SmallRig has replaced its SR-RG1 multifunction wireless shooting grip with an updated model that is now compatible with the Nikon Z50 II – and imaginatively named the successor the SmallRig SR-RG2. While the previous grip worked with a range of Canon and Sony cameras, it was incompatible with Nikons. The new grip addresses the problem, albeit to a very limited degree, as the Z50 II appears to be the only Nikon currently supported by the updated model.

The SmallRig SR-RG2 combines a camera grip, selfie stick, and desktop mini-tripod into one, and is aimed at vloggers, live streamers, and filmmakers. It is equipped with a removable magnetic wireless control that allows remote camera operations including shutter release, recording, focus, zoom, and custom settings from up to 10m (33ft) away. The remote control houses a built-in battery, and features a USB-C charging port, allowing for a full charge in 2.5 hours, which provides up to 40 hours of use.

The grip attaches to the camera using a standard 1/4”-20 tripod mount screw and has rubber pads to prevent scratching the host camera. It can be transformed into a mini-tripod, supporting cameras on a table or similar stable surface during live streaming or filming. It can also be extended to a 14.6cm (5.7in) selfie stick for wider framing and has a 360° pan and 180° tilt (90° forward and backward) mechanism.

The SmallRig SR-RG2 can support a load of 1.5kg (3.3lb) as a tripod and 0.8kg (1.76lb) when extended. It is compact and lightweight, measuring 174.8 x 46 x 39.4mm when unextended and weighing 210 grams. It easily fits into camera bags, and an included wrist strap offers convenient portability. It is set to retail for $69.99 / £67.90 / AU$112.90.

Alongside the launch of the new Nikon Z50 II – don't miss my exhaustive preview! – the company also revealed a new remote release. But there's a catch: it won't work with your existing Nikon camera.

The reason is that thе Nіkоn МС-DС3 rеmоtе rеlеаѕе соrd is currently only compatible with the Z50 II – though Nikon does say it will work with certain cameras to be released in the future. But don't worry; there are lots of options to take control of your existing camera remotely in our guide to the best camera remotes.

If you look closely at the image above, you'll see that rather than being equipped with a Nikon 10-pin accessory port traditionally used for remote releases on high-end cameras, such as the Nikon Z8 or Nikon D850, or the smaller accessory terminal connector used in cameras lower down the line, including the Nikon Z6 III and Nikon D7500, the Nіkоn МС-DС3 has a 3.5mm jack plug, of the type more commonly found in audio equipment.

The Nikon Z50 II doesn't have a dedicated remote socket, which was also the case in its predecessor, the original Nikon Z50. And while it is perfectly possible to use a wireless remote with such cameras, like the Nikon Bluetooth Remote Control ML-L7, or Nikon's Snapbridge app (which also shows a preview image on your smartphone), Nikon says there has nevertheless been demand for a wired remote. Sometimes, I guess, there's just no substitute for the rock-solid reliability of a physical wired connection.

So Nikon's engineers have reworked the headphone socket on the Z50 II to double up as a headphone/remote port on the new camera. A remote release is idеаl fоr lоng ехроѕurеѕ аnd rеduсіng саmеrа ѕhаkе, and will help avoid blurry images when shooting macros and close-ups, or long-exposure starry skies, night scenes or product photography.

The Nіkоn МС-DС3 ѕuрроrtѕ hаlf-рrеѕѕ fоr fосuѕ соntrоl and full-рrеѕѕ fоr соntіnuоuѕ ѕhооtіng. It has a generous 3ft, 3in (1m) cord length for operation a decent distance away from the camera, and a convenient locking switch for long, timed exposures via the camera's Bulb mode and extended burst photography.

Like the Nikon Z50 II, the Nіkоn МС-DС3 is currently available for pre-order. It will cost $36.95/£34.99 when it is released later this year.

Check out our guide to the best camera remotes

Arri has proudly announced its latest Hi-5 SX wireless follow focus, a single-axis hand unit that complements the robust three-axis Hi-5, both leading innovations in wireless camera and lens control technology and helping to improve the best wireless follow focus tech in the industry.

Designed for a variety of single-axis operations on set, the Hi-5 SX can be easily upgraded to expand its capabilities through optional software licenses. It features a weatherproof and durable design, delivering Arri’s renowned reliability in controlling virtually any lens on any camera, all at a suggested "accessible price" which is yet to be confirmed.

Sharing the ergonomic design of the Hi-5, the Hi-5 SX is comfortable to handle and use. Its large display is easy to read, and the intuitive touchscreen interface is inspired by a camera GUI. A unique feature of the Hi-5 and Hi-5 SX is the interchangeable radio modules, which allow crews on set to select the most appropriate module for any shooting location or comply with different regional frequency regulations.

Upgradeability is central to the Hi-5 SX’s design. It is compatible with all existing Hi-5 licenses, including the Cinefade, RED camera control, and Focusbug licenses. Additionally, two new software licenses enhance its functionality, giving users the flexibility to access the necessary features as needed on the fly.

The Hi-5 SX Plus License adds lens mapping, custom smart ring creation, six extra user buttons, tail slate mode, and more. The Hi-5 SX All-Axis License enables the use of the knob, slider, and force-pad simultaneously for three-axis lens control, along with full display information, AUX axis, and complete virtual T-stop and focal length features. 

With both these licenses, the Hi-5 SX is functionally equivalent to the Hi-5, and the blue SX joystick toggle can even be swapped for a black one if so desired. Without additional licenses, users can select either the knob, slider, or force pad to control a single lens axis—focus, iris, or zoom.

The Hi-5 SX is an excellent choice for 1st ACs looking to start with a lower initial investment in a hand unit and a single-lens motor, while still benefiting from Arri’s trusted technology, and as you advance in their career, each user can upgrade their Hi-5 SX, offering more functionality for various productions and enhancing their earning potential.

For the experienced 1st AC who already owns a three-axis hand unit and multiple lens motors, the Hi-5 SX is ideal for facilitating separate iris pulls managed by the cinematographer or DIT, using the latest technology. 

Rental companies with several hand units can also benefit by replacing older three-axis units with the Hi-5 SX, which is well-suited for single-axis tasks and represents the latest state-of-the-art solution.

The Hi-5 SX is built with rugged, sealed, dustproof, and weatherproof housing, ensuring reliable operation in harsh conditions. It also uses Arri-branded NP-L interface batteries that can be hot-swapped without powering down, with the remaining capacity clearly displayed on the screen.

