This portable projector is for someone who wants to watch their own, or other people's, streaming creations anywhere – with just a single cable (plugging the projector into the wall for power).

It uses Wi-Fi (or HDMI) to source it's image, and offers plenty of flexibility – essentially a portable screen for spaces which aren't filled with light from other sources. It's quite an appealing proposition and, in recent years, the number available has increased dramatically.

We look for image quality, built-in speakers, the responsiveness of the operating system, and everything else about the actual experience of using the device. My usual testing approach is to try it out as a portable display device and as a home cinema.

Price

The Putbecy P6 projector is, at heart, a 1080P projector for around £159.99 which is not too bad, but this kind of price for this kind of specification list and brightness level is not entirely unheard of. What you're doing is making something which is very definitely a budget choice in terms of specs – but not everyone uses projectors that often, and if a sense of fun matters more than the feature list, this might be fine.

Specs

Build and Handling

With the design styling of a bucket with slots down the side, the P6 has an optimal viewing angle of 15-degrees which it achieves if you pull out a foot in the base, which (after a software update) it will make clear on startup.

Included in the box with the device is a remote control, and, like modern competitors, it will connect using WiFi. There is no 'Android TV' here, though, but a cut-down equivalent called Lilac OS. Or at least there was – its name seemed to change with software updates.

Regardless of the superficial details like name, the experience for streaming TV fans is superficially similar to Google's – once you've given it your Wi-Fi code you can download apps (Netflix, Disney+, Apple TV, YouTube etc.) to connect to your preferred streaming services.

There is also a remote control which brings the ability to focus remotely. I wouldn't quite characterise this as 'autofocus' in the manner of a modern projector – it absolutely does not do the job for you. What it does do is let you do it at the push of a button – or two (up and down) – and a motor is turning the mechanics.

There is also no auto-keystoning in the sense that more sophisticated devices might offer it. The projector can compensate for the lean applied by that 15-degree foot which can pop out of the bottom, which is a great start, but were you to lean the projector forward (as I also did in my tests, and many people do from shelves or tall furniture) it doesn't know what to do at all. Similarly an offset angle (from the side of the screen) is beyond the system.

Connectivity is at the base and rear, which is fine for this 'dustbin' design, and there is a sensor for the remote on both sides. The presence of a 3.5-inch jack is a handy touch for those with cinematic ambitions and neighbours, too.

While I was a little surprised to be 'reduced' to manual focus for the projector, the remote didn't make it at all difficult, and is a decent size with all the controls I've come to expect from streaming TV services, and, though a little more laggy than some, it was no worse than early Fire Sticks or, indeed, many quite pricey Smart TVs (my early Sony Bravia Android TV gave up the ghost after about a decade recently, and it was certainly very laggy by modern standards by the time the last day came!)

Performance

On the plus side, in relatively low light on a reflective surface (white wall or, ideally, a prorector screen) is surprisingly bright and colored at the kind of range that I felt safe testing the device.

The impression of 1080P detail is achieved without fringing, and things only seem blown right in the top few per cent of the highlights. (But to be honest with you, I'm also struggling to be sure I'm looking at a native 1080P image – the same documentation that promised that also said "low noise").

When I used a full 100-inch projection screen, things did take a turn for the worse. The projector does not seem to live up to the given brightness claims (which, presumably, equate to around 1,400 ANSI lumens – though I've read specs of a more convincing 200 ANSI lumens elsewhere for very similar devices!)

Another issue is the internal cooling, which is achieved with a noisy fan. This has an impact on the sound which, despite the Dolby sound, means you'll find the 60-70dB of sound I tested coming from that fan will compete and sometimes seem to win against the two five watt speakers.

This is always a bit of an issue with portable projectors, but seemed to be more of an issue with this than many.

Overall verdict

Ultimately, you'll get a good picture on the wall from this device if you can place it near a power socket (or don't mind running an extension), but you'll have to handle a laggy operating system, a noisy fan, and merely adequate brightness – certainly not up to daytime use.

Are there better projectors out there? Definitely. Many feature gimbal designs, which (if you don't mind the slight inelegance) are alot more adaptable, and some will even get you something a lot closer to 4K. This will downsample a 4K stream to 1080P, so it could be worse – 1080P is OK, but a more convincing brightness would allow you to use a bigger screen. Even in the budget category, I have tested the Xgody N6, and that brings a variant of the gimbal into the budget category.

But this is often available for very little money. You could definitely display photographs or videos to a large size with it for a lesser investment and, thanks to the tripod screw, photographers would be especially well placed to mount it anywhere. So it is not without its possibilities.

Alternatives

Projectors are a growing product category for creatives because they've got a lot cheaper and – perhaps more importantly – they've got a lot better. Epson, one of the more established brands, can now offer a very portable device (yes, this one I'm reviewing here) which can display 4K natively so whatever you create, you can see to pretty optimum standards. moreover you can take it and display it to folks while only needing to carry a small box (assuming a white wall is provided).

Home cinema or a display for gaming enthusiasts is likely the main market, but portability is a useful addition for this projector, which is designed to display on a screen or surface at up to 150-inches.

Epson has targeted quality rather than the biggest stats (there are plenty of competitors who will happily suggest they can display at 200-inches), so the question in this review is do you want to go for Epson – a brand with many years in the game and which has made quality a big part of their pitch, or would another brand serve you?

I have tried a lot of projectors recently – including the Epson – so here is what I think:

Pricing

Although the launch price was higher, as I write this review a few months after I first tested the new model, the 4K model is generally available for $999 or perhaps less if you know where to look.

Specifications

Epson Lifestudio Flex EF-72: Build and handling

The construction of this projector is where it really stands out from anything else I've ever tried. Sure, I've tested massive big feeling devices that are clearly built to dominate, but this is by far and away the highest quality seeming projector I've encountered that is designed to sit in the room with you.

Given that, realistically, almost all portable projectors are going to end up sitting in the room with you (and a fan will end up running inside them), that should be a consideration!

The design has LED light display under the main unit, which can be changed with a tap on the top, or turned off altogether with a long press. This could have been over the top, but has been integrated with style and I really liked as a feature.

As for the build in general, it has become relatively commonplace among projectors to include a large gimbal arm around the whole projector housing, increasing the physical size.

Epson, in the past, has created black cube-like projectors which Star Trek fans might have associated with the Borg (aliens with cube-shaped ships to the uninitiated), but this time the cube seems to have managed chic.

Epson has, rather than copying the gimbal approach (which is very practical) come up with a more compact alternative – a single column in the center of the device. The designers didn't even let this interfere with the appearance when the projector was at a relatively level angle, by providing a simple blanking plate to match the appearance of the speaker grille which appears to go all the way around the projector.

By basing the projector on the Android TV system which has spread like wildfire through the consumer projector market, Epson has delivered another projector with a sophisticated but easy-to-use operating system that can do most of the operations you'd imagine.

The design is completed with a host of other small refinements. One I liked was the fact the power connection port was recessed, so if you keep your projector near the wall, you won't end up forcing the cable into a nasty bend.

This kind of thoughtful touch – like the blanking plate – are appreciated, but don't seem to have stopped Epson having a bit of modern fun with features like the LEDs. Bravo.

Epson Lifestudio Flex EF-72: Performance

While the image brightness isn't as high as some other projectors tested recently, that shouldn't be an issue for home movies, especially in the long dark winter nights (or anywhere you can close the curtains). 1,000 is bright but not the brightest.

The speed the EF-72 was able to perform operations was tasks was not a problem for me, and in general I have no issues with Google's TV platform. Doing everything via Wi-Fi is convinient (once I've tracked down that password!)

Auto keystone correction worked well, and the audio from the 'Audio by Bose' speaker system built in was certainly enough to fill the ordinary rooms that I tested the system in.

The image is created by 4K pixel shifting, but seemed sharp. All the key apps worked (Netflix, Disney Plus, Apple TV+ and Amazon Prime Video) (and in the UK Channel 4 but not BBC iPlayer, which rarely seems to get on with Google TV on projectors I test.)

Sound can pass Atmos out via the HDMI eARC, but the 10W internal speaker (2x 5W in fact) is pretty handy too. For the most cinematic picture, use the settings to choose Cinema or Natural modes would be my advice, by the way.

Epson Lifestudio Flex EF-72: Overall Verdict

There was a time when I'd just advise you to look for the highest number of lumens (ANSI lumens – compare like with like), but if we're in the 1,000 territory that isn't where we're aiming. This is all about home theatre and a room where not too much light is coming from outside but, given there are many environments where we can control the light, why not invest in a projector which has its own qualities – style, image sharpness and the like? A coffee table projector.

The Epson Lifestudio is a winner in these categories, and you only have to look at it to see whether you think it'll seem at home on your coffee table in a way that quite a lot of big, heavy, noisy boxes might not.

For that reason, I went into this review a little cautious – wondering if this was going to be a bit of "style over content" and came out really wanting one of these devices for myself! The projector's compact portability and performance is very appealing, and for the scenarios I use projection in – evening light – a few hundred lumens would make little difference, while having something that looks this good and performs this well would be noticed!

Small design touches – the recessed power socket – as well as major ones like the single pillar design – make it easy to see why it has won design awards.

Alternatives

How I test

When I test projector I use several different test surfaces because no one does the same thing all the time, right? I have a dedicated projection screen – a 100-inch pull-down type – and I also use a white-painted wall. Reflected light, after all, is what cinema is all about. I also test on a light gray-painted wall to see how it copes with less-than-ideal conditions; this projector, for example, promises to be able to compensate for imperfect paint and in general life is a lot easier, especially with a portable projector, if you can use a wall!

I also conduct what I call the 'coffee table test', putting the projector on a table at an awkward angle from the wall. This is important to check the automated keystone correction.

I also always test by connecting to a MacBook to see how typical monitor images look – after all, this is a photography & video site! The appearance of type (black on white, white on black, etc.) and typical sample photos as well as standard tests like the color bars, and a selection of video clips with dark backgrounds, fast motion, and other key criteria are all important.

Finally, I also like to declare it "movie night" and see whether the device works with friends and family. My girlfriend's input is always interesting too, different pairs of eyes might feel differently about projector effects.

I love a good deal on a projector. The thing about photography and video is that we all need to remember displaying our own creations – and the films we admire – matters a great deal, and these days 4K projection is within reach for most of us, especially around this time of year. As well as the cheapest options, there are some which add a touch of design panache, and this is definitely one of those.

Epson is an established name in the field of projectors, and when I tried this projector I was impressed by how much that shone through in the little details as much as the overall design.

Not only has Epson joined in with the other brands and included Google TV, so the projector is easy to cast things to from your phone, or use like a modern TV with apps like Netflix, Disney+ and – to my initial surprise, but not these days – even Apple TV. No, Epson also knows what it is doing when it comes to things like subtle design features, so, for example, there is a recess where the power socket connects to the back of the projector so you won't find yourself pushing cable against the wall in a nasty way if you use a shelf like I do.

The overall design, though, is the cleverest thing about this series of projectors. Many new projectors are based around U-shaped gimbals to make it easier to tilt the projector and get the perfect angle against the wall, making them more flexible. This is great, but Epson's designers have realised that a single pillar is all that's needed, and placed this in the center.

When you need to tip the projector up all the way to point to the ceiling, you can, and you just need to pop out a piece of the speaker grille. Oh, and that speaker grille – it's hiding built-in speakers from Bose, and underneath a chic color-changing LED feature which definitely makes this the best looking projector for home, office, or the most stylish classroom you can imagine.

And, yeah, perhaps those lights will impress in whatever room you Netflix and chill.

The result is a much more elegant-looking device, and a smaller one than many other projectors in the same category, yet this is from Epson.

Trying the new XGODY projector – which is available for surprisingly little money on either side of the Atlantic this Black Friday – has been a bit of a surprise for me. A price cut of 15% on an already very cheap device has put it at just over $100 and just under £100, yet its features do genuinely seem to stack up against some devices costing more than ten times that.

Xgody might not be a well-known name in the projector space, but the entire industry has been turned on its head by unknown brands in the last couple of years and some have performed very well in my reviews.

The N6 Pro has kept the features at a level which would have been striking only a few years ago, and they are still more than good enough for most occasions.

While many projectors now use Android TV, this uses WhaleOS, but in my quick test I was able to install a Netflix and a Prime Video app (and others seem available) to stream video. The built-in speakers are good enough, too.

700 ANSI Lumens of 700 is provided. That's the light measure of a projector, and, basically, this is more than good enough for evenings. Viewing at about 2m / 6ft, I was able to create a very impressive image area equivalent to about a 75-inch TV which was more than bright enough to view, even in a room with daylight.

WhaleOS allows for apps (there is, apparently, 32GB of storage on board) and has numerous settings. I was initially disappointed by the image quality in the darker areas, but by turning on a 'Dynamic' mode the video quality got better overall too.

Other features I'd expect on pricier devices are all included too – a Bluetooth remote that works without needing to be pointed at the device and a built-in tiltable support. This is backed up with a motion sensor and auto keystone correction so you just move the projector to the right spot for you, tilt it so the light is projected where you want, and it then automatically adjusts the image out to something perfectly squared-off.

All this happens well within the kind of speeds I'd expect for something much more expensive, so – if you don't have a projector – this is definitely a very interesting way to buy something you might never have expected to own. It's light and easy to carry. Try it anywhere (or gift a home cinema to anyone!)

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I regularly test projectors – a means to display the movies and images I create – and keep a guide to the best projectors. You can bet this will be appearing very soon as a great budget option (even without these deals!)

Just launched on Kickstarter, the Anker Nebula X1 Pro is a new take on portable projectors – built like a wheely bag. It shows creators that the whole movie business (from start to finish) can be in their hands, or their car trunk, and deployed anywhere.

Featuring a 3,500 ANSI lumen 4K projector and a 400W spatial sound system with satellite 7.1.4 spatial speakers, the system gains its world first because these wireless speakers are detachable – with built-in batteries – and can be placed and automatically set up to create Dolby Atmos sound, so a movie theatre the size of the space available can be 'built' wherever you are.

The main projector has the brightness of a premium projector at 3500 ANSI lumens, and a 14-element glass lens and a f/2-f/5.6 iris, which is capable of projecting an image up to 300-inches.

The optics have a 5000:1 native contrast ratio bolstered up to 56,000:1 dynamic contrast using the processing system called 'NebulaMaster' image processing, as well as Dolby Vision.

The lens sits on a built-in micro gimbal which can tilt up to 25 degrees, and features ambient light adaptation and wall color adaptation for easier setup. This with the now industry standard Google TV platform – and built-in Netflix – making access to 700,000+ movies and TV episodes straightforward.

Each detachable speaker has a claimed 8 hours of battery life – more than enough for an extended movie night. There is also a retractable power cord built into the housing.

