Technology tends to have a short lifespan, but the Canon EOS R6 series is so popular in Japan that both of the older models are in the top three for used camera sales.

The data comes from a popular Japanese camera buy-and-sell app, Minna Camera, which recently tallied the most popular cameras sold on the app for the month of June. The list is led by the Canon EOS R6 Mark II, followed by the Sony ZV-E10 and the original Canon EOS R6.

The Canon EOS R6 Mark II was replaced in November 2025 by the new R6 Mark III, a 32.5MP full-frame 7K open gate camera that has been listed among several new camera top ten lists since its launch. But the 24.1MP Mark II and original 20.1MP R6’s inclusion in Minna Camera’s list suggests solid used camera sales across the camera’s history.

However, the data also highlights how rapidly the used camera market can shift, with five of the cameras in the top ten list all cameras that hadn’t made the previous month’s list. The Ricoh GR IV, for example, was in 35th place the previous month but jumped up to 6th place – Ricoh’s announcement of a price increase coming in July – which has now also been implemented outside of Japan too – likely influenced the used sales for the relatively new compact camera.

Two of those five cameras that have popped into the top ten from the lower rankings are DSLRs, the Nikon D7500 and the D750, suggesting the larger interchangeable lens format remains well-traded among used camera marketplaces.

The top-traded cameras on Minna Camera for June include:

• Canon EOS R6 Mark II
• Sony ZV-E10
• Canon EOS R6
• Nikon D7500
• Nikon Z50 II
• Ricoh GR IV
• Canon EOS R10
• Nikon D750
• Sony A7C II
• Sony A7 IV

For lenses, shoppers seemed to have a healthy craving for telephoto glass. The workhorse Nikon 70-200mm f/2.8 VR S topped the June list. While Canon took two of the top three camera bodies, Z Mount glass is the most popular mount on the platform at 30 percent of sales. The Canon EF, Canon RF, and Sony E all trailed at 20 percent each – so combining Canon’s DSLR and mirrorless lenses would bring it to the top spot – with Fujifilm X capturing the other ten percent.

Zooms make up much of the top ten list, with just three prime lenses on the list, and many of those optics hit a focal length longer than 100mm.

The most popular lenses in June on Minna Camera were:

1. Nikon Z 70-200mm f/2.8 VR S
2. Canon RF 24-105mm f/4 L IS USM
3. Canon RF 100-400mm f/5.6-8 IS USM
4. Canon EF 100mm Macro f/2.8 L IS USM
5. Nikon Z 24-120mm f/4 S
6. Fujifilm XF 35mm f/1.4 R
7. Nikon Z 180-600mm f/5.6-6.3 VR
8. Sony FE 24-105mm f/4 G OSS
9. Sony FE 200-600mm f/5.6-6.3 G OSS
10. Canon EF 50mm f/1.8 STM

Used trends don’t directly match the trendiest new cameras from Japan, and data from Japan doesn’t necessarily match other regions. But, with Japan the home to several major camera brands, the data offers an interesting look at what cameras are selling well in the home of major camera brands like Canon, Sony, Nikon, Fujifilm, Ricoh, and others.

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I once shot with two different Ricoh GR IV compact cameras in each pocket – the HDF and Monochrome variants – and after pulling them out of the box, differentiating between the two felt like one of those “Spot the Difference” puzzles that I used to do as a kid. Now, the Ricoh GR IV is getting a limited edition makeover this fall, and in a nod to subtle, minimalist design, fans may be hard-pressed to spot the difference.

The Ricoh GR IV 30th Anniversary Edition, teased today, July 09 in Japan, looks like this:

Compared to the original Ricoh GR IV:

Did you spot the difference?

The Ricoh GR IV 30th Anniversary Edition – which Ricoh Japan says is only a tentative name – refinishes the camera’s shutter button and rear controls to a metallic gray that’s a nod to the color of the very first camera in the series released in October, 1996, the Ricoh GR1.

The special edition camera will also ship with a metal hotshoe cover with a 30th anniversary design and a finger strap, both of which will also be sold separately, so fans who already have a GR series camera can add a subtle new update.

The 30th Anniversary Edition is a subtle change, but that minimalism ties directly into the Ricoh GR series design history. The camera is well-loved by many specifically for the fact that it doesn’t look like a camera hiding an APS-C sensor; it looks like a basic black point-and-shoot.

Inspired by the minimalist anniversary design, I dug up photos and specs of the 1996 Ricoh GR1, and my first thought was that the camera’s design hasn’t really gone through a radical change, considering the fact that the first camera was 35mm film and the current camera is an APS-C digital sensor.

Yes, there are, of course, significant changes – the digital camera doesn’t have a viewfinder, for example. But the Ricoh GR has stayed surprisingly loyal to the original design inspiration. The grip looks similar, the mode dial and shutter release have the same placement. Even the size of the camera hasn’t changed much, with both the GR1 and the GR IV measuring 2.4 inches / 61mm high, and the depth and width only a few millimeters off.

But, most importantly, the GR series has stayed loyal to the purpose of the original – to put a high-end camera made for serious photographers into a pocket. While 35mm film may have become a digital APS-C sensor, even the lenses are similar – a 28mm f/2.8 on the original, renowned for its sharpness, and a 18.3mm – which is 28mm in 35mm equivalent, f/2.8 lens on the current model.

The Ricoh GR series, 30 years later, is a lesson in the longevity of a well-loved design – so a subtle refresh feels entirely appropriate. The Ricoh GR IV 30th Anniversary Edition is planned for the fall of 2026. The price has not yet been announced, but Ricoh says only 6,000 of the special edition cameras will be available worldwide, which makes a price increase over the base model expected.

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The compact camera trend has brought a number of price hikes as demand exceeds supply, but a popular compact camera series has jumped in price due to the cost of raw materials. The Ricoh GR series, including the Ricoh GR IV and GR IIIx, has jumped in official list price in multiple regions.

Last month, Ricoh Japan announced that the list price of the popular series would increase in July due to a rise in raw materials and manufacturing costs. However, it wasn’t clear at the time if the announcement was meant only for Japan or if other regions would follow suit.

Now that the date has passed, photographers finally have the answer: that GR series price increase wasn’t just for Japan, as the price of the popular compact camera has now increased across several regions, including the US, the UK, Australia, and Canada.

The list price increase spans several models from the GR series, including the base model GR IV, the longer lens GR IIIx, and the HDF variants.

In the UK, the GR IV Monochrome has also increased in price, but the US, Canada, and Australia list prices appear to have remained the same.

US 🇺🇲

• Ricoh GR IV: Was $1,499, now $1,599
• Ricoh GR IV HDF: Was $1,599, now $1,699
• Ricoh GR IIIx: Was $999.95 (September 2021), now $1,249
• Ricoh GR IIIx HDF: Was $1,149, now $1,349
• Ricoh GR IV Monochrome: Unchanged

UK 🇬🇧

• Ricoh GR IV: Was £1,199, Now £1,299
• Ricoh GR IV HDF: Was £1,299, Now £1,399
• Ricoh GR IV Monochrome: Was £1,599, now £1,699
• Ricoh GR IIIx: Was £999, now £1,099
• Ricoh GR IIIx HDF: Was £1099, Now £1199

Australia 🇦🇺

• Ricoh GR IV: Was AU$2,099, now AU$2,199
• Ricoh GR IIIx: Was AU$1,779 at launch, dropped to AU$1,599 in 2024, now AU$1,699
• Ricoh GR IIIx HDF: Was AU$1,899, now AU$1,999
• Ricoh GR IV HDF: Unchanged
• Ricoh GR IV Monochrome: Unchanged

Canada 🇨🇦

• Ricoh GR IV: Was CA$1,899, now CA$1,999
• Ricoh GR IV HDF: Was CA$1,999, now CA$2,149
• Ricoh GR IV Monochrome: Unchanged
• Ricoh GR IIIx: Unchanged

The compact camera trend has created a rise in demand that means several trendy options are hard to find in stock, the Ricoh GR IV series included. However, Ricoh Japan said that the reason for the cost increase was due to a rise in the cost of materials and manufacturing.

Ricoh may not be alone in facing rising costs of manufacturing cameras. AI’s pressure on digital storage has caused the price for digital storage components to increase, not just for SD cards and hard drives but for camera components as well.

Other brands have also recently discussed an increase in manufacturing costs, including Canon and Nikon. Fujifilm also noted not only the rising costs of memory, but the increase in cost for silver as well.

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Confused about all the different models? These are the differences between the Ricoh GR IV, GR IIIx, HDF, and Monochrome models. Or, browse the best compact cameras.

Japan has long been one of the world's biggest camera markets and is used as an indicator of wider photography trends. Now new data from Minna Camera suggests a more complex picture than the familiar "mirrorless takeover" narrative.

Between November 2025 and June 2026, the most-traded camera on the platform was the Ricoh GR IV – a 228g compact camera and the lightest and only model of its kind in the Top 20. Despite its 2025 release, it sits at No.1 in the rankings, a position supported by strong demand and frequent stock shortages.

At the other end of the scale, heavier DSLR models continue to appear in the rankings. The Nikon D500 still appears in the Top 20 at 760g, making it the heaviest camera in the rankings, alongside long-standing models such as the D750 and D7500.

The Top 20

Top 20 most-traded cameras at Minna Cameras (Nov 6, 2025 - Jun 13, 2026)*

*Camera type, sensor size and release date added by Digital Camera World

Used-market insights

Compact vs. mirrorless vs. DSLRs

Mirrorless cameras account for 80% of the Top 20, dominating the rankings with models from Canon, Nikon, and Sony.

The Ricoh GR IV is the exception. At just 228g, it is the only compact camera in the rankings (5% of entries), yet it is also the most-traded model overall.

DSLRs make up the remaining 15% of the Top 20. Nikon is the only manufacturer represented in this category, with the D500 (11th), D750 (17th) and D7500 (19th) all appearing in the rankings.

Lighter vs. heavier gear

The mirrorless era, now almost two decades old, brought photographers smaller and lighter camera systems.

This shift is visible in the data, with 15 of the Top 20 cameras (75%) weighting 600g or less. The remaining five models (25%) all exceed 600g.

Yet the persistence of heavier DSLRs suggests that weight alone is not the defining factor for photographers buying on the used market.

For many, the used market represents one of the last opportunities to get discontinued DSLR models – or to find a high-demand compact camera that can be diffivult to purchase new.

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Looking for a waterproof camera that can survive your next hiking trip, ski holiday, or beach adventure? While retro compact cameras are having a moment, rugged compacts remain the better choice for photographers who need a camera that can handle drops, dust, and water.

Unlike fashionable point-and-shoot cameras, the Pentax WG-8 ($426.95 / £429) and OM System Tough TG-7 ($549.99 / £449) are designed for use where camera phones and conventional compacts struggle.

Waterproof, shockproof, and freeze-proof, they're built for demanding adventures. Better still, both offer optical zoom lenses, dedicated macro modes and 4K video, making them far more versatile than an action camera alone.

Pentax WG-8

A real Captain Scarlet of a compact camera

The Pentax WG-8 is built tough to survive water, dust, drops, freezing temps – you name it.

It's perfect if you want a camera that's truly adventure-proof, without spending big. With a 20MP sensor and 5x optical zoom (approx. 28-140mm in 35mm terms).

It shoots decent photos and 4k video at 30fps. It also shines in ultra-close-up shots, and it performs well underwater and in extreme conditions where other cameras might fail.

It's a solid budget-friendly choice for anyone needing a tough, reliable camera for travel.

OM System Tough TG-7

Indestructable camera, impressive results

The OM System Tough TG-7 is built to be a companion on any adventure. It's waterproof, shockproof, and dustproof, so you never have to worry about weather or terrain.

Sure, its 12MP sensor is smaller than some other cameras, but that actually helps underwater photos by capturing more light where it's often dim. Plus, it shoots RAW and bursts up to 20fps – perfect for catching fast moments.

The TG-7 has a handy 4x zoom (approx. 25-100mm in 35mm terms) with a bright aperture and a standout macro mode that lets you snap amazing close-ups and 4K video.

It's simple, durable, and versatile – the perfect point-and-shoot to toss in your bag when you need a reliable camera that won't quit.

Discover more and browse the best travel cameras, best compact cameras and best point and shoot cameras

NiSi has released three new accessories designed for Ricoh GR compact cameras:

Nisi 49mm filter adapter MKII for GR III & GR IIIx: $32.99

This metal tube slots over the GR's lens, replacing Ricoh's GN-1 and GN-2 adapter rings. 49mm filters can then be fitted to the front, or the adaptor can provide a more stable mount for wide-angle conversion lenses and other accessories. The adapter features an auto-locking mechanism that holds everything securely in place, without wobble, and with no extra tools required. The adaptor is also compatible with NiSi's PR-5 Lens cap.

NiSi Wide Conversion Lens for Ricoh GR Series (GR III, GR IIIx, GR IV): $74.99

This 0.78x wide-angle conversion lens is built for street photography, travel, architecture, and any scenario when you want a wider field of view without sacrificing the GR’s speed and simplicity. On the Ricoh GR III / GR IV it widens the default focal length from 28mm- to 21mm-equivalent, or when fitted to the GR IIIx it converts the lens from 40mm- to 31mm-equivalent. The lens retains the camera's autofocus, metering, and shooting modes, and is Macro Mode compatible. A multi-layer, anti-reflective nano coating is employed to reduce ghosting and flare, while the barrel and caps are constructed from durable aluminum alloy. In order to use the lens, you will also need the separate Nisi 49mm filter adapter for your specific GR model.

NiSi JetMag lens hood kit for Ricoh GR IV: $89.99

Designed exclusively for the GR IV, this purpose-built hood-and-adaptor system is built for street and travel shooters, helping to protect the lens while also controlling harsh light. An included 49mm adaptor lets you use standard 49mm filters, while an auto-lock helps prevent rotation or loosening while shooting. The hood magnetically snaps on over the filter, then the lens cap snaps to the hood for quick protection between shots.

Until the recent revival in the fortunes of the humble, fixed-lens compact camera, or point-and-shoot camera, it’s fair to assume that, for most of us, this type of pocket camera had disappeared completely. 

By the 2010s, we were all using smartphone cameras, and so most low-resolution, standalone snapshots with their 3x or 4x optical zooms were banished to a drawer or listed on eBay. The manufacturers themselves also contributed to the demise of compact cameras. As demand decreased, they simply stopped manufacturing them.

Or did they?

Well, not entirely. While the vast majority vanished from retail, the compact cameras that survived offered something smartphones did not. 

I’m talking toughened, waterproof compacts that could be covered in mud, dirt and sand and simply rinsed clean without damage. Or accidentally elbowed off a table onto a stone floor and avoid shattering into several pieces, thereby allowing image capture to continue. 

To test durability, and because I was feeling cavalier, I once packed an early Kodak ‘tough’ series camera in airplane hold luggage. It arrived at my destination with lens glass shattered; but that was very much the exception rather than the rule.

Through the period post-2015 when digital compacts were mostly nowhere to be seen, OM System, formerly Olympus, and Ricoh/Pentax continued to market shockproof, freezeproof and water-proof cameras, as opposed to action cameras. All around them, bog standard compacts sunk without trace. 

Successful models offering the ability to shoot pictures and videos in conditions that would have been wholly unsuitable for most smartphones included OM System’s TG-7, and the rugged WG series from Ricoh/Pentax. Recent notable examples have included the flagship Pentax WG-8 and the entry-level WG-1000. Other models still selling at the time of writing include the Pentax WG-90 and near outwardly identical Ricoh WG-80.

Such cameras have consistently catered to a dedicated, niche subset of the compact camera market for sure, but they kept it going when others found the going too tough. There were toughened compacts released by the likes of Nikon (the Coolpix AW series) and Fujifilm (FinePix XP), for example, but these also got abandoned.

Obviously, the rugged cameras that stayed the course did so not just because they were alternatives to trashing our phones, but because of the different user experience. If, like me, you’ve been snorkelling or diving with a toughened compact and experimented with the various underwater-enhanced modes, you’ll know exactly what I mean. OK, so I’m not going to get mirrorless or pro DSLR-like quality, but for providing a visual memento, they’re perfectly fine.

And now, a mix of smartphone fatigue and social media has renewed and widened interest in cheap digital point and shoots at one end of the scale, and ‘slow photography’ options like the Pentax 17 film compact at the other. 

But, sitting in the middle, there was always consistently an alternative in the toughened, waterproof digital compact.

Beginning on July 01, a host of popular Ricoh GR Series compact cameras will see prices increase by 6-11% in Japan.

The announcement was made today, June 16, on the Ricoh Japan website. The company stated that recent increases in raw materials costs, as well as a “significant rise” in manufacturing and logistics costs, mean it can no longer produce GR models at current prices.

According to the announcement, six models are affected, including the GR IV, GR IV HDF, GR IV Monochrome, GR IIIx, GR IIIx HDF, and the GR IIIx Urban Edition.

With Ricoh headquarters based in Japan, it is unclear if the price changes will affect the camera's cost in other regions.

Originally launched as a premium film camera in 1996, the GR series has evolved into a lineup of ultra-compact, fixed-lens compact digital shooters widely regarded as some of the best for street photography. That popularity stems in part from an APS-C sensor hidden inside a body that looks like a basic point-and-shoot.

However, prices for these cameras have increased significantly across all regions in recent years, partly due to the long-term rise in compact camera popularity and more recent events such as AI memory demand.

In the US, price jumps have hit customers particularly hard, with the base Ricoh GR IV (2025) launching at $1,499 (£1,117 / AU$2,120), roughly 50% more expensive than its predecessor, the Ricoh GR III, when it was released in 2019.

Prices in Europe reflect similar hikes, with models such as the GR III and GR IIIx variants generally hovering around £950 (approximately $1,270 / AU$1,800), and special editions and new GR IV models around £1,200 (approximately $1,600 / AU$2,270).

According to Ricoh, the new prices will be seen on the Ricoh Imaging Store Japan and GR SPACE TOKYO – a physical Ricoh store in the Japanese capital.

But the company hasn't mentioned if third-party retailers will also pass the increased costs onto customers, nor if GR Series cameras will also become more expensive in other regions.

In light of the price increase, Ricoh has said it intends to “strive for even higher quality” products and service standards.

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For five months, Sony's new full-frame mirrorless was the No.1 camera in Japan at retailer Map Camera. But now, a two-year-old compact camera has reclaimed the top spot, beating the Sony A7 V.

Map Camera's new No.1 best-selling camera is the Fujifilm X100VI – an APS-C compact that we rated as the best retro compact camera on the market to date.