The Hi-5 SX will be available for order starting July 1, 2024, and will begin shipping on October 1, 2024. It will replace the Arri SXU-1 single-axis hand unit, which is being phased out.

There are certain situations when you’ll need to fire your camera remotely in order to get the perfect shot. The most obvious scenario that springs to mind would be setting up your camera in an area you’re expecting a wild animal to pass through, and then needing to remove yourself by some distance so that you don’t scare it off. Though this is by no means the only use-case for its remote shooting capabilities.

Digital cameras have over the past decade included more smart features, and while it is possible on many modern digital cameras to shoot remotely via a smartphone and dedicated app, this is often unreliable and dependent on a strong WiFi or Bluetooth signal.

That’s where Hahnel’s Captur comes in! The Captur Timer Kit comes with a wireless transmitter and receiver that allows you to fire off exposures on your camera from up to 100m away using a 2.4GHz radio signal which is much more reliable than WiFi or Bluetooth.

The Hahnel Captur Timer Kit is available in Canon, Nikon, Sony, Fujifilm, and Olympus/Panasonic iterations. We got hold of the Canon version to test on our Canon EOS cameras, though much of this review will be the same for the other models with the main difference being the supplied cables to connect to your camera ports. Here’s how we got on with the Hahnel Captur and our thoughts as to whether or not you should add it to your photography wishlist…

Hahnel Captur Timer Kit: Design & Handling

The design of the Hahnel Captur has been kept simple which helps make it very user-friendly. In the Captur Timer Kit box, you’ll find the receiver and transmitter. The receiver slips onto your camera’s hotshoe and a locking wheel is spun to keep it securely on your camera.

The bottom of the hotshoe also has a 1/4 inch female port to mount the receiver to a tripod or light stand if needed. On our Canon version, two cables have been provided to fit either Canon’s C1 or C3 accessory port. The other corresponding end plugs directly into the camera accessory port.

It's worth noting that the receiver has a ‘cold’ shoe, in other words, no communication is made through the camera hotshoe, instead, it communicates through the provided cables - this means you don’t need to worry about compatibility issues with Canon’s multifunction shoe on its latest cameras. 

The receiver does however have a ‘hot’ shoe on the top, and this live female connection is ideal for mounting a flashgun or other hotshoe-powered accessory such as a flash trigger for off-camera flash work.

So that’s the receiver in a nutshell. The transmitter is equally just as easy to set up. Turn both the transmitter and receiver on via their respective switches and you’re ready to fire the camera remotely. Hahnel claims it can fire remotely at distances of up to 100mm using its 2.4GHz frequency and in testing we found it to be easily reliable at this distance - should there be no obstacles such as hedges or buildings blocking the signal.

If you want to get more advanced, the transmitter also has modes for intervalometer, long exposure, and delay. All modes are super easy to set up and use.

If you don’t need the wireless functionality you can use the provided cables to plug the transmitter directly into your camera and remove the need for the receiver altogether. The cable is a little short at 36cm in comparison to dedicated shutter release cables, such as Canon’s TC-80N3 which measures 80cm, but it’s a nice feature to have that makes the Captur more versatile and stops you from doubling up on equipment in your kit bag. Its functionality here goes way beyond what the cheap shutter releases you often find on Amazon and eBay usually offer so it is a more serious professional piece of kit.

Hahnel Captur Timer Kit: Performance

We had no problems substantiating Hahnel’s claims of a 100m range - in fact, we were able to reliably shoot over distances much longer than this, about 130m before the signal dropped out in our tests. The catch is we needed to be in an open area like a flat park or field, as disappearing behind any hedgerows or buildings did make the connection less reliable. 

One perk of using an app on your phone to fire your camera remotely is that you can see the live view feed and sometimes you can also adjust camera settings such as aperture, shutter speed, ISO and autofocus. While this isn’t a luxury you get with the Hahnel Captur, it does have a much beefier range and a more reliable connection. I have so far been unimpressed with the reliability of wireless camera and phone operation, though each method of wireless communication clearly has its own perks.

Both the Captur trigger and receiver run off two AA batteries and while battery life was impressive, there’s no indication of the battery status for either device on the trigger. This is a bit of a problem: if the receiver runs out of juice you could continue firing your camera from a distance thinking you’ve caught a fantastic moment, but the trigger has been off the whole time. So best practice is to put in a fresh set of batteries before any important shoot.

One thing we did like about the Captur is that the LCD in the trigger is illuminated when any button is pressed which lights it up and makes it easier to see in the dark. The green and red LEDs on both the trigger and receiver which indicate when they’ve been fired are also a little faint, so it can be difficult to see if it has been fired if you’re shooting in bright sunlight. We found the system worked best when paired with on-camera, or off-camera flash, as this gives a much clearer indication that the camera has fired an exposure as you'll see the flash fire if successful.

Hahnel Captur Timer Kit: Final Verdict

The Hahnel Captur Timer Kit is a formidable shutter release cable in its own right, currently costing around $79 it really gives Canon's own-brand TC-80N3 Remote Controller a run for its money as that will set you back $130. It has much of the same functionality, though perhaps not the same degree of weather sealing (the Captur uses a detachable cable whereas Canon's is fixed and sealed in place).

That said, not only is the Hahnel Captur a versatile and competent wired shutter release, but it also has the bonus feature of being able to fire your camera remotely from up to 100m, and even more in our tests. 

If you’re looking for a way to fire off exposures reliably at distances of up to 100mm and have found your camera's built-in Wi-Fi or Bluetooth to be too unreliable for your needs then the Captur Timer Kit is a brilliant option to consider. It’s available to fit a wide range of camera types, though the Canon kit we had on test proved to live up to expectations and do everything it claimed to do.

You might also like...

Canon has announced a new multi-camera friendly PTZ controller which, fans of Star Trek's original series will no doubt spot, seems to share some design elements of the bridge of the USS Enterprise. Sure, Canon loves a bit of red and black, but I see the classic red, blue, and yellow primary color accents which dominated the first Enterprise, as well as an array of large, simple, lit buttons. 

I'm not saying the design team at Canon – or their partners at SKAARHOJ who are manufacturing the device – spend a lot of time looking at the specs of the NCC-1701, but you can't help feel Gene Roddenbury's set designers would be proud.