A 200-inch inflatable screen – with places to attach the speakers to – is also being offered by Anker for the complete experience.

The soundcore Nebula X1 Pro has a future RRP of $4,999.99, but is on Kickstarter until November 12, with discounts up to 40% for early backers and tiered pricing afterwards. The screen is $1,999 but, again, there are discounts and bundles available.

Early backers are expected to get their units before the end of 2025, with the device in retail early 2026.

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See my review of the smaller Anker Nebula Cosmos 4K projector for an idea of a more indoor-focussed alternative already in stores.

The Dangbei 4K is one of a growing number of portable projectors with built-in gimbals that make it easy to set up and direct at a screen or wall. The addition of an automatic screen edge detection system means you can get the perfect image rapidly, especially if you have a screen to aim at.

That makes sense as it describes itself as a home cinema projector and, in keeping with the modern home cinema age, the device is built around the dominant Google TV system and is ready for the wireless world. In other words, so long as you just want to watch one of the more than 700,000 movies and TV shows available online via a streaming service, then the only cable you’ll ever need is the power lead.

In essence, then, this projector is designed to bring premium cinema quality, also ideal for any creators shooting video and wanting to review it, and is built for simple set up and re-positioning, branded "InstanPro" by Dangbei. Is it the right device for your home or to travel with you? That’s what I set out to find out…

Dangbei MP1 MAX: Price

At $1,999 / £1,699, it delivers a lot of light for the price, and is competitive with other high-end 4K gimbal projectors.

This is the kind of pricing that puts mainstream brands to shame because of the higher ANSI lumens brightness, and it's fair to say that Dangbei is not a fly-by-night operation; I have tested their devices before and was impressed then too.

Dangbei MP1 MAX: Specs

Dangbei MP1 MAX: Build and handling

The gimbal approach is simple but effective, there is a dampened circular grip on the base on which the supporting arm can rotate, while the main projector can also be tilted – the device can then detect the movement and make adjustments. It’s very efficient. Admittedly Dangbei haven’t quite managed the most elegant approach I’ve encountered because the external power brick connects to the back, which means the protruding cable pushes the device further from a wall than would otherwise be needed. Otherwise, though, all is very much as you’d expect from the product category.

It is possible to project straight onto a ceiling, however.

The projector is based around the Google TV system, meaning the ease of setup will depend on whether you’ve already got a Google Home device or installed the Google Home app on your phone or not (don’t worry, Apple users – you can get the app for the iPhone too!)

The remote control is similar to that you’d find on most modern TV’s built around this kind of technology. It has some shortcut buttons for Netflix, but not others so fans of Foundation on AppleTV+, for example, will still have to scan through the menus. A side button provides access.

The projector’s own settings are a little harder to access than I’m used to, with some of the controls seemingly only appearing automatically when the device sensed motion, and others being available through the settings menu. This is, frankly, a little confusing.

On the other hand, once you find the keystone correction system, it’s very effective. I was especially impressed with the projector’s ability to detect the edges of my pull-down screen, fit the image to it perfectly, and be ready to watch in moments. Because a pull-down screen won’t be in the same place every time this is something you need to do a lot, so it’s a feature that needs to be easy to find.

Dangbei Performance: Performance

In optimal conditions – i.e. in a dark room – the picture quality struck me as fully cinematic. The speakers overcame the initially relatively loud fan (whether I became used to it or it dropped off a bit after a while I wasn’t sure).

Detail was very rich and crisp, while I was able to make out detail in darker and lighter areas of the image. Nor was there evidence of strobing as I moved my eyes around the screen.

The one aspect of the device that did strike me was that, on occasion, there was a slight lag to the menu pages, especially shortly after startup. There were never any issues with the video, but just a few times a little more responsiveness would have been appreciated with the menus.

There were also a couple of occasions when I thought I noticed the video playback over wifi lag a little, though obviously there are potential causes beyond the projector itself that could have affected the signal (probably not my gigabit internet though). It serves as a reminder, though, that watching 4K video wirelessly (which is an option here, not essential) isn't always practical.

Dangbei Performance: Overall Verdict

The Dangbei MP1 Max 4K delivers an excellent package in terms of image, portability, and quality, especially for users looking mostly for a device to use wirelessly. It still requires mains power, as you’d expect with this level of brightness, but isn't too heavy to move, especially given the supplied carry case.

My only frustrations with the device's design were the positioning of the power socket and some very occasional and very fleeting hesitations in the menus. I did think, at first, the fan could have been quieter but – to be fair to the machine – it did back off as soon as I used it in an unlit room. The fact the brightness is there to compete with daylight (though not really for video – perhaps only for a presentation) is impressive, and a fan is just the price you have to pay.)

In short, then, I’m certainly prepared to recommend this, especially as a home cinema projector. It might not be the most beautiful device but it's very practical and achieves both a very good picture and surprisingly convenient levels of portability given the quality on offer. In other words, "Dang! Baby, I'm impressed!"

Alternatives

How I test

I test projectors on both a dedicated projection screen – a 100-inch pull-down – and on a white-painted wall. Reflected light, after all, is what cinema is all about. Where possible, I also test on an imperfectly colored wall, and in this case a ceiling, to see how it copes with less-than-ideal conditions (to be honest, life is a lot easier, especially with a portable projector, if you can use a wall!)

I also conduct what I call the 'coffee table test' – to see what the effect of putting the projector on a table at an awkward angle from the wall is. This is important because many projectors have automated keystone corrections.

I also always test by connecting to a MacBook to see how typical monitor images look – after all, this is a photography & video site! The appearance of type (black on white, white on black, etc.) and typical sample photos as well as standard tests like the color bars, and a selection of video clips with dark backgrounds, fast motion, and other key criteria are all important.

Finally, I also like to declare it "movie night" and see whether the device works with friends and family. My fiancée's offers a different pairs of eyes and I make sure her feelings are included.

The JMGO N1S Ultra 4K is the company's flagship projector, boasting 4K and HDR 10. It's seemingly designed for a largely wi-fi world, with 32GB of built-in storage for its Google operating system, and stereo 10-watt speakers, though there are still some "old-fashioned" ports. It's amazing how you can display your images or video without the need for them now.

This is a triple laser projector with an expected life of around 30,000 hours and a throw ratio of 1.21:1 (a throw ratio that makes a lot of sense in smaller and medium-sized rooms, useful for many.)

Thanks to the cunning built-in gimbal design, it's easy to project straight onto a ceiling, wall, screen, or anywhere else you're inclined. Because you can make very small adjustments easily by hand, you're less dependent on digital zoom and keystoning, resulting in a much better picture than you often experience with portable projectors.

JMGO N1S Ultra: Specifications

JMGO N1S Ultra: Price

The asking price of $2,499 is at the higher end of what you might pay for this kind of projector given that JMGO for customers with a strong enthusiasm for brand history, but I should add that there are some spectacular launch discounts on that when I was doing my review.

JMGO N1S Ultra: Build and handling

The JMGO N1S comes in a light, hard case polystyrene case with a handle that makes it surprisingly easy to move around, given the power of the projector. That makes it very practical and powerful as something you can pop on a flat surface, use, and then take somewhere else.

The real flexibility, though, comes from the in-built gimbal design, with a rotating base and tilting body; it is very easy to place on a flat surface and then position more precisely. This isn't unique to this device – not even the first of JMGO's projectors to use the approach – but it is very practical, and works well here. It's a doddle to pop the projector out and then align it to a screen or wall, and the device then adjusts itself too. It tilts by 135˚ and can rotate a full 360˚ (though you'll tangle the power cable up if you try that).

I found that human and machine work together very quickly and naturally to get the best image from a single location. It's especially good for my main projector set-up – a shelf opposite my screen – but it is also equally good at getting the best from projecting against a white wall.

The remote control is simple and small, but I found myself feeling that the arrangement has more to do with Google TV than the needs of projection. Still, it worked without any of the irritating setup processes that I've experienced with some projectors, and it is simple. Personally, I'd love a few more old-school marked buttons (play, pause, etc.), but the entire TV world will look at me like an old man for saying that!

In general, the design is pleasing and practical. Like all similar devices, there is a barrel connector and an external power brick, but cleverly this one connects to a port in the back of the gimbal rather than the rear of the projector, making positioning that bit easier if, like me, you're inclined to use the projector entirely via wi-fi.

Setup is reasonably straightforward with the assistance of a smartphone (yes, I used an iPhone and the Google OS still tolerated me!) If you use YouTube, the chances are you've already got a Google account, so the process feels seamless.

Pleasingly, I found there was almost no bloatware atop the Google operating system – just the opportunity to download a JMGO app for remote control.

Otherwise, connectivity is restricted to 2 HDMI ports, a 3.5mm headphone socket, and a USB-A socket. That's certainly less than some, but Google Home – powered by the MediaTek MT9679 chip – will play all the Google TV apps (which, worry not, Apple enthusiasts, includes Apple TV). There is also native Netflix support without the need for a stick (though for some reason, I found that the BBC iPlayer refused to work).

JMGO N1S Ultra: Performance

As mentioned, setup is fast, and that is because the auto-keystoning and auto focus are amongst the best and fastest I've experienced. You can pop it on the meeting room table, coffee table, or wherever, and it'll sort out the rest, and 4K resolution makes it pretty forgiving too.

Software setup is slightly more annoying the first time – don't do it in the meeting room, as you'll need five minutes to sign into your Google Home account. On the plus side, if you've already connected your Google Home account to Netflix elsewhere, you won't have to do that twice.

I found the picture surprisingly good in dim and lower lighting, though, on a 100-inch projection screen, the brightness wasn't really enough to overcome daylight through two windows. You could absolutely make out a bit of the image for a slideshow, but certainly not enough for a good quality movie or photography experience, so don't forget to turn down the lights or get a bit nearer the wall.

Picture sharpness impressed me, and I had no reason to question the HDR 10 with 10-Bit color depth – a color gamut of 110% BT.2020 after testing all of my standard movies and sequences – from sci-fi and action to animation, and even a nice rom-com. It was sharp and vibrant on my projector screen.

I also found it hard to detect any evidence of laser speckle, and no image distortion. This is quite unusual and impressive.

JMGO N1S Ultra: Final Verdict

The N1S Ultra is a brilliant projector is a surprisingly small and light package. The physical appearance will not surprise anyone who has seen JMGO's older N1 Ultra, but the faster processor and Google Home compatibility are nice, as is the bump to 3000 ANSI lumens projection – enough for a presentation (if not a movie) in a daylit room.

The gimbal body design is one of the best I've encountered, and ventilation is so good that the fan noise is almost unnoticeable when you're using the device for movie night, while the built-in speakers have an impressive range.

The launch price is a little high, still, to my mind, given there are much more established brands out there, but that brightness, the color accuracy, HDR, and the subtleties of the design mean that – if you can find it for a good price – this device actually has the edge in practice. For video (and displaying photos), this might be a winner for many.

Alternatives

How I test projectors

When I test projectors, I try the device on a dedicated projection screen – a 100-inch pull-down screen – and on a white-painted wall. Reflected light, after all, is what cinema is all about. Where possible, I also test on a light gray-painted wall to see how it copes with less-than-ideal conditions (to be honest, life is a lot easier, especially with a portable projector, if you can use a wall!)

I also conduct what I call the 'coffee table test' – to see what the effect of putting the projector on a table at an awkward angle from the wall is. This is important because many projectors have automated keystone corrections.

I also always test by connecting to a MacBook to see how typical monitor images look – after all, this is a photography & video site! The appearance of type (black on white, white on black, etc.) and typical sample photos as well as standard tests like the color bars, and a selection of video clips with dark backgrounds, fast motion, and other key criteria are all important.

Finally, I also like to declare it "movie night" and see whether the device works with friends and family. My fiancée's input is always interesting too, different pairs of eyes might feel differently about projector effects.

Valerion is a relatively new company in the projector market, though it already has a Red Dot award in the bag. It was founded by AWOL Vision, a specialist in short-throw projectors, so their devices are sometimes seen as 'long-throw' but the range is more comparable to regular projectors.

The brand might not be as well-known as Epson and BenQ, but is making waves in the home cinema space, and – given the connectivity and relative value – anything of interest to the home cinema market should be of interest to creatives too.

If you're watching or creating 4K content, then you need a device capable of displaying that resolution. If you're likely to be moving the projector around, some flexibility in the display size and easy adjustment is desirable too. The VisionMaster Pro 2 resolves 4K – 3840 x 2180 – using pixel shifting tech, which means that the 0.47-inch DMD DLP chip is rapidly moved in front of the triple laser, which creates the imaging light to simulate all the pixels. The spec is 3,000 ANSI lumens (though it can go even higher at the expense of color accuracy, but I'll ignore that).

Price

The suggested retail price of this projector is $2,999, which puts it at a bit of a premium compared to others we've tested – including 4K options like the Anker Nebula Cosmos – but that is a DLP with a spinning wheel, while this uses three separate lasers to produce its image, which should mean better color accuracy.

Specs

Build and handling

Right from the start, this is a premium experience, and the unboxing told me that. The branded polystyrene briefcase is hinged and of a quality which can be re-used for moves, while an unboxing guide is a handy treat. The real icing on the cake was the slick slide-out box for the IR/Bluetooth remote – yes, you don't need to point it at the projector for it to work. The elegance was reassuring.

Valerion also loaned me a tilt base with the review unit, which meant I was able to angle the projector conveniently from a stool or kitchen worktop (more elegant permanent solutions would have made sense were I not conducting a review!) The tilt base was perfectly weighted though, with the balance of an angle-poise lamp despite the weight of the projector. Personally I also thought it a sensible choice to go with a different metal (similar to an older MacBook Pro) rather than something which didn't quite match the shiny edges of the projector itself.

The projector's design is striking, sporting shiny grille-like edges and flat glass on the front and back. To enhance this effect, the generous array of ports have all been placed behind a hinged flap which can conceal them. Admittedly, since Wi-Fi is an option and there are built-in speakers, I might have been tempted to have left the DC power socket outside this door so that it'd be possible to operate the machine with no visible sockets, but that's a very minor quibble.

The hinge is reflected in the front foot design too, while the rear feet on the base are adjustable by screwing in and out by about a centimeter.

The design of the remote – a light-colored metallic design – is a bit quirky, but, hey, if you're looking at having a projector in your room, you aren't going for ordinary, are you? It works like any other GoogleTV remote and I found it just as responsive once set up. (Like most projector remotes, it worked only as an IR remote that needed pointing at the device at first, but after pairing – pressing and holding buttons for 3 seconds when instructed – it could be pointed anywhere with no issues.)

The device uses a 0.47-inch chip capable of 240Hz at 1080p (or 60Hz at 4K) and remaining quiet. If you have the 3D glasses, it'll support active DLP link tech too. The onboard processor is based on the Arm Cortex-A73 / MT9618 clocked at 1.4 GHz and 128GB storage for media apps. I certainly didn't see any serious issues with the AI-powered scene recognition that this chip powers.