That might not sound surprising for one of the world's most sought-after cameras, except for one thing: the X100VI launched more than two years ago but remains notoriously difficult to buy. Whenever stock becomes available, demand appears strong enough to send Fujifilm's retro compact back into the Top 10 – and even to No.1.

Map Camera's top 10 best-selling cameras May

1. Fujifilm X100VI
2. Sony A7 V
3. Fujifilm X-T30 III
4. Fujifilm X-E5
5. Fujifilm X-M5
6. Canon PowerShot G7 X Mark III
7. Panasonic Lumix TX3 / ZS300 / TZ300
8. Sony A7C II
9. Sony A6700
10. Ricoh GR IV

Japan's new No.1: Fujifilm X100VI

When stock is available, photographers get a mix of classic rangefinder styling and modern APS-C performance, paired with a fixed 35mm-equivalent lens and Fuji's signature dial-based controls.

That blend of style, simplicity and image quality has helped the X100VI remain one of the most sought-after cameras on the market more than two years after its launch.

Four compacts in the Top 10

Compact cameras are very popular right now, offering a ready-to-shoot package in a pocketable form. Unlike camera phones, they give photographers a dedicated shooting experience with tactile controls.

The latest Map Camera chart reflects that trend. Alongside the Fujifilm X100VI, the Canon PowerShot G7 X Mark III ranks sixth, while the Ricoh GR IV comes tenth.

Interestingly, the newly launched Panasonic Lumix TX3 (ZS300 in the US, TZ300 in the UK) takes seventh place. While that might not sound spectacular, the compact has already shot straight to No.1 at Japanese retailer Yodobashi.

Launched in May 2025, the TX3 combines a 20.1MP 1-inch BSI CMOS sensor with a Leica-certified 25-360mm equivalent 15x zoom lens, delivering a focal range that few genuinely pocketable cameras can match.

That flexibility helps set it apart from rivals such as Canon's PowerShot G7 X Mark III.

Given its strong start elsewhere, it wouldn't be surprising to see the Lumix TX3 climbing further up Map Camera's chart in the coming month.

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A recently launched compact camera has wasted no time making an impact in Japan. Just weeks after its release, the Panasonic Lumix TX3 (aka the Lumix S300 in the US and Lumix TZ300 in the UK) has climbed to number one in Yodobashi's latest compact camera sales rankings, overtaking some of the most sought-after models on the market.

While the Fujifilm X100VI and the Canon PowerShot G7 X Mark III have become cult favourites among photographers and content creators, Panasonic's tiny new travel zoom has beaten them all to the top spot.

Such is the demand for these portable cameras that even a lack of availability hasn't dampened consumer appetite for them. Five of the top ten models are currently on backorder, yet still rank among Japan's best-sellers after limited restocks reached stores.

It will be interesting to see how the launch of the Panasonic Lumix L10 – a premium compact offering a more modest zoom range but far superior stills and video capability – affects the rankings next month.

Yodobashi's top selling compacts (2nd Half May 2026)

1. Panasonic Lumix TX3 / ZS300 / TZ300 | Black | Graphite Silver
2. Fujifilm X100VI | Silver | Black (backordered)
3. Canon PowerShot G7 X Mark III | Black | Silver (backordered)
4. Canon PowerShot SX740 HS / Lite | Silver | Black (backordered)
5. Kodak Pixpro C1 | Brown | Black
6. Panasonic Lumix TZ99 / ZS99 | Black | White
7. Canon IXY 650 / Powershot Elph 360 HS A / Ixus 285 HS A Black | Silver
8. Ricoh GR IV (backordered)
9. Ricoh GR IV Monochrome (backordered)
10. Canon PowerShot V1

Trendy travel zoom compact camera

The Lumix ZS300 / TZ300 arrives at a time when the demand for compact cameras is at its highest level in years. Unlike many of today's most sought-after compacts, which focus on large sensors and fixed lenses, Panasonic has opted for a different formula: maximum versatility.

The camera combines a 20.1MP 1-inch back side-illuminated CMOS sensor with a Leica-branded 25-360mm equivalent 15x zoom lens, delivering a focal range that few genuinely pocketable cameras can match.

That flexibility helps set it apart from rivals such as Sony's RX100 Mark VII and Canon's G7 X Mark III. While both remain popular choices, neither offers the zoom reach, giving the Lumix a clear advantage for travel, wildlife and everyday photography.

Half of Japan's best-selling compacts are sold out

The compact camera boom shows little sign of slowing down. Five of the ten cameras currently featured in Yodobashi's top ten ranking are listed as backordered, highlighting the gap between demand and available supply.

The trend isn't limited to Japan. Many of these models are difficult to find in the US and UK as well, with shortages continuing to push buyers towards waiting lists and, in some cases, online scalpers and grey-market listings.

Whether the Lumix ZS300 / TZ300 can hold onto the top spot remains to be seen. If Panasonic can maintain supply while rival models continue to face stock shortages, the Lumix ZS300 / TZ300 will be well placed to build on its strong start.

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The Ricoh GR IV isn’t one camera – it’s a series of three with the GR IV, the GR IV HDF, and the GR IV Monochrome. As a fan of the retro photo look who has tested Ricoh’s HDF models in the past, I knew right away that the HDF would be the model that I would gravitate to. What I didn’t expect was that I would also fall in love with the Ricoh GR IV Monochrome.

When I rented the Ricoh GR IV Monochrome, I was a bit nervous. I’ve been a camera reviewer for more than a decade, but the GR IV Monochrome was my first experience with a true black-and-white-only sensor. So, I tried the GR IV HDF at the same time.

I expected to love the color camera more, particularly since it has my favorite filter, a warm diffusion, available at the press of a button. But when I returned home from shooting with the GR IV HDF and the GR IV Monochrome in the other, I found that I took more photos with the Monochrome.

There’s something creatively liberating about shooting without color. The photos from the Ricoh GR IV Monochrome were packed with drama and contrast. But perhaps the biggest draw for me is that I didn’t feel like I had to even open the photos in a photo editor. The images hit right fresh out of the camera. I always have a large to-be-edited pile, so this was a big draw for me.

I had to return the Ricoh GR HDF and Monochrome back to LensRentals weeks ago, but the Monochrome is the camera I can’t stop thinking about. My biggest hesitation is that the Monochrome costs more, and, of course, some scenes deserve to be shot in color.

The Ricoh GR IV series is a far more pocketable camera with an APS-C sensor compared to competing options. Along with long-time contenders like the Fujifilm X100VI, there are new choices like the Panasonic Lumix L10 or even the full-frame Sony RX1R III. But the Ricoh GR series is the advanced compact camera disguised in a point-and-shoot body – making it highly pocketable.

And I think that’s the big reason that I’m drawn to the Monochrome. If I bought a GR IV series camera, I would 100 percent be looking for a daily snapshot camera that I can take anywhere to capture the small everyday moments (without adding to my to-edit pile).

Black-and-white cameras are fairly niche and not for everyone. The original Ricoh GR IV is an excellent pocketable camera for daily snapshots, street photography, and travel. The GR IV HDF trades the built-in neutral density filter for a diffusion filter for a more film-like look. And the GR IV Monochrome goes colorless for more drama – and less noise at high ISOs.

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Ricoh remains the last major manufacturer still supporting traditional mirror-based DSLR cameras. But new signs suggest another popular Pentax DSLR could soon disappear from the market – just three and a half years after its launch in November 2022 – and this would be a loss for beginners and enthusiast photographers.

Major Japanese retailers, including Map Camera, have marked the Pentax KF as a "discontinued product", raising concerns that Ricoh may be quietly winding down another DSLR model from its shrinking lineup. The KF is one of the only and most accessible beginner-friendly models available new in 2026.

That follows several other signs for Pentax users in recent months. The Pentax K-3 Mark III production ended in January, while retailers listed the Pentax K-3 Mark III Monochrome as discontinued in February. In April, signs also emerged that the Pentax K-1 Mark II could be nearing the end of its lifecycle after one of its kit bundles disappeared from retailers.

Pentax KF: discontinuation hints

For many photographers, the Pentax KF represents something rare in the modern mirrorless world: an affordable, weather-sealed DSLR designed for people who start or simply enjoy photography.

In our guide to the best Pentax cameras, we ranked the KF as the best Pentax DSLR for beginners thanks to its balance of price, ruggedness and enthusiast-friendly features.

The camera combines hybrid AF (autofocus) in Live View with 4.5-stop IBIS (in-body image stabilization), a vari-angle screen and built in flash.

While it doesn't dramatically outperform rivals on paper, the KF delivers the classic Pentax experience many photographers value: durable construction, tactile controls, and dependable cold-proof performance down to 14°F (-10°C).

It's also one of the last affordable APS-C DSLRs that is available brand-new in stores or online – a category that has rapidly disappeared as the camera industry continues shifting toward mirrorless systems.

Although Ricoh has not officially announced the KF's discontinuation, retailer availability is becoming increasingly inconsistent across major markets.

Current availability & prices of the Pentax KF body

Several US and UK stores now list the camera as backordered, limited stock, special order or awaiting stock, while some retailers have removed listings entirely.

A combination like this often signals the final stage of a camera's retail lifecycle before an official discontinuation is confirmed by the manufacturer.

For photographers who still prefer the DSLR shooting experience – particulary optical viewfinders, longer battery life and traditional handling – the Pentax KF may soon become harder to buy new.

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Even though compact cameras may be making a comeback, few models are as unusual as the Ricoh GR IV Monochrome – a premium APS-C compact camera that is missing something most photographers wouldn't want to lose: color. Instead, it exclusively shoots in black and white.

Now the specialist camera has added a fourth major accolade to its list of awards, taking home the Editor's Choice Technology Award at the Camera Grand Prix 2026 in Japan, organized by the Camera Journal Press Club.

The latest win follows a string of recent honors for the GR IV Monochrome, including the Good Design Award, the DGP Imaging Award in 2025, and the TIPA World Award for Best APS-C Compact Camera.

Editor's Choice Technology Award: Ricoh GR IV Monochrome

The Camera Grand Prix 2026 states: "The Ricoh GR IV Monochrome is the first monochrome-only compact camera equipped with an APS-C sensor. To perfect monochrome expression, it features a dedicated monochrome image sensor.

"Furthermore, by eliminating color filters and interpolation processing, it maximizes the superior optical performance of the GR lens, demonstrating its true value in monochrome photography with high resolution, rich tonality and low distortion.

"Additionally, the ND filter found in the GR IV has been replaced with a red filter built into the lens unit, enabling impressive photographic expression that resonates with photographers.

"As a model commemorating the 30th anniversary of the "RICOH GR" series, its unwavering commitment to pursuing the ultimate snap shooter was recognized by CJPC members as a truly outstanding and unparalleled product, and it was selected for Editor's Choice Technical Award for the Camera GP 2026."

Camera Grand Prix

The Camera Grand Prix, established in 1984, is organized by the Camera Journal Press Club – a group of technical editors representing leading Japanese photography magazines and websites.

The awards celebrate standout products released in Japan during the previous fiscal year, with seven prizes given out this year.

• Camera of the Year: Sony A7 V
• Lens of the Year: Sony FE 50-150mm f/2 G Master
• Readers Award Camera: Canon EOS R6 Mark III
• Readers Award Lens: Canon RF 45mm f/1.2 STM
• Editor's Choice Technology Award: Ricoh GR IV Monochrome
• Editor's Choice R&D Award: Sigma BF and Fujifilm X Half

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The Sony A7 V has sat at the top of a number of best-seller lists since its launch in late 2025 – and for good reason, considering its mix of performance and price. But the popular mirrorless camera sits in second place on the latest list of trending cameras from US retailer B&H after another rather famous camera: The Canon PowerShot G7 X Mark III.

In fact, looking at the top ten trending cameras at US retailer B&H for April 2026, more than half of the options are compact cameras, which outnumber mirrorless seven to three. The top trending cameras at B&H across all camera categories are:

• Canon PowerShot G7 X Mark III silver
• Sony A7 V
• Canon PowerShot G7 X Mark III black
• Fujifilm X100VI black
• Canon EOS R5 Mark II
• Canon EOS R6 Mark III
• Fujifilm X100VI silver
• Canon PowerShot G7 X Mark III with accessory kit
• Canon PowerShot ELPH 360 HS A black
• Canon PowerShot ELPH 360 HS A silver

The Canon PowerShot G7 X Mark III has been experiencing viral social media fame – but that rise in demand means the compact camera is hard to find in stock. The one-inch sensor point-and-shoot is still out-of-stock at B&H, but the rise up the ranks hints that the retailer may have been able to ship more backorders as Canon continues to increase production.

The G7 X Mark III isn’t the only viral compact camera on the list. The Fujifilm X100VI is also on the list multiple times – one for each color option. Unlike the G7 X Mark III, the X100VI has a 40MP APS-C sensor, but it does sacrifice a zoom lens for that larger sensor. The mix of tech inside and retro design outside has the Fujifilm compact selling so well that more than two years after its launch, it’s still hard to find in stock.

While high-tech point-and-shoots tend to be the most viral options, affordable point-and-shoots are making a return with the Canon PowerShot 360 HS A (known as the IXUS 285 HS outside the US), also in the top ten. Eliminating the mirrorless bodies and looking at B&H’s trending compact camera list, the viral Kodak Charmera also slides onto the list, along with the 40x zoom Canon PowerShot SX740 HS and the APS-C compact Ricoh GR IV.

Best-selling mirrorless cameras in the US

B&H is a retailer that’s popular among general consumers, not just dedicated photographers, so breaking up the trending list by category offers additional insight. The top trending mirrorless cameras for April 2026 are:

• Sony A7 V
• Canon EOS R5 Mark II
• Canon EOS R6 Mark III
• Fujifilm X-M5 with XC 15-45mm kit lens silver
• Canon EOS R6 Mark II
• Sony A7 IV
• Nikon Z8
• Sony A6700 bundle with accessories
• Fujifilm X-M5 with XC 15-45mm kit lens black
• Sony A6700 with 16-50mm lens and accessories

Looking at the list, there are a number of interesting trends. First, older generations remain popular as a more affordable option that still offers pro features. The Sony A7 V may be the top seller, but the older A7 IV is still selling well. The same goes for the Canon EOS R6 Mark III, with the R6 Mark II following just two paces behind.

A number of the trending cameras cross geographical borders. The Fujifilm X-M5 also sat at the top of a recent year-long best-seller list at a retailer in Japan. The X-M5 is Fujifilm’s most affordable current model mirrorless body, and the small viewfinder-free design also touches on the compact camera trend.

The Sony A6700, which pops up on the list twice with two different bundles, is also more budget-friendly – at least compared to the A7 V – with a smaller crop sensor design.

On the flipside, the only Nikon on the list isn’t a budget model but the pro-grade Nikon Z8.

Looking at monthly trending lists offers insight into what cameras are selling well – but monthly numbers can easily be swayed by temporary sale discounts. For example, the Nikon Z8 has been steeply discounted lately.

But, based on the monthly trends I’ve seen so far this year in the US and Japan, I fully expect cameras like the Sony A7 V, the R6 Mark III, the Fujifilm X-M5, the Fujifilm X100VI, and multiple PowerShot compact cameras to continue to be popular options as 2026 continues.

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A highly sought-after compact camera has claimed the top position in Japan's latest sales rankings – even as availability remains extremely limited.

The Fujifilm X100VI has once again surged to No.1 in Yodobashi's best-selling compact camera chart for the second half of April, despite being widely out of stock and frequently sold out since launch.

In many regions, the camera is still only available through backorders, making its top ranking even more notable – but it's not the only "hard-to-get" compact on the chart.

Yodobashi's top selling compacts (2nd half Apr)

1. Fujifilm X100VI Silver | Black
2. Sony ZV-1 II Black | White
3. Canon PowerShot G7 X Mark III Black | White
4. Canon PowerShot SX740 HS Lite Silver | Black
5. Kodak Pixpro C1 Black | Brown
6. Canon IXY 650 / Powershot Elph 360 HS A / Ixus 285 HS A Black | Silver
7. Panasonic Lumix TZ99/ ZS99 Black | White
8. Leica Q3 43
9. Ricoh GR IV
10. Leica Q3

A best-seller you can't easily buy

The Fujifilm X100VI has become one of the most in-demand compact cameras globally since its release in 2024, consistently selling out shortly after stock arrives.

Its popularity has been driven by a mix of retro styling, strong image quality, and premium build quality, making it a standout in the compact camera resurgence.

Just recently, I reported that the compact camera was rated at No.2 of Japan's best-selling cameras by Map Camera – including APS-C, MFT, and full-frame cameras.

It also won awards like the 2025 Red Dot Award. The jury noted: "With a 40.2 MP sensor and in-body image stabilisation, the FUJIFILM X100VI delivers high image quality even in low light conditions. The camera’s retro aesthetic is achieved through a tactile, analogue feel reminiscent of classic film cameras."

Stock shortages are shaping the rankings

Several other models in the top 10 are also affected by availability issues, including the Canon PowerShot G7 X Mark III (3rd), the Canon PowerShot SX740 HS Lite (4th), and the Ricoh GR IV (9th).

These models continue to appear in rankings partly due to backordered shipments, highlighting the ongoing supply constraints across the compact camera market.

The surge in demand for these compacts is not limited to Japan. Across the US and UK market, models like the X100VI and PowerShot SX740 HS Lite are sold out at major retailers.

However, the Ricoh GR IV is in stock at Amazon for $2,196.99 / £1,199.99, and the Canon PowerShot SX740 HS Lite is available at Amazon for $749 / £545.

With demand still outpacing supply, it remains to be seen how long the Fujifilm X100VI can maintain its top position – and whether competitors can regain ground once stock levels stabilize.

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Camera trends make one thing clear: photographers want big capabilities inside a pocketable chassis. Compact cameras with oversized sensors like the Fujifilm X100VI and Ricoh GR IV have sold so well that finding one in stock is a challenge.

But with the success of those models comes another question: Will the viral success of large-sensor compact cameras mean that more are on the horizon?

I’m not the only one wondering if the cameras topping the bestseller lists will spark more like it. Recent talk on Chinese social media has rumors swirling about another competitor to the X100VI and GR IV coming, but the rumor has no hints of what brand or when.

I don’t have much confidence in a rumor that comes without any actual details, but it raises an interesting question. Compact cameras have been resurgent for some time now and, based on bestseller lists and the latest CIPA data, I don’t think the trend is slowing down any time soon.

Large-sensor compacts offer far superior image quality to camera phones, yet come in a design that’s often much smaller than mirrorless cameras.