It was designed for Canon by live production controller specialists SKAARHOJ, and fully supports Canon's XC protocol so can be used to extend the controls of a PTZ camera (or more than one) to give a multi-camera production all the pro-quality remote control you need. At the same time, the design is clearly not excessive; there is a small display with the selected camera's mode and settings, which each other button gets an individual display label which changes according to context. 

Within Canon's ecosystem, PTZ cameras (like the CR-N100 and CR-N300), Cinema EOS and camcorders will all be controllable. The monitor will show iris, focus, R and B gain, Master and Pedestal, and the zoom rocker is analog for precise, smooth operation.

You studio can be set up as you like, but the new PTZ controller looks like a solid object. This is in contrast to some of the alternatives which rely on less tactile touch screens, like Canon's own RC-IP-100, or the $4,999 flagship RC-IP1000 which only went on sale last month.

It seems Canon is clearly keen to make its presence felt in the space and offer a good choice. In my quick test, I was impressed with the subtlety of the joystick on the earlier RC-IP100 so hope for the same here too.

Details of the new Canon RC-SK5 can be found on Canon's site, while the existing RC-IP100 is a popular seller (at least according to B&HPhoto). The price we've heard for the RC-SK5 is €3225 (about $3,500/£2,750/AU$5,300) and the device is expected to go on sale in March 2024.

Star Trek fans (and I count myself amongst you) should know that I understand 'Engage' is more of a Picard quote, while the primary colors scheme harks further back, and perhaps is alluded to in Strange New Worlds, but please forgive me!

Read my guide to the best PTZ cameras – there are even some PTZ webcams!

The Komet trigger from Lumionix is a new smart camera trigger that packs a ton of features, negating the need for multiple that all have different functions.

Camera and flash triggers typically enable you to perform one job or another, but  the Komet also provides several other features. Mounted on the camera hot shoe and offering USB support, the Komet trigger delivers control for time-lapses, bracketing, off-camera flash and more, all via its easy and intuitive touchscreen and accompanying mobile app.

High-speed photography is one area where the Komet offers a lot of helpful features. The ability to capture subjects in an instant is helped by advanced sensor technology that triggers the shutter at the most opportune moment. 

The sensitive sensor enables you to adjust the threshold limit, making sure you don't miss the perfect moment. Advanced light and sound sensors can trigger the shutter as the action happens; whether it's the flash of a lightning strike or a water splash, the trigger will catch it.

A lot of development has gone into the Komet's time-lapse features, due to it being Lumionix's favorite genre of photography. Designed for both advanced and beginner users, the company states that, "you can master everything from the basics to complex holy grail time-lapse". 

Komet supports ramp exposure, enabling the user to make fine adjustments to fit the scene by adding key points throughout the time-lapse, by ramping the Bulb, aperture, ISO and shutter speed. The inclusion of shutter lag, HDR, intervalometer, motion control and distance lapse are all extra features that can be employed, offering a time-lapse experience in all situations.

AI seems to be integrated into every newly developed product these days, and this is no exception with Lumionix's new beta AI-suggestion. Here it powers a tool that provides you with a suggestion of what your settings should be, in order to capture your perfect shot. 

Ideal for new photographers, or experienced photographers new to landscape or time-lapse, the AI-suggestion gives you a selection of photos similar to your scene, along with the EXIF data. This will then enable you to adjust your settings to get the results you want.

Other features of note include no-limit HDR bracketing, an in-built ND filter calculator, a smartphone app enabling full control of essential camera settings from a distance, an additional flash receiver, and gallery and photo review. This is a trigger that is truly jam-packed!

A function that I think deserves a special mention is the file manager. If you have ever had an issue with a memory card, through either loss or corruption, you will know the importance of backing up your images as quickly as possible.

Sometimes that isn't easy – you don't really want to be getting out and uploading images on a laptop while halfway through shooting a wedding, for example. The Komet has a built-in card reader that facilitates direct transfer from the card to a portable hard drive, allowing for backup and organization on the move!

The Kickstarter is now live and has already reached its goal. Don't let that stop you, however, as there are usually some great backer rewards and early bird deals.

Editor's note: As with all crowdfunding projects, there is no guarantee that the final product will match the early depictions in the campaign – or that the final product will be completed or delivered at all. DCW does not endorse this or any other crowdfunding campaign. 

See our guides for more information on the best camera remotes and best portable hard drives. 

Nikon's specialist robotics company has unveiled a new motorized head that is designed specifically for professional mirrorless cameras and DSLRs. 

The MRMC SR-1 Camera Robot is a sophisticated pan-tilt support that can support professional cameras and lens combinations weighing up to 4kg (8.8 lb). As such it is one of the smallest and most accessible units that this Mark Roberts Motion Control (or MRMC) has produced to date.

The new pan-tilt head is aimed for use in locations that are inaccessible or hazardous for camera operators to  "help capture new angles and easily achieve shots that would be 'impossible' by hand," we are told.

MRMC is best known for its range of robotic arms for use in broadcast studios and by commercial videographers wanting to high-speed motion control, which it has been developing for over 30 years. The British firm was bought by Nikon in 2016, following a successful collaboration between the the two companies at the 2012 London Olympics.

Weighing 4.7kg (10.3lb), the MRMC SR-1 is said to be easy to transport, set up, mount, and control. The head has an axis speed of 30 degrees per second and a pan range of around 120 degrees. It is remotely operated by a standard IP connection using a MRMC's own Multi Head Controller, or by a similar third-party panel.

“The SR-1 is a powerful new tool for professional photographers and videographers,” said Paddy Taylor, Head of Broadcast Solutions for MRMC. “It is perfect for use in situations where it is difficult or dangerous for a human operator to be present, such as in hazardous environments or at great heights".

The SR-1 will be unveiled at the IBC 2023 trade show which starts in Amsterdam next week. The price has yet to be finalized, but the unit is set to start shipping in March 2024.

See also Nikon just launched a camera robot that copies you

The EOS R system introduced RF lenses with a control ring around the lens body in addition to the usual focus and zoom rings. It controls a range of functions, from basic exposure to autofocus and image settings. 

The position of control rings is different on different Canon leness, making it more difficult to find instinctively if you use a range of lenses. In this respect, using EF lenses with the control ring mount adapter is better as the control ring remains in the same location. 

Some of the compact Canon RF lenses have little space for an additional ring and feature a combined focus and control ring. Autofocus on the EOS R series is so reliable there’s little need for a manual focus ring, so using it as a control ring is more useful.