Performance

The projector produces a crisp image, especially when close to front-on. There was very little evidence of fringing, and the detail was impressive without being suspect.

Moreover, even in action sequences – both saturated and colorful like that in Sing 2 and more muted like those in the Lord of the Rings films – I saw a lot less of the rainbow effect than I've seen on other projectors. Not none, for sure; there was some occasional specking when seen on the reflective screen, but for the most part I was very impressed.

Admittedly (especially given the presence of an optical zoom adjustment) it didn't perform quite as well as I expected in my coffee-table test. I was unable to place the projector as far as 4m / 13ft from a 100-inch projection screen and shrink the image to a small enough size to fit onto the screen. (The throw rating is from 0.9:1 to 1.5:1.)

I don't always recommend taking a deep dive into a TV software's image settings, but tweaking a couple of settings did seem to improve the picture markedly for me. There was an option called 'Enhanced Black Level' which was turned off by default, but when set to 'High' made the darker scenes in The Lord of the Rings: The Fellowship of the Rings feel noticeably richer.

This system strategically reduces the laser power in darker areas of the image, in some ways emulating the effect of a locally lit TV (like an OLED). It's algorithmic, but you can see the result work, and, honestly, I was amazed in a way I am not normally.

Overall verdict

The Pro 2 is an impressive projector (especially if you keep the brightness just below the top point where the color accuracy seems to suffer). To my mind, that means it's best thought of as limited to 200-inches (unless it's completely dark) rather than the 300-inches it's actually capable of, thanks in part to that optical zoom. Then again, if you've got space for a 300-inch screen, hats off to you!

Where the device achieves is its impressive value. The quality of the image against the asking price is, frankly, spectacular. There are significantly more expensive projectors which don't offer the same range of features or image brightness, and here the modern image processing manages to create much more contrasty images than you have any right to expect from a device which theoretically has a contrast ratio of 1:1,600 but looks like it could be 1:10,000 when you turn on EBL.

That comes because this is a bright projector for the money. It can do everything a cinephile needs too – including 24 & 48fps optimisations. It's also pleasing to note that this product emerged from a successful Kickstarter and was followed by software updates (that's how the 3D functionality got turned on!). Personally, that's the kind of thing which I find very reassuring – in other words, it's not too good to be true.

Alternatives

How I test projectors

When I test projectors, I try the device on a dedicated projection screen – in this case a 100-inch screen provided by Valerion which I had to assemble myself. I also test projectors on a white-painted and a light gray-painted wall to see how it copes with less-than-ideal conditions (to be honest, life is a lot easier, especially with a portable projector, if you can use a wall!)

I also always conduct what I call the 'coffee table test' or some variant – to see what the effect of putting the projector on a table at an awkward angle from the wall is. This is important because many projectors have automated keystone corrections.

I also always test by connecting to a MacBook to see how typical monitor images look – after all, this is a photography & video site! The appearance of type (black on white, white on black, etc.) and typical sample photos as well as standard tests like the color bars, and a selection of video clips with dark backgrounds, fast motion, and other key criteria are all important.

Finally, I also like to declare it "movie night" and see whether the device works with friends and family. My girlfriend and family's input is always interesting – this time we watched Sing 2 and were impressed with the resolution in the dénouement.

Fujifilm has just announced the Projector ZUH6000, an ultra-short throw projector capable of creating immersive visual environments, ideal for your next exhibition!

This new projector may look cute but it certainly has a powerful bite, capable of projecting 4K images via its "industry-first" folded two-axial rotatable lens and enabling multi-directional 360º image projection. Differing slightly from your typical home video projectors, the FP-ZUH6000 is targeted toward commercial facilities, art galleries and museums, where an immersive visual environment can enhance the experience.

In 2019 Fujifilm launched the Z series of projectors, and since then the lineup has grown to offer improved luminance and efficiency, gaining high praise from installation specialists for the lineup's versatility, flexibility, and range of spatial effects. The FP-ZUH6000 is the first Z series projector to support 4K high-definition projection, elevating the immersive experience with enhanced color reproduction and smooth gradation expression.

"By evolving Fujifilm’s unique optical engine, the FP-ZUH6000 achieves excellent color reproduction and smooth gradation expression," says the manufacturer. "Compared to current models, it is capable of approximately 1.5 times better color reproduction, and in particular, red color reproduction has been improved by 2 times compared to current models".

In addition to providing a higher resolution of images, a brightness of 6000lm ensures that the color reproduction is vivid using the latest laser light source technology. Despite the increase in technology, the projector is housed in a compact body measuring just 486 x 496 x 175mm.

The company also notes that the projector is designed to be lightweight. However, this may mean something different when comparing gallery projectors to home projectors as the FP-ZUH6000 weighs in at a whopping 38.6lbs / 17.5kg.

The projector's main draw, and the reason for the FP-ZUH6000's cute turtle-like appearance, is that two-axial lens that can rotate 90º around the mounting axis and 360º around the lens axis. This is significant as it means that users can project in various directions without repositioning the main unit.

The large-diameter aspherical lens enables a 'top-class' wide lens shift function of 82% vertically and 35% horizontally. Again, this is particularly useful as it means adjusting the positioning of the projected image over a wide range without moving the projector. What is interesting is the ability to project in a vertical format, potentially catering to the world of short-form content found on social media platforms.

Having only just announced the FP-ZUH6000 at the ISE (Integrated Systems Europe) 2025 tech show in Barcelona, Fujifilm has remained tight-lipped about the price of the projector. Although we do know that it is expected to start shipping in the summer of 2025.

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Check out our guides to the best video projectors and the best slide show viewers.

As someone who grew up with a slide projector in the house, I have fond (and frustrated) memories – but the difference between a slide projector and a modern projector is that of a horse-drawn to a Tesla! Both devices project an image onto a screen (or a white wall), but the technology and experience are vastly different!

One is a home entertainment device, an additional computer monitor, and an alternate way of displaying your images. The other is, well, a novelty fire hazard from history! My advice this winter, though, is not to let memories like that put you off getting a projector to enhance the family viewing experience – it can be great to enjoy family photos and videos movies together as a group (as well, of course, as setting up the classic 'home theatre')

For those who remember packing projectors up, I have to direct your attention to the brilliant Nebula Mars Air 3

An exciting kind of projector is the short throw – which you can place on the media center in much the same place you might put a TV. It is arranged to project the image in a way which may seem almost unnatural to photographers used to lens optics, but, hey, for years we coped with pentaprisms just fine! A striking recent example that is heavily discounted this Cyber Monday is this from AWOL vision which seems to be making waves:

If you're looking for something in between, then one other stand-out device I've seen and reviewed this year for the best projectors guide is the Nebula's bigger brother, the 4K Cosmos. Sure, it's not FULLY laser, but it's easy to move around, which is handy, and the price isn't as overwhelming as a true cinema projector!

If you do have slides, by the way, get one of the best slide viewers or best film scanners!

The Nebula Cosmos 4K SE is a surprisingly cheap native 4K projector which can put an image on a screen or, realistically, probably a white wall far larger than the kind of TV you'd get for the same money and it backs it up with decent built-in speakers.

Essentially we're looking at a device which brings back some of the joys of portable projectors from the days of viewing slides and home movies, but does so with the fidelity to watch 4K movies at a quality which is genuinely striking, perhaps even enough to make you think "Why bother going to the cinema?"

For content creators who want to see their own creations on a Dolby Vision grade screen before they actually get cinematic distribution, this is also the answer. As well as having a Google TV (so all the streaming apps like Netflix, YouTube, Apple TV, Prime and the like), it can also, of course, just introduce itself to your laptop over HDMI as another monitor!

The projection tech is called 'Hybrid Beam' which Anker/Nebula say combines DLP and laser. That's interesting, as laser projectors can be very, very pricey but tend to be brighter and more contrasty. Can this really be good enough?

Specs

Pricing

The Nebula Cosmos 4K SE – which projects at 1,800 ANSI lumens, is priced at $1,299 or £1,299 (compared to $1,999 for the 2,200 lumen version seen a few months prior).  

Build and handling

The device's build screams quality, especially compared to the generation of plasticky white boxes that have served up PowerPoint presentations. It's not small and light though, not like some Nebulas designed for camping.

That comes across in the remote, too, which is (mostly) backlit so the buttons are easy to see in a darkened room. That's a nice touch. It is, of course, Bluetooth – fairly common on projectors, but still appreciated – so you don't need to point it at the device either. There is also an app for Android and iOS.

Setup is straightforward thanks to the built-in sensors. These include a motion sensor so if (to use an example I managed once or twice myself) if you nudge the table or tripod you're using, the system just sorts itself out focus-wise and (compared to others) it's very good at this. That's good, too, as finding the manual options is a little further into the menus than you might have expected a few years ago.

Performance

I was honestly a little surprised how much better the picture was on this than other lower-cost projectors I've used, then again it's not that low-cost It's just cheaper than a lot of 4K ones, and because I've tested a lot of portable projectors, I don't always get to enjoy 4K.

I'm not sure of the exact mechanics of the "NebulaMaster" engine, but it seems to do a good job of creating rich color and contrast, at least in low-light environments – more so than you might imagine from the 400:1 contrast ratio stated.

I tested the projector by enjoying some photos, then watching a few movies I've found tend to cause projectors trouble, including the Hunger Games (hunting with moving cameras and the whole Sing 2 finale which is just super-busy. I did catch a few glimpses of the classic stroboscopic effect that is the tell-tale sign of DLP tech as my eyes started darting around to follow the action, but I've seen much worse examples. We (my family) also tried some major streaming shows like Rings of Power, which looked spectacular. After a while, I opted to choose the 'Movie mode'.

The projector puts out surprisingly few decibels of noise, too, which impressed all of us. Others I've tried have been distractingly noisy where as in this case I only really noticed the quality of the sound from the speakers, which are at least as good as a decent TV.

Overall Verdict

If I had unlimited wealth and enough space for a home cinema then I would look elsewhere, but, personally, the image quality here is enough for me to feel like I'm really engaged and the device isn't as distracting or difficult to use as other projectors. Nebula seemed to have learned a lot from their numerous portable – some which include batteries like the excellent Mars Air 3 – and crammed that into the physically larger device which is needed for an optical 4K imaging system.

I also wanted to say that the snappiness of the Google TV menus is up there with a good modern TV (and comfortably more modern-feeling than my admittedly 8-year old Sony Bravia TV), so the Quad-Core ARM Cortex-A55 is to be appreciated.

The result makes sense to me because I like 4K image quality and if I'm going to move a projector around I want it to be simple. There are brighter devices around, but none quite so convenient that I've tried when it comes to balancing portability with this level of quality, and certainly not so reasonably priced, so if you don't mind plugging in, this is a very impressive piece of tech that might not quite have the best contrast ratios in the business, but comes surprisingly close, especially given the price, in the circumstances where a projector is most enjoyable.

How I test projectors

When testing projectors, I always try the device on a dedicated projection screen, a painted white wall and a the same light grey painted wall to see how well it copes with imperfect conditions.

I always do the 'coffee table test', to see how good a picture I can easily get by placing the device at a coffee table in my living room – this tests the off-angle keystone correction and the device's ability to assist in aiming.

I choose to connect to a MacBook to display work and check the appearance of type (black on white, white on black etc.) and typical samples photos as well as standard tests like the color bars, as well as a selection of video clips with dark backgrounds, fast motion, and other key criteria.

Finally I also like to declare it "movie night" and see whether the device works in a family movie-watching setting; my family's input is always interesting – this time we were most impressed with Rings of Power.

The portable projector is an increasingly practical tool in the creative's toolkit; if you make videos there is much to be said for viewing them on the big screen (or reasonably white wall). Of course they're also great for watching movies and all your favourite video and indeed acting as a display if, like this, they have HDMI ports.

The Nebula Mars 3 Air is one of quite an extensive range from Nebula, a brand belonging from Anker, and – like other higher-end portable projectors – it boasts 1080P native projection and, importantly, a battery, meaning you can use it without being plugged in. (One thing to note; Nebula's naming could have a little more variety – they also have a 'Mars 3', which is a different device).

What makes this device special too is that rather than running Android TV or any of the more obscure solutions I've tried on other portable projectors, Anker/Nebula provide Google TV so this device essentially acts like a smart TV (you can download all the apps, Prime, Apple TV etc.) and has very straightforward interface, especially if you're registered with Google or YouTube, and the Netflix app is included with official support so you don't even have to download it.

TV enthusiasts will also know that means we're looking at a device with voice control via Google Assistant though if you prefer there is also a phone app.

Build and handling

The Mars 3 Air has adopted a pretty straightforward rectangular block with handle approach to the design, though on closer inspection everything is designed and assembled with a notable sense of chic, from the bottom up.

Speaking of, there is a black plastic base plate with an array of vents spaying around where it meets the dark silver shell. Only a tripod screw hole (don't worry, that's metal) is cut from the base, while the shell – all four sides a single moulding – has cutouts at the back for a more serious vent with ports and switches at the top. At the opposite end is the projector lens itself, while at either side there are grids for the active cooling (fan).

Atop the device you'll find a a directional button, repeating the one on the remote, and – when powered up, four pinprick lights to indicate charge level. Arcing over that is the rubber handle with the name embossed. Additionally inside there is a motion sensor to trigger the automated keystone correction process (which is definitely more successful than some projectors I've tested, quicker and introducing less aliasing).

The Nebula also has a remote control which which works via infra-red and (after pairing) Bluetooth – pretty much an industry standard for projectors. A nice touch is backlighting for some of the buttons. As Netflix is 'official' it gets its own button, as does Prime. There are also volume keys, though it'd be nice to see a traditional pause icon (yes, I'm old enough to remember VHS, DVD, Blu-Ray et. al. and don't like being sent to the menu all the time).

Some projectors have their own software, or attempt to layer Android TV so that you switch in and out of it. Google TV is different, and all the TV settings are fully integrated, not that there are actually that many options. That makes for very straightforward usability and in the vast majority of circumstances that's all you'll need. 

There is, for example, a 60MHz 1080P gaming mode disables the trapezoid processing (keystoning) for absolutely the quickest response times – though you need to position the projector yourself. 

Performance

The 400 ANSI lumens deliver a bright picture in a dim room, and the picture is notable for being even and sharp. Thanks to the throw ratio, you'll get an impressive image size even in a small room, and you'll certainly be happy up to 120-inches or so, though it'll happily focus past 150-inches and look fine in a dark space.

When I put the projector off-angle the automatic keystoning was impressively fast to correct and, in comparison to most projectors I've tested, the area of the image that wasn't being used was nicely dim. That's good evidence of good contrast from the LED light source which has a claimed service life of 30,000 (not something I can test!)