At the same time, even smaller mirrorless bodies and pancake lenses have risen with the trends – which makes sense, as sometimes a travel-sized mirrorless can be cheaper and easier to find than those out-of-stock viral compact cameras.

I wouldn’t be surprised if more brands are working on compact cameras with a large sensor based on trends alone. But as hard as viral cameras like the X100VI are to find in stock, I don’t want to see copycats.

I’d love to see a camera that balances sensor size with a bit of zoom, as APS-C compact cameras tend to have fixed lenses. The 1-inch sensor Canon G7 X Mark III and Sony RX100VII fit that bill, but there are a handful of pancake lenses for APS-C mirrorless that are relatively small – and while zoom would make a camera a little bigger, I don’t think it’s entirely impossible.

Another category that I would love to see is a waterproof camera with a larger sensor. GoPro is sort of doing that with the Mission 1 Pro and point-and-shoot grip, but I still think a waterproof compact with a larger sensor geared towards still photos would sell very well.

The one thing that I want, but don’t expect, is a lower price point. Compact cameras are in demand, which tends to drive up the prices. The Fujifilm X Half still felt a bit pricey at launch, with its one-inch sensor and limited pro settings, which is why I lean more towards a pancake on a mirrorless as an alternative to the most popular compacts.

If the trends are any indication, there’s plenty of demand and room for more large-sensor compact cameras. The question is whether photographers will actually get more choices – and from what brands.

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The Sony A7 V has sat at the top of a number of best-seller lists since its launch in late 2025 – and for good reason, considering its mix of performance and price.

But the popular mirrorless camera sits in second place on the latest list of trending cameras from retailer B&H after another rather famous camera: the Canon PowerShot G7 X Mark III.

In fact, looking at the top ten trending cameras at B&H for April 2026, more than half of the options are compact cameras, which outnumber mirrorless seven to three. The top trending cameras at B&H across all camera categories are:

• Canon PowerShot G7 X Mark III silver
• Sony A7 V
• Canon PowerShot G7 X Mark III black
• Fujifilm X100VI black
• Canon EOS R5 Mark II
• Canon EOS R6 Mark III
• Fujifilm X100VI silver
• Canon PowerShot G7 X Mark III with accessory kit
• Canon PowerShot Elph 360 HS A black
• Canon PowerShot Elph 360 HS A silver

The Canon PowerShot G7 X Mark III has been experiencing viral social media fame – but that rise in demand means that the compact camera is hard to find in stock.

The one-inch sensor point-and-shoot is still out-of-stock at B&H, but the rise up the ranks hints that the retailer may have been able to ship more backorders as Canon continues to increase production.

The G7 X Mark III isn’t the only viral compact camera on the list. The Fujifilm X100VI is also on the list multiple times – one for each color option.

Unlike the G7 X Mark III, the X100VI has a 40MP APS-C sensor, but it does sacrifice a zoom lens for that larger sensor. The mix of tech inside and retro design outside has the Fujifilm compact selling so well that, more than two years after its launch, it’s still hard to find in stock.

While high-tech point-and-shoots tend to be the most viral options, affordable point-and-shoots are making a return with the Canon PowerShot 360 HS A (known as the Ixus 285 HS outside the US) also in the top ten.

Eliminating the mirrorless bodies and looking at B&H’s trending compact camera list, the viral $35 Kodak Charmera also slides onto the list, along with the 40x zoom Canon PowerShot SX740 HS and the APS-C compact Ricoh GR IV.

Best-selling mirrorless cameras in the US

B&H is a retailer that’s popular among general consumers, not just dedicated photographers, so breaking up the trending list by category offers additional insight. The top trending mirrorless cameras for April 2026 are:

• Sony A7 V
• Canon EOS R5 Mark II
• Canon EOS R6 Mark III
• Fujifilm X-M5 with XC 15-45mm kit lens silver
• Canon EOS R6 Mark II
• Sony A7 IV
• Nikon Z8
• Sony A6700 bundle with accessories
• Fujifilm X-M5 with XC 15-45mm kit lens black
• Sony A6700 with 16-50mm lens and accessories

Looking at the list, there are a number of interesting trends. First, older generations remain popular as a more affordable option that still offers pro features.

The Sony A7 V may be the top seller, but the older A7 IV is still selling well. The same goes for the Canon EOS R6 Mark III, with the Mark II following just two paces behind.

A number of the trending cameras cross geographical borders. The Fujifilm X-M5 also sat at the top of a recent year-long best-seller list at a retailer in Japan. The X-M5 is Fujifilm’s most affordable current mirrorless body, and the small viewfinder-free design also touches on the compact camera trend.

The Sony A6700, which pops up on the list twice with two different bundles, is also more budget-friendly – at least compared to the A7 V – with a smaller crop sensor design.

On the flipside, the only Nikon on the list isn’t a budget model but the pro-grade Z8.

Looking at monthly trending lists offers insight into what cameras are selling well – but monthly numbers can easily be swayed by temporary sale discounts. For example, the Nikon Z8 has been steeply discounted lately and is currently still listed for $900 off.

But, based on the monthly trends I’ve seen so far this year in the US and Japan, I fully expect cameras like the Sony A7 V, the R6 Mark III, the Fujifilm X-M5, the Fujifilm X100VI, and multiple PowerShot compact cameras to continue to be popular options as 2026 continues.

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Compact cameras are selling so well right now that finding one in stock is a challenge – but the newest list of bestsellers from Japan carries a common theme: Zoom.

Japanese retailer Yodobashi recently shared the list of bestselling compact cameras for the first half of April 2026. With a number of major camera brands headquartered in Japan, sales data from the region often hints at trends in the camera industry.

The latest list is topped by cameras that offer a zoom lens. Zoom has been traditionally much harder to find from smartphone cameras – though there are an increasing number of smartphones with big zoom ranges, like the Leica Lietzphone.

Vlogging cameras, budget options, and large sensors are also common themes in Japan’s current best-selling compact cameras.

Compact cameras with zoom are among the trendiest options

The list is topped by the Canon PowerShot SX740 HS, a point-and-shoot that mixes a 40x optical zoom with a 20.3MP 1/2.3-inch sensor and a pocketable design. While the retailer delivered enough backorders for the camera to sit at the top of the listings, the compact is out of stock. The camera is similarly out of stock at Canon’s US and UK webstores, hinting at high demand.

The Panasonic TZ99 / ZS99, which sits in the fifth place spot on the best-seller list, is also heavy on zoom. The camera puts a 30x optical zoom into a pocketable camera with a 1/2.3-inch sensor – and unlike Canon’s 40x compact zoom camera, it’s easy to find in stock.

Pairing a larger sensor with a zoom lens is a challenging balance, but it’s one that the Sony RX100 VII, which sits in eighth place, balances well. The camera is a 2019 launch, but the pocketable camera has an unusual mix of a larger one-inch sensor with a versatile 28-200mm equivalent optical zoom and 20 fps burst speeds. Another rare feature is that it still has a hidden pop-up viewfinder.

The OM System Tough TG-7 – one of the most recommended waterproof cameras – offers an entirely different feature that’s hard to find on smartphones: a waterproof and shockproof design. The camera also has a 4x optical zoom – and a fantastic macro mode. It sits in 6th place.

Vlogging cameras are selling well

The zoom theme continues – albeit to a lesser extent – with the second-place model on the list, the Sony ZV-1 II. The ZV-1 II’s zoom lens is a smaller 2.7x, 18-50mm equivalent range, but it’s paired with a larger one-inch sensor. The ZV line is geared towards vloggers with its 4K video features, though it can still snap still photos as well. Unlike the SX740, the ZV-1 II is easier to find in stock.

Canon’s more video-oriented PowerShot also makes the list, as the V1 slides into 7th place. Yodobashi notes that it’s the PowerShot V1’s first time back on the after dropping out of the top ten for two months. While geared more towards video, the PowerShot V1 balances a 1.4-type with a lens that still has a bit of zoom with a 16-50mm equivalent.

Budget cameras remain popular

Canon’s most affordable compact camera slides in third. The Canon IXY 650, which is called the PowerShot 360 HS A in the US, is the brand’s most affordable point-and-shoot. While it doesn’t have the zoom of the SX740 HS or the larger sensor of the G7 X Mark III, the more affordable PowerShot slides in with a 12x optical zoom and 20.2MP 1/2.3-inch sensor.

Budget cameras remain a popular option within the compact camera category – the Kodak PixPro C1 also slides into the top five. The affordable compact has a retro pocketable design, but the zoom is only digital, and image quality – and versatility – is limited.

Large sensor compacts are still in demand, but hard to find

Two Ricoh GR series cameras round out the list in the ninth and tenth place spots: The GR IV and the GR IV Monochrome. Both of the APS-C sensor compact cameras are out of stock at Yodobashi – suggesting that if availability weren’t so limited, those cameras perhaps could have appeared higher on the list.

The full list of best-selling compact cameras for the first half of April 2026 at Yodobashi includes:

1. Canon PowerShot SX740 HS
2. Sony ZV-1 II
3. Canon IXY 650m / PowerShot 360 HS A
4. Kodak Pixpro C1
5. Panasonic Lumix TZ99 / TS99
6. OM System TOUGH TG-7
7. Canon PowerShot V1
8. Sony RX100 VII
9. Ricoh GR IV
10. Ricoh GR IV Monochrome

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If you love the look of the Ricoh GR IV but not so much the $1,499 / £1,199 / AU$2,199 price tag (or the fact that it's sold out pretty much everywhere), George Holden is here to help.

The YouTuber and street photographer has put together a budget-friendly alternative to the GR IV, promising snap-shooting supremacy for just $200.

"I went down to the camera graveyard, dug up the head of a Magnum Photos Prodigy, and stuck it to the body of the local village idiot to create what is my fake Ricoh GR IV," says Holden in his video (which you can watch below).

The village idiot in question? The Olympus PEN E-PL6 – a pocket-sized interchangeable lens camera from 2013 with a 16MP Micro Four Thirds (MFT) sensor.

George picked this up for $106 / $80 / AU$149 on a trip to Japan.

"So, because of the great deal I got on this camera, I ended up going with the Lumix 14mm f/2.5 lens," which has an equivalent 28mm focal length (thanks to the 2x MFT crop factor) and is one of the best pancake lenses ever made.

"With this camera and lens combination, we now have a small mirrorless camera much like the Ricoh GR IV with the same 28mm full-frame field of view as the Ricoh GR IV's fixed lens. However, these cameras are far from equal in every way."

Holden highlights the obvious sensor differences, with the GR IV having a 26MP APS-C chip that benefits from over a decade of sensor development.

It also has 53GB of internal memory, an integrated ND filter, along with WiFi and Bluetooth connectivity. But if you listen to Ricoh's marketing spiel, the most important thing on the GR IV is Snap Focus.

Of course, Snap Focus is just a brand name version of zone focusing. So George assigned one of the E-PL6's customizable buttons to manual focus and, with a bit of clever shooting, neatly replicates the Ricoh feature.

He also points out that, despite being a camera from 2013, the Olympus actually has some features that the Ricoh lacks.

It has a touchscreen with touch-focus, face detect AF, a tilting LCD, double the burst shooting speed (8fps)… but there are also a few compromises and omissions, such as the lack of any exposure dials.

Still, you can't argue with the images that Holden produced with his poor man's GR IV. Take a look at the video and decide for yourself: when you can get such similar results from a $200 kit, do you really need a $1,500 camera?

If you're not already following him, I highly recommend checking out George's YouTube channel – especially if you're a fan of compact, street-friendly cameras and MFT bodies.

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New tech isn’t the only thing that has the list of best-selling cameras looking quite different from just a few years ago – trends for compact cameras and retro designs seem to have played a massive role in which cameras are coming out on top. A major retailer in Japan has just shared a year’s worth of best-selling cameras, and the list makes it clear that camera trends go well beyond the spec sheet.

Map Camera, a large retailer based in Japan where several major camera companies are headquartered, recently shared the list of best-selling cameras from the last fiscal year, between April 2025 through March 2026. And while the list contains several names that I expected to see, I wouldn’t have predicted how heavily the list is dominated by compact retro designs, nor that a brand outside of the three biggest names would take nearly half the top ten spots.

According to Map Camera, the best-selling cameras between April 2025 and March 2026 are:

1. Fujifilm X-M5
2. Fujifilm X-E5
3. Nikon Z5II
4. Sony A7 V
5. Fujifilm X100VI
6. Fujifilm X Half
7. Sony A7C II
8. Ricoh GR IV
9. Ricoh GR IIIx
10. Canon EOS R6 Mark II
11. Fujifilm X-T5
12. Nikon Zf
13. Fujifilm X-T30 III
14. Nikon Z50 II
15. Canon EOS R6 Mark III
16. OM System OM-3
17. Nikon ZR
18. Sony A7 IV
19. Canon EOS R5 Mark II
20. Fujifilm GFX100RF

I’m a Fujifilm shooter myself, but I was still surprised to see that’s the brand listed most on the list. I would have predicted the impossible-to-find-in-stock X100VI would be on the list alongside its mirrorless equivalent, the X-E5.

But the X Half had some mixed reactions at launch – it’s more affordable and retro, but doesn’t have RAW. The medium format GFX100RF is an excellent camera, but the price of medium format tends to make the genre a rarity among best seller lists. Yet, both of those cameras have been selling well in Japan.

Fujifilm’s most affordable – and most compact – current model takes the number one spot with the X-M5. The X-M5 doesn’t have Fujifilm’s best specs at 26.1MP with no viewfinder, but it’s small, affordable, and stylish, three things that have undoubtedly led to strong sales.

The X-E5 has fewer compromises than the X-M5 but is still rather compact – and it’s really the closest mirrorless to the viral X100VI compact camera. The X-T5 is Fujifilm’s retro SLR-inspired camera, and it has the weather-sealing and dual card slots that the X-E5 lacks. The X-T30 III likely makes the list for one of the same reasons as the X-M5 – it’s a more affordable but still capable option.

Nikon is also holding its own on the list. I’m not surprised that the Nikon Z5 II is the brand’s best-seller in Japan. The camera offers a full-frame sensor at a more affordable price point, and the low-light autofocus rating beats even pricier cameras.

The Nikon Zf also makes the list – which I find unsurprising because it’s one of the few retro-styled mirrorless cameras that offer a full-frame sensor. The Z5 II’s little sister, the Z50 II, also makes the list, along with the video-focused Nikon ZR.

The Sony A7 V is another camera that I would have predicted would hit the list – it’s been dominating Japan’s monthly ratings since its launch in December. The camera was only available for a few months out of the time period tracked by Map Camera – I suspect it may jump up a few spaces on the 2026 annual list.

Sony’s smaller full-frame camera, the A7C II puts a full-frame sensor inside and the rising trend for smaller camera systems. The Sony A7 IV, a longstanding favorite, also makes the list.

The Ricoh GR IV and older but longer-lensed GR IIIx is another camera duo that I would have expected to see on the list – but perhaps not so high up. The cameras pack APS-C sensors into a tiny design, and, like the X100VI, they are difficult to find in stock.

Perhaps the biggest surprise is that Canon nearly missed the top ten entirely – unusual considering Canon has been the number one seller of interchangeable lens cameras for 23 years. I wouldn’t let the rankings worry Canon fans, though – Canon has been posting record camera sales lately, so Canons are still clearly a popular choice.

The Canon R6 Mark II was the best-selling Canon mirrorless for the retailer, and its replacement the R6 Mark III – whose recent launch means it didn’t have 12 months of sales like some other models – also ranks high on the list.

The R6 series’ big sister, the R5 Mark II, also slides onto the list at 19th place.

There's just one Micro Four Thirds camera on the list: The OM System OM-3, a capable camera that blends the retro and compact trends nicely.

Camera sales in Japan don’t always translate to other regions, but with many camera brands based in Japan, the region’s best-seller lists are ones that photographers tend to watch.

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After winning both the Good Design Award and the DGP Imaging Award last year, the Ricoh GR IV has now added another major accolade to its growing list – this time being named Best APS-C Compact Camera at the Technical Image Press Association (TIPA) World Awards.

The TIPA World Awards recognize the best new photo and imaging products each year, celebrating innovation in technology, design, and user experience across the industry.

The winners are decided at TIPA's General Assembly, where leading photography publications – including Digital Camera World – vote on the most impressive launches. Out of 40 categories, the Ricoh GR IV was named the leading APS-C compact camera.

Why the Ricoh GR IV stands out

The Ricoh GR IV was praised by the TIPA for its compact yet highly capable design.

"Housed in a compact magnesium alloy body, the Ricoh GR IV delivers exceptional image quality in a truly pocketable form. Built around a high-performance APS-C sensor and sharp GR lens, it produces crisp detail, rich colour, and impressive dynamic range."

Beyond image quality, its fast AF (autofocus) and responsive, intuitive handling make it especially popular with street, travel, and everyday photographers. The combination of refined ergonomics and a non-nonsense shooting experience has long defined the GR series – a philosophy that became a cult formula.

Other standout features include 5-axis image stabilization, a built-in 2EV ND filter, and an ultra-fast shutter speed of up to 1/16000sec. While the GR IV was limited to a slower maximum shutter speed of 1/4000sec, the latest firmware significantly extends its capabilities.

The DGP Imaging Awards – Japan's leading competition for digital imaging excellence – highlighted: "The GR IV represents a complete new renewal – from the image sensor and processor to the lens and AF system – yet it never strays from the simplicity that defines the series."

In the words of the Good Design jury: "This sense of balance is truly masterful. The pioneering spirit of a quality compact digital camera is clearly evident in its deliberately unchanged design image and its refined details."

The TIPA also highlighted the Ricoh GR IV HDF, which introduces a built-in Highlight Diffusion Filter. With this, switching between crisp clarity and a softer, more cinematic rendering in-camera is possible.

Alongside it, the Ricoh GR IV Monochrome caters to dedicated black-and-white shooters, offering a more accessible alternative in a market where specialist monochrome cameras often sit at a premium price point.

The Ricoh GR IV was one of the most anticipated compact cameras of 2025, arriving six years after its predecessor.

For many photographers, it marks a long-awaited evolution of a well-loved formula – refining rather than reinventing the compact camera concept that made the GR series so popular in the first place.

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The pocketable design and APS-C sensor has propelled the Ricoh GR series to legendary popularity. But the Ricoh GR isn’t one camera – it’s five (six if you count an Urban Edition).

The Ricoh GR series is an easy choice as one of the smallest APS-C cameras around. Choosing between the Ricoh GR IV, GR IV HDF, GR IV Monochrome, GR IIIx, and GR IIIx HDF feels a bit more complicated.