When using automatic exposure modes, you may find a good use for the control ring to change one AF method to another. The benefit of the control ring is that you can switch back and forth by turning the ring in opposite directions, which is faster than cycling through all the available AF methods. 

If you regularly shoot with Manual exposure mode, it is good to have separate controls for the individual parameters: shutter speed, aperture, ISO and exposure compensation when using auto ISO. For such use, assign exposure compensation to the control ring. The control ring can be set to only change a value while the shutter is half-pressed or even locked with a configuration of the lock button on most cameras.

Picture styles and white balance

If you like to work with JPEGs, it’s more important to choose appropriate white balance and picture style settings. The control ring can be set to freely cycle through these or require that the shutter is half-pressed before making a change.

Colour consistency is vital for video, so many movie makers use Kelvin white balance so that when edits are put together, there are no color shifts in the same light situation. Select Kelvin White Balance and then use the control ring to easily adjust the Kelvin value in response to changing light temperature.

Control rings and other customized button settings additionally make the camera more usable if you have limited movement or grip in your hands.

You might also like to read our guide on the best Canon camera, which covers the best DSLRs, mirrorless cameras and EOS-M cameras.

Fujifilm has today announced a new tripod grip for its X Series cameras, the TG-BT1. This grip will allow for not only table-top and still shooting, but make it that much easier to capture group selfies as well as lower-angle shots that can be tricky. 

Used as both a comfortable handheld grip and also as a sturdy tripod, the TG-BT1 can be paired via Bluetooth to a compatible camera and operate in remote shooting, and also control zoom operations on a paired camera, perfect for still video shooting.

• These are the best Fujifilm lenses

Priced at $199.99 / £169 (AU$300 approximately), the TG-BT1 is expected to be available as early as December, but no specific date has been given yet, and it will be the latest accessory to have been added to the compatible range of Fujifilm X Series digital cameras. 

The TG-BT1 allows users to adjust and tilt the camera angle to 180 degrees vertically, and 360 degrees horizontally, therefore making it ideal as a perfect selfie grip when rotated and used horizontally at 180 degrees. The TG-BT1 can also be used as a versatile shooting grip for taking still videos and low-angle shots, ideally at its best when rotated 90 degrees vertically. 

By expanding the tripod legs, the TG-BT1 can be transformed into a sturdy mini tripod that will remain as still as a rock for taking group selfies. Once a compatible camera with a power zoom lens has been tethered to the grip via Bluetooth, the grip can be used to control and modify the zoom operations through its T/W buttons

The grip also appears to have a Bluetooth logo button in the top right of the leg panel, as well as a Movie button with a red spot in the middle, and a labeled Still button, with a lock function in the top left of the leg panel. 

The device is said to be 6.78 inches in height when the tripod legs are retracted, and weigh approximately 205 grams excluding the battery, pretty much the same weight as a bulky phone. Possibly a contender as one of the best travel tripods, the compact size of this grip is super portable and can sit comfortably in a bag or rucksack. 

If this weren't enough, the TG-BT1 tripod grip is also weathers sealed and resistant against the elements, therefore when combined with a weather-resistant camera and lens setup, you can enjoy the peace of mind when shooting that your gear is safe and sound, able to withstand tough conditions, maybe even a storm. 

Compatible cameras with the TG-BT1 tripod grip so far include the Fujifilm X-T5 (Ver.1.00 or later), the Fujifilm X-T4 (Ver.1.70 or later), the Fujifilm X-T3 (Ver.4.50 or later), the Fujifilm X-S10 (Ver.2.60 or later), Fujifilm X-T30 II (Ver.1.20 or later), and finally the Fujifilm X-T30(Ver.1.50 or later). It's worth noting that Zoom operation control via the T/W buttons on the grip will not be compatible for the Fujifilm X-T30 II / X-T30.

The company says that the Fujifilm X-H2S and Fujifilm X-H2 Series X cameras are planned to become compatible with the grip as of January 2023, as is the Fujifilm Fujinon XC15-45mm f/3.5-5.6 OIS PZ lens also. 

• You may also be interested in our guides to the best Fujifilm cameras, and the best Fujifilm GF lenses, as well as the best mini tripods, and best camera rigs. 

A new accessory specifically for the video market, the Nikon Remote Grip MC-N10 enables you to control your Nikon mirrorless camera with one hand without touching the camera at all. All we previously knew about the device came from an information-light development release, but now we have the full skinny. 

The device duplicates all the main controls that you’ll need to operate your video. Available functions include those normally controlled by the camera’s rear buttons, as well as settings assigned to the camera’s dials or Fn buttons, and the grip’s click-free dials keep things quiet on set. It’s easy to connect to video rigs and can be positioned pretty much anywhere you want.

It perfectly mimics the functionality and ergonomics of Nikon’s mirrorless cameras, and all the buttons and dials have got Nikon’s top-level weather sealing. It can operate down to very low -10ºC conditions and in high humidity. Tipping the scales at a lightweight 310g, is easy to hold and doesn’t add any significant bulk to video setups, connecting via an industry-standard ARRI rosette. Communication with the camera is via a fast, reliable and easy USB-C connection. The device is powered by a pair of readily available AA batteries, which offer an impressive 12-hour battery life.

Dirk Jasper, Product Manager, Nikon Europe says: “This new remote grip really opens up the possibilities for videographers working with minimal kit and small crews. Its lightweight build and comfortable feel give you the kind of handling you need to track and pan without worry.”

Along with the recently launched Z 30, Nikon’s viewfinder-less ‘video first’ mirrorless, this sends a strong signal that Nikon doesn’t cater only for photographers, but is intent on providing videographers and filmmakers with the kit they need for recording moving pictures.

It should be available from 1 December 2022 with a retail price of $429 / £439 / AU$799, and will be compatible with the Z 9, Z 7II, and Z 6II at time of launch.

Read more
Best camera sliders for video and filmmaking
Camera settings for video: what the settings mean and why they matter
Nikon Z6 II Essential Movie Kit review

Today’s Canon cameras are oozing with tech. From 30fps Raw bursts, to 8-stop image stabilization, to Deep Learning AF that can tell the difference between a racing car and a racing pigeon and know where to focus on each of them (we're looking at you Canon EOS R3) – the EOS system offers a wealth of impressive specs designed to make our lives easier.