I was a little less impressed with the device's ability to detect objects which it is meant to be able to do but I didn't notice in practice, not that I've ever actually found this an especially useful feature.

The videos I tested were broadly encouraging. One scene which is great for testing the projector's quality is the dénouement of musical animation Sing 2, which asks a lot of the speakers, color, and detail as assorted animals of different sizes (with contrasty hair and spines aplenty) perform.

For a bit more human drama I also viewed the sequence in Sully shifting from air traffic control to externals of the aircraft. Here the dimmer areas seemed a little exaggerated to my eye, but to be fair I was testing on a white all – not a screen – at this point and I find the look quite cinematic. The only TV show that gave me any cause for concern in all my testing – though it might have been the Disney+ app – was Europe from Above, which has a lot of swooping drone shots. I'd swear I occasionally caught a few judders on these.

Verdict

This is a very good entertainment projector, with a sharp picture that has good overall quality, even near the edges, and one of the better auto-keystoning systems I've tested plus a battery which lives up to its promises. Google TV is great for entertainment, though the remote would benefit from a pause button.

While I do have my worries about the software, which I didn't find exactly laggy but definitely felt could be snappier, I think the projector would be far more flexible if, like a lot of modern phones, tablets, and laptops, it charged via a USB-C socket. I struggle to see why Anker didn't opt for that method since the cable can take the wattage needed (they can run a high-end laptop, after all) and the same connector can take a DisplayPort video signal from a computer or phone into the bargain. It wouldn't hurt Anker's battery business either!

If, however, you only want to watch one movie away from the power brick, then in my test the projector comfortably surpassed the 2 and a half hours promised for the battery when in eco mode, which is fine in lower light, making this well suited to occasional portability but less ideal for those needing input & power flexibility on the move.

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In the world of consumer projectors, the premium on 4K resolution is still very much in place. It's easy enough to pick up a 4K television on a budget, but most of the recent consumer projectors have concentrated on portability rather than detail. 

That's not to say I don't love portable devices like the Asus ZenBeam L2 which you can pick up and carry to a new location but a bit of me really wants movie night to be about matching cinema quality as closely as possible.

By the same token, if I'm hooking up a projector to display my work – video or photographic – I want the maximum resolution, not downsampling. The SP005, then, is a very appealing proposition given the price is half – or less – than similar native 4K projectors. (Native, by the way, means the projected image itself is 4K – plenty of projectors can accept a 4K input but downsample because they have lesser resolutions).

The odd thing? Well, Paris Rhône is not exactly an established brand in the field – never a previous entrant on our guide to best projectors. It's a name now attached to everything from baby monitors to air purifiers, kettles to dog-treat cameras – historically it is associated with French vacuum cleaners. Perhaps, though, that's a plus? Unproven in this space and keen to grow, it must be motivated to set a high standard and unable to command a premium price.

Paris Rhone SP005: Build and handling

Dare I say it? Projectors are rarely things of beauty. There are some exceptions amongst the portables, but larger projectors like this aren't really built for looking at; you set them up and – by their nature – look elsewhere. The SP005 is, given the boxy nature of the category, surprisingly chic.

The body is a matt black plastic with a pleasing curve to it. The sides have cut-outs from this for ventilation and to act as a grille for the 2 speakers, while the front and back have speaker-grille style fabric where there aren't components which looks much more legant (though perhaps a little more vulnerable) than your average projector. The front cut-outs are for the AF/keystoning sensors, while on the rear there is an array of inputs on a glossy black 'cut out'.

The power button is the sole interruption to the top of the device, save for the logo, while the base has a removable panel for removing and cleaning the filter. There is also a small foot. This isn't enough to provide a lot of angle in my 'coffee table test', so setup can be quite involved depending on available support.

Admittedly some of the room for looks comes from leaving an enormous 240W power brick on a cord, though even that has the grace to have a cool cut-off corner to reduce the risk of cable damage.

On power on, you'll be guided to set up the remote control which has a Bluetooth mode – this means you don't need to point it at the projector. It's unusual to find a projector without this feature. In most cases, you'll need to connect to a Wi-Fi network, though you can also plug into Ethernet if so inclined. Setup is easy if a bit plodding, and of course, relies on you having a screen/wall to project onto.

Because the system uses Android TV 9.0, not the current Android TV 11, the apps it installs generally expect to have access to a touch screen. The system solves this with a pointer directed using the remote control's directional buttons in apps like Netflix and Disney+. It's, well, irritating – best considered a backup rather than an alternative to a smart TV.

The menus offer table, ceiling, and rear projection and don't prove challenging. The device definitely benefits from central positioning despite the auto-focus and keystoning.

Paris Rhone SP005: Performance

In terms of the picture, I have very few complaints given the cost of entry (though admittedly the sheer physical size means you'd hope for at least this brightness). That 1600:1 contrast ratio and HDR 10+ is impressive and the brightness seems, if anything, to under-value the picture. The projector is just about bright enough to use in a room with the lights on, so it is useful to display images, but it is definitely still better suited to entertainment in a dark room.

I couldn't detect much ghosting, so the projector can also serve as a gaming display. There was a softening around the edges, but that's far from unusual with projectors and didn't seem to detract.

The noise right next to the power-hungry device is about 55db, which is fairly loud, though in fairness you're unlikely to lean your ears right next to it. This is also countered by the dual 24W speakers which do a decent job of filling the room. That's fine for movies, but for presentations and art displays the device will be generating a noticeable white noise.

Though, obviously, I was unable to test it, the claimed 40,000 bulb lifetime is about 10,000 more than most projectors too.

The SP005 doesn't have the latest Android TV, but An Android 9-based system which is backed up with 2GB RAM and 16GB storage. This isn't a lot and will force you to make choices about the apps you install. The processor is definitely not as meaty as you'd hope either and will drop frames on 4K videos in the YouTube app. 

Moreover, the interactivity solution – the remote control moving a pointer – feels awkward and makes interactions slow. You'll be far better off with a FireStick, Apple TV, or equivalent. 

The auto keystone correction and focus also seemed a bit noisy mechanically, though that's hardly a problem. They're activated at power-up by default, or if the device's motion sensor is triggered. There is also an object avoidance feature which, to be honest, seemed more trouble than it was worth. What was more troubling was the occasional typo in the menus. 

Paris Rhone SP005: Verdict

As mentioned, the fact Paris Rhone is a brand that sells water filters & air fryers made me somewhat skeptical. Despite that, I found the SP005 delivered on its tagline 'affordable luxury' (especially against the 1080P you're normally restricted to in this price range).

Quality is good when it comes to the casing and the image – it's not just the native 4K. The 600 ANSI lumens seem brighter than many other devices, and the high contrast ratio makes this a contender against laser projectors too. 

That said, the device is not without a number of irritations. The operating system is not up to the standard set by some. I found the apps disappointing; they didn't feel 'native' and, in the end, I was a lot happier when I plugged my Apple TV into the HDMI port – you could do the same with a laptop or Android TV device.

The foot could also stand to offer a little more height, and there is definitely room for some firmware updating to fix bugs. Assuming that hasn't happened yet, then I am still prepared to be a little more positive than some have been about this device because, I think, I'm a bit older and am less used to expecting the display device to be 'smart'. I'm happy to provide the image and – where there is sound too (so movies more than presentations) this is a fine way to display them, at this price anyhow.

By modern standards, it is a serious compromise, and while native 4K feels worth it to me, there are plenty of situations when one-controller usability would be more important – that is the choice this projector needs you to make.

Alternatives

How I tested the Paris Rhone SP005

When testing projectors, I always try the device on a dedicated projection screen, a painted white wall and a grey painted wall to see how well it copes with imperfect conditions.

As convenience is important too, I also conduct the 'coffee table test', to see how good a picture I can easily get by placing the device at a coffee table in my living room – this tests the off-angle keystone correction and the device's ability to assist in aiming.

I choose to connect to a MacBook to display work and check the appearance of type (black on white, white on black etc.) and typical samples photos as well as standard tests like the color bars, as well as a selection of video clips with dark backgrounds, fast motion, and other key criteria.

Finally I also like to declare it "movie night" and see whether the device works in a family movie-watching setting. On this occasion I was rounding out the Star Wars experience with my son.

Portable projectors are no longer just a tool for making presentations; they can be a tool for creatives to experience their developing video in cinematic form, or for families to gather anywhere and enjoy a movie. With this device, the built-in battery means there need not even be power.

With a spate of competition, the Asus needs to bring something special to the table to be worthy of our attention, and I'd say it does. It addresses the need for quality entertainment – perhaps the main driver of the category now – by including a small internal bay into which the latest Android TV Box can be tucked. They do, of course, include the box too. 

That means no awkward faffing around with the manufacturer's own operating system, yet the possibility of flexibility later should it be necessary (it also makes sense for Asus, who can presumably re-purpose the design in less Google-friendly markets). Of course, this could be unwieldy, but... well, we'll get to that...

The other thing I think makes this device out is the inclusion of a batter which will at least last the length of a typical Hollywood movie, if not an extended edition (3.5 hours is quoted). Asus has also thrown in some other treats – graphics a little like screensavers to set the mood of a room, for example.

Given all that, there is at least the potential to entertain or present on the move. The question remains, is the quality of the standard filmmakers, or movie fans, will want?

Asus ZenBeam L2: Build and handling

The Asus is a very well-built product, made of quality materials and styled so you won't be embarrassed to carry it around with you. Ports are sensibly positioned, and there are two USB-C ports so you can take power through one and a DP video signal from another device. That's up-to-date thinking and we like it (seriously, USB-C is so universal amongst phone and laptop owners – or 'people' as we otherwise call them – why isn't it more common in projectors?)

There is one thing though. It doesn't actually come fully built. One piece is left out; the AndroidTV Box. This is both a brilliant idea and, perhaps, the device's flaw. The assembly stage is nearly effortless – the lid of the projector opens weirdly easily (it's magnetic) to reveal a bay where you can plug the square puck-like device in. The instructions are provided on the lid and you can peel it off after you've done.

For lovers of the AndroidTV experience, this is a plus compared to many competitors which opt for their own operating systems. There is definitely a good range of apps available. However, you will need to accept that the projector itself has its own, somewhat separate, operating system. (Android TV isn't quite the same as a Chromecast; it is a stand-alone device with its own remote and Wi-Fi receiver – or, in this case, use of the supplied remote – while Chromecasts typically need a phone).

The housing is of good quality materials and has controls on the top. It has motion sensors to activate automatic keystoning, and a tripod thread on the base. The handle is a nice touch (assuming you don't mind leather), while for anything other than a journey to the next room the padded fabric case (which has a separate bay for the remote & power brick) is probably more sensible.

The remote is pretty generic – Bluetooth, of course, so you don't have to point it at the projector. Connectivity is all you need and no more, but because the external power supply connects via USB-C there are two USB-C sockets; only one takes video though. There is also a USB-A port, an HDMI port, and a 3.5mm jack for sound (it is also possible to use a Bluetooth speaker).

Asus ZenBeam L2: Performance

The essentials are definitely up to scratch. The tiny HAKO Android TV box has 4x ARM Cortex Z4 running at 1.8GHz with 2GB RAM and 4GB storage, which seems enough to handle the latest software update. It's this that handles the Bluetooth, Google Cast, Wi-Fi, and all the connected experiences through Android TV 12 (after running an 800MB firmware update).

That update was very necessary as it turned out; before it, I had no luck whatsoever with the voice commands on the remote (which really do help when searching for a show or film) or connecting to my Bluetooth surround sound system.

Picture quality is good – the 1080P native quality beats the product's own successors and a lot of the cheaper portable projectors out there. Gaming is an option too, since it'll handle 60fps (in fact it'll accept a 4K 60fps signal and downsample – oddly by default the HAKO sets itself to 4K which would seem to tax it unnecessarily).

Lights are bright enough (once you've found the brightness settings and turned them up), whilst the contrast is definitely movie-like (if not, perhaps, enough to satisfy someone used to an OLED monitor!) Dark areas have more to do with the quality of your projection surface (and your environment), while color saturation impressed across the image area.

The imaging modes are well worth getting to know. LED lumens are 2.4x ANSI Lumens, so the 960 figure in the sales material might seem an exaggeration compared to traditional projectors, however getting into the image settings menu will at least let you turn the brightness up (on my test model, at least, it didn't default to the max). The image modes include Bright, Standard, Theatre, Eco, Scenery, and Game and are HDR10+ friendly; I'd say turn the contrast down a touch from the default as well as check the brightness is up (it's about 100 ANSI lumens dimmer than 'Bright' in 'Theatre' mode, and dimmer still in 'Battery mode – Low').

The auto-focusing and keystoning could be better; sometimes it isn't quite as sharp as you'd like, and you end up trying the manual buttons. On the plus side, you can just nudge the device to get it to try again (by default it automatically refocuses after movement, which makes setting up a backyard or garage movie night very easy. Also, the keystone often seemed to go far too far the other way, especially on painted walls. The manual controls are a solution, of course.

The DLP imager is one of the best I've viewed, with excellent contrast. It was good enough to show up on our 'gray wall test' (yes, exactly as it sounds) as well as on white and traditional projector screens. Obviously, I can't test whether it'll last the suggested 30,000 hours but I can't see why not (that'd be three and a half years of use!).

Asus ZenBeam L2: Overall Verdict

This is a good-looking, sturdy-feeling LED projector that isn't too hard to move around despite having enough battery power on board to make the movies portable. (and, at a claimed 3.5 hours, comfortably more than the Nebula Capsule 3's 2.5 hours). Also, though I had little use for them, the Asus Light Wall effects were quite fun, too, and a nice touch that earns the 'Zen'.

The aesthetics are slightly let down by the user experience oddities exacerbated by the separate Android TV Box – perhaps there is some kind of useful future-proofing, but I suspect it is more about being able to offer different versions in other markets. My other main complaint is that, while the fan isn't overly intrusive, the Harmon/Kardon 10W speaker never seems loud enough to impress.

Grumbles aside, however, this is still a very slick projector, especially for media enjoyment, since there is little worry that a platform as big as AndroidTV will be abandoned by the major platforms. There is even an Apple TV app! The USB-C / DisplayPort also means you won't need more than one cable to connect to a phone or laptop on the move, so this is great for sharing your movie projects, photos, or work on the move (and again very future-proof).

Definitely one of the better, if not the best, projectors of its type, and one of the brightest for the money this is an easy recommendation.

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The world has moved on from the point that projectors were for cinemas, lecture theatres, sports venues, and exorbitant home theatre setups. There is now a highly competitive class of portable projectors that can be moved around the home or office, even serving as a backyard drive-in cinema in the right weather. They do not demand that their users have detailed knowledge of home cinema cabling. 

That is the space the Emotn N1 steps into, and it does so by striking a deal with Netflix to pre-install the company's app and stick its logo on the box to really align itself with the Netflix-and-chill ideal. 