But I’ve used most of the Ricoh GR series – including the GR IV HDF, GR IV Monochrome, and the GR IIIx – and choosing one from the trendy series isn’t as daunting as it sounds.

The Ricoh GR IV: The “base” model

Best all-arounder

The Ricoh GR IV is the standard, current model in the GR series, released in 2025. The camera continues the GR series legacy of large sensors in tiny bodies, putting a 25.74MP BSI CMOS sensor and a 28mm equivalent lens into a camera that weighs just 262g.

The GR IV upgrades the sensor from the GR III series, though the change in resolution is a minor 24.2MP up to 25.4MP. The bigger upgrade is the new processor, the GR Engine 7. The GR IV has a noticeable improvement in autofocus performance and stabilization.

But, there’s still a lot that hasn’t changed. With 4fps and 1080p video, the GR series still isn’t made for action or video – it’s designed for street and documentary photography.

One of the biggest things to note is the lens. The GR IV uses a 28mm equivalent f/2.8 lens. That’s a wide view that’s good for street photography and landscapes, but less ideal for genres like portraits.

The Ricoh GR IV HDF: The film-like filter

The best GR camera for a film-like look

There’s really only one key difference between the Ricoh GR IV and GR IV HDF: the filter that’s included. The base model uses a built-in ND filter, which is helpful for getting long exposures during the day.

The HDF model trades that out for a diffusion filter. Diffusion filters soften the light,k creating “blooms” that give light sources a lovely glow. If you’re after a film-like look, the GR IV HDF is the right choice – just know that it doesn’t have the ND filter of the base model. The sensor, the processor, the size – everything else is the same. You could put your own HDF filter on the GR IV, but that requires buying an adapter that makes the camera quite a bit larger.

One other difference? The GR IV HDF is slightly more expensive than the GR IV.

The Ricoh GR IV Monochrome: Iconic Black & White

The best Ricoh GR camera for low noise and black-and-white photography

The Ricoh GR IV Monochrome has one major difference that’s right in the name: this is a black-and-white-only camera that can’t shoot color images.

Most digital cameras can switch back and forth between color and monochrome modes, so why create a camera that can’t shoot in color at all? Removing the filter that allows the sensor to see colors means there’s one less layer between the light and the sensor.

I had my doubts that such a simple change would be very noticeable, but I was quite surprised when I shot the GR IV HDF and GR IV Monochrome side-by-side and compared the images. The GR IV Monochrome has much less noise, even at low ISOs. The DNG files were also quite flexible with the highlights and shadows.

Black-and-white cameras aren’t for every photographer. But I wasn’t sure that I would like the GR IV Monochrome – and then I was actually quite enamoured with it, once I got it in my hands. If you want to shoot black-and-white documentary photography that needs little editing, then the GR IV Monochrome is an excellent option.

Instead of an HDF filter or an ND filter, the Monochrome has a built-in red filter. This adds a lot of contrast, particularly with the way it renders blue skies.

Like the GR IV HDF though, the GR IV Monochrome is more expensive than the base model – Ricoh says creating this camera wasn’t a simple matter of removing the filter, but ensuring the sensor and lens were calibrated for the best results.

The Ricoh GR IIIx: The older but longer lens model

The best Ricoh GR camera with a 40mm lens

While Ricoh has discontinued the GR III, the GR IIIx has not been discontinued. The GR IIIx has one key difference from the GR III: The lens. The GR IIIx uses a 40mm equivalent lens instead of a 28mm.

The 40mm focal length is widely considered to be fairly similar to what the human eye sees. So while the GR IV sees a wider view, the GR IIIx has a closer crop that feels more like what you see with your eyes. That longer lens is better for genres like portraits and getting in a little closer on street scenes.

The longer lens makes the Ricoh GR IIIx slightly heavier than the GR III, but actually a fairly even match weight-wise with the Ricoh GR IV. This camera also has a conversion kit that allows it to capture an even closer view.

But, as the “III” suggests, the GR IIIx has the older sensor and processor – and of course, it’s not clear when a GR IVx may arrive. Still, I prefer the longer lenses to wide angles, so the GR IIIx is still very much a valid option. And as an added bonus, as the older model, it’s often more affordable than the GR IV.

Check the price of the Ricoh GR IIIx Urban Edition too – this camera is internally the same as the GR IIIx, but the special edition has a metallic gray color and a blue lens ring. The other differences, like the “Snap Distance Priority Mode” were added to the standard model with a firmware update.

The Ricoh GR IIIx HDF: The longer lens diffusion model

A longer lens and a more film-like look

Take the GR IIIx and add the same HDF filter from the GR IV HDF, and you have the GR IIIx HDF. This has the longer lens, but again swaps out the ND filter for the diffusion filter for glowing light sources and a more film-like look.

I’ve used most of the current model GR series cameras now, and while the sheer number sounds daunting, the differences between the options are fairly straightforward. The Ricoh GR IV is an excellent all-arounder, the GR IV HDF the more film-like. The GR IV Monochrome is stellar for black-and-white documentary shots. And I still love the longer 40mm lens from the GR IIIx, which also comes in an HDF variant.

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For more inspiration, browse the best APS-C compact cameras or the best black-and-white cameras.

The Sony A7 V has topped best-seller lists since its launch at the end of the 2025 – and one retailer in Japan says the full-frame mirrorless isn’t just attracting creators using older A7 cameras but photographers switching from other brands.

The insight comes from Map Camera, a major camera retailer in Japan. While sales trends in Japan – and just from one retailer – don’t always translate to other markets, with many major camera manufacturers based in Japan, the region’s sales lists tend to carry some clout. (And the Sony A7 V has similarly been a best-seller in the US.)

The retailer says that the Sony A7 V’s March sales figures exceeded the previous month, noting that while many shoppers were upgrading from previous A7 models, others were first-time Sony users. “The Sony phenomenon that has swept through the market with each new model release in the A7 series is once again powerful,” the retailer wrote (translated by Google).

While Sony’s most recent mirrorless camera is topping the best-seller list in Japan, the A7 V isn’t the only camera from the brand on the list of top ten. The next Sony on the list is from the fall of 2023, the Sony A7C II, a more compact model in the brand’s line-up, while the crop sensor Sony A6700 also came in on the list at ninth place. The model before the A7, the A7 IV, was also the retailer’s best-selling used camera for March.

Looking at the rest of the March bestsellers, a clear trend continues to emerge: size matters, as many of the top sellers are smaller mirrorless bodies, along with three compact cameras.

The March 2026 best-sellers at Map Camera include:

1. Sony A7 V
2. Fujifilm X-T30 III
3. Fujifilm X-E5
4. Sony A7C II
5. Canon PowerShot SX740 HS
6. Ricoh GR IIIx
7. Fujifilm X-M5
8. Ricoh GR IV
9. Sony A6700
10. Nikon Z5 II

Matching Sony with three cameras on the list, Fujifilm’s best-seller hits are all mirrorless cameras with a design that focuses on smaller bodies. The Fujifilm X-T30 III is arguably best described as a happy medium camera – it’s rather compact, but it still has a viewfinder; it doesn’t have the most advanced specs, but it’s one of the brand’s more affordable mirrorless cameras.

The X-T30 III is followed by the Fujifilm X-E5, which is the mirrorless that’s arguably closest to the bestselling X100VI compact camera, which is still hard to find in stock. Coming in at 7th place is the X-M5, which is both Fujifilm’s most compact and most affordable current mirrorless body.

The only Canon on the March list is the Canon PowerShot SX740 HS. It’s unsurprising to find a PowerShot on the best-seller lists, considering the return of the compact camera – even if it is one from 2018. But, photographers may be more surprised that the Canon EOS R6 Mark III, which launched around the same time as the A7 V, hasn’t made the list despite being a top seller in the US.

Two Ricoh GR compact cameras make the list. Interestingly, it’s the older, longer lens GR IIIx that ranks the highest – although that could be because the new GR IV is being released in limited quantities, along with differences in the price and lens.

Nikon slides into the list in the tenth place spot – but it’s not surprising to see the Z5 II on the list, with its balance between price and features, including a highly-rated low-light autofocus.

Choosing a new camera should be about the features, not the trends, but the bestseller lists can hint towards key trends in the camera industry.

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Take a look at our top picks for the best mirrorless cameras or the best compact cameras.

DSLRs are steadily disappearing from the modern camera market – and now there are growing signs that this full-frame flagship could be next.

Ricoh remains the only major manufacturer still committed to mirror-based cameras, but recent developments suggest its lineup may be shrinking – again. Following a series of discontinuities, new clues point to the K-1 Mark II potentially being on the way out.

The popular DSLR kit with the 28-105mm f/3.5-5.6 lens is now listed as 'discontinued' at major Japanese retailers, including Bic Camera, and marked as 'completed product' at Kitamura. Could the K-1 Mark II body-only version soon follow?

Discontinuation hints

Last year, the production of the Pentax K-3 Mark III ended, followed in March 2026 by the Monochrome version – a niche model that had only been on the market for around three years.

Now that the K-1 Mark II lens bundle has left the market in Japan, it's fueling speculation that the full-frame DSLR could be next.

It's important to note, however, that a bundle being discontinued doesn't automatically mean the camera body will follow – factors like new lens versions, updated bundles, or changes in retail strategy can also play a role.

That said, this pattern is common in the camera industry – and it could fuel even more rumors for a successor. Combined with mixed signals from retailers in the US and UK – some showing 'limited stock' or 'special order' – it suggests that overall K-1 Mark II availability is gradually shrinking.

Current availability & prices

So, for anyone considering a K-1 Mark II, now is a good time to buy a sealed DSLR rather than relying on the second-hand market, which could become the only option if global stock continues to shrink.

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Browse the best Pentax cameras and the best Pentax lenses. Also, take a look at the best DSLRs and the best full-frame DSLRs.

Compact cameras have become so trendy that the most popular models come with “out of stock” warnings and long waiting lists. But when it comes to the most popular compact camera that’s actually possible to buy, one retailer in Japan thinks it has the answer: The Sony ZV-1 II.

The insight comes from Japanese retailer Yodobashi’s top ten best-selling compact camera list for the first half of March 2026. The Sony ZV-1 II isn’t the first camera in that list, but removing four compact cameras that are perpetually out-of-stock that had a large shipment to waiting list customers propels the ZV-1 II to the top.

The most popular compact cameras at Yodobashi

According to Yodobashi, these are the best-selling compact cameras for the first half of March 2026:

1. Canon PowerShot SX740 HS (backordered)
2. Sony ZV-1 II
3. Kodak Pixpro C1
4. Panasonic Lumix TZ99 / ZS99
5. Canon PowerShot G7 X Mark III (backordered)
6. Canon IXY 650 / ELPH 360 HS
7. Ricoh GR IIIx (backordered)
8. OM System Tough TG-7
9. Fujifilm X100VI (backordered)
10. Sony RX1R III

The Canon PowerShot SX740 HS, PowerShot G7 X Mark III, Ricoh GR IIIx, and Fujifilm X100VI are cameras that are so popular, that they’re out-of-stock at Yodobashi, but the retailer notes that shipments for the customers who have backorders propelled those four cameras back up to the top of the list.

Those four hard-to-find cameras don’t come as much of a surprise. The Canon PowerShot G7 X Mark III has achieved viral status that makes it hard to find, despite the manufacturer increasing production, a trend that has bled into other PowerShots like the SX740 HS.

The Ricoh GR III has been replaced with the GR IV, but the GR IIIx, the version of the compact camera with a longer lens, has not. Like the new GR IV, the older long lens compact camera is still challenging to find in stock.

The final backordered camera on the list is the Fujifilm X100VI, which is now more than two years old, but its viral status continues to make the compact camera with an APS-C sensor and retro dials hard to find.

Popular compact cameras that are actually in stock

Eliminate all those cameras that are hard to find, and what’s left? Well, that list of popular compact cameras that are actually easy to find in stock starts with the Sony ZV-1 II.

The ZV-1 II is more of a vlogging compact camera than the stills-oriented RX100 VII, but the vlogging camera is more affordable than the RX100 series. The ZV-1 II still packs in a 20.1MP one-inch sensor and 18-50mm lens, along with a flip-out screen.

Next on the list, the Kodak Picpro C1 combines several trends together – it’s a point-and-shoot, but it also has a classic look, carries the Kodak name, and comes in at an affordable price point.

The Panasonic Lumix TZ99 / ZS99, a compact camera with a 30x zoom lens, also makes an appearance on the list – and not for the first time. The popular zoom compact has topped the Yobodashi list before, but falls to fourth in March. Panasonic has announced the ZS300 / TZ300 since the bestseller list closed March 15, so it will be interesting to see if the new launch makes an appearance on upcoming bestseller lists – it has half the zoom of the TZ99 / ZS99, but uses a larger one-inch sensor.

The only PowerShot not backordered on the list is the Canon IXY 650, which is called the ELPH 360 HS in some regions. It’s a more affordable model with specs behind the SX740 HS and G7 X Mark III.

The OM System Tough TG-7 – my personal favorite beach camera – also remains among the trending models in Japan. The TG-7 doesn’t pack a larger sensor like some advanced compacts, but the ability to go more places with its waterproof body.

Finally, rounding out the list is a luxury, high-end compact: The Sony RX1R III. The RX1R III packs a 61MP full-frame sensor into a compact body with a 35mm f/2 lens – and comes with a price tag to reflect those high-end specs.

Bestseller lists can be influenced by factors like temporary sales and discounts, as well as stock issues, but watching the lists as they come out offers some hints as to which cameras are most popular – the Yobodashi list regularly hints towards what’s trending in Japan.

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Don't buy a camera just because it's trendy – these are the best compact cameras, as selected by real photographers.

If there’s a photo style that will never go out of style, it’s black and white photography. But, when I had the chance to try a camera with a dedicated monochrome sensor for the first time, I wasn’t sure what to expect – so I shot with its color sibling at the same time. I spent two weeks shooting with both the Ricoh GR IV HDF and the GR IV Monochrome.

The Ricoh GR IV series looks so similar that I could barely tell the two cameras apart – the lack of color on the GR logo on the front and the Red Filter shortcut on the back is what gives the Ricoh GR IV Monochrome away, at least without powering the cameras on.

Nearly every modern digital camera can shoot in black-and-white in-camera by switching the color profile to a black-and-white option. But the Ricoh GR IV Monochrome can’t see color at all. It’s missing the color filter array that allows digital cameras to see in color.

The missing color array on the GR IV Monochrome means the camera can’t shoot color – though there are multiple monochrome color profiles to choose from. Why take the time to build tech that can’t shoot in color in the first place, when color cameras have a monochrome mode? Eliminating the color filter array allows more light to come through and hit the sensor.

I wasn’t sure just how much of a difference that missing color filter would make, but I was blown away when I examined the images up close. The images from the GR IV Monochrome were much cleaner, with not only less noise but also smaller, smoother grain in the high ISO shots.

What I found even more surprising is that the difference was even noticeable at base ISO – the GR IV Monochrome can shoot as low as ISO 160, and the GR IV HDF at ISO 100. Still, the Monochrome camera had far less noise.

Looking at the RAW files, I could also brighten up the shadows on the GR IV Monochrome quite a bit more than the shadows on the GR IV HDF, even when using a black-and-white profile on the color camera.

The difference is one that’s best viewed by looking at the photos in full resolution. I’d be hard-pressed to tell which photo came from which camera in, say, an Instagram post.

The Ricoh GR IV Monochrome was my first experience with a dedicated monochrome camera – and I certainly didn’t hate it. If I wanted a documentary-style camera that churned out JPEGs that didn’t need retouching, the GR IV Monochrome would be on my short list.

I loved shooting with the GR IV HDF too – and I’m particularly fond of the positive film color profile. Some scenes are just better in color.

I never thought I would have trouble choosing between a more expensive monochrome camera and a more affordable variant that can shoot in both color and black-and-white. But, after trying both cameras, I suddenly understand the hype behind monochrome-only cameras.

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For a deeper comparison between the two cameras, read the Ricoh GR IV Monochrome review. Or, dive into the Ricoh GR IV HDF review, or, if you prefer a built-in ND filter over a diffusion filter, the Ricoh GR IV review.

If there’s a filter that stays on the end of my favorite lens more often than not, it’s a warm diffusion filter. But compact cameras are a bit harder to outfit with filters, which is why the Ricoh GR IV HDF has one built right in.

The specs on the Ricoh GR IV HDF are a near-identical match for the camera without the HDF in the name. The key difference? Ricoh included a built-in HDF filter that can be turned on and off with a press of a button to create softer blooms of light and taper that modern camera sharpness.

I spent two weeks with the Ricoh GR IV HDF – a rental provided by LensRentals – and that built-in HDF makes this pocketable camera feel more film-like than the original.

Ricoh GR IV HDF: Specifications

Ricoh GR IV HDF: Price

The addition of a built-in diffusion filter doesn’t come without a cost, as the Ricoh GR IV HDF sits at a slightly higher price point than the original GR IV. In the US, it’s about $100 more, about £100 more in the UK, AU$200 in Australia, and CA$100 more in Canada.

That puts the Ricoh GR IV HDF at a price of about $1,599 / £1,299 / AU$2,399 / CA$1,999. Demand for the GR IV series has been high since launch, so be wary of third-party sellers asking for more than that list price.

Ricoh GR IV HDF: Design & Handling

The variants of the Ricoh GR IV are near mirror images of each other – which means the GR IV HDF has the same iconic compact size of the original GR IV. The camera weighs just 9.2 oz / 262g with a battery and microSD card installed.

Despite housing an APS-C sensor that’s more often found in mirrorless cameras than compact cameras, the GR IV HDF is a pocketable camera; it is just 1.3 inches / 32.7mm deep – the only measurement that’s not smaller than the dimensions of my iPhone 15 Pro.

While the camera looks like a basic point-and-shoot, it still has a hot shoe slot, a dial housing manual and auto modes, and two wheels for adjusting exposure settings. The grip is fairly shallow, but it’s more comfortable to hold than my smartphone.

At the back of the camera, controls for exposure compensation sit right at my thumb. The HDF filter is turned on and off with a quick press of the Fn button, plus the menu arrows double as shortcuts for things like ISO and macro mode.

The reason I love the built-in HDF? The camera only supports filters with an adapter, which makes the camera less pocketable. With the GR IV HDF, a diffusion filter is there right with the press of a button.

Ricoh was able to cram a good amount of features into such a small camera. I did miss having a viewfinder at times, and I always find the microSD card format a bit of an annoyance. But I think those sacrifices are largely worthwhile to put such a big sensor (and bright lens) into something that looks more like a basic point-and-shoot than a mirrorless camera.