Beyond the headline figures and CIPA standard statistics though, the most important thing is how a camera handles. With the best Canon camera, how easy is it to make adjustments? Do you have to spend a split-second too long to think about changing settings, or does it all happen intuitively?

We’re not talking only buttons and dials here. Just as it is with computers and smartphones and tablets, the user interface and operating system are such an important aspect of a camera’s design. And Canon’s EOS menu system, with its color-coded tabs and logical groupings, has generally been designed well.

The menu structure has remained relatively consistent through the years, so it doesn’t take long to orient yourself when you move between cameras. The number of features crammed into modern EOS cameras means that there are many more pages to get through compared with cameras a couple of generations old, though. 

Here's what you need to know about using the menus on a Canon EOS camera. 

Canon EOS Shooting modes

The overall number of options available is determined by the shooting mode the camera’s in. For example, In Scene Intelligent Auto you may have five screens of shooting options, whereas in Manual you might have seven.

1. Creative Zone
Shooting modes such as Program (P) unlock the full suite of options for photography, as well as general video-recording settings.

2. Movie Mode
To access all of the movie resolutions, frame rates and advanced recording options, the camera needs to be in Movie mode.

3. Basic Zone
Keeping things simple, there are fewer menu pages to navigate when the camera is set to Scene Intelligent Auto.

Canon EOS shooting menu

The red Shooting menu is where you’ll spend most of the your time when using a Canon camera, as that’s where the essential photo and video image settings are. Reassuringly, Image Quality is always at the top of the first page, followed by other core settings, such as how long the image is displayed on screen after it’s been taken (or whether it’s displayed at all) and an option that prevents a picture being taken without a memory card in the camera.

Exposure comp, ISO, White Balance and Picture Style are key components of the next couple of pages in the menu, as these are settings that you’re likely to return to on many occasions. You can, of course, access these functions by pressing Q to open up the Quick Control screen. 

 • You might be interested in the best Canon lenses

While it may seem unnecessary duplication to have the same options in the Shooting menu, it can be easier to simply zip through the menu, read the options and make adjustments, rather than being faced by a wall of icons on the Quick Control screen and having to work out what you need to select.

There can be some variation between cameras – Mirror lockup may be available as a Shooting menu option on some DSLRs, whereas it’s in the Custom Functions menu of others. But in general, the Shooting menu layout is similar across all current bodies, making it easy to learn where the most important functions are.

Canon EOS playback menu

How to customize your playback settings

Unless you want to regularly display your images on a TV screen or print directly from your camera, then the blue Playback menu is probably the one that you’ll spend the least amount of time in. 

There are some useful features in there that can make life a bit easier when you’re out and about shooting though. Activating the Highlight alert function can save your bacon (and exposures), as it will cause any areas of an image that will be potentially overexposed to flash in the display when you review the picture, enabling you to reduce the exposure for subsequent shots.

You can also change the playback histogram from brightness to one that shows the individual red, green and blue (RGB) color channels. Sometimes the brightness histogram doesn’t give you the full picture, particularly when it comes to the detail captured in the red and blue areas of the picture.

Some cameras also give you the opportunity to change the level of information that’s displayed when you review your images. If you don’t need to know which White Balance was set at the time the picture was taken, then you can remove that from the playback display by unchecking the box under ‘Playback information display’ in the Playback menu. Having fewer pieces of information to take in just helps to streamline the whole review process.

While you're here, you might like to look at review of the Canon EOS R10 and the Canon EOS R7, Canon's latest APS-C mirrorless cameras.

Discover why you should set a high ISO for better shots on your Canon camera and find out which flash modes is best on your Canon.

The best camera remotes allow you to physically separate yourself from the shutter button and trigger your camera’s shutter from a distance. While this may seem quite a simple proposition, it can actually provide all sorts of advantages for photographers and videographers alike.

Physically pressing the shutter button can cause tiny vibrations in the body of the camera. This can cause unacceptable image blur when shooting long exposures, or working with extremely precise focusing. Being able to trigger from a distance can also be a useful way to avoid casting a shadow, or to stop yourself from spooking birds or wildlife.

A good remote release is a much more reliable solution than using a triggering app on your phone, as it it means you’re not beholden to your phone’s battery. one that isn't dependent on an unreliable smartphone battery. The only real headache with remote controls is compatibilty, as this can be quite a pain to figure out – so I’ve made an effort here to give you as much camera compatibility information as possible on each remote I’ve picked.

The quick list

Best camera remotes

Canon camera remotes

First up, we're listing the best wired and wireless remotes to buy for Canon cameras. There's a lot of overlap in terms of compatibility, but always make sure to check a remote is compatible with your specific model of camera before buying.

Canon BR-E1

This is the latest of Canon's wireless controllers, and unlike earlier models that used infrared, the BR-E1 uses Bluetooth to link up to your camera without the need for cables. It is compatible with a range of more recent Canon best-sellers, including the vlog-focused PowerShot V1 and the flagship EOS R1. You do need to pair up the camera and remote before you start, but this is a relatively painless process. There are separate aufofocus and release controls which can prove useful – plus zoom buttons if used with a compatible Canon compact.

Canon RC-6

Bypassing the usual need for multiple connector plugs to suit different camera models, the infrared RC-6 works with Canon's DSLRs including the EOS 800D, Rebel T7i, EOS 80D, 5D Mark IV, and its older EOS M-series mirrorless cameras. Since Canon DSLRs only tend to have an IR receiver at the front of the camera, built into the hand grip, you can’t operate the camera from behind. But the RC-6 is particularly useful for self-portraits, with a range of five metres and a two-second self-timer delay. The addition of a switch on the back panel also offers immediate shutter release. The main button is only a one-stage switch though, so you can’t activate autofocus and light metering in advance.

Canon RS-60E3

Small and simple to use, Canon’s RS-60E3 suits all Canon cameras with a mini-jack remote control terminal (that includes the EOS 500D/Rebel T1i and newer, EOS 60D and newer, plus many more). The 60cm cable (extensions are available separately) wraps around the body of the controller for tidy stowage, and there’s a dummy socket for the plug to fit into. The unit requires no batteries, and the only moving part is the remote shutter button assembly. This has a good solid feel to it, with a precise two-stage mechanism for autofocus and metering with a light press, and shooting with a full press. Once fully pressed the button can slide forward to lock in place for bulb exposures or continuous shooting, without the need to keep the button manually pressed in.

