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Sigma announces its first autofocus cine lens for Sony and L-mount shooters
By Ben Andrews published
Likely based in part on Sigma's sublime 28-45mm F1.8 DG DN Art lens, it looks like a videographer's dream

The reason to shoot Micro Four Thirds isn’t the sensor – it’s the lenses. This new 100-400mm equivalent f/2.8 zoom is a prime example!
By Hillary K. Grigonis published
OPINION The OM System 50-200mm f/2.8 IS Pro brings telephoto reach with a bright aperture in a highly portable lens

Canon’s new Cine-Servo lens is an 8K behemoth
By Gareth Bevan published
NEWS Canon launches its widest-ever Cine-Servo lens, the 11-55mm T2.95-3.95

Hands-on OM System M.Zuiko 50-200mm f/2.8 IS Pro review: The world’s only 100-400mm f/2.8 equivalent lens!
By James Artaius published
Not yet ratedREVIEW The OM System M.Zuiko 50-200mm f/2.8 IS Pro sets new standards for telephoto zooms with outstanding reach and quality

Game = Changed: OM System's 50-200mm f/2.8 is a first-of-its-kind lens that costs a third of some full-frame 400mm f/2.8 primes
By Hillary K. Grigonis published
NEWS This is the first ever 100-400mm equivalent lens with an f/2.8 aperture – and it's still smaller than full-frame 400mm f/2.8 primes

Tamron is working on an all-in-one 25-200mm zoom that's still has a bright f/2.8 at its widest angle
By Hillary K. Grigonis published
NEWS Tamron is about to launch a full-frame 25-200mm f/2.8-5.6 G2 that also does half macro in Sony E-Mount

Hands-on Canon RF 85mm f/1.4L VCM review: Canon’s long-awaited portrait prime gets a hybrid makeover
By James Artaius published
Not yet ratedREVIEW The Canon RF 85mm f/1.4L VCM adds hybrid video performance to Canon's classic portrait lens

Canon just unveiled a cheaper, lighter alternative to its best portrait lens
By Hillary K. Grigonis published
NEWS The new Canon RF 85mm f/1.4 L VCM is nearly half the cost and weight of the f/1.2 version – and this hybrid prime is great for video, too
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