The GR IV HDF isn’t cheap, though, and the build isn’t that of a budget point-and-shoot. The camera’s body feels metallic, and there’s a subtle pebbled texture to the grip. One minor gripe? Weather-sealing was also left out for the sake of size, so while the camera is small enough to go anywhere, it’s not built to go out into rain, snow, or dusty/sandy conditions.

Ricoh GR IV HDF: Performance

The Ricoh GR IV HDF isn’t a jack-of-all-trades sort of camera. It’s built to be a compact camera with a big sensor for street photography, documentary photography, and travel. The GR IV HDF isn’t a sports camera or action camera – and neither were its predecessors. It snaps photos as fast as 4 fps, which feels a bit like the camera speeds of 15 years ago. That’s not news for fans of the Ricoh GR series, however, as the compact camera was never really built for speed.

But, I did find a noticeable improvement in the GR IV HDF’s autofocus performance compared to the GR III HDF. The camera seemed to lock on a bit faster than the earlier model and had fewer misses. In low light and in macro mode, the focus noticeably lags a bit more. Still, even at a walking pace, the camera tends to drop focus with subjects moving towards the camera.

Like the original GR IV, the Snap Focus is a helpful mode that simplifies the longstanding practice of zone focusing. Using this mode, you tap the screen to focus on a distance, and the focus is then locked in at that distance. On the side of the screen, a green marker will show the range of distances that are in focus, based on your focus point and aperture settings.

Upgraded stabilization also gives the camera a nice boost, both in low light and to create some motion blur without a tripod.

With the same lens and sensor as the original GR IV, image quality is identical between the two cameras, with one exception: The built-in HDF, or highlight diffusion filter. Diffusion filters are one of my favorite tools for getting a film-like look – it spreads the light out into softer “blooms” of light and softens the modern camera's sharpness just a bit. The original GR IV has a built-in ND filter instead, useful for darkening long exposures, which the GR IV HDF lacks.

The Ricoh GR IV doesn’t have traditional filter threads as a compact camera, so the ability to get the softer look at the press of a button is a fantastic tool to have. With the filter activated, images are a little less sharp and light sources spread out much further.

This creates a more film-like look – which I was particularly fond of when I swapped the camera’s color profile to “positive film” which offers warmer, richer colors than the more neutral standard profile. I really loved the colors in this setting; it’s a color profile that I feel didn’t really need to be adjusted much in post and was ready-to-go right as JPEGs.

Otherwise, image quality performance is on par with the original GR IV. With a built-in lens tailored specifically for that sensor, sharpness is excellent, even at the widest aperture and towards the corners. If that’s too sharp, the HDF filter is there for a softer look.

The wider lens is excellent for street photography and landscape captures, though I spotted some of that classic wide-angle distortion when trying the camera at more classic portraits. There’s still some background separation – not the kind that you’d find with a longer focal length, but an impressive bit of pop for a pocketable camera.

High ISO performance is solid, thanks to the APS-C sensor and conservative resolution. Shots at ISO 64000 are still plenty usable, and while noise is noticeable, I wouldn’t call the photos that I shot at ISO 12800 throwaways either. It’s worth noting that the GR IV Monochrome does outperform the HDF in noise at both low and high ISOs, with very fine grain ISO, but that’s at the cost of sacrificing all color.

DNG files are highly flexible. I was able to recover quite a bit of shadow detail in this shot that I exposed for the sky, but left the silos too dark.

The GR IV HDF isn’t really much of a video camera – it’s there at Full HD, but without autofocus tracking or manual controls, it’s not a highlight for the GR series in general.

Ricoh GR IV HDF: Verdict

The Ricoh GR IV HDF is the more film-like camera in the series, thanks to its built-in diffusion filter that creates soft blooms of light – paired with the positive film color profile, and I didn’t even want to retouch the images in post. The GR IV HDF continues everything that we loved about the GR IV, but adds that diffusion filter for a softer look and blooms of light.

Like the original, it’s important to understand what the GR IV HDF is and is not before considering a purchase. It’s not an action camera, nor is it a camera that can shoot every genre with ease.

But the compact design and capable sensor make it an excellent camera for documentary-style images, street photography, and travel. Images are sharp, noise is well-controlled, and there’s some lovely background separation considering this is a compact camera with a wide-angle lens.

The final question is whether or not to go with the original Ricoh GR IV or the HDF. If you’re a pixel peeper and crave super sharp images, you can save yourself a little cash by opting for the original. But if you love the softer, more film-like look, then the price difference is worth it – the cost difference is around the cost of a high-end diffusion filter, only you don’t need to remember to pack it.

Ricoh GR IV HDF: Alternatives

Most cameras don’t like to advertise what they can’t do, but with the Ricoh GR IV Monochrome, it’s right in the name: this camera can’t shoot in color.

Admittedly, when I picked up the Ricoh GR IV Monochrome, it was my first experience using a camera with a dedicated monochrome sensor, and I wasn’t quite sure what to expect. What I found was all of the compact design that the GR series is known for, but with less noise, a highly flexible dynamic range in post, and epic drama stemming from the built-in red filter.

The first time I took the GR IV Monochrome out for a shoot? I thought, "This is a camera with attitude.”

I spent two weeks with the Ricoh GR IV Monochrome, a rental provided by LensRentals, and I’m going to have a hard time sending this one back.

Ricoh GR IV Monochrome: Specifications

Ricoh GR IV Monochrome: Price

The Ricoh GR IV Monochrome costs more than the version that can see in color – and by quite a bit. In the US, there’s a $600 price bump for the Monochrome version. Elsewhere, it’s a £400 / CA$600 / AU$1,000 price hike.

That brings the camera to a list price of about $2,196 / £1,599 / AU$2,999 / CA$2499.

That price is certainly nothing to sneeze at, but there are relatively few choices when it comes to cameras designed exclusively for black-and-white photography. The biggest brand doing Monochrome cameras is arguably Leica, which makes the GR IV Monochrome look cheap by comparison.

Ricoh GR IV Monochrome: Design & Handling

The most impressive part about the Ricoh GR IV series is how much advanced imaging tech is packed into a camera that looks like a basic point-and-shoot. No, the GR IV Monochrome isn’t basic, but to anyone unfamiliar with the photo industry, it looks like I’m just shooting with a simple compact camera.

The Ricoh GR IV series is arguably the most pocketable of large-sensor compact cameras, and the Monochrome version follows that same design.

I shot with the Ricoh GR IV Monochrome and the GR IV HDF at the same time – the only way I could tell the two apart is by looking either at the shortcut button at the back, which is for a red filter on the Monochrome and for a diffusion filter on the HDF, or looking for the darker GR logo on the front of the Monochrome. All three members of the GR IV series have a very similar but impressively small build.

The compact camera weighs just 262g (about 9.24 oz), including the memory card and battery. The camera is just 109.4mm or 4.3 inches wide. Even including the small grip, it’s an impressively slim 32.7 mm / 1.3 inches if you have the camera powered off. (The lens extends out a bit from the body with the camera on and ready to shoot.)

That makes the camera highly pocketable – impressive considering it’s hiding an APS-C sensor inside. Although, of course, there’s some risk to stashing a pricey camera inside of a pocket instead of a dedicated camera bag.

Which brings me to my next point: the Ricoh GR IV Monochrome isn’t weather-sealed. That’s one of the sacrifices made to create such a tiny camera. While a sealed camera would be larger, that makes it a bit less flexible for a camera that you carry nearly everywhere – except in the rain or dust.

Weather-sealing isn’t the only sacrifice for the small size. My two biggest annoyances? There’s no viewfinder, and the memory card is the microSD format. Photos are composed instead with the fixed, non-tilting LCD screen. It’s a bright screen, but it can be harder to see in bright sun than an electronic viewfinder.

The control layout feels well thought out for such a tiny camera. There are two dials to control manual settings, a locking mode dial, and a plus-minus toggle by the thumb for ISO or exposure compensation. There’s a dedicated shortcut button for the red filter, while others like macro mode and burst are built into the arrow keys.

Like the advanced camera that it is, there’s still a hot shoe slot at the top and a tripod mount at the bottom. The tiny size doesn’t leave much room for ports, but there is a well-hidden USB-C port. A small button on the opposite side puts the camera in video mode.

Ricoh GR IV Monochrome: Performance

The Ricoh GR IV series is known for its big sensor in a small design – it’s not known nor really designed for fast action. Ricoh doesn’t even list the burst speed among the official specifications, but it comes down to about 4 fps. This isn’t a sports camera.

But, if you understand what the Ricoh GR IV Monochrome is before picking it up – which is to say that it’s more for documentary and street photography – then the camera hits the mark.

I’ve used earlier GR III series cameras, and while the GR IV Monochrome’s autofocus speed isn’t going to break any records, there is a noticeable improvement. The face and eye detection works well, albeit it lacks animal eye detection entirely.

Autofocus locks on fairly quickly in good light. Indoors in low light, there’s a noticeable lag in the darkest corners, but the focus will still lock on if you place the focus area on a high-contrast area, like the edge of the object.

The continuous autofocus will drop a few frames – and in fact is tucked under the area modes rather than a separate setting. Similarly, in video mode, the autofocus is slow – but at least smooth – to transition. But again, this camera wasn’t built with action in mind.

Let’s get to what the GR IV Monochrome was built for then: black-and-white photographs. The Ricoh-Pentax brand is no stranger to colorless sensors, but this is the first time that a monochrome sensor has come to the GR series.

The sensor is designed specifically to pair with the camera’s built-in lens, which is an 18.3mm or 28mm in a full-frame equivalent. That’s a nice wide focal length for street photography and landscape captures – but you’ll see some of that wide-angle distortion if you snap portraits with it.

While the aperture is bright at f/2.8, wide-angle lenses aren’t really known for their bokeh. Images shot at f/2.8 still have some nice background separation, and points of light are rendered as smooth bokeh balls. For the most bokeh, the GR IV Monochrome does have a macro mode, which offers some nice flexibility for a compact camera.

While the GR IV Monochrome can’t see color, the camera still has several “color” profiles built in. I could choose whether I wanted a more standard look, or switch to softer contrast or higher contrast right in the camera.

One of my favorite features is the built-in red filter – it’s a longstanding tool for black-and-white photography that absorbs blue and green, but still lets red light hit the sensor. The red filter creates phenomenal contrast, particularly outdoors, where the blue skies will suddenly appear dark and dramatic.

Because it blocks some types of light, I also used the red filter as a sort of makeshift neutral density filter to take long exposures during the daytime. Of course, that’s a downside if you want to use the red filter indoors.

Between the different color profiles and red filter, the GR IV Monochrome has a very flexible range of light that it can capture. It’s capable of both dramatic, high contrast scenes, as well as softer, lower contrast scenes.

Ricoh GR IV Monochrome vs. GR IV HDF

One of the reasons to eliminate the color filter array rather than just use in-camera color profiles to capture black and white is to allow more light to hit the sensor. One of the benefits? Decreased noise.

To put that theory to the test, I tried the GR IV HDF at the same time that I rented the GR IV Monochrome and took similar photos across similar conditions. I couldn’t help myself: I took some shots in a black-and-white color profile on the HDF as well to directly compare with the Monochrome.

At ISO 12800, the noise coming from the GR IV Monochrome is much smaller and smoother, whereas the noise dots on the color GR IV appear much larger. Noise is noticeably much cleaner on the Monochrome than the GR IV HDF. There’s still noise that high, but it’s a far more pleasing noise that doesn’t distract from the photo, even zooming in. The noise feels the closest that I’ve gotten to pleasant noise on a digital camera rather than film.

I expected ISO 12800 to look better on the Monochrome, but I was blown away by the difference in bright light. The base ISO on the Monochrome is slightly higher at ISO 160, where the HDF can shoot down to ISO 100, but the black-and-white camera is far cleaner even at these low ISO settings.

The Monochrome’s smoother noise does give the photos the appearance of being slightly sharper than the color camera when pixel peeping. On the DNG files, I was able to lighten the shadows more in post than the images shot on the HDF, suggesting more flexibility in post, as long as you don’t want that flexibility to include colors.

Ricoh GR IV Monochrome: Verdict

The Ricoh GR IV Monochrome was my first experience with a colorless camera – and there was honestly a bigger difference in image quality than I expected next to a color camera. Noise tends to be more beautiful than distracting and less noticeable than on the color GR IV. I could recover a bit more shadows in post. And the built-in red filter is a phenomenal way to add contrast on a camera that doesn’t have the traditional filter threads.

Like the rest of the GR series, the GR IV Monochrome is impressively small. It’s a pocketable camera that comes without having to sacrifice sensor size or aperture.

I did miss having a viewfinder and weather-sealing, but advanced compact cameras with an APS-C sensor and a viewfinder tend to be significantly larger. The camera also isn’t built for action – and there are better options out there for fast bursts and snappy autofocus.

My biggest hesitation? There’s quite a price difference between the GR IV and the Monochrome. I’m having a hard time with the idea of paying more for a camera that can technically do less. But, as black-and-white cameras go, the GR IV Monochrome is actually one of the more affordable choices.

The Ricoh GR IV Monochrome is a niche camera – but for the photographer looking for black-and-white shots with lovely noise and a pocketable design, it’s an excellent choice.

Ricoh GR IV Monochrome: Alternatives

Usually, I report on DSLRs reaching the end of their life – when manufacturers stop production, end support, and discontinue beloved mirror-based models.

But here's a rare bit of news in today's digital camera world: Pentax may be launching a new DSLR in 2026!

For some time, rumors have suggested that Ricoh could be preparing a new DSLR, possibly a Pentax K-3 Mark IV. Here's what we know so far...

The rumors

Rumors of a new Pentax DSLR are heating up in the photography community – particularly on forums like DP Review.

While Ricoh has yet to make an official announcement, one well-known source Asahi man, responded confidently to a forum question: "In short, yes, the new one is coming in 26, no speculation."

Even in a mirrorless-dominated world, a new DSLR from Pentax wouldn't exactly shock anyone.

After discontinuing both the original flagship APS-C K-3 Mark III and its Monochrome variant, the K-1 Mark II full-frame DSLR remains available – but the gap in Pentax's lineup leaves plenty of room for a new model...

The K-3 Mark III was an interesting hybrid – combining DSLR handling with some mirrorless-style innovation.

So, could the upcoming model carry forward that DNA? Many photographers hope so.

While some voices are skeptical, forum discussions are full of speculation: "Hopefully it comes with some new fast focusing PLM, DC, and/or modern SDM lenses," said one user. "Full frame? If so, sign me up for at least one," added another. "Most likely a warmed-over KF upgrading to the 26MP sensor as the 24MP one I think is out of production," speculated a third.

Pentax is known as the brand for photographers who refuse to give up on DSLRs.

And for shooters who still love the familiar mirror slap, robust handling, and Pentax ecosystem, a new DSLR would be a welcome breath of fresh air in a mirrorless-dominated market...

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I have a confession. I’ve been reviewing cameras for more than a dozen years, but I’ve never shot on a digital camera that shoots exclusively in black and white. That is, until I picked up the Ricoh GR IV Monochrome last week.

Camera sensors are actually colorblind. The sensor itself is only capable of seeing different intensities of light. But add a patterned color filter – one color to each pixel – and the camera can detect how much of a color is in a scene and, through a mix of those filters and software, create a colored image.

Monochrome digital cameras skip out on the colored filter array entirely, which means the camera can’t take color photos at all, just black and white. The idea behind monochrome-only cameras is that by eliminating the color sensor, more light reaches the sensor. More light is almost always a good thing in photography, and that added light is said to increase dynamic range and reduce noise, among other benefits.

I had mixed feelings going into my experience with the Ricoh GR IV Monochrome. I love black and white photography – in fact, black and white film is my favorite to load into my old Pentax K1000 film camera. But with film, I don’t need to buy an entirely different camera if I want to capture a photo in color; I can just swap out the film for a different type.

With those mixed feelings, when I rented the GR IV Monochrome from LensRentals, I added its color sibling, the GR IV HDF, as well. I took both cameras out to do some street photography.

Unable to actually see color, the GR IV Monochrome composes shots entirely in black and white as well. I found that, looking at the colorless screen, I was quite hooked on composing photos based on light and shadow rather than colorful scenery.

The Ricoh GR IV Monochrome is a camera with attitude – the photos felt much more dramatic. This was especially true when using the built-in red filter on the camera, which darkened the sky and created much moodier shots.

When I got home, I realized I had taken twice as many shots with the Monochrome as with the color camera. Using just what I could see from the screen, I was more drawn to the drama of black and white. This could be just because I wanted to get experience with a monochrome-only camera. Another likely culprit is that I tried the GR IV Monochrome out during the in-between phase of spring, where the snow has all melted, but nothing has started growing, so everything is a rather drab brown.

I still have some more shooting to do with the GR IV Monochrome before I share my final opinion. But first impression? I’m a bit more hooked on a camera that can’t shoot in color than I thought I would be. I can see myself getting this camera exclusively for documentary-style shots of my own family, as I think the timelessness of black-and-white and the small size feels especially appropriate for documentary-style shots.

My biggest hesitation? The budget-conscious shopper in me has a hard time paying more for a camera that can do less. The Ricoh GR IV HDF costs a few hundred dollars less. And, if I want black-and-white drama, I can use the in-camera color profiles to switch back and forth between color and black-and-white whenever I want, including seeing in black and white on the viewfinder.

After my first shoot with the GR IV Monochrome, I’m surprised I liked the colorless camera as much as I did – and I’m already eager to pick it up for another shoot.

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Stay tuned for a full review. In the meantime, browse the best compact cameras or the best cameras for black-and-white photography.

Japan's newest compact camera charts are in, and Yodobashi's latest top 10 reveals some familiar favorites – and models that we haven't seen in a while... or ever before.

Leading the pack once again is the Fujifilm X100VI, rated as the best retro camera in the compact category. Since its release two years ago, it has been in constant stockout, leaving photographers worldwide with empty hands.

The previous top-seller has dramatically dropped to No.10. The Ricoh GR IV Monochrome couldn't maintain momentum, as high demand and limited stock created challenges for buyers.

Yodobashi's Top 10 compact cameras (2nd half Feb)

1. Fujifilm X100VI Silver | Black
2. Canon PowerShot SX740 HS / Lite Silver | Black
3. Sony ZV-1 II Black | White
4. Canon PowerShot G7 X Mark III Black | Silver
5. Kodak Pixpro C1 Brown | Black
6. Leica Q3 43
7. Panasonic Lumix TZ99 / ZS99 Black / White
8. Canon Ixy 650 M / PowerShot Elph 360 HS A / Ixus 285 HS A Black | Silver
9. Ricoh GR IV
10. Ricoh GR IV Monochrome

The King is back: the Fujifilm X100VI

The Fujifilm X100VI is famously hard to find.