Canon has also recently released the Remote Switch RS-80E3 (see current price), which uses the same connection, but features a longer cable for greater versatility.

Canon RS-80N3

A little larger than the Canon RS-60E3, this controller features a thicker, more business-like cable and plug that fits three-pin remote controller terminals as featured on the likes of Canon's 5D and 7D-series DSLRs, as well as mirrorless cameras like the EOS R5 and R6. The cable itself is a bit longer at 80cm, and if you require greater reach Canon produces a 10m extension lead (ET-1000-N3) although it’s very expensive to buy. As with the RS-60E3 the build quality of the unit is impressive, and the two-stage operating button has a precise feel to it, complete with locking mechanism for bulb exposures and continuous shooting once the relevant drive mode has been selected.

Another thing to bear in mind is that if you pick up the Remote Controller Adapter RA-E3, you can extend the compatibility of this remote to include the following cameras: EOS M5, EOS M6, EOS 60Da, EOS 77D, EOS 80D, EOS 90D, EOS 200D, EOS 250D, EOS 1300D, EOS M6 Mark II, EOS 850D, EOS R, EOS Ra, EOS RP and EOS R7.

Canon TC-80N3

Despite being a wired rather than wireless controller, the TC-80N3 still requires a single CR2032 battery to power its LCD display and all-round cleverness. Connecting to compatible cameras like the EOS R3 or 7D Mark II via a three pin plug, the unit’s features include a self-timer, long-exposure timer, interval timer and the option to set the number of shots in a sequence. It also works as a straightforward remote control, with the same basic functions as Canon's RS-80N3 camera remote, even with no battery fitted. It’s simple to use, with a switch that cycles between the four main operating modes, a start/stop button, LCD display illumination switch and jog control for altering the settings.

Just like the RS-80N3, this remote allows you to expand its compatibility by purchasing the RA-E3 adapter. This will allow it to be used with the same selection of additional cameras listed in the previous entry. Stocks of this one are somewhat low across the board, so you also may find you need to buy second-hand.

Nikon camera remotes

Here, we've listed the best remote releases for various Nikon mirrorless, DSLR and compact cameras. For whatever reason, ascertaining the compatibility between Nikon's various remotes and its cameras can be a bit of a headache – this list, last updated in late 2023, is the most up-to-date resource we've found.

Nikon ML-L7

If you're using one of Nikon's Bluetooth-compatible mirrorless or compact cameras, the ML-L7 remote is an affordable, lightweight and convenient remote option. It can also control zoom – which is especially handy if you're using one of Nikon's long-zoom bridge cameras like the Coolpix P1000 – and has separate functions for stills and video. Pairing is a pretty straightforward process, and you get an operating range of about 10m, which realistically should be plenty.

Nikon MC-DC2

This Nikon controller fits a large number of consumer Nikon bodies, from the D90 and D3100 through to newer cameras like the Z6 II and Z7 II. Partly due to its 1m cable, it’s rather on the heavier side for a remote controller, but is still entirely manageable at 65g. One major advantage of the MC-DC1 is that it features a two-stage trigger button, which replicates the shutter button on the camera. You can therefore use a half-press to activate autofocus and exposure metering, and a full press to take your shot when you’re ready

Nikon MC-30A

Nikon has designed this remote controller to match its highest-performing cameras like the D5, and it can also work with newer professional flagships like the mirrorless Z8 and Z9. As such, it boasts fully pro build quality, but is only compatible with pro Nikon DSLR cameras that have 10-pin connectors. The controller unit feels rugged and robust, and the 80cm connection cable is heavy-duty. Meanwhile, the lockable two-stage shutter button has an excellent and precise feel to it, unlike that of the cheaper MC-DC2 controller. However, while performance and build quality are excellent, the price is very steep for what is, essentially, an extremely basic remote controller.

Sony camera remotes

Sony offers more of a 'one-size-fits-all' approach when it comes to remote controls, with the option we've featured below being compatible with just about every digital camera the firm sells (as well as plenty that are discontinued)

9. Sony RM-VPR1

Sony does its consumers a huge favor with this remote by supplying it with two different cables, so that it has plugs to fit the socket of most of the cameras it has ever made – including its mirrorless Alpha range, older SLT models, compact cameras and even camcorders. The cables are 80cm /31-inch long - but you get a decent set of controls for a basic remote. There is a lockable release socket, with a secondary stop/start button for video recording - plus zoom controls for compatible cameras with motorized zooms. A neat bonus, is that the remote comes with a cradle that allows you to stow the controller neatly onto a tripod leg.

Fujifilm camera remotes

Like Sony, Fujifilm offers a broadly compatible remote release that basically works with all of its cameras, as detailed below.

Fujifilm RR-100

While there are a few third-party remotes that will work with Fujifilm cameras (see the next section), the Fujifilm RR-100 is the officially licensed one from Fujifilm itself. A fairly simple wired remote that plugs in via a 2.5mm jack, the Fujifilm RR-100 is compatible with a selection of X-series mirrorless cameras, as well as the GFX medium format range. It doesn't offer a huge range of functionality, with just a simple shutter trigger and an option to hold for bulb mode. However, for many photographers, that's all that's really necessary.

Be aware that compatibility of the RR-100 with certain cameras, including the GFX100 II, GFX100RF, X-S10, X-E4 and X-T200, requires use of a third-party 2.5mm to 3.5mm adapter.

OM System camera remotes

While typically Micro Four Thirds users have needed to go third-party, OM System users do have an option when it comes to a remote control – and it works with a few cameras across the range.

OM SYSTEM RM-WR2

Since OM System's cameras are all so hardily weatherproof, it makes sense that its accessories come with a similar level of protection. Accordingly, the OM System RM-WR2 is a tough, IP53-rated camera remote that's more than up for the challenge of handling inclement weather. With wired and wireless connectivity options, it'll work with the majority of recent OM System cameras, including the OM-3 and OM-1 Mark II, and even the little compact Tough TG-7 (though for whatever reason, it's not compatible with the OM-5 Mark II).

Third-party camera remotes

Finally, here are some remotes that work broadly with a range of different camera systems. If you're using Micro Four Thirds, you'll find some options here.

Phottix XS

Lightweight, simple and disarmingly inexpensive, the Phottix XS is nevertheless well made and comes in a number of different versions to fit various manufacturer's connections sockets. But do be careful to pick the right one, as there are – for example – two Canon models available. All versions have a fixed one-metre cable, which does feel a little thin and fragile when you handle it.