So, plug in, point the device at a reasonably flat and white surface, type in your network password and you're good to go – that's the idea. In place of cables, there is a built-in operating system. The question is, given that this is a competitive field, does this give you the picture you deserve for the investment, and will you get what you want when you do want to source images from more than just Netflix?

Emotn N1 projector: Specifications

Optical resolution: 1080p
Brightness: 500 ANSI lumens
Video: HDR10
Throw ratio: 1.25:1
Suggested max screen: 120-inch (3m)
Connectivity: HDMI, USB, Wi-Fi, Ethernet, Bluetooth
Speakers: Yes, 5W, Dolby Audio
Weight: 3.3Kg / 7.5 pounds (on my scales)
Dimensions: 182 x 125 x 192 mm

Emotn N1 projector: Build and handling

Opening the box is a promising experience. The Emotn N1 is well protected, but once removed just looks good. It is impossible to distinguish the speaker grille from the vents, which is no bad thing, thanks to the scattering. it would be nice if there was some kind of cover for the lens though. It's also a bit of a shame that the power brick is external and adds another 420g (nearly a pound) to the heft.

For a device deliberately designed to be portable, things are good but not perfect - the shape is nice and it's good to have a fold-out foot. In my "Coffee Table Test" the projector scores points for occupying a limited amount of space but, despite its fold-out leg, the base of the screen is more or less level with the height of the projector. Personally, my coffee table is lower than the point I'd like my screen to be, so I could either go find a tripod (there is a screw) or find a book to put under the front of the projector.

I found the guided setup process painless – there is a manual to resort to if needed. The oddest bit is ‘pairing’ the Bluetooth remote which doesn’t come naturally for one who has grown up with normal IR. After that, you arrive at the homepage where you can access Netflix and Prime apps which both have very simple setup procedures.

The other features are arranged as apps too, so usability is a little like any other smart TV, though the system is definitely not up to the usability and flexibility of a Chromecast or Apple TV. Nothing will be a strain, though, so long as you have a reasonably white wall to project onto.

Emotn N1 projector: Performance

I was surprised by the quality of the picture from this device. You're not going to be able to work in a fully lit room (though you'll see the projection and be able to navigate the menus), but in the reasonable gloom that you might want to enjoy a movie you get a great picture.

It doesn't have some of the flaws you'll endure with other projectors, and it is brighter than others in the category. The keystone correction (the way the projector corrects the image when it is positioned off-angle from the wall) is also reasonably successful – I had to put it well over to the side before the jaggy effect became apparent, at least while viewing video; a windowed computer interface is likely less forgiving.

Throw-wise, the projector is not very forgiving; go a fraction closer or furder than the recommended range and you'll find that the autofocus won't work. It is, however, well suited to an average room so there shouldn't be an issue – just a note that the 120-inch limit is more true than you might imagine. You'd need a pretty dim room going bigger from this lamp in any case.

With 5W speakers, the audio isn't amazing. There is the option to tweak the range (including a dialogue enhancer, which is useful) but ultimately the sound doesn't have the cinematic bass or quality treble that a room-filling picture deserves. Not bad, just not amazing. On the flip side, the fan is considerably less obtrusive than with some projectors, so at least the audio that there is won't be lost in a fog of ventilation.

Delving into the software side of things, my advice is to pop into settings and make a few changes. By default, the brightness was only on 50% for one thing, but also the device has auto keystone and focus correction which can be set to be triggered by the motion of the device - I found it very useful while picking my favorite spot to have this turned on.

Setting up Netflix and Prime is easy as the apps are pre-installed. Exploring the App Store is nearly worthless (Plex is the only useful app I found - no Apple TV, Paramount, BBC, etc.) The 

As for some of the sharing tools, it's not that they didn't work, but they weren't especially useful. I couldn't share my screen from an iPhone and the HomeShare tool only worked with the YouTube app. Trying to play from, say, the Disney+ app on my iPhone just failed. I had the same issue with the same software on the projector's sibling, the Mars.

The app store did have some games in, though even if it had opened before I got bored I'm not sure how the remote would have helped me play it!

Emotn N1 projector: Overall verdict

For a portable projector, this is a good choice. It might not actually be the most portable – it's 3.3kg – but the 500 ANSI lumens HDR10 image makes this a sensible choice. The presence of Wi-Fi, adequate (if not amazing) speakers, and HDMI (if you're feeling more traditional) give you all the options you reasonably need. The remote, too, feels very home-friendly, with its Netflix, Prime, and YouTube buttons. 

Sure, it might have been nice to have a built-in battery for true portability and a handle, but if you're setting up for at least the length of a movie that won't bother you too much. Yes the built-in custom OS is quirky but the HDMI socket means you can broaden your selection with a cable from a computer or a Chromecast easily enough. 

If you're looking for a good value portable smart projector (and you don't mind helping out with any of the smarts except Netflix, YouTube, and Prime), then you're getting a great image and flexible device that beats most of its competitors on brightness and picture.

In very short, that makes it 4 stars for me because the I liek the picture quality for the investment and don't mind pluging something in by HDMI if it's not on Netflix, but it could easily be 1 star for someone who wants to play straight from iPhone wirelessly across a full range of video apps.

Leica is best known as the iconic company that basically helped steer the birth of popular photography, and over a hundred years later Leica is still a leading presence in the camera industry, as well as an uber-desirable lifestyle brand, spanning cameras, optics, watches and now – home entertainment systems.

The new Leica Cine 1 laser projector is Leica’s latest project that will have you drooling over its premium looks. I was recently invited by Leica to see the Cine 1 in person. Now, I love to nerd out about cameras, but when it comes to home entertainment, I usually just settle for a top-rated TV without giving it too much thought. Leaving the demonstration though, I am seriously asking myself, why don’t I have a laser projector?!

The Cine 1 has been designed with the same attention to craftsmanship and premium materials as Leica's stunning range of cameras, and this is a centerpiece any Leica fan needs to add to their entertainment setup. Even fairly superficial design features like the projector's retractable dust cover open with such an elegant flare I just wanted to open it on repeat. This is a seriously stunning-looking projector and it is unsurprising that it received an iF Design Award 2023 for outstanding product design.

Leica is of course renowned for its high-quality camera lenses, and the Cine 1 projector borrows from this lens legacy, using a custom Leica Summicron lens, alongside a triple RGB laser and Leica Image Optimization to project a clear and vivid 4K picture. The projector is available in both 100-inch and 120-inch versions, although are not interchangeable, so ensure you pick the right version for your space!

The Cine 1 outputs at approximately 3000 lux, and has HDR support including Dolby Vision, HLG, and HDR10+. With its own in-built OS, you have access to all the latest streaming apps directly, as well as AirPlay and casting from your other devices. You can also plug essentially anything into the Cine 1, with ports for HDMI, USB, Ethernet, antenna, S/PDIF, and CI+. The Cine 1 is even capable of becoming your gaming monitor, with a specialized gaming mode complete with a latency of under 60ms. 

The projector can display on any solid wall, although for the best picture, Leica recommends using a projection screen with Ambient Light Rejection (ALR) technology, which of course Leica will happily sell you alongside your Cine 1. These screens can either be static wall-mounted, or for even more elegance, you can use a roll-up screen that can be secreted inside or behind furniture when not in use. The screen Leica used in its demonstration was a wall-mounted screen, and even though we were in a showroom flooded with natural light, it was impressively contrasty from a wide range of viewing angles. 

Not forgetting about sound, the Cine 1 has a built-in sound bar with integrated Dolby Atmos surround sound from two four-channel 25W speakers, which in my demo showed it could get loud, with punchy sound and good bass, and left me impressed, even if I couldn't get the full audiophile experience in the showroom. 

Now, here's the kicker, as you’d expect from Leica, all this luxury doesn’t come cheaply. The Cine 1 costs a wallet punishing £8,495 for the 100-inch projector, or £8,995 for the 120-inch version. US pricing is to be confirmed, but it is expected to start at $8,295 for the 100-inch Cine 1.

The Cine 1 is already available in parts of Europe (where you can also get an 80-inch version), and from today, the Cine 1 can be purchased in the UK, with US sales starting on September 6. To get more info or find out where to buy it head to your nearest Leica showroom or check out the Cine 1 website for more details.

Find out more about Leica with our top picks for the best Leica cameras, the best Leica SL lenses, and the best Leica M lenses.

It's safe to say that IMAX is one of the biggest names in cinema, with the brand having multiple Hollywood blockbusters, Oscars and Emmy Awards to its name. 

It's always great to see 70mm film being put into the spotlight, and thanks to Christopher Nolan's new film Oppenheimer – which was shot on IMAX cameras with 70mm film, along with a new specially-developed Kodak black-and-white film – the most significant film format is here to stay, thanks to big new developments from the manufacturer.

• These are some of the best cameras for filmmaking right now

Since the release of Oppenheimer, IMAX has experienced a significant boost at the box office, with the weekend opening making $35 million. That's a massive 20% of the global gross, coming from only 740 true IMAX cinemas that can show the 70mm film from analog IMAX 1570 projectors – which offer a massive 16K resolution when compared to the 4K IMAX laser digital projectors.

Because of this, and the uptake in cinemagoers wanting to watch IMAX films at these cinemas showing Oppenheimer in its true 70mm 16K projection, CEO Richard Gelfond stated in the company's Q3 2023 financial results:

"It is increasingly clear that the future of the movie business is IMAX, as moviegoers show a growing preference for the premium IMAX Experience, our market share remains robust, and our network and content portfolio expand in the most promising international growth markets for global cinema.

"This past weekend demonstrates the paradigm shift at hand in moviegoing, as IMAX drove strong double-digit market share with a trio of Hollywood and local releases – led by the stunning performance of Oppenheimer – lifting the company to one of its best weekends of all time at the global box office."

Due to this increase, the company is also developing new IMAX Generation 2 analog cameras – and is now also looking to develop new 70mm film projectors and rebrand others.

"We already said we are going to build new film cameras," added Gelfond in the results Q&A (via YM Cinema). "As for the projectors, they are all dated. There’s currency [sic] no new generation of those projects. But we are thinking about more opportunities regarding this. For instance, building new 70mm projectors, and branding other 70mm projectors with IMAX. We are aggressively searching for more opportunities in that regard."

What is certain is that IMAX is taking film seriously – and it's here to stay. As the brand develops more full IMAX Experience theaters, the love of film can live on and be enjoyed far and wide in true analog style. 

And with the involvement of Kodak, Panavision, Christopher Nolan and more, I am hoping and expecting big things from IMAX with the new generation of cameras and projectors in the future. 

You might also be interested in the best cinema cameras and the best cine lenses to go with them. And while it's not quite 16K, the best 8K cameras still offer exceptional resolution!

If you're asking "Dangbei, who?" then you're not from China, where the company is one of the top projector firms and a Red Dot prize winner. The Dangbei Mars I'm reviewing is the newer 1080P sibling of the company's 4K flagship laser projector, and, despite the lower native resolution, is still what the firm calls "Ultra-bright." It boasts dual 10W speakers and Dolby Digital Plus support in the box. 

The Dangbei Mars is a reminder of just how far the best projectors have come since my dad would proudly load some slides to display, cautiously position the projector for fear of breaking the bulb, and roll down a screen on an extendable pole. In retrospect, there was an unreasonable amount of grumbling from the rest of the family from this glowing magic, but it was not a movie night! 

Gladly times have moved on, and that now is an option. This projector is built to be put in place and set up fast, turning a white wall or, ideally, a proper screen into a cinema. Automation replaces fiddly keystone correction and focussing, which should make it more-or-less set up itself. If you've any experience of getting a projector, especially a cheap one, to produce a good image, then you'll understand just what a promise that is.

Dangbei also makes much of the built-in streaming apps, not least Netflix. In theory you can drop the cinema into any room (or the garden) with a single power supply. I decided to put it to the test.

Specification

Resolution: 1080p (4K version available)
Brightness: 2,100 ANSI lumens
Noise level: 24db
Lifetime: 30000 hours
Projection: 180-inch max
Connectivity: HDMI x 2, USB-A x2, Ethernet, S/PDIF*1, 5G Wi-Fi, Bluetooth 5
Weight: 6.59Kg
Dimensions: 246 x 209 x 173mm

Key features

This is a bright, powerful ALDP (Advanced Laser Phosphor) projector and serving the needs of an entertainment space are its primary purpose, hence the built-in Netflix Prime and YouTube apps (and Wi-Fi or Ethernet connections for them). These are supported by dual 10W Dolby Audio speakers. The picture boasts HDR10.

The Mars's other speciality is moving about, with automated set-up including AI brightness adaptation, autofocus, keystone correction, screen fit and object avoidance, all assisted by a time of flight (ToF) distance sensor. It can project a screen size of up to 180 inches.

Build and handling

If you're putting down close to a four-figure sum, you want the device in question to look the part, and the Dangbei Mars does not disappoint. It is weighty and cuboid with just the right amount of rounding. The top is glossy, save for a power button, as is the front. Its surface is interrupted not only by the large projector's lens but also by the small distance sensor which measures how far the screen is so as to get the best picture.

When powering up the first time, you'll want to make sure you don't do it anywhere too complicated. The projector is able to avoid objects, it says, though not in an environment as complicated as the room we tested in. You will probably need to set up Wi-Fi, and then Netflix etc. which is a lot easier if your phone can see the whole QR code! 

The grilles are built into the design, and as well as housing the speaker, the system absorbs air from the left (if you're set behind it) and ejects it – a little warmer – to the right. On the base is a tripod-style thread mount – as close as it comes to any adjustment. You can add a table-top tripod, but it'll need to cope with the weight. This seems odd since the device has keystone correction on offer.

The remote control is reminiscent of many small plastic controllers, such as you'd find with a streaming adapter – it even has a Netflix button. It takes 2 AAA batteries. This opens up extensive menus, with a Linux-powered icon page which is home to the Netflix, Prime, and YouTube apps. It is also the jumping point to two variants of mirror casting, so in theory, you should be able to send a video from your phone.

Performance

Navigating setup is reasonably pain-free, though I wouldn't go so far as to say elegant. I'll say, from experience, you shouldn't make things too hard for yourself. Use a clean screen / white(ish) wall at least at first! The projector can flip the image if you want to place it behind a screen, but even when I sat next to it I barely noticed the device's fan – it was extremely unobtrusive compared to other projectors I've tried.

For the most part, the video is stunning. The autofocus makes it sharp – so much so that in the middle of the frame you can almost make out pixels, but not to the point it is jarring. Auto keystone adjustment (in both planes) is impressive too, and can even be set up to be invoked when movement is detected, so you don't even need to resort to the menus when you move the box. That thought of portability does beg the question "Why no handle?" but such is life. 