If it's not fighting chronic stock shortages, photographers get a classic rangefinder styling with modern APS-C performance, a 35mm equivalent prime lens, and intuitive dial controls.

Its blend of style, performance, and nostalgia keeps it coming back to No.1 whenever stock allows.

Leica celebrates first listing triumph

Making its first appearance in Yodobashi's best-selling compact cameras this year, the Leica Q3 43 ranked No.6.

While premium pricing keeps it from the very top, Japan's growing appetite for high-end quality is evident – and not only in the compact camera category. In Yodobashi's top 10 best-selling mirrorless cameras, the Hasselblad X2D II 100C has been in top positions over the past months, yet it hasn't reached No.1.

The Leica Q3 43 is based on the original Q3, but with a longer 43mm lens, it offers a fresh perspective. The camera features a 60MP sensor, color and monochrome styles, and Leica's renowned build quality, available for $7,950 / £5,890.

Canon dominates & Ricoh struggles

Canon rules the ranking, with three compact camera models in the top 10: the Canon PowerShot SX740 HS / Lite, Canon PowerShot G7 X Mark III, and PowerShot Elph 360 HS A (aka Canon Ixy 650 M or Ixus 285 HS A).

Kodak's Pixpro C1 and Panasonic Lumix's TZ99 / SZ99 remain steady further down the list, but Ricoh's GR IV and GR IV Monochrome couldn't maintain their positions, landing on No.9 and No.10.

The Ricoh GR IV Monochrome had shot to No.1 upon release, but high demand and stock shortages probably prevented it from holding the top position.

What's next?

While a new contender has entered the top 10, familiar models continue to dominate rankings months after month.

Standout examples include the Canon PowerShot SX740 HS / Lite, Panasonic Lumix TZ99 / ZS99, or the Kodak Pixpro C1.

Both the Canon and Panasonic Lumix models are priced around $550-$690 / £480-£520, while the PowerShot SX740 HS / Lite remains a long-standing updated version since the camera's original launch in 2018.

The most affordable camera is the Kodak Pixpro C1 – standing out as a budget compact camera available for $99.99 / £79. It frequently claimed the top spot at Yodobashi last year, and there's a strong likelihood it could climb back into the top three.

It will be interesting to see if the Fujifilm X100VI can defend its top spot in March – or if stock shortages once again hinder its momentum.

For now, both silver and black versions are still available at Yodobashi...

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It's as rare as the proverbial rocking horse poop, but the Ricoh GR IV Monochrome is on the show floor at The Photography & Video Show – open now until Tuesday March 17 at the NEC in Birmingham, England.

Launched in January, and technically on sale in mid-February, the street-oriented compact camera has been such a hit that some pre-orders won't be delivered until June. But if you make the trip to the NEC, you can try the camera for yourself at the Ricoh Pentax stand (C100).

As a big fan of cameras for black-and-white photography, I've been super excited to get my hands on the GR IV Monochrome – which, in case you missed it, takes the streetwise experience of the standard Ricoh GR IV but replaces the color sensor with a 25.74MP mono sensor.

By omitting the color filter array, and removing the interpolation process used to render a full-color image, the sensor delivers incredible clarity and micro-contrast – and also promises great performance at higher ISO sensitivities.

The compromise is that there is less headroom for exposing highlights, so you'll need to beware clipping if you're not used to shooting with an exclusively black-and-white sensor.

Because the camera I "liberated" from the Ricoh stand was a pre-production model, I can't share the images from my initial test. But I used it for typically GR run-and-gun reportage shots and was impressed with the tones and rendering produced by this camera.

Having spent a lot of time with the far larger and far more expensive Leica Q3 Monochrom, I have to say that I actually prefer the depth of the blacks and the overall punchiness of the Ricoh.

Of course, you can judge for yourself if you try the camera out at The Photography & Video Show – which is open today until Tuesday March 17 at the NEC in Birmingham. For tickets and more information, visit The Photography & Video Show website.

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Take a look at the best cameras for black-and-white photography, along with the best Pentax cameras from Ricoh's sister brand.

After dominating sales at launch and holding the top position again the following month, the Sony A7 V has now secured a third consecutive win in Japan's latest Map Camera best-selling rankings.

The full-frame mirrorless camera, released in December 2025, once again claimed the number-one spot in the February 2026 chart, confirming that its explosive debut wasn't just a short-term sales spike.

In fact, the Sony A7 V has now topped the Map Camera rankings every month since its release, running up for the position as one of the most in-demand cameras of 2026 so far.

Map Camera's top 10 best-selling cameras (Feb 26)

1. Sony A7 V
2. Ricoh GR IV Monochrome
3. Sony A7C II
4. Fujifilm X100VI
5. Fujifilm X-E5
6. Fujifilm X-T30 III
7. Ricoh GR IIx
8. Sony a6700
9. Nikon Z5 II
10. Fujifilm X-M5

A launch that keeps delivering

In the report of Map Camera's best-selling models of January, I mentioned that, through growing competition from compact cameras, the race might tighten, maybe leaving the Sony A7 V behind.

But, despite growing compact camera popularity and supply fluctuations, the A7 V managed to retain its top position. The model's higher price compared to earlier "standard" models has also been unfounded. Instead, buyers seem willing to pay the premium for its upgraded performance.

A Sony cashback campaign bundled with lens purchases has also helped drive demand.

A surprise challenger appears

February's rankings also introduced a new challenger in second place: the Ricoh GR IV Monochrome.

Released in mid-February, the compact camera features a dedicated monochrome sensor, designed to deliver sharper detail and richer tonal graduation by removing the color filter array entirely.

Given the GR series has long been popular among street photographers, the GR IV Monochrome could climb even higher if supply keeps up with demand.

Fujifilm's top 10 dominance

Even though Sony holds the top spot, Fujifilm continues to dominate the rankings by sheer numbers.

The company placed four cameras in the top 10 once again, including the highly sought-after Fujifilm X100VI, which still faces ongoing supply shortages but remains one of the most in-demand compact cameras on the market.

Will we see a change in March?

Three months at No.1 is a strong signal that the Sony A7 V may become one of the year's defining cameras.

But the rankings also highlight how quickly the market can shift – especially with compact cameras and niche models gaining renewed popularity.

For now, though, the verdict is clear: since its release in December, the Sony A7 V has been the camera to beat in Japan.

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I can still remember a lot of buzz around the ‘paperless office’, all the way back in the early 1990s. Here we are 35 years later and there’s still a whole lot of paperwork doing the rounds, not only in the office but also dropping into our physical, real-life mailboxes. Physically filing it all away can be an inconvenient chore so why not just scan it and shred it instead? That’s an idea that certainly isn’t lost on Ricoh. While I was writing this review I noticed the ScanSnap iX2500 selling in some world regions, complete with a bundled shredder. Either way, the iX2500 aims to make it as quick and easy as possible to scan all your paperwork and store it on your computer, mobile device or in the cloud.

Ricoh itself barely needs an introduction, being one of the leading global manufacturers of office printers and related technology. With my more mainstream Digital Camera World hat on, I have to mention that it’s also the parent company of Pentax digital cameras. Back to the device on test, the ScanSnap iX2500 aims to be one of the best scanners for home and small office use.

ScanSnap iX2500: Specifications

ScanSnap iX2500: Price

The ScanSnap iX2500 sells for around $400/£366/AU$705, which puts it in the same ballpark as the Canon imageFORMULA R40, which is a similar type of document scanner although the Canon lacks a touchscreen and Wi-Fi connectivity, both of which are featured in the ScanSnap. There’s also the similarly priced Epson WorkForce ES-500WII which does have built-in Wi-Fi, but again lacks a touchscreen and has comparatively rudimentary pushbutton controls. That makes the ScanSnap look potentially very good value.

ScanSnap iX2500: Design & Handling

Typical of the breed, this desktop document scanner has a small footprint of about 12x6 inches. As usual, the amount of space required grows considerably when you extend the paper trays for actually using the scanner, most noticeably at the front where the output tray is situated. Even so, the ScanSnap is impressively compact considering that the slanting top panel features a built-in 5-inch color touchscreen rather than just a small row of relatively basic pushbuttons.

Available in black or white to suit your personal preference, or to match various other tech that’s sat on your desk, the scanner looks and feels well built. I’d expect nothing less from a company that majors on relatively large office and production printers. Flipping up the main paper input tray reveals an auto document feeder with adjustable guides that can accommodate page widths of up to 8.5 inches, in stacks of up to 100 sheets of standard-thickness plain paper.

Although ostensibly a document scanner, the ScanSnap can take other media in its stride. As well as being able to handle mixed batches of documents, receipts and photos, it comes complete with an add-on paper guide for relatively small and thin receipts, reducing the risk of paper feed errors. Further help is at hand in this respect from automatic skew correction and optional photo carrier sheets which are available to buy in various sizes.

The scanning mechanism itself is based on a CIS (Contact Image Sensor) reader and a tri-color RGB LED light source. In fact, the scanner actually doubles up on image sensors, so that it can scan the front and back of double-sided documents in a single pass. That effectively doubles the regular scanning speed of 45ppm (pages per minute) for single-sided documents to 90ipm (impressions per minute) for double-sided paperwork.

Naturally, one of the biggest drawbacks of a paper-based document is that it can physically only be in one place at any given time. That can be a real problem if the place in question is somewhere other than where you are. To maximize access for scanned documents, the ScanSnap can scan direct to smart devices via Bluetooth and its companion ScanSnap Go app, as well as having built-in Wi-Fi. Accessibility for scanned paperwork is further boosted by the ability to scan direct to pretty much any cloud based service of your choosing. It can even automatically turn phone numbers and email addresses into clickable links, neatly removing another hurdle from the flow of productivity. The flipside is that the scanner lacks a USB socket for scanning direct to a flash drive, and there’s no port for wired Ethernet.

ScanSnap iX2500: Performance

Performance boils down to speed, quality and reliability. Putting the last of those first, I found the ScanSnap to be very dependable throughout my testing. I didn’t experience a single paper jam or misfeed, when using various thicknesses and sizes of paper, from banners right down to thin and relatively tiny till receipts. What’s more, the anti-skew system worked very well, ensuring that scans were kept on the straight and narrow.

As for speed, the ScanSnap lives up to or even exceeds its claims of 45ppm for single-sided documents and 90ipm for double-sided documents, nudging up towards 47ppm in my tests. That holds true at different scanning resolutions of 150dpi, 200dpi and 300dpi for color pages and 300dpi, 400dpi and 600dpi for monochrome pages, as dictated by ‘normal, better, best’ quality modes. In the highest ‘excellent’ quality mode, output slows down to around 13ppm, at resolutions of 600dpi for color and 1200dpi for mono.

Another facet of performance in terms of speed is the start-up time. In its normal configuration, there’s a wait of less than 10 seconds after switch-on, whether you’re using a USB or Wi-Fi connection. That shrinks to about 3 seconds when you’re connected to a computer via USB, and 6 seconds for Wi-Fi in ‘Fast’ mode, if you don’t mind standby power rising from 1W to a still very low 1.4W. Suffice it to say the ScanSnap won’t keep you waiting around twiddling your thumbs.

Bundled software includes a long-trusted veteran of the scanning world, ABBYY FineReader optical character recognition, as well as Kofax Power PDF Standard. The following gallery shows a selection of screengrabs from the Windows-based ScanSnap Home app.

For accuracy, I found that the scanner gave pretty much faultless optical character recognition for a wide range of regular fonts. That’s partly thanks to the quality of the bundled software, which includes ABBYY FineReader optical character recognition and Kofax Power PDF Standard. Searchable PDF documents are on the menu of output choices, which can be a real bonus for scanning lengthy, multi-page paperwork. You can also send financial scans direct to accounting software. To save time and effort, you can set up default destinations and formats for quick scan options, available through the touchscreen or from the companion app on your smart device.

The ScanSnap iX2500 isn’t really designed to be a photo scanner but it’s tempting to use it if you have the likes of shoeboxes full of old photo prints that you want to digitize. Taking advantage of the ADF and JPEG output option, the scanner is certainly fast for tackling stacks of photos, in my tests taking less than a second per 6x4-inch photo print. A4 photo prints are scanned at the same speed as mono and color documents. I’d say that photographic quality is sufficient for scanning snapshots but that tonal range and color accuracy isn’t the best for high-fidelity photo scanning, at least compared with specialist flatbed photo scanners. You’re also likely to get far superior photographic quality from one of the best film scanners, if you have the original transparencies or negatives.

The following gallery includes three scans taken from 6x4-inch color photo prints and saved as JPEGs.

ScanSnap iX2500: Verdict

There’s a lot less paperwork flying around nowadays than there was a few decades ago but there’s still enough to cause an inconvenience. I’m impressed that the ScanSnap iX2500 can digitize even lengthy multi-page single-sided and double-sided documents in super-quick time, automatically and with the minimum of fuss and bother. Similarly, there are quick and easy options for turning physical paperwork into searchable PDFs on your computer or smart device, or scanning them directly to the cloud so that you can access them from pretty much anywhere and everywhere.

I also like that the ScanSnap can take on anything from long banners to skinny little till receipts, and that features like ‘anti-skew’ keep everything on the level. Best of all, and unlike in similarly priced scanners from the likes of Canon and Epson, the ScanSnap features a 5-inch color touchscreen for intuitive standalone use, as well as Wi-Fi and Bluetooth connectivity. All in all, it’s a great bit of kit.

Alternatives

If you've been eyeing a brilliant compact camera to capture your next street story or travel adventure, the Ricoh GR IV has likely been on your radar.

One of the most anticipated compact cameras of 2025, it has even overtaken mirrorless rivals in sales in Japan and has been recognized with honors like the 2025 Good Design Award.

So yes – it's a great choice. But if you've never worked with a Ricoh GR model before, you might want to try it first. Luckily, The Photography & Video Show 2026 offers exactly that opportunity.

The show isn't just about talks and workshops; it offers hands-on photo walks designed to slow things down, ask questions and learn directly from industry experts in small, focused groups.

On every day of the show, from March 14-17 in Birmingham, you can join a Ricoh GR IV Photo Walk with photography tutor Daniel Bridge – the perfect chance to find out if the GR IV is the camera for you.

The Ricoh GR IV

The GR IV is a thoughtfully redesigned evolution of Ricoh's iconic GR series. Its 25.74MP backside-illuminated sensor and 18.3mm f/2.8 lens (28mm equivalent) deliver sharp, detailed images in a discreet, pocketable body.

The GR IV balances speed, usability and image quality, staying true to its legacy while incorporating subtle refinements that make shooting effortless. With familiar, intuitive controls and a minimalist design philosophy, it's perfect for street photography, travel or everyday shooting.

The Photo Walk

March 14, 15, 16 & 17 – 14:00 - 15:00
Ricoh / Pentax (Stand C100)
Tickets £10 (including Ricoh GR IV hire)

Discover the creative potential of the Ricoh GR on this one‑hour photo walk at The Photography & Video Show, led by expert photography tutor Daniel Bridge.

Whether you bring your own GR or rent a GR IV for the session (limited number available), Daniel will guide you through practical techniques to elevate your composition, timing and visual storytelling while shooting real‑world scenes together.

Places are limited and must be booked – early booking is advised! You can secure your place here.

Please note: You must have an entry ticket to the show in addition to purchasing an extra activity. We ask that you arrive 15 minutes early at the Ricoh / Pentax stand and you must bring photo ID with you.

• The Photography & Video Show 2026: everything you need to know
• Get 20% off tickets of your tickets with our exclusive money-saving code!

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Do you have a Ricoh GR III or GR IV but secretly lust after a Leica M-series camera, preferably equipped with a Summilux-M 28mm lens, complete with its distinctive rectangular hood? Well, now you can get a little closer to that dream, and for a tiny fraction of the cost!

A company called Squarehood produces what it calls Ricoh GR Glass: a bespoke add-on rectangular hood with a glass front that acts like a protector filter to completely enshroud a GR III or IV’s lens, protecting it from dust ingress. Squarehood says the hood uses Japanese AGC optical glass with an anti-scratch and anti-glare coating, and a rubber cap is supplied to protect the glass when the camera is packed away.

The hood attaches directly to the camera using a bayonet mount; no separate adapter required. There are two different glass options to choose from: clear, or Haze. The latter has a built in 10% haze filter that is said to emulate Moment’s CineBloom diffusion filter, creating a softer, more flattering look with glowing highlights.

Squarehood produces dedicated hoods for the GR III, IIIx and IV (HDF and Monochrome), including a golden-rimmed version if you fancy a little bling. Its latest offering is a V2 hood for the GR IV, with a more streamlined design that seems to take styling inspiration from the Leica Q2's lens hood.

Pricing ranges between $79/£58 and $103/£76, plus shipping.

Japan's compact camera segment is shifting. While ultra-budget US$100 point-and-shoots remain popular, a specialist black-and-white camera has surged straight to the top.

The Ricoh GR IV Monochrome launched last month, featuring an APS-C CMOS sensor designed exclusively for black-and-white photography at a rare price point of $2,196.95 / £1,599 / AU$2,999.95

The monochrome landscape has traditionally been dominated by Leica models – exceptional, but often priced far beyond the reach of many... costing around five times more than Ricoh's newest release.

Yodobashi's 10 best-selling comacts (2nd half Jan)

1. Ricoh GR IV Monochrome
2. Canon PowerShot SX740 HS / Lite Silver | Black
3. Sony ZV-1 II Black | White
4. Ricoh GR IIIx
5. Panasonic Lumix TZ99 / ZS99 Black | White
6. Canon Ixy 650 M / PowerShot Elph 360 HS A / Ixus 285 HS A Black | Silver
7. Kodak Pixpro C1 Brown | Black
8. Nikon Coolpix P1100
9. Canon PowerShot V1
10. Ricoh GR IV

Sales data collected between January 16-31, 2026, from Yodobashi.com and 24 Yodobashi Camera stores nationwide.

Ricoh vs. Canon
Ricoh's dominance extends beyond the monochrome model. The Ricoh GR IIIx ranks at No.4, while the standard Ricoh GR IV appears at No.10 – giving the brand three positions in the Top 10.

The Ricoh GR Monochrome is not only proving popular in Japan – it went into short supply in Europe just days after launch, with similar demand now reported in the UK and US.