The textured finger grip on the rear surface of the control unit that you hold in your hand provides a steady grip, and the damped button has a pleasant action for both light-press autofocus and metering and full-press shutter release. A sliding button-lock mechanism is useful for bulb exposures, as it means you don’t have to keep pressing the button.

Hahnel Captur

This convenient remote is all about long exposure and time lapse shooting. You can shoot a sequence up to 100 hours long, split down to 1-second increments, and there’s a secondary timer that’ll repeat the first sequence, also with controllable frequency. Alternatively, the Captur can be used as a straightforward remote release, with the 2.4GHz wireless connection giving a range up to 100m, while Digital Channel Matching guards against unwanted signal interference.

The wireless remote communicates with your camera via a separate hot-shoe mounted receiver unit which in turn connects via a sync cable. It’s a slightly bulky combo, but no other device like a phone or tablet is required, and the simple radio frequency connection works instantly with no prior setup.

You will however need to spend some time studying the instructions, as the pared-down controls and basic info screen info result in a cryptic interface that takes practice to master. It’s also a pity there aren’t exposure ramping features for day-night timelapse transitions.

See our full Hahnel Captur review

How to choose a camera remote

When picking a remote for your camera, you need to be aware that different releases use different triggering methods. Some are cabled physically to the camera, others are wireless infra-red, and others use more advanced wireless systems like radio frequency, Bluetooth or Wi-Fi – these last types are extra-useful as they don't require direct line of sight.

The big thing to ensure before buying anything is compatibility – will the specific remote release you're buying be able to interface with your specific model of camera. As you can see in the list above, this can get quite complicated, so check and double check.

Dedicated remote releases often include more advanced features, such as an intervalometer timer to automatically fire the camera multiple times for a successive burst. This can be especially good for shooting time-lapse videos. Some also include auto HDR and focus stacking modes. Other remote releases are little more than simple shutter triggers. If you want the more advanced features, you are likely to need to pay a higher price.

How we test camera remotes

At DCW, we test a huge variety of photo and video equipment, from cameras and lenses to essential accessories such as camera remotes. Our team of imaging experts takes products out into the field to test them in real-world shooting scenarios, and for camera remotes, looks at specs like camera compatibility, connection options, connection reliability and physical size/weight. We use our reviewers' findings to inform our comments in buying guides.

FAQs

Read more:
The 50 best camera accessories
The best flash triggers
The best tripods

Prices compared

Sony has applied for a patent on the technology for controlling a camera's interface and controls using voice commands. You could be forgiven for jumping to the conclusion that this is a silly idea - I mean, who really wants to talk to their camera? What's more, given the patchy accuracy of in-car voice control system, should we really expect a camera's speech recognition accuracy to be high enough for such a feature to be truly usable? But I reckon there is some merit to the idea, providing Sony implements sufficiently advanced speech recognition algorithms. With high-end cameras getting ever-more complicated and feature-packed, tracking down the feature, function or command you want can be a frustratingly time-consuming endeavour. And heaven forbid you need to resort to the user manual for 'help'.

Now, talking to your camera is nothing new. I verbally express my displeasure to a camera on a regular basis, should it not do what I want. But a more constructive camera/voice combo has been Nikon's Voice Memos feature. Though not voice control through speech recognition, this feature allows you to record a voice note to accompany an image - useful for making a quick reminder about the circumstances in which a particular images was captured. Voice Memos are nothing new, either, being a feature on cameras as old as the D2x, and it's still implemented on cameras like the Z6 II.

It's especially appropriate that Sony, of all camera manufacturers, should be applying for a voice command patent. Though I'm sure passionate Sony Alpha users will rave about the simple and logical layout of Sony's menu interface, I personally find the menu structure used by Sony mirrorless cameras to be less than intuitive. I should stress that I hold no particular camera brand preference - the biggest variable in camera performance is the fleshy mammal pressing the shutter button - but in my opinion, Canon's menu layout is the most intuitive. But should Sony leverage its considerable technological might and make a success of camera voice control, memorizing menu structures and going to the trouble of assigning frequently used functions to custom buttons could be a thing of the past.

Read more:

• These are the best Sony cameras to buy right now
• Discover the best lenses for Sony A6000 cameras
• We list the best mirrorless cameras you can get
• Sony A7R IV vs A7R III vs A7R II : what are the differences?

When it’s possible to pick up a basic camera remote for under £15/$15, some might question the rationale behind investing in a pricey option like the Syrp Genie Micro. But to dismiss it as a simple triggering remote would be a misunderstanding of its intended use and variety of features. 

Syrp has built a solid reputation in recent years for its innovative camera motion-control equipment, like the amazing Genie programmable motion time-lapse controller. Its latest product – fittingly titled the Genie Micro – is Syrp’s smallest product to date: a universal smart camera remote for DSLR and mirrorless cameras.

Syrp Genie Micro: Unboxing

Starting with the unboxing, the Genie Micro arrives neatly packaged in a tiny, round cardboard box, which feels reassuringly eco‑friendly.

Although the device is called Micro, for some reason its diminutive size is still surprising – about the size of a Jaffa Cake, or 5cm-diameter, if that’s easier to visualise. Build-wise, there isn’t much to say. The device is made from smooth, black plastic, and a small leather tab on the front edge adds a stylish touch. 

In the product box you’ll find a USB-C to USB-A male adapter cable for connecting your camera to the Genie Micro, and a USB-C to USB-A male cable for charging the device. It also comes with a microfibre lens cloth, and a quick set-up guide to help you get started.

Syrp Genie Micro: Ease of use

Mounting the Genie Micro onto the hotshoe is as straightforward as you’d think – it simply slides on, and then connects via a cable to the camera (Syrp recommends the original cable that came with your camera, if you have it). 

The device has integrated Bluetooth and Wi‑Fi connectivity that extends up to a range of 10 metres, and once you turn on the device with a quick tap to the power button, lights on the top indicate whether these connections are active. 

The device has an internal rechargeable Li-ion battery with a quoted battery life of seven hours, which should be enough to get you through the most rigorous of time-lapse sequences. We didn’t use it continually for this long, but it was still at half power after a day of intermittent testing.

Syrp Genie Micro: Features

Using the Syrp Genie Micro is very much a plug in and go affair, and once you’ve downloaded the Syrp app and installed the product (which takes around five minutes in total) you can use the Live Control mode to adjust exposure settings instantly.