The weak spot in the automation is the object avoidance, designed to avoid furniture and picture frames. It does the job, but can be a touch too aggressive, resulting in a much smaller image than needed, but this is easily disabled.

When viewing video, I occasionally felt I detected the red, green, and blue components of the image when my eyes darted around the screen – not unusual with this technology, sadly.

The audio from the device is a good, rounded sound which will fill an average sized room if turned up high enough. There are modes including Music, Cinema, and Sports, and a speaker connector.

One thing that impressed me about an image subjected to automatic or manual tweaking of the keystone is that there didn't appear to be obvious jaggies; the image processing happens discreetly even when the picture is sharp. You can zoom the image right down to 50%, at which point things probably do lose definition, but within a sensible range it does the business more-or-less imperceptibly. 

Because I'm a thorough tester, I whiled away a few moments looking at the modern alternative to a slide projector. As an iPhone user, I couldn't cast an image, which was frustrating. The obvious solution was an HDMI adapter for my computer (a Mac) – no problem there, and the pictures looked very good. It is possible software updates will improve matters here, but there are no promises from Dangbei.

Final verdict

Ultimately the projector has an excellent image (and, remember, I'm reviewing the 1080P version). The audio is solid too, and the device is made easily accessible thanks to the autofocus and keystoning system. Why, then, doesn't it have adjustable feet to point up from the coffee table? Curious.

It's also great to be able to run Netflix without needing any more cables, but for me the apps were a bit hit-and-miss. No Disney or Apple TV+ for a start! Once I'd plugged my review sample into an Apple TV device I suddenly seemed to have a stress-free cinema rather than a very large projection of some compression artefacts.

Nevertheless the good outweighs the quirks here by a long way. It's easy enough to lean the projector back a little with a paperback, but not every projector can then automatically correct the picture on the surface so accurately with so little fuss. The image, the sound, they're all great. The portability, the apps – they could be better, and who knows, perhaps a software update will help with the former.

We can see this device working in an office or a home, but with the meaty speakers, auto-adjustments and high brightness (able to work even without a proper screen) it seems it lends itself to home use – a day in the den, an evening in the garden as a mini home drive-in cinema. 

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The way we now consume the latest blockbusters in our digital age has prompted many Hollywood directors to moan that their widescreen epics, often shot specifically for tower block-sized formats like IMAX, weren’t intended for merely watching on tablets or mobile phones. 

So here’s a device that allows us to free such imagery from our small screens and enjoy it on a larger scale – and even perhaps give our own smartphone video clips a more cinematic destination. The budget-priced, family-targeted Kodak Flik HD10 Smart Projector can generate images from a film poster sized 40 inches, up to a whopping home cinema style 150 inches. Providing we’ve got a vacant wall, or portable projection screen large enough of course. 

Specifications

Resolution: 1920x1080P
Aspect ratio: 16:9 widescreen
Contrast ratio: 2000:1
Brightness: 200 ANSI lumens
Projection size: From 40 to 150 inches
Power input: 110 – 240V
Dimensions: 5.6x5.8x7.4-inches
Weight: 1.5lbs

Key Features

If we’re in the market for a portable projector then image resolution has got to be near the top of our checklist. With the Kodak Flik HD10 Smart Projector, we get a perfectly acceptable Full HD 1920x1080 rather than 4K or 8K, coupled with a standard 16:9 widescreen ratio. The projected screen size runs between the aforementioned 40 inches to a whopping 150 inches, again while maintaining full resolution. Accompanying sound is provided via dual five-watt speakers built in. While the default aspect ratio is 16:9, though there is a boxier 4:3 option if desired and projection space is tight. 

The projector’s Dalek-like lens is focused manually via a large and obvious ridged wheel atop the unit. While focus can be adjusted from a static position, the size of the projected image in whichever aspect ratio we’ve chosen cannot – it’s simply a case of moving the entire unit closer to, or further away from, the surface we’re projecting onto – and re-adjusting focus accordingly – to get a bigger or smaller screen size.

The projector itself is Android TV powered, theoretically allowing users to stream content from the likes of Netflix, YouTube, and Amazon Prime Video directly from the device itself – with each of these leading services having dedicated buttons on the remote handset. Both Android and iPhone users can also set up their phone’s handset to be used as a remote via the Google TV app, if desired.

As a further alternative to using the Android TV interface directly on the projector, users can broadcast or screen mirror content on their phone, laptop or tablet, by having these connected to the same Wi-Fi network as the projector itself.

Available physical ports at the back of the Kodak Flik HD10 Smart Projector include those for mains power and HDMI, cables for which are provided out of the box, as well as USB and AUX/AV ports for further flexibility; such as the ability to connect a laptop or a gaming device, for example.

Build & Handling

The reassuringly chunky Kodak Flik HD10 Smart Projector is slightly smaller than a domestic car battery and, front lens aside, resembles a hi-fi or PC speaker, meaning it doesn’t look out of place in a domestic or home office setting. It comes with a similarly chunky user manual in several languages out of the box, and, with our review sample, several mains adapters for various territories too, including thankfully a UK mains plug. We also get an HDMI cable and a remote control handset requiring two AAA batteries for power, which aren’t provided. No biggie, but nice to know in advance to save hunting around the back of the drawer for spare cells.

Though plastic of construction, the build quality feels reasonably solid, with the device reassuringly having some weight to it. Though the size and dimensions don’t make it super portable compared to other options on the market, it is nevertheless more portable than a full sized home cinema projector. For example the Kodak can be squeezed into a backpack and taken around to a friend’s house for a movie night without too much stress. Looking at what’s available elsewhere, it would have been a good idea if Kodak had included a carry handle on this model for those occasions when we do need to move it around, or nearer to or further away from the surface it’s being projected onto.

Performance

The first thing we noticed upon powering up the projector is that the internal fan is quite noisy for the size of the device, and that the front vent fairly quickly becomes warm. The second thing is that a fully darkened room or space is required for set up, as settings and modes are selected via the projected screen rather than on the unit itself, so attempting set up in daylight, which involves patiently typing in Wi-Fi access codes and email addresses, is a bit of a non-starter. Unlike a digital TV set, the set up of which this resembles, we had to remember to point the remote handset back at the projector rather than at the projected image, which although perfectly practical felt a little counterintuitive at first.

Once we’d worked our way through the set up procedure, achieved our reward of our image projected onto a nearby wall, and wanted to adjust our image size, we looked for a means to do so from our static position. Sadly, as noted in our introduction, control over screen size is basic; with the distance between the projector lens and the screen determining the projected screen size. So if we want a smaller projected image to fit our available space it’s a case of literally picking the device up and moving it closer. Correspondingly, move the projector further away and our image becomes larger.

The operational fan noise remains a constant obviously. Though once we got into watching something, it became possible to mentally block it out, unless actively listening out for it. As with any Wi-Fi connected device, our signal occasionally dropped out in the middle of watching something, particularly if we chose to move the projector, but this is just as much the nature of the medium as a specific product criticism.

Verdict

At the time of writing we’ve heard an even more compact and portable Kodak Flik HD9 Smart Projector is due to follow on from this model in short order. For what we’re getting here for the HD10 version, though, the price seems fair. While there’s always the niggling thought that if we stretched our budget just a little further we might get something better still, the Kodak Flik HD10 Smart Projector is a fun solution for those on a budget, and perhaps best suited to growing families with a host of existing subscriptions to streaming services, whose small-screen output can now be enjoyed on a grander scale.

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Go to the largest online retail site and there are a bunch of no-brand Bluetooth and Wi-Fi-equipped portable projectors vying for our money. Prices can vary wildly from the almost pocket money to the expensive, with some even coming bundled with a separate projection screen out of the box. The Kodak Flik HD10 Smart Projector sits somewhere in the middle of all of these, and has the advantage of its recognizable branding and an inherent degree of trust. We spotted quite a few similarly boxy lookalikes online, some of which sported carry handles, which as we’ve noted would have been an advantage here in terms of convenience and portability.

If this car battery-sized device looks a bit too bulky and boxy for your purposes, then also check out Kodak’s even more portably palm-sized Luma projector range. This cigarette-case-sized series is available in a range of picture resolutions and at correspondingly increasing price points the better the level of specification offered. 

The best projection screens will give you a much better picture than just projecting onto a wall or bedsheet. Which means you'll enjoy movies, TV, sports and other content so much more. In fact, with cinema prices skyrocketing right now, they'll probably save you money over time. Because when you combine the best video projector with high-res TV and movies from the best streaming services, you really can have the cinema experience at home, in the garden, or on a camping trip.

The best projection screens are tailor-made with special materials to create a super-flat and reflective surface. That means the picture you enjoy will be high quality indeed. 

To help you out, we've gathered together the best projection screens available today below. You'll find screens designed for outdoors and indoors, in a variety of shapes, sizes and styles, and with an aspect ratio varying from a cinephile-friendly 2.35:1 through the popular widescreen 16:9, to the classic (or old-fashioned) 4:3.

Quick List

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The best projection screens 

Best projection screen for most people

To make it easy for you, we'll start with the best projection screen for most people. This 120-inch diagonal, 16:9 aspect ratio screen has a lightweight silver aluminum frame with stainless steel components. It can be assembled in minutes without the need for extra tools, so it's easy to set up your own freestanding ‘big screen’ viewing experience, either indoors or outside.

The foldable ‘go anywhere’ canvas is stowed in a carrier bag when not in use. That makes for easy storage and easy transportation. A black backing is also included to prevent light penetration and enhance picture quality. Note, though, that the makers advise against setting it up outdoors if it’s windy.

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Best projection screen for indoors

Perfect for indoor use, this novel design from Epson allows you to widen and shorten the width of the screen so the white surface can perfectly accommodate 16:9 or 4:3 ratio videos – making a great choice for those who love classic TV series. This means that it has a screen size of 80in in widescreen mode, or 65in in standard format. 

This projection screen comes supplied with both a floor stand and a wall mount, so you can adapt it to a wider range of rooms. It's still very portable, though, and has a robust telescope mechanism for expanding the screen from its closed position. There is no case supplied with this one, but there is a carry handle.

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Best budget projection screen

A large yet inexpensive example of a projection screen complete with reinforced edges that can be attached to the wall via double-sided tape or plastic hooks, this may not be the most sophisticated option in our round-up, but it’s perfect for parties and similar occasions. 

In being constructed from a three-layer polyester material, it claims to be thicker than comparable examples on the market. The eyelets mean that it can be suspended in midair too, making it suitable for use on a deck or when on a camping trip. It is usually supplied with a pair of stands, which are probably best used either indoors or on days when there is no wind at all.

The middle layer is constructed of a light shielding material claimed to deliver more vivid images when projected; and yet because of said layer, it does not support double-sided projection. Peace of mind is provided by a two-year manufacturer’s warranty, however, while the construction is said not to crease – a common criticism of inexpensive screens.

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Best inflatable projection screen

Who doesn't like an inflatable? And this blow-up model, with a 16:9 widescreen aspect ratio, is a great way to enjoy your big-screen content. And we mean big: this monster is a full 240in diameter. (Of course, that means you'll need a large space to put it in, and it's not suitable for indoor use.)

Allowing for either front or rear projection, the full jumbo-sized kit includes not just the screen but also an electric blower to inflate it, plus six 30cm ropes and plastic stakes, with a storage bag to keep it all in. Though it looks like something of a monster, its manufacturer suggests that you can have it all set up in around five minutes. To deflate it, just open the zipper. 

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Best fixed projection screen

Looking for a fixed projection screen? Elite Screens Sable Frame 2 screen is our top pick. It offers great contrast, wide viewing angles, and a quality viewing experience overall, especially if you're projecting at high resolution.

Like our number one pick on this list, this screen uses the company's proprietary CineWhite UHD-B 1.3 gain material, providing extra gain for HDR content in a dark room environment, while black backing eliminates light penetration. The 2.4-inch width frame is nice and sturdy, while the split-frame design facilitates lower shipping costs without sacrificing quality.

This screen is available in a variety of shapes and sizes, including 100-200 inches in 16:9 format, 114, 125, and 144 inches in 16:10 format, and 138 and 158 inches in 2.35:1 format.

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Best projection screen for travel

Given that most modern TV screens are 40 inches or larger in diameter, this portable screen with those exact dimensions is aimed at the holiday, travel, or school markets. With a simple pull-up and pull-outwards setup, whereby it locks into position thanks to a retractable framework at the rear, the screen is described as heavy-duty. This translates as it being stain and mildew resistant and is constructed of an anti-flame ‘premium’ fabric.

The shape of the screen is 4:3, although a 16:9 image can still be projected across it. And since it’s designed to stand on any flat surface or table, it’s ideal as a quick and easy-to-set-up desktop option that won’t break the bank.

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Best projection screen for classrooms

Nobo is well-known for its flipcharts and whiteboards, and they produce a range of projection screens too, which are particularly well-suited to corporate and college environments. 

The Nobo 1902392 Projection Screen is designed to be permanently installed in a room, with the screen being pulled down when needed, and retracted out of sight when not in use. The mechanism means that the screen can be protected from damage, and the wall behind can be used for other things. 

It comes with a fixing kit that allows the housing to attached high up a wall or on the ceiling. This particular model has a 4:3 ratio screen, measuring 1750x1325mm.

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Best projection screen for family outings

Going on a trip with the family? A large projection screen that you can use outdoors is great for camping sites, picnic places, or a garden. But you also want one that's quick and easy to set up. That's why we recommend the Khomo Gear Portable Projector Screen. Assembling this freestanding frame is much like putting together tent poles, and takes about 15 minutes. A nice activity for the family, then, but one that's not too onerous.

Given the size of the screen, it's impressively lightweight and you get a carry bag too. The fabric doesn't match the reflectiveness of a pro-grade projection screen, but it's certainly good enough to enjoy TV and movies in the dark. As such, this is a great choice for families wanting to spend some time together in the garden, or out on a picnic or camping trip. 

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Biggest projection screen

If size is the most important consideration for you, then here's the biggest projector screen we can recommend. It comes in at a whopping 20ft diameter (240 inches), and there's also a slightly larger version at 21ft (252 inches). That makes this the perfect choice if you have a big backyard and want a massive screen for projecting movies, sports or music videos on to. 

The wide viewing angle of up to 160° means you don’t need to sit directly in front of the screen to enjoy comfortable viewing posture. It inflates quickly, thanks to an external high-power 250w blower. Because it's made of PVC, it's easy to clean and maintain, and can be wiped clean with damp cloth. And it also comes with a handy storage bag made of high-quality durable Oxford cloth.

FAQs

How to choose the best projection screen

Choosing the right projector screen is important to ensure optimal image quality and viewing experience. Here are some key factors to consider.

Screen size: Determine the appropriate screen size based on room dimensions, viewing distance, and desired viewing experience, as discussed above. 

Aspect ratio: Match the screen's aspect ratio (e.g., 16:9, 4:3) to the aspect ratio of the content you'll be displaying most often.