Canon also places three models in the Top 10, led by the PowerShot SX740 HS / Lite at No.2 – a device that features the same technology as the original PowerShot SX740 HS that was released in 2018.

Budget compacts stay popular
While the GR IV Monochrome leads the charts, the middle of the Top 10 reveals a familiar trend – affordable, easy-to-use cameras remain hugely popular. The Kodak Pixpro C1 is the ranking's most affordable model ($99.99 / £79.99 / AU$198), frequently climbing in the top positions thanks to its ultra-low price and simplicity.

Japan's compact camera market: less is more

Japan's compact camera market is split – on one side: dedicated creative tools built with intent – on the other: straightforward cameras designed for convenience and value.

The real test is now momentum. Can Ricoh maintain supply and demand – or will availability issues shift the rankings next month?

I've seen hype cycles before, including the surge around the Fujifilm X Half, which cooled after its launch buzz faded.

While the GR IV Monochrome isn't chasing a trend, it is a dedicated tool built for a niche. But at this price point, it becomes an accessible entry into true monochrome photography, opening the door for more photographers to experience shooting on a specialist black-and-white sensor.

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The Ricoh GR IV Monochrome, a high-end specialist compact camera, is now in stock at B&H Photo and at  Amazon.com.

Announced earlier this year, the monochrome version of the Ricoh GR IV had already been available for preorder the last few weeks through sites including Amazon UK and Wex, and is set for full release later this month.

B&H Photo and Amazon.com listing the black-and-white compact shooter as “in stock” officially marks the camera as going on sale, but I imagine units will fly off the shelves considering the GR IV outsold all other cameras in Japan last year, and that it will undoubtedly be one of the best cameras for black and white photography.

Geared towards black-and-white street photography, the GR IV Monochrome does away with the Bayer color filter, instead featuring a dedicated sensor which Ricoh says results in better sharpness, low-light performance and dynamic range.

Additionally, the monochrome model has a built-in selectable red contrast filter replacing the ND filter of the standard edition GR IV, which, in theory, should capture more detail in the shadows.

Rounding off the new features are two monochrome-specific image control options: "Solid" for a sharper, cleaner feel, and "Grainy" for a more nuanced finish.

At its heart, the GR IV monochrome boasts the same 25.7MP APS-C CMOS sensors and 18.3mm f/2.8 (28mm full-frame equivalent) lens as the GR IV.

My colleague, Paul Burrows, who recently reviewed the GR IV, says the improved sensor and lens produce "exceptional image quality” and "enhanced corner sharpness”.

The GR IV Monochrome's 5-axis 6-stop image stabilization system steps in here too, keeping the camera steady while you’re out and about capturing busy streets.

As far as I know, B&H Photo is the only retailer currently listing the Ricoh GR IV Monochrome for $2,169. While it costs a pretty penny more than the regular GR IV (typically $1,600), it’s sure to sell out quickly.

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Ricoh has released new firmware updates for its popular GR IV compact camera that was introduced last year. The update adds the promised electronic shutter funciton and 1/16,000sec top shutter speed. Both these were premiered on the more recent GR IV HDF and GR IV Monochrome variants of this popular APS-C sensored street camera.

The V1.11 firmware download page warns of the dangers of using an electronic shutter with some subjects, pointing out that rolling shutter effect may occur – which can cause moving objects to appear slanted or bent in photos and video.

The electronic shutter is engaged when at different shutter speeds depending on the aperture you are using (see details below). Previously, the top shutter speed on the GR IV was the maximum 1/4000sec setting available with the mechanical lens shutter.

The firmware is also recommended for use on the Ricoh GR IV HDF - even though that already has the electronic shutter facility - as it will provide unspecified stability and performance improvements.

Firmware Updates

Compatible camera models:
Ricoh GR IV (Ver. 1.11) &  Ricoh GR IV HDF (Ver. 1.11)

Key Updates:
• The electronic shutter function introduced in the GR IV HDF has been added to the GR IV. Shooting is possible at F2.8 (wide open) with shutter speeds of up to 1/16000 seconds. Even in bright environments, proper exposure can be achieved when shooting near the aperture’s wide-open setting.

• When the aperture is set between F2.8 and F4.0, the mechanical lens shutter is used at shutter speeds of 1/2500 seconds or slower, and the electronic shutter is used at speeds from 1/3200 to 1/16000 seconds.

• When the aperture is set between F4.5 and F5.0, shutter speeds of 1/3200 seconds or slower use the mechanical lens shutter, while speeds from 1/4000 to 1/16000 seconds use the electronic shutter.

• When the aperture is set between F5.6 and F16, shutter speeds of 1/4000 seconds or slower use the mechanical lens shutter, while speeds from 1/5000 to 1/16000 seconds use the electronic shutter.

• When using the electronic shutter, a “rolling shutter effect” may occur, causing fast moving subjects—such as trains, cars, or sports scenes—to appear slanted or to be recorded with circular distortion.

• Improved stability for general performance.

Special notes:
• Applying this update to the GR IV will also include all features and changes introduced in version 1.04 and earlier.

• Once this update is applied, it is not possible to revert to a previous firmware version.

As always, I recommend holding off on updating for a week or so just to ensure everything runs smoothly and community feedback is positive. 

And even if a firmware update doesn't bring brand-new creative features, it's still worth applying once stable, as regular updates are key to maintaining your camera's long-term performance and reliability.

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Japan's compact camera rankings for the second half of January are in – and Yodobashi's latest top 10 best-selling models paint an interesting picture of the market.

At the very top sits Fujifilm's famously hard-to-find X100VI, a premium APS-C compact that has been plagued by shortages since launch. Right behind, Sony's creator-focused ZV-1 II, while third place goes to Kodak's US$100 cheap champion.

And further down the list? One of 2025's most widely criticized compact cameras – the Fujifilm X Half – often labeled as one of the last year's biggest disappointments, sneaks in at ninth place...

Yodobashi's 10 best-selling compacts (2nd half Jan)

1. Fujifilm X100VI Silver | Black
2. Sony ZV-1 II Black | White
3. Kodak Pixpro C1 Brown | Black
4. Ricoh GR IV
5. Canon Ixy 650 M / PowerShot Elph 360 HS A / Ixus 285 HS A Black | Silver
6. Canon PowerShot SX740 HS / Lite Silver | Black
7. Panasonic Lumix TZ99 / ZS99 Black | White
8. Sony RX1R III
9. Fujifilm X Half Silver | Charcoal Silver | Black
10. Canon PowerShot V1

Sales data collected between January 16-31, 2025, from Yodobashi.com and 24 Yodobashi Camera stores nationwide.

Fujifilm's hard-to-get compact is back on No. 1.
Launched in early 2024, the Fujifilm X100VI has become one of the most in-demand compact cameras in recent memory. Despite its premium price and limited availability, it finished 2025 as Yodobashi's overall best-selling camera – and continues to dominate whenever stock briefly reappears.

The demand for this Fujifilm was so high that sales were repeatedly suspended – and not just in Japan, but globally. Yet, every time it returns, the X100VI shoots straight back to the top of the charts.

Return of the cheap champion
The Kodak Pixpro C1 climbs back on third place after briefly vanishing earlier this month. At $99.99 / £79.99 / AU$198, it's the cheapest camera in the entire top 10 – proof that not everyone needs cutting-edge specs or wants a four-figure price tag.

Approachability still sells. The C1's appeal is simple: ultra-lightweight design, stripping-back controls, retro styling, a price low enough to attract younger buyers, and casual shooters.

One of 2025's 'worst' cameras makes the chart
Then there's the Fujifilm X-Half – a camera that arrived last year amid enormous hype, only to leave many photographers scratching their heads.

By pushing the retro trend to an extreme, the X Half recreates the look of film photography. And it does it all at a surprisingly high price, making it one of the most polarizing camera releases in recent years.

Adding to the confusion, some months ago, Fujifilm bundled the X Half for free with the purchase of an X-T5 in the US – one of the best Fujifilm cameras – a move that raised eyebrows across the industry.

Japan's camera market: premium and budget collide

Ultra premium compacts like the Sony RX1R III coexist with budget-friendly models such as Canon's PowerShot Elph series – and sell side by side.

This reflects a market where buyers are choosing very different paths – either all-in on premium craftsmanship, or all-out on simplicity and affordability.

With new releases like the Fujifilm Instax Mini Evo Cinema and the Ricoh GR IV Monochrome still missing from the charts, February could look very different....

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I used to work on a model railroad magazine, so as you can imagine, my penchant for trains means that I’m quite taken by Ricoh’s snazzy ‘old’ camera straps, upscaled using seat fabric from Tokyo Metro cars. The very limited-edition Ricoh Tokyo x Pentax Camera Straps will be available to order from Friday, February 6, at 11:00am (presumably JST).

Sadly, the Ricoh Imaging Store is only able to deliver to Japanese addresses, and I can see these moving faster than a 'bullet train', considering only 300 will be available: 150 regular seats (red) and 150 priority seats (blue). Regardless, they are priced at ¥9,280, which is roughly $62/£49/$AU95.

Each strap is made from real seat fabric that once adorned Tokyo Metro Marunouchi Line 02 series carriages, and is hand-sewn in Tokyo’s Adachi Ward. What’s more, the straps also feature a Pentax tag, as well as a Tokyo Metro sleeve tag that is actually featured on Tokyo Metro uniforms.

In addition to the seat fabric, the lining is made from polyester, while the leather tabs at the ends of the strap are made from cowhide leather. Ricoh states that the straps are compatible with SLR cameras with strap rings of 10mm or wider. The main body of each strap (excluding the thin tips) is 810mm by 38mm.

It’s a shame these straps are only available domestically, or I would have snapped one up myself. I’ll keep my fingers crossed that the New York Metro or London Underground can follow suit!

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Japan's first compact camera sales rankings of 2026 are in – and the market has flipped – again.

After dominating the charts at the end of 2025, Kodak's affordable $99.99 / £79.99 / AU$198, retro-inspired Pixpro C1 compact camera has completely disappeared from Yodobashi's top 10, making way for a familiar face at the top: Sony's ZV-1 II.

According to Yodobashi Camera's best-selling compact digital camera ranking for the first half of January 2026, Sony's creator-focused compact has claimed the number one spot – its first chart-topping appearance in over two years!

Yodobashi's 10 best-selling compacts (1st half Jan)

1. Sony ZV-1 II Shooting Grip Kit Black | White
2. Canon PowerShot SX740 HS / Lite Silver | Black
3. Ricoh GR IIIx
4. Sony ZV-1 II Black | White
5. Canon PowerShot SX70 HS
6. OM System Tough TG-7 Red | Black
7. Ricoh GR III
8. Nikon Coolpix P950
9. Sony RX100 VII
10. Kenko KC-ZM08

Sales data collected between January 1-15, 2026, from Yodobashi.com and 24 Yodobashi Camera stores nationwide.

Sony's ZV-1 II is number one in Japan

The Sony ZV-1 II Shooting Grip Kit takes first place in Yodobashi's ranking, marking a major comeback after briefly dropping out of the charts late last year.

Originally released in 2023, the ZV-1 II remains one of the most popular compact cameras for vloggers, content creators, and hybrid shooters, thanks to its fast lens, reliable autofocus (AF), and creator-first feature set. Sony also tops No.4 with the ZV-1 II body-only model.

Canon, Ricoh and OM System hold steady

Canon's aging zoom compacts refuse to die
Canon places two cameras in the top 10, led by the PowerShot SX740 HS / Lite in second place. Originally launched in 2018 and refreshed with the Lite edition in 2024, the pocket-sized compact remains hugely popular thanks to its 40x optical zoom (24-960mm).

Canon also charts with the PowerShot SX70 HS at No.5, a DSLR-styled bridge camera with a massive 65x zoom. While far from cutting-edge, its long reach and physical controls keep it relevant.

Ricoh's cult APS-C compacts thrive on backorders
Ricoh secured third and seventh place with the GR IIIx and GR III, despite both models being currently out of stock at Yodobashi.com – so, the strong demand remains for Ricoh's minimalist, photographer-first APS-C compacts, even at luxury price points.

OM System's go-to rugged compact reappears
The OM System Tough TG-7 returns to the charts at No.6, making its first appearance in two months. While largely unchanged from the TG-6, it remains the go-to rugged compact, offering waterproofing, shot resistance, RAW shooting, and 4K video in a near-indestructible body.

Comeback: Nikon's superzoom and Sony's premium compact
The Nikon Coolpix P950 lands in eighth place, reappearing after more than nine months away, thanks to its colossal 83x optical zoom. Image quality may lag behind newer rivals, but for sheer reach in a relatively portable body, it continues to attract an audience.

Meanwhile, Sony's RX100 VII returns at No.9, marking its first appearance in nine months. Despite its high price and cramped ergonomics, its speed, AF performance, and 4K video keep it relevant.

Kenko's budget selfie compact debut
The Kenko KC-ZM08 makes its first-ever appearance in Yodobashi's rankings, offering something rarely seen in compact cameras: a rear-facing secondary camera.

Designed to function like a smartphone, the KC-ZM08 allows you to switch cameras at the push of a button, making selfies and casual social shooting far easier. With ¥24,940 (approx. / $160 / £117 / AU$230), it's one of the most affordable models in the top ten.

Insights from Yodobashi's top 10 compact cameras

While ultra-budget compacts drove short-term volume in January, brand trust, practical features and sustained demand continue to steer Japan's buyers back toward established and long favored models.

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High demand for the Ricoh GR IV Monochrome appears to be outstripping supply across Europe, with Ricoh's official store stating delivery delays until March. The black-and-white-only compact camera is still available to pre-order in the UK and US, but growing interest suggests shortages could spread.

Launched just some weeks ago (mid Jan 2026), featuring a 25.74-megapixel APS-C CMOS sensor, specifically designed for B&W photography, classic GR design, and a rare balance of price and performance.

It's available to pre-order for $2,196.95 at Adorama or at Wex: £1,599 or Ted's Cameras AU$2,999.95, and is planned to arrive in stores in February. It's a combination that has clearly struck a chord with photographers.

For anyone who has ever considered a pure monochrome camera, the landscape has traditionally been dominated by Leica's Monochrome models – exceptional, but often priced far beyond the reach of many.

For example, the Leica M11 Monochrom is available for $10,160 / £8,300 / AU$16,790, while the Leica Q3 Monochrom is priced at $7,790 / £5,800 / AU$12,090 – both are full-frame and luxury cameras.

In that context, Ricoh's latest GR IV Monochrome stands out as one of the very few alternatives offering a dedicated sensor without a luxury-brand price tag.

While the Ricoh GR IV Monochrome remains available to pre-order through trusted retailers in the US and UK, Ricoh's own European online store currently displays: "Limited stock, deliveries affected until March." This suggests demand has outpaced Ricoh's initial production forecast.

Given the long-standing popularity of the Ricoh GR series, the situation isn't entirely surprising. The Ricoh GR IV Monochrome appears poised to follow the same pattern as previous GR launches, with high early demand placing pressure on manufacturing and global shipping schedules.

If it follows this pattern, availability could remain tight for months – making early pre-orders the safest option for photographers keen to go all-in on black and white.

Nothing is more frustrating than finally deciding on a new camera – only to find it out of stock. Even worse is placing a pre-order and facing months of waiting, knowing that early buyers are already out shooting while you're still refreshing your order status....

Where to pre-order

The Ricoh GR IV Monochrome is currently available to pre-order at the following retailers:

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A recent interview hosted on Bobby Tonelli’s YouTube channel has quietly reignited one of the longest-running wishes in modern photography: the possible return of the Ricoh GR as a film camera.

In the candid conversation with the Tetsuya Iwasaki, Department Manager of Product Planning at Ricoh Imaging, the idea of remaking a GR film camera was addressed directly - and while no promises were made, the door was very deliberately left open.

Watch the full interview here:

The GR name carries serious weight in photographic culture. Long before the digital GR became a cult favorite for street photographers, the original GR film cameras were revered for their sharp lenses, pocketable form factor, and no-nonsense approach to image-making. They were tools built for photographers who valued instinct over excess, and decades later that philosophy still defines the GR identity. It’s precisely that heritage which makes the idea of a film revival so compelling.

During the interview, Ricoh’s Product Planning lead acknowledged the growing chorus of photographers calling for a return to film.

“It’s true that there are many voices calling for it to be made,” they said, before stopping short of confirming any active development.

Importantly, though, the response wasn’t dismissive. Instead, it framed the demand as something Ricoh feels a responsibility to consider — particularly when users are clear about the kinds of photographs they want to make, and what they expect from a brand with Ricoh’s legacy.

That distinction matters. In an era where film photography has moved well beyond nostalgia and into genuine resurgence, manufacturers are increasingly aware that film users aren’t simply chasing the past. They’re seeking a slower, more deliberate photographic experience that digital can’t replicate.

For Ricoh, whose GR cameras have always been about responsiveness, discretion, and photographic intent, a film GR wouldn’t be a gimmick – it would be a philosophical continuation.

What makes this conversation especially interesting is its timing. Film sales continue to grow steadily, compact film cameras are commanding eye-watering prices on the secondhand market, and photographers are clearly willing to invest in high-quality analog tools if they feel thoughtfully designed. Ricoh’s acknowledgment that “we have no choice but to consider it” suggests the company is acutely aware of that shift, even if the commercial and technical challenges remain significant.

Of course, remaking a GR film camera today wouldn’t be simple. Supply chains, mechanical expertise, and cost all present hurdles that didn’t exist when the original cameras were produced. But Ricoh has never been a brand to chase trends blindly. If a film GR were to happen, it would almost certainly be because the company believed it could deliver something authentic — not just a logo revival, but a camera worthy of the name.

For now, the idea remains firmly in the realm of “consideration” rather than confirmation. Still, for GR loyalists and film photographers alike, hearing Ricoh openly acknowledge the demand feels like a small but meaningful shift. Sometimes, in this industry, that’s exactly how big comebacks begin.

Sustainable research organization Corporate Knights Inc has published its annual list of the Global 100, a ranking of major companies that exceed the sustainable revenue and investment standards. Ricoh, known for its compact cameras and Pentax DSLRs as well as office equipment, has ranked on the list for the 14th time. 

The Corporate Knights Global 100 ranking looks at publicly available data from companies with an annual revenue of more than $1 billion (around £734 million / AU$1.4 billion), considering more than 8,000 companies in compiling the annual list.

The organization evaluates public data on sustainable revenue, sustainable investment and sustainable revenue growth in order to evaluate each company's sustainability efforts, announcing the results during the World Economic Forum Annual Meeting in Switzerland.

