon announces development of NINE Z-mount cinema lenses. FINALLY, a big Nikon launch in 2026
By Mike Harris Published
News We knew Nikon was working on a range of cinema lenses, but this development announcement proves it’s very real and hopefully not too far off

This lens for Fujifilm X cameras looks so seriously retro that you you wouldn't think that this 35mm prime offers autofocus and an f/1.4 maximum aperture
By Chris George Published
Chinese manufacturer SG-Image is launching an AF 35mm F1.4 lens that looks like it has stepped out of the 1950s

DROP EVERYTHING – Sigma just released its fastest portrait lens ever
By James Artaius Published
NEWS The world's smallest and lightest 85mm f/1.2 is here – and it boasts "spectacular" sharpness and "epic" aberration control

Sigma 85mm f/1.2 DG Art review: A big-hitter of a portrait lens with a relatively lightweight build and price tag
By Matthew Richards Published
Review The Sigma 85mm f/1.2 DG Art joins the elite of super-fast f/1.2 portrait lenses for the bokeh beautiful, available in Sony E (FE) and L-Mount options

Sigma 20-60mm f/2.8-4 DG Contemporary review: A not-so-standard zoom lens that really delivers on ultra-wide-angle coverage
By Matthew Richards Published
Review The Sigma 20-60mm f/2.8-4 DG Contemporary aims to beat Panasonic at its own game with this full-frame L-Mount lens, also available in a Sony E (FE) mount option

Sigma just stole Panasonic's secret weapon – and made it better
By James Artaius Published
NEWS This is the lens you've been waiting for without even knowing it – Sigma's latest zoom might be the best walkabout lens on the market

I’m a camera expert: Photographer calls APS-C vs full-frame “different looks,” and it changed my whole perspective
By Mike Harris Published
Opinion Forget the tiresome debate of which one’s better; think of APS-C and full-frame as different creative tools, and it might change how you shoot
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