Screen material: Different screen materials offer varying levels of gain, viewing angle, and performance in different lighting conditions. Matte white screens work well in light-controlled environments and provide wide viewing angles. Gray screens enhance black levels and contrast but may appear darker overall. High-gain screens are bright but have a narrower viewing cone, suitable for rooms with controlled lighting.

Mounting options: Decide whether you need a fixed frame, motorized, pull-down, or portable screen based on your installation requirements and space constraints.

It's also a good idea to view sample images or videos on different screen materials and gains to see which one best suits your preferences and room conditions. Additionally, consider consulting with a professional installer or an audio/video specialist for expert guidance on choosing the right projector screen for your setup.

How we test the best projection screens

We evaluate projection screens across multiple criteria. We assess image quality by projecting test patterns and real-world content, analyzing factors like color accuracy, contrast, and uniformity. We simulate various lighting conditions to gauge ambient light rejection capabilities. Build quality is scrutinized for durability, ease of assembly and material integrity. We also consider practical aspects like mounting options, portability and screen size flexibility.

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Slide viewers have evolved a long way from the bulky, awkward projectors many of us remember. The days of hauling a heavy machine out of the cupboard just to look through a few slides are largely gone. Modern slide viewers are smaller, lighter and often battery-powered, making it far easier to enjoy slides and transparencies without wrestling with oversized equipment.

Today’s models can do more than simply illuminate a frame of film. Some include basic digitising options, letting you capture slides with a smartphone or connect to a computer via USB. Power is more flexible too, with many viewers running on batteries, USB or mains electricity, so they are just as useful on a desk as they are when you are working away from home.

Whether you have found an old box of 35mm slides in the loft or you are shooting film again and want a quick way to review your images, a dedicated slide viewer or projector can make the whole process much more enjoyable. To help you choose, we have rounded up eight of the best slide viewers available right now.

There are, of course, other ways to examine film. Traditional lightboxes and handheld loupes remain popular, especially for quickly checking frames before scanning. And if your main aim is to digitise a larger archive, it is also worth reading our guide to the best film scanners. For now, though, these are our top slide viewer picks, each chosen for its particular strengths and suited to different ways of working.

The best slide viewers in 2026

Best budget slide viewer

When you think of 35mm slide film, you think of Kodachrome – so it makes sense that there exists a Kodak branded slide viewer and negative viewer combined. This angled desktop device is both battery operated and features a daylight-aping backlit LED display, with a 3x magnifying glass provided so you can really pore over the details of your shots.

Operation is straightforward: whereas the slides are slid into the device top-down, a second slot at the side is provided for inserting strips of negative, complete with quick release button for when you’re ready to slide in the next strip. Unsurprisingly, the four AA batteries required to power the device, slotted into the base, are extra, as is a power cable should you want to plug it into the mains, but neither is a deal breaker at this price point.

Overall, this is a simple, practical and affordable device from the most recognizable name in old school film photography.

See our full Kodak 35mm Slide Viewer review

Best slide viewer with screen

Rather than a magnifier, this slide viewer features its own five-inch LCD screen, which lets you view, edit and scan film slides and negatives. It can also convert them into handy-to-share JPEG digital files, thanks to 14MP sensor.

While not a professional-grade film scanner by any means, if operated as a standalone device, either 14MP or interpolated 22MP files can be saved directly to SD card (though you’ll need to provide your own card). More usefully, a USB cable for connection to your computer and HMDI cable for hooking it up to a TV set are provided out of the box, as are adapters for differing film formats, including 35mm, 126 and even 110 film, plus a cleaning brush to avoid dust intruding.

However, if you want to power the device via the mains rather than utilizing your computer’s USB port or USB-equipped power bank, you’ll have to shell out extra for a mains adapter as one isn’t included out of the box.

See our full Kodak Slide N Scan review

Best compact slide viewer

Kaiser is known for its broad range of photographic accessories, so it’s no surprise that it also offers options when it comes to 35mm slide viewing, including lightboxes. Like the inexpensive Kodak alternative, this compact viewer offers 3x magnification, is powered by a pair of optional yet essential AA batteries and, uniquely, features a fold out prop that allows for a more comfortable viewing angle when set down on a desktop.

The viewing area here is a compact, yet sufficiently large, 2x2-inches. Like the old school slide viewers people owned in the 1970s or 80s, the bulb in this device is activated by inserting a 35mm slide in the available top slot, and simply pressing down on it. There’s not much to this device and equally little it seems that can go wrong. An easy to use and affordable solution then; all you have to do is stump up extra for the batteries required.

See our full Kaiser Diascop Mini 3 review

Best lightbox slide viewer

A lightbox is a traditional way that professionals used to review their slides and negatives. And this slimline version offers an acrylic panel and LED light source for slide and negative viewing. It also acts as a portable scanner, in conjunction with your smartphone and SlideScan or FilmBox apps. In short, you're getting practicality, portability and value for money in spades, as long as you’re not expecting professional grade results.

Strips of film and slides can be placed side by side or in rows on the device to be viewed or ‘scanned’ simultaneously. Although there is an option for mains power, portability is offered by the fact that six optional AAAs can also be inserted, though this of course adds to the weight.

The viewing area is again a very compact 5x4-inches, but on the plus side this has allowed for the set up to stay very portable and lightweight. The lamp life of the LED is said to be a generous 10,000 hours, while a leather effect carry case is provided out of the box.

See our full Rybozen Ultra-Thin Portable Slide Viewer review

• See more options in our Best lightbox for photographers & artists guide.

Best simple slide viewer

An incandescent light is at the heart of this boxy viewer designed for tabletop viewing that allows users to stack and view up to 36 slides, while claiming to offer easy push-pull operation. The square format view screen resembling a standard definition TV set of old goes slightly further than others here in offering 4x magnification, but enthusiast photographers wanting more in the way of detail may prefer a lightbox and a handheld magnifying glass or loupe instead.

It’s compatible with both 35mm and all 2x2-inch (5x5cm) slides, but is battery operated only, with no mains power lead provided out of the box. Like the majority of its rivals, the batteries required also need to be purchased as an optional extra.

Best handheld slide viewer

This Photolux branded ‘SV2’ handheld LED illuminated device, also alternatively known as the Zuma Z-SV2 in the States, is another option for viewing 35mm slides that is as simple as they come. Offering a so-so 2x magnification, it’s powered by two AA batteries. You slide your 35mm slide for viewing into a vacant slot at the top, which activates the built-in daylight white LED light source and… that’s essentially it.

Unusually, the 2x AA batteries required for the light are actually included here. Extremely lightweight at just 196g and compact too, with a viewing screen size of 5.5x4.5cm, this basic yet supremely portable viewer would be ideal for casually browsing slides when feet up on the sofa.

See our full Photolux SV-2 review

Best smartphone slide scanner

This is a low-tech, left-field solution for viewing your slides. This is a cardboard, collapsible device that is designed to help you digitize your transparencies and negatives using the camera on your smartphone. A free downloadable app helps you with the process.

For something that looks like a cardboard box, it seems a bit expensive; but more robust film scanners cost significantly more. It is not a quick way of viewing boxes of old slides mind. Sold under the Kodak brand in the US, but found as the PictoScanner in Europe.

See our full Kodak Mobile Film Scanner review

How to choose the best slide viewer

When choosing a slide viewer, it is worth thinking about exactly how you plan to use it. Many modern models are multifunctional, so your first decision is whether you simply want to view your slides, or whether you also want the option to digitise them. Some viewers include built-in scanning features, while others are designed to make capturing slides with a smartphone quick and easy. More traditional models, meanwhile, keep things simple and focus purely on viewing film.

Because slides are so small, magnification plays an important role in how comfortable they are to inspect. A good slide viewer should enlarge the image enough for you to see detail clearly, although magnification levels vary quite a bit from one model to another. Higher-end viewers usually offer stronger magnification, which can make a real difference when checking sharpness and finer details within the frame.

Lighting and power are also worth considering. Most slide viewers use an integrated light source and need some form of power to operate, often from standard batteries such as AAA, AA or C cells, which may not always be included. Check the power requirements before buying. If you would rather avoid disposable batteries, some viewers can also be powered or recharged via USB-C or micro USB, making them a more convenient modern option.

How we test slide viewers

When testing slide viewers, we begin with the most important step: loading a selection of slides and seeing how each model performs in real-world use. We assess image magnification, overall viewing quality and how easy the viewer is to set up and start using.

During longer testing sessions, we also consider battery life to understand how practical each viewer is beyond a quick look through a handful of frames. If a model offers additional features, such as digital scanning, we test those carefully too, looking at both the quality of the scans and how simple, intuitive and useful the process feels in everyday use.

You can read more about how we test and review photographic accessories at Digital Camera World.

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Best projection screens

The BenQ TK850 is a great budget 4K projector to consider, with rich colors and simple interfacing that will make it at home in any living room. It's not a native 4K projector, despite the branding; it replicates 4K resolution by quadrupling a 1080p output. This won't be the best option for recreating true Ultra HD, then, but it does have a 4K effect that should look more detailed than lower-res models – and for the price it may be worth the compromise.

Key features

The BenQ TK850 outputs at 3,000 lumens, offering an exceptional brightness (despite some resolution trickery) and aiding an above-par color performance through BenQ's CinematicColor processor. 

As a DLP projector, the TK850 saves costs by using a micromirror device allied to a spinning colour wheel to create images. DLP is popular choice for cheaper projectors, but is still able to output sharp images, even if occasional rainbow effects mean it won’t be the ideal choice for perfect recreation of monochrome photographs or videos.

The 1.3x zoom means you can get a 100-inch projection from a little over nine feet away, or pull the projector in closer to the wall for a smaller, more intimate size. There’s also a vertical lens shift feature that moves the image slightly up or down (good for avoiding furniture or picture frames), while the underside of the projector also has a stand you can unscrew to better angle it in a specific direction.

Specifications

Resolution: 4K (4 x 1080p)
Brightness (claimed): 3,000 ANSI lumens
Contrast (claimed): 30,000:1
Zoom: 1.3 Dimensions: 477.5(w)x383.5(h)x195(d)mm
Weight: 4.2kg

Build and operation

The TK850 is not a slight projector. The profile is obviously smaller than the average TV would be, but it has a rather chunky, if rounded, shape and measures 13 x 38 x 26cm, weighing just over 4kg. While it went well with our own decor during testing, you may want to consider how you like the appearance of it – though the strength of its images should mean you’re not staring at it too much.

The ports are all on the rear side, facing the viewer, making it easy to access the two HDMI 2.0 inputs, USB 3.0, SPDIF, RS232, and audio out (for headphones or speakers). The upper side of the TK850 features some basic inputs, but you’ll largely be making use of the backlit remote, which helps to ensure you can see all its buttons clearly even when you’ve turned the lights out for an evening movie.

Performance

It’s hard to knock the TK850’s brilliant brightness at 3,000 ANSI lumens, which helps to keep picture vivid and visible even in the daytime or with any kind of ambient light in the room.

The mix of BenQ’s CinematicColor processor and that high brightness means that HDR content does offer a notable uptick in contrast and color depth – ideal for movies over Netflix, and the like – even while ensuring that regular SDR content is shown off in a good light.

You may well be eyeing up the TK850 for sports in particular, given that’s what BenQ is marketing this model around. The capable contrast is definitely a boon for seeing players against football pitches, especially when using the dedicated Sports Mode to improve contrast further. Motion handling is more than good enough too, while the Sports Mode also tweaks the basic 10W audio output to ensure the sound of live crowds doesn’t get lost in the background.

This isn’t a true 4K projector, though. BenQ’s wizardry technically quadruples the same 1080p output to give an appearance of Ultra HD. This is handy especially when using the TK850 for its largest image size, ensuring that you aren’t faced with big blocky pixels, though it is a touch less impressive than some 4K laser projectors out there – given that you’re essentially seeing each pixel four times, rather than 8.3 million individual ones. 

There’s some slight video noise you’ll have to forgive, whatever the resolution of the content you’re viewing, though at this price we wouldn’t call it a deal-breaker.

BenQ TK850: Verdict

It’s hard to knock the BenQ TK850 for what it offers. Yes, the 4K label is a bit misleading, but it does ensure large projection sizes don’t break up the picture unnecessarily, and the strength of the HDR and color performance is more than enough to make up for it.

At this price, too, the TK850 is a great all-round option, able to output movies, games, and sports matches with an impressive level of contrast and color. The variety of zoom and focusing tools at your disposal too mean you’re fully able to tweak the TK850’s images around your particular needs. Be mindful, though, that you won’t get streaming apps built-in, so connecting devices through the HDMI or USB ports is pretty essential to get the most out of this model.

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Samsung has announced the launch of its all-new portable screen and entertainment device, The Freestyle. In essence this is a powerful compact projector, speaker and ambient light source in a compact package, which can be plugged into main power, taken out on any adventure, and even used in video productions in the field thanks to it accepting batteries for remote operation.

The future of go-anywhere entertainment is here and its available to pre-order now for $899 from Samsung.

The Freestyle is a projector, smart speaker and ambient lighting device all rolled into one lightweight package that weighs only 830 grams. Its versatile cradle offers rotation up to 180 degrees, enabling users to show high-quality video anywhere – tables, floors, walls or even ceilings – with no separate screen required.

For power, The Freestyle is compatible with external batteries that support USB-PD and 50W/20V output or above, so it truly becomes a go-anywhere projector-come-media device whether you're on the move, on a camping trip or anywhere else. 

The Freestyle is also a pioneer in that it’s the first portable screen that works when connected to a standard E26 light socket without the need for additional wiring, besides the compatibility with the traditional wall plug option.

When you're not using it as a projector to stream content, The Freestyle also provides mood lighting effects thanks to its ambient modes and translucent lens cap creating any mood you see fit in the home. The Freestyle is also acts as a smart speaker, and can analyze the music being played through it and pair visual effects that can be projected on surfaces.

The Freestyle's party tricks continue as it also offers Smart TV features available on Samsung Smart TVs, with built-in streaming services, mirroring and casting features compatible with both Android and iOS mobile devices. It is also the industry’s first portable projector that is certified by global major OTT partners, which means that it offers customers with the best content viewing experience possible. 

It is also the first projector to include far-field voice control, enabling users to choose their favorite voice assistants when using the device hands-free. The Freestyle sounds like a device that tech lovers have been waiting for!

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In the last few years (the few months even) the quality of projectors has improved, and the prices fallen even further. Phones have stayed much the same, but the arrival of portable projectors designed to watch movies (and photos) on screens up to, or over, 200-inches (or photos) at home and away – some with built-in batteries – have actually changed things in the projector world.