On the 2026 list, Ricoh ranks 19th among companies under the information technology sector and third in the computers and peripherals category. Corporate Knights gave Ricoh a C+ grade.

This year the organization changed how the scores were weighed, giving a third of a company's ranking to what it calls "sustainable revenue momentum" or how fast the company is growing its sustainable revenue. Ricoh ranked at 87 on the 2026 list, but was at 51 in 2025.

Manufacturing any sort of electronics has an impact on the environment, but the list hints towards companies that are working to negate the effect that the process has on the environment. Ricoh says it is working towards a zero emission, 100% renewable energy goal by 2030 – an effort that would reduce emissions to 90% of 2015 levels.

The ranking looks at the company as a whole, and not specifically Ricoh’s cameras. The manufacturer says that the Ricoh GR IV compact camera uses eco-friendly packaging – a trend that dates back to the original GR Digital. Ricoh also incorporates ESG (environmental, social and governance) indicators into its compensation packages for the company’s executives.

Ricoh has also previously been recognized on the Time World’s Most Sustainable Companies list and Energy Star Partner of the Year, among other sustainability-based awards.

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Ricoh Imaging has quietly removed references to its Pentax Film Project from the top page of its official website, a move that has not gone unnoticed by the film photography community.

The change was first reported by Japanese outlet Digital Camera Life, which noted that the project’s promotional tile has disappeared from the homepage without any accompanying announcement or explanation.

Until recently, the Pentax Film Project sat alongside major brand initiatives on the Ricoh Imaging homepage, but it has now been replaced by links to ongoing campaigns such as GR Photo Festival 2025 and the main Pentax and GR brand portals. While the film project has not been deleted entirely, its removal from the most visible part of the site suggests a clear shift in emphasis.

According to Digital Camera Life, the Pentax Film Project can still be accessed indirectly through deeper navigation, including the Pentax brand pages and the dedicated product page for the Pentax 17. However, the decision to demote the project from the homepage has inevitably raised questions about its current status and future direction.

The film initiative gained global attention in 2024 with the launch of the Pentax 17, positioning Ricoh Imaging as one of the very few major brands actively investing in new film cameras. Since then, progress has appeared slow, and the departure of a key project figure, known internally as TKO, has only added to speculation about whether the programme has stalled or is being restructured behind the scenes.

Despite the uncertainty, expectations around the Pentax Film Project remain high. As reported by Digital Camera Life, long-term ambitions have previously included everything from a full-frame interchangeable-lens film camera to a premium fixed-lens model, while others have speculated about more accessible autofocus or zoom-based designs under the classic Espio name. For now, those ideas remain firmly in the realm of conjecture.

Looking ahead, Ricoh Imaging is expected to be present in Japan during CP+ 2026, despite not hosting a traditional exhibition booth. International media interviews are reportedly planned, which may offer the first real insight into whether the Pentax Film Project is entering a second phase - or quietly fading into the background. Until then, the project’s low-profile status leaves film photographers watching closely for any sign of what comes next.

Japan's camera market moves fast, and last month was no exception. Now, a mirrorless full-frame camera released for retail shipping on December 18th led new charts for the entire month, and it had done so before – a blockbuster start that no other camera model could match, ultimately becoming the No. 1 best-selling camera in Japan.

While our previous report covered how this camera took Yodobashi Camera's charts by storm and topped the sales figures for the second half of December, this news is about the best-selling cameras at Map Camera for the entire month of December – highlighting that this new camera didn't just dominate the market for two weeks, but the entire month.

According to Map Camera, it outsold all four Fujifilm models ranked from second to fifth combined (!), making it clear that this launch wasn't just a strong start; it was a bit of a record-breaking one.

The camera in question features a combination of cutting-edge image processing, AI-powered AF (autofocus), and blackout-free continuous shooting, and promises to perform great for both enthusiasts and professionals.

For a model that marks the first new A7 release in four years, the overwhelming demand and rapid sales speak volumes about Sony's reputation and the market's appetite for its latest technology... Drumroll... It's the Sony A7 V.

Map Camera's top 10 best-selling cameras (Dec 25)

1. Sony A7 V
2. Fujifilm X-T30 III
3. Fujifilm X-M5
4. Fujifilm X-E5
5. Fujifilm X-T5
6. OM System OM-3
7. Nikon Z5 II
8. Ricoh GR IV
9. Sony A7C II
10. Ricoh GR IIIx

Fujifilm's strong showing

While Sony's launch stole the spotlight, Fujifilm dominated the top 10 best-selling cameras of Japan in December. The X-T30 III, X-M5, X-E5, and X-T5 filled the second through fifth positions on Map Camera's list, showing that the brand's compact, entry-level, and mid-range mirrorless cameras remain highly popular.

The X-T30 III, in particular, benefited from the new XC13-33mm lens kit released in mid-December, boosting sales and appealing to new users entering the Fujifilm ecosystem. Meanwhile, the X-M5 and X-E5 continued to attract fans seeking affordability and versatility, especially for casual video shooting and lightweight travel setups.

Other notable rankings

The rest of the top 10 featured familiar names. The OM System OM-3 returned to sixth place thanks to lens kit bundles and a price cut that made it nearly ¥10,000 (approx. $63 / £47 / AU$94) cheaper than the body alone.

Nikon's Z5 II claimed seventh, maintaining solid mid-tier popularity. Sony's A7C II slipped to ninth, likely impacted by the A7 V's meteoric rise, while Ricoh's GR IV and GR IIIx rounded out the list.

Surprisingly, the Canon EOS R6 Mark III, which had debuted at number one in a previous ranking, did not make the top 10 this time, reflecting the camera's slower uptake compared to its predecessor.

Japan's market never stands still

December's Map Camera data highlights how quickly new releases can reshape the market. The A7 V's ability to dominate both the second half and the full month of December, when being released on the 18th of December, is a clear sign that anticipation, cutting-edge technology, and precise launch timing are key to success in Japan's competitive camera landscape.

With supply now backordered but all pre-orders fulfilled, it remains to be seen whether Sony can maintain this momentum into January 2026, or if Fujifilm or other rivals will challenge the top spot.

And for photographers looking to secure this full-frame mirrorless powerhouse, now is still a good time to act, but some retailers like Wex Photo already list the Sony A7 C as "awaiting stock" in the UK, while B&H Photo highlights the camera as a "Top Seller" in the US.

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The BCN Award 2026 has been announced, revealing the best-selling camera brands in Japan's digital camera and imaging market.

Based on nationwide retail sales data from January to December 2025, the award reflects actual purchase figures collected from 20 major electronics retailers, including Amazon, Bic Camera, and other leading chains across the country.

This year, Sony claimed the mirrorless camera crown for the third consecutive year and sixth time overall, while Canon continued its long-standing dominance of the DSLR segment with an 18th straight win.

In a first-time achievement, Kodak earned the top spot for compact cameras, and DJI took home the crown in both the video camera and action camera categories.

Unlike product-based honors, the BCN Award recognizes manufacturers rather than individual camera models, ranking brands by total sales volume and overall market popularity.

Let's take a closer look at the top three brands in each category and the companies shaping Japan's highly competitive camera market in 2025…

Compact

1. Kodak: 24%
2. Fujifilm: 13.9%
3. Kenko Tokina: 13.3%

Kodak takes the top spot in Japan's compact camera category for the first time, claiming 24%. The Kodak Pixpro FZ55, a simple, affordable point-and-shoot, dominated monthly sales charts and highlights the ongoing comeback of budget-friendly compact cameras.

Fujifilm follows with 13.9% of sales, led by its popular X100 series and the Instax hybrid instant cameras. Fujifilm's GFX100RF, a groundbreaking 102MP compact medium-format camera, was recognized with the DGP Imaging Award, one of Japan's most prestigious honors.

Tokina takes third at 13.3%. maintaining a steady popularity in Japan's compact camera segment.

Mirrorless

1. Sony: 29.9%
2. Canon: 27.4%
3. Nikon: 15.1%

Sony continues its dominance in Japan's mirrorless camera market, winning the BCN Award for the third consecutive year and sixth overall, with 29.9% of annual sales. Canon follows closely with 27.4%, while. Nikon holds third place at 15.1%, maintaining its position from the previous year.

The market has been defined by Sony and Canon. Sony's A7 V, released mid-December 2025, instantly became Japan's best-selling mirrorless camera in the second half of December.

Canon's high-end EOS R6 Mark III and entry-level R50 V, along with Nikon's Z5 II, are 2025's product examples that continue to be celebrated in Japan's competitive mirrorless market.

DSLR

1. Canon: 44.3%
2. Nikon: 38%
3. Pentax: 17.7%

Canon remains the undisputed leader in Japan's DSLR market, winning the BCN Award for the 18th consecutive year and 20th overall, with 44.2% of annual sales. Nikon holds second place with 28%, while Ricoh Imaging (Pentax) captures 17.7%.

Despite the mirrorless boom, DSLRs are far from obsolete. Canon's EOS 5D Mark IV continues to dominate the professional and enthusiast workflows, while models like the 1D X Mark III are still popular.

Nikon remains strong with, for example, the D850 and D780, while Pentax appeals to a dedicated niche with models such as the K-1 Mark II.

Canon's dominance isn't a surprise. It ships the majority of DSLRs worldwide. Even with mirrorless growth, nearly 800,000 DSLRs were shipped in 2024, underscoring that the DSLR experience remains valued among photographers.

Video

1. DJI: 64.7%
2. Panasonic: 18.9%
3. Sony: 11.1%

DJI had taken the top spot in Japan's video camera market for the second year in a row, capturing an overwhelming 64.7% share. Panasonic followed with 18.9%, and Sony held 11.1%.

Key DJI releases include the Osmo Action 6, launched late 2025, and the Osmo Pocket series – a compact handheld solution that some observers argue could also fit under action cameras due to its portability, though officially classified in the video camera category for BCN Award purposes.

Among Panasonic's most popular devices for professional video are the Lumix S5 IIX, and it updated its hybrid lineup with the Lumix S1 II, and camcorders such as AG-CX20. Sony continues to impress with the FX6, FX3, and hybrid models like the A7R V and A6700.

Action

1. DJI: 40.1%
2. Insta360: 37.9%
3. GoPro: 18.9%

DJI claimed the top spot in Japan's action camera category for the first time, capturing 40.1% market share. Arashi Vision (the company behind Insta360) followed closely with 37.9%, while GoPro fell to third place at 18.9%.

DJI's success in 2025 was highlighted by the Osmo Action 6 and the Osmo Nano, a tiny wearable camera, while the Osmo Action 4 and 5 Pro offered strong budget and professional options.

Arashi Vision continued to push innovation with the Insta360 X5 (8K 360°) and maintained strong momentum with the Ace Pro 2. Meanwhile, GoPro focused on its Max 2, while the Hero 13 Black remained a popular choice.

As Chinese manufacturers, DJI and Insta360 continued to gain ground, GoPro's market share declined amid intensifying competition.

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Two weeks into the new year, the biggest launches of 2026 are so far are rather unusual. This week brought the debut of the Instax Mini Evo Cinema and the Ricoh GR IV Monochrome. The two cameras are wildly different from each other, except for one thing: both are arguably more about what they can’t do than what they can.

The 1/5-inch sensor on the Evo Cinema and the APS-C sensor on the GR IV Monochrome are opposites. Yet both cameras feel a bit like the antithesis of modern technology – they are simpler cameras, the former designed for the joy of capturing retro images and the latter for the experience of shooting exclusively in black and white.

The Evo Cinema is a strange-looking camera that looks like a miniaturized, modern Super 8 – despite also spitting out instant film prints. The 5MP sensor and 600 x 800 resolution feels like the opposite of modern tech that’s trending towards 50MP+ and 8K video.

But it’s the decade dial that’s going to sell the Evo Cinema. With a turn of the dial, creators can emulate the look of a specific decade, with optional overlays and a dial to control the intensity of each retro look.

Like the Evo Cinema, the newly announced GR IV Monochrome is a creativity-focused camera. But the spec sheet between them couldn’t be more different. The Monochrome crams a 25.7MP APS-C sensor into a pocketable design, though video tops out at FullHD.

Where the Ricoh reminds me of the Instax is that it’s a camera whose limitations are as important as its capabilities. The GR IV Mono can’t shoot in color. Eliminating the color filter array on the sensor helps create more clarity, tonal separation and microcontrast than a color camera sensor image converted to black-and-white.

I can’t help but look at cameras like the Evo Cinema and the GR IV Mono and think of Marie Kondo going through a closet and saying, “This brings me joy.” Only instead of tidying the sock drawer, we’re tidying up camera tech.

There are plenty of fantastic high-tech cameras out there – and, I must add, I don’t think those pro cameras are going anywhere. But, it feels as if there’s a new category of cameras emerging that’s not about what the camera can do but about what it can’t.

Earlier camera launches like the Fujifilm X Half, which has a film mode that won’t let you see your photos until you finish a roll, and the incredibly minimalistic Sigma BF also come to mind.

I don’t think it’s a coincidence that simplified cameras and retro cameras are trending at a time when AI is capable of creating a "perfect" image. As the resurgence of the 2000s-era digicams illustrates, there’s a lot to love about simple cameras that are as imperfect as our memories.

A key part of the resurgence of the retro compact camera is that I think the general consumer is once again buying cameras. For a while, the smartphone camera meant that mainstream customers didn’t really need or want a separate camera – unlike serious photographers who have continued to buy dedicated cameras.

Now, even non-photographers are finding joy in taking photographs on a camera separate from the devices that can send emails, make phone calls and generate deepfakes.

Are two weeks enough to predict the biggest photography trends of the whole year? Of course not. But as a photographer and a tech journalist, I find it interesting that the first major launches of the year are a 5MP retro time-traveling camera and a compact camera embracing the simplicity and joy of seeing in black-and-white.

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The most popular camera at B&H in 2025 was a $30 retro keychain camera. The US retailer recently shared the list of the most popular cameras of 2025, a list that’s led by the Kodak Charmera, the Sony A7 IV, and the Ricoh GR IV.

The list of the most popular cameras of 2025 at B&H, recently shared with Digital Camera World, is an eclectic mix of cheap compacts and pro cameras. But the unusual mix makes some sense, as the retailer caters to both general consumers and serious photographers. That, and the more affordable a camera is, the higher the number of people who can afford it.

The most popular cameras of 2025 at US retailer B&H Photo Video were:

• Kodak Charmera keychain digital camera
• Sony A7 V
• Ricoh GR IV
• Canon EOS R5 Mark II
• Canon EOS R6 Mark III
• Canon EOS R6 Mark II
• Kodak Pixpro FZ45
• Fujifilm GFX100RF
• Kodak PixPro FZ55
• Fujifilm X-E5 with XF 23mm f/2.8 kit lens

The list has a few expected picks along with a few surprises. The list curiously doesn’t share any cameras in common with BCN+R data from Japanese retailers, though affordable Kodaks, the Ricoh GR IV, the Sony A7 V, Canon R6 III, and Canon R5 II also pop up on Japanese retailer Yodobashi Camera’s December best sellers.

The Kodak Charmera

Kodak – and the licensees using its name – have had a fantastic 2025. The Kodak Charmera is a tiny keychain camera that’s just 1.6MP, but the retro design and blind box surprise factor have made the tiny camera a major trend in 2025. And at $30 in the US, the Charmera is far more of an easy impulse buy than the high-end cameras with a four-figure price point.

The Sony A7 V

While it’s unsurprising to find at least one Sony on a top ten list, it is a bit surprising to find a camera that only launched in December at the top of a list of trends for 2025 as a whole: the Sony A7 V. With a 33MP partially-stacked sensor, AI detection autofocus, and 30 fps blackout-free shooting, Sony describes the A7 V as “a Goldilocks camera that’s not afraid to punch above its weight class.”

While some were quick to point out the A7 V’s 4K when competitors offer 7K Open Gate, if B&H sales data – and data from Japan – is any indication, Sony fans are undeterred.

Ricoh GR IV

The Ricoh GR IV was a highly anticipated 2025 launch, so I’m not surprised to find the compact camera with an APS-C sensor among the most popular options last year. The fourth reiteration in the series continues to pack high-end image quality in a pocketable camera with an updated sensor and lens, although video features and burst speeds remain limited.

Canon EOS R5 Mark II

A trio of high-end Canons sits snuggled together on the top ten list. The priciest of the three sits the closest to the top: The Canon EOS R5 Mark II. The R5 Mark II isn’t slowed down by its 45MP sensor, still delivering 30 fps burst speeds and even 8K60p raw video.

Canon EOS R6 Mark III

The pair of R6’s on the list speak to the series’ staying power. Announced in November of 2025, like the Sony A7 V, the Canon R6 Mark III wasn’t on sale for much of 2025. But, the camera still garnered enough attention to outsell its predecessor. The Mark III upgrades to a 32.5MP sensor as well as 7K Open Gate.

Canon EOS R6 Mark II

The R6 Mark II, meanwhile, still had 10 months of the year as a current model – that, and a lower price point compared to the new Mark III likely helped boost the mirrorless camera’s numbers.

Kodak FZ45 and FZ55

The Charmera isn’t the only Kodak on the list. The affordable, sub-$150 Kodak FZ45 and FZ55 proved popular enough to earn a spot on the list. Both cameras are known for being affordable and portable, with the FZ55 offering a longer lens and rechargeable battery compared to the FZ44’s AAs.

Both cameras are manufactured by JK Imaging Ltd., which licenses the Kodak name, so this is a different company than Reto, which makes the Kodak Charmera.

Fujifilm GFX100RF

Two Fujifilms make the list of most popular cameras at the retailer for 2025. The Fujifilm GFX100RF is the medium-format take on Fujifilm’s compact cameras. That makes the GFX100RF unique among other high-end compacts that hide an APS-C or full-frame sensor.

As the $30 Charmera demonstrates, it’s easier for an affordable camera to top sales than a high-end, expensive model, so the fact that this $5,499 camera is on the list is a bit impressive. Notably, the X100VI doesn’t appear on the list, but that camera has also continued to face stock shortages in 2025, which may have impacted numbers.

Fujifilm X-E5

The other Fujifilm on the list is an X100VI alternative of a different sort: the X-E5 with the 23mm f/2.8 kit lens. This mirrorless is arguably the closest to the compact camera, particularly with the tiny pancake kit lens that only recently became available separately from the body. It’s the silver version that has garnered the most attention at B&H.

Of course, what’s not on the list is worth noticing too – Nikon doesn’t make an appearance on the most popular cameras at B&H. But, Nikon actually dominates B&H’s most popular lenses of 2025 with five on the list of ten, so it’s safe to say B&H shoppers still have plenty of love for Nikon.

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