As a result, I've taken a new look at this guide, and some new projectors, thinking about why I'd want a projector now. For me more of those uses are in the home and small office – playrooms, garage conversions, in-home movie theatre and even garden cinemas. If you're making you're own movies, you should be able to do your own screening, and perhaps have the best ever video edit suite. Gaming is another reason that speed is more of a factor than it used to be.

Because of the cross-over between film fans and creators, projectors are a great alternative to another monitor that can really make your home editing setup feel a lot more Hollywood! You'll find something for almost any budget.

Innovations have made projectors easier and often automatic to set up – both in terms of image AND accessing your media. Wireless connectivity is often an option – don't worry, I'll mention which will still connect via HDMI (high-quality content fans will often still want to own the media with the least compression, and that often still means cables).

Below the projectors, there is an FAQ about the space you'll need (don't worry, there are solutions for every room, like short-throw), but for now, let's get started...

The Quick List

Best projectors

Best overall

If you're looking for a device which sits in an ideal spot between image quality, value, and portability then the Nebula Cosmos 4K SE might be the answer. Based on a 'Hybrid Beam' tech which adds some laser goodness to a DLP projection system, what really makes this stand out from other devices I've tried is how well-rounded an experience it is (and I'm not just talking about the elegant but robust housing).

Released for the fall of 2024, this is actually a follow-up to the similar-looking 2022 Cosmos 4K with a slightly lower brightness but otherwise a raft of improvements like more modern Google TV tech. That means the Netflix app is pre-installed and it's a breeze to add other streaming services like Apple TV, Prime, YouTube. Many modern projectors do this well, but this has a fast enough processor and more comfortable integration with the projector's own software which succeeds in feeling natural.

There are other aspects that have a hint of premium too. The remote is Bluetooth, as are many, but it also has backlit buttons – nice. The handle is solidly integrated but good-looking, too. Take this to a friend's for the match and they'll be impressed.

It's not without a few compromises compared to a true laser projector though, and it is best suited to movies in a dimly lit or darkened room. Here, though, it shines. The high-quality 15W Dolby sound speakers and relatively low background noise from the system make for an overall volume that doesn't feel too much of a fuss to use. It's also notably cheaper than the XGIMI Horizon Ultra 4K which uses a similar hybrid projection tech but lacks the convenience of Google TV.

Read more: Check my full review with in-use images

Best value projector

A few years ago I'd have come to this review a lot more sceptical, expecting to see brands like Sony and Epson dominating a list like this, but now I know better, and this is a great example. This is a premium product – it looks and feels it, and has the brightness that means it has no problem delivering 110% Rec.2020 Color Gamut.

It also has features you're unlikely to find on brands you've definitely heard of – like an optical zoom that'll help you set the screen size to an insane 300-inches (I will tell you now I did most of my testing on a 100-inch projection screen).

The way it impressed me is by holding enough processing power on board to deliver Enhanced Black Level (EBL) image processing. This is how the projector can claim a contrast ratio of 15,000:1 (rather than about 4,000:1 native), and offer dynamic tone mapping for HDR, Dolby Vision & HDR10+ support. All of this is premium stuff, yet here the pricing could be confused with something much less visually impressive.

The device also boasts a responsive game mode (4K/120fps is on offer) with input lag as low as 10m/s, and I can't say that the fan troubled me at all

The projector is also equipped with an easy-to-use version of Google TV, so using it is no harder than my Sony TV (my Sony Bravia TV, which is a few years old, is a bit laggy too – not a problem I experienced here).

Read my full VisionMaster Pro 2 review

Best Battery Portable

Pocket projectors were all the rage when flatscreens cost more than most folk spent on food every month. Now you can still find low-quality devices around to play your phone output, but the market has matured a bit too – with a few decent offerings, like this, able to present a full HD image anywhere near wi-fi (or Ethernet) for an internet video source (or, of course, any of your normal devices).

To get the best out of some projectors, you need to fit a Chromecast. Not here; there is a bay for an Android TV box and a matching Android TV 12 (post-update) device in the elegant packaging (presumably in other territories a more appropriate device can be sold instead). This give you good-quality app access to all the major entertainment platforms without any dangling components.

Indeed the whole design is thoughtful and made with elegant plastics and (sorry vegetarians) a leather handle. The battery will provide 3.5 hours of projection, so most films should work, and the built-in speaker is okay, if not amazing. The video is 400 lumens (or 960 LED lumens, as Asus would prefer you to count it) and one of the best images I've seen in the category. Gaming is feasible too.

Read my full review of the ZenBeam L2

Money no object

Sony's laser projector is the first for the company to bring 4K laser projection to a price this low which, in this guide (which focuses more accessibly priced devices) might seem shockingly high. Sony, though, is a master of imaging tech and the CTA aren't arguing with their claim that this is 4K (unlike some attempts to create accessibly priced 4K laser projectors).

So, why doesn't it cost a 5-figure sum? Well, Sony has kept the X1 Ultimate system from their flagship, so no worries there, and the system includes Sony's brilliant Dynamic HDR Enhancer processing. Sony's

My friends at What Hi-Fi also gave this device the full 5 stars, and who am I to disagree? Sure, there is no support for tech like HDR10+ or Dolby Vision as there is in my top pick, so that is ostensibly better value, but this is a superior technology and you can see that on the screen.

Would I choose this for my own projection purposes? No, because I like something I can put on the back of the car and use in other places, or just take between rooms (perhaps even outdoors), but if I'd been allowed to build a man cave home cinema this is where I'd be looking.

Most eyecatching

The Epson Lifestudio Flex Plus 4K manages to look pretty special, added to even further by the color-changing lights around the rim of its base that you can change with a tap of the top. It's also an impressive projector within reasonable limitations – a maximum of 150in image, a gaming mode, and 4K.

Handily, there is a 2 x 5W Bose speaker system built-in which means you get very good clean audio indoors or out with your videos. There is Google TV on board too - so you can hook up to Prime Video, Disney+, Spotify, YouTube and other apps to ensure you always have something to play wirelessly without the need for other devices.

The slight compromise with this projector is the relative brightness; at 1,000 lumens it's a little behind some others at the price level, but in exchange, you're getting something it'd be a lot easier to show in front of visitors. In the kind if scenario most home cinema or home gaming might take place, this is unlikely to be an issue, and the image will still impress.

The design is littered with premium touches, too, like the single-column in the center being hinged so the whole projector can just lean back and project against the ceiling without a massive gimbal around the outside like so many other designs.

See my full review of the Epson Lifestudio Flex EF-72

Cheap Battery-powered

I'm a big fan of the Nebula Cosmos 4K projector's no-nonsense form factor and the brilliance of the Asus ZenBeam L2. This seems to draw on the rugged common sense of the former – it's as robust in the flesh as it looks in the pictures, and it boasts an internal battery so you can use it away from mains power for the length of a movie. Well, anything except a James Cameron one.

It's difficult to pin down, but this is definitely one of the machines that makes you feel that 1080P is enough to enjoy a movie, and the Google TV OS is a more sophisticated and flexible way to use a projector than most modern smart TVs.

The autofocus and key stoning are bolstered by AI obstacle avoidance so, in theory, it will shrink the view rather than project onto a picture hung on the wall. This was a bit of a meh feature for me, but the 8W stereo speakers did the business.

The DLP and LED system is bright enough, and my main reason for recommending this below the ZenBeam is that it needs a dedicated power brick rather than a USB-C connector (slightly reducing the portability). It is cheaper though (and, to be honest, the OS is better).

Read my full review of the Nebula Mars 3 Air

Best short-throw

Offering a sharper image than many rival Pico projectors, LG’s Minibeam UST (Ultra Short Throw) LED projector is great for busy rooms. You can put the projector extremely close to the wall or screen you want to show your video on, without any issues. So no need to worry about people and furniture blocking the view, or casting shadows.

You need just 38cm to cast a 100-inch display. Move it 16cm from the wall and you get the equivalent of a 50-inch display. If you want something more dramatic, move back to 60cm and you’ll fill a wall.

Other than the need for mains power, this projector also offers wireless operation - connecting to your laptop or smartphone via Bluetooth. And if you can't do that, you can also simply plug in a USB stick.

Still, though, is my experience, if you have a white wall. A properly flat one, mind, perhaps not a weird old cottage, and this tech will overcome a lot of the objections about projector setup from family members more concerned about the aesthetics of the home than the 'experience' of movie night! (You know who I mean!)

Best for big venue

Not everyone will have room for a conventional projector, but that doesn’t mean you can’t supersize your images. An Ultra Short Throw model can be positioned just centimetres from a wall or screen, and still cast a huge image; 6 cm from the wall for 70-inch screen (though, in fairness, if one side of the box is 6cm from the wall the other side is nearly half a meter away!)

Epson’s EH-LS100 is one of the most advanced UST projectors out there. With a laser light engine, it offers ease of use and longevity, and is amazingly bright at 4,000 lumens, more than bright enough to be used in moderate ambient light. That’s because it’s based on the brand’s EB corporate UST projection range. This also explains its size. This is no compact, and it’s a bit on the noisy side!

The resolution is Full HD, not 4K, so this isn't cheap, especially by modern standards. There are three HDMI inputs, as well as VGA, USB and composite video. The projector works from a distance of just 6cm, but we could effectively fill the best part of an entire room wall from 48cm.

An LCD projector, it uses a T 0.67-inch 3LCD device with a 16:10 aspect ratio. Contrast is rated at 2,500,000:1. It’s perfect for clubhouses and larger rooms. Oh, but if movies are your main goal, do get a proper sound bar. –the 16W speaker is serviceable

Generic home projector

Impressively low fan noise and a reasonably bright image make this table-top projector feel like great value in either the 1080P edition we tested or its flagship 4K cousin. The throw of 120-inches at 3.37m (and up to 200") makes for a genuinely cinematic image and, for a portable device, the Dolby-friendly dual 10W speakers do a good job of filling the room with sound.

Built-in apps mean Netflix, Prime, and YouTube need no more than your Wi-Fi password and a few steps of setup to work, though some of the screen mirroring tools aren't wholly Apple-friendly. On the plus side, the Linux underpinnings are faster than, say, Android TV.

Auto setup uses Time of Flight AF and a CMOS sensor to for keystone adjustment, which can even be set to be triggered by the movement of the projector. Now that's portability.

Read more: my full Dangbei Mars review

FAQs

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The Epson EF-12 portable projector is a tidy box of tricks. Small enough to store on a shelf in a cupboard, easy to carry around and simple to set-up, it offers itself as an all-in-one solution for your home projection needs, whether that’s for an impromptu movie night or giving your own captured videos some home cinema scale.

The price tag might not include 4K resolution and zoom lens but, on the bright side, it might not be quite as revealing on the more amateur moments in your photography. It's also a great way for videographers to show off their filmmaking to a select audience.

Specifications

Projection system: 3LCD
Max resolution: Full HD
Throw: 1:1 Keystone: Auto vertical: ± 34 °, Auto horizontal ± 40 °
Light source: 1000 lumens laser
Speakers: 2 x 5W
Dimensions (HWD): 135‎ x 175 x 175mm
Weight: 2.1g

Key features

What separates the EF-12 from similar priced machines is that most everything you need is built into the one box. There’s a 2 x 5W speaker system made in conjunction with Yamaha that’s guaranteed to outstrip anything you’ll find on a more traditional projector. It’s a 2 x 5W set-up with the drivers placed at the corners of the to offer as much 360 degree dispersion as possible. 

Equally, you’ll not find any projectors smarter. Android TV is the OS and that means access to the thousands of apps on the Google Play store including the likes of Prime Video, Disney+, Plex, VLC, Spotify, Deezer and a host of handy tools.

There are some serious app gaps, though. There’s no certified Netflix app and you’ll find many of the catch-up services absent, including iPlayer. Fortunately, Android TV means access to Chromecast screen mirroring tech too and, with the exception of Apple’s services, you can cast any app that’s not built-in from a mobile, tablet or laptop instead.

The other option is to buy a media streaming stick to plug into one of the EF-12’s two HDMI inputs. There’s a USB source material too plus 10GB of internal storage if you’d like to sideload any content for offline viewing.

Alternatively, you can just connect it via HDMI to your laptop and play back stills, slideshows or movies from there.

Build and operation

The EF-12 is a more solid unit than your run of the mill home projector. While it’s not built to withstand the elements outdoors, the lens is recessed into the chassis and there’s enough cushioning to the leatherette finish to give us the impression that it could handle getting knocked off a coffee table a few times before anything serious happened

The fixed lens means that you’ll need to move the machine closer or further from your screen to make the image bigger. Focus and keystone correction are done automatically. The autofocus certainly works a treat but think of the auto-keystone as more of a starting point for manual adjustments.

As for the internal build, the EF-12 uses Epson’s 3LCD projection system. The laser light source is split into red, green and blue pathways, each of which passes through a dedicated 0.62 inch liquid crystal panel. They’re then recombined and focused through the optics.

Lastly, it’s worth noting that you’re not stuck with the Yamaha sound system. There’s a headphones socket for personal listening and also the option to add a soundbar through the ARC-enabled HDMI socket.

Performance

The EF-12 can’t display at 4K resolution but it can cope with a 4K input, and what’s particularly impressive is how well it can handle that 4K footage. Despite the downscaling, there are no significant problems with motion handling or light levels.

It’s not that bright compared to traditional projectors but you still get a perfectly decent image even with some ambient lighting. Casting TV shows from both Netflix and iPlayer gave us confidence that we could easily hold a screening of a televised sports event without having to do so in pitch blackness.

Its limited luminance is also helpful in maintaining solid black depth. Often one has to accept a certain level of light spill through 3LCD machines with onscreen blacks closer to greys but not so here.

The downside is that the picture lacks the complexity of more traditional devices. The differences between dark and light areas of the image are stark without a huge amount of shading in middle. It makes film watching quite a bold and contrasty experience that’s closer to modern TVs than it is the more natural look associated with cinema.

On its own, that’s not so bad. You should still find enough detail in your video and stills at all light levels. The only place we’d like a little more is with colour processing which, although rich and vibrant, can be a little flat without that lighting complexity. Most objects and foliage look great but skin tones can look a touch artificial on occasion.

As for sound, we’ve only good things to report. The audio is surprisingly room filling and immersive. It’s easy to pick up object details in film soundtracks. It’s also very well balanced for music too, with plenty of precision to both bass and treble notes, no matter the song.

There’s Bluetooth onboard if you’d like to use the EF-12 as a wireless speaker and, with that kind of quality audio available, it’s not such a silly idea.

Verdict

The EF-12 and portables like it cannot match a traditional home cinema projector for pure picture quality but there is so much more on offer here. The smart platform, modern suite of connectivity options, built-in sound and sheer functional convenience make it well worth the money.

Purists would do better off with something that prizes picture above all else but the EF-12 is a very worthy little Swiss Army Knife of a machine. If you want options and as little fuss as possible, then this is the best we’ve found at this price.

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