The Syrp app interface is simple, intuitive and responsive, and there are several tutorials on there to help you with the device’s basic operations. Setting up a time-lapse is also straightforward, and you can choose from six pre-programmed options, or set up your own values for record time, interval and play time.

Syrp Genie Micro: Camera compatibility

The main disadvantage of the Micro Genie is that camera compatibility is currently limited. There’s a list of tested and working cameras here, and Syrp says that “if your camera is not listed it does not mean that it won’t work, however we cannot 100% verify it until we have tested that specific model.” Besides the steep-ish price, this is likely to be the biggest failing for would-be users.

Syrp Genie Micro: Verdict

Is the Syrp Genie Micro for you? Yes – if you want to control your camera remotely in diverse ways using a smartphone app, and more importantly, if you have a compatible camera. 

Syrp is working through testing as many models as possible, beginning with Nikon and Canon cameras, and the company says it will be adding Sony and other manufacturers soon.  

Overall the app interface is smooth and straightforward, with tutorials to help you out if you’re not sure what to do.

If the price doesn't put you off, then it's a well-made product that will make your life easier as a photographer or videographer.

Read more

The best camera remotes
10 tips for remote photoshoots at home
How to conduct a remote photoshoot

Syrp has built a solid reputation in recent years for its innovative, high quality camera motion control equipment, like the amazing Genie programmable motion time-lapse controller. Its latest product - fittingly titled the Genie Micro - is Syrp's smallest product to date: a universal smart camera remote for DSLR and mirrorless cameras.

This 5cm-diameter disk simply clips into your camera's hot shoe and can link via a simple 2.5mm Syrp Link for basic remote shutter triggering, or there's a USB-C port that enables more advanced control. This includes remotely setting ISO, aperture and shutter speed, as well as programming advanced time-lapse sequences with exposure ramping. This last feature allows you to shoot what's become know as a 'holy grail' time-lapse, timed to take place at sunrise or sunset, where the exposure automatically adjusts to the changing light levels.

Integrated Bluetooth and Wi-Fi connectivity enable a wireless range up to 10 metres, and the remote is controlled via Syrp's slick mobile app for iOS and Android smart devices. The Camera Control feature in the app is also compatible with Syrp’s other motion control devices, like the Genie Mini II, Genie II Linear, and Genie II Pan Tilt. The internal rechargeable Li-ion battery has a quoted battery life of 7 hours for video or time-lapse use.

Currently the Genie Micro is guaranteed compatible with most modern Canon and Nikon, including popular models like the Canon EOS 5D IV, 6D II, EOS R and EOS R5. The Most Nikon Z-mount cameras are also certified compatible, along with the D750, D780, D800 and D850. Sony camera compatibility is said to be coming in a future app update.

The Genie Micro is available now, priced at $159.99/£139.48

Read more:

The best camera remotes

The best camera accessories

The best tripod for photographers

The best Canon camera

The best Nikon camera

The original CamRanger camera remote was a compact box of tricks little larger than a credit card and 16mm thick. It connected via USB to Canon and Nikon DSLRs from, then its Wi-Fi signal let you wirelessly connect an Android or Apple smart device - or a Mac or PC - to use as a remote camera control or for wireless tethering.

CamRanger 2 picks up where the original left off and features the same wide device compatibility. But where the original could only connect to Canon and Nikon DSLRs, CamRanger 2 adds support for Fujifilm and Sony cameras.

802.11n 2.4 GHz Wi-Fi enables up to 300Mbps image transfer speeds, but CamRanger 2 also packs dual-band Wi-Fi with the secondary 5GHz 802.11ac output capable of a maximum 433Mbps. Both can broadcast up to 500 feet, and with the improved speed means you can view captured raw files almost instantaneously on your remote device when wirelessly tethered. It also allows you to browse through the images on your camera's memory card smoothly with no perceptible lag.

What's more, CamRanger 2 contains its own SD slot, enabling it to automatically back up your camera's memory card - useful if your camera only has a single card slot.

With the CamRanger app you can remotely adjust camera settings, watch your camera's Live View feed, tap to focus (even if your camera itself doesn't have a touch screen), and of course, remotely fire the shutter. As with the original CamRanger, it's also possible to pre-program timelapse sequences with the option of bulb ramping, and there's the ability to perform automatic focus stacking. You can even wirelessly transfer to multiple devices, as well as social media, Dropbox and FTP.

Timelapse shooting necessitates decent battery life, so thankfully CamRanger 2 is powered by a user-replaceable 3300mAh Li-ion cell capable of around 5 hours usage, and there's a battery life indicator in the CamRanger app.

CamRanger 2 can be fitted to your camera's hotshoe mount, or alternatively there;s a standard 1/4-inch 20 socket so the unit can be mounted off-camera.

CamRanger 2 is available to pre-order from Wex in the UK for £429. It will go on sale in the US priced at $349.

Read more:

The best wireless flash triggers

50 best camera accessories, gadgets and gifts

Time-lapse photography: How to make your first time-lapse video

Get ahead of Black Friday and save 58% on the Wireless Transceiver V6 and LV5 Laser Trigger Kit from B&H. This is a great deal where you pay just $74.95 instead of $179.95! 

The Wireless Flash Transceiver V6 from Cactus wirelessly triggers your camera. The V6's TTL Pass-Through technology enables you to mount both the V6 and your flash with its TTL connection intact while you remotely regulate power and trigger your slave flashes. 

• Read more: Best Black Friday camera deals

The Wireless Flash Transceiver has both a mounting foot and a hot shoe, allowing it to be used on camera or as a slave with an untethered flash. It works with several models – but check the B&H site for a comprehensive list.

The kit comes with the Cactus LV5 Laser Trigger, which utilizes an emitter and sensor that can be set up to trigger a camera or flash unit upon changes in the beam's signal. 

The sensor features an embedded 2.4 GHz Cactus V5 radio module that has 16 channels and a range of up to 328', and a standard 3.5mm shutter release port for making a physical connection to certain cameras. 

With Black Friday only a few weeks away, we're starting to see some fantastic camera deals - and this Wireless Transceiver V6 and LV5 Laser Trigger Kit is no exception! If you'd like to take up the offer, then do so today, as this deal ends tomorrow.

Read more

Best flash triggers
Best flashgun in 2019
Amazon Black Friday camera deals: our predictions for Black Friday 2019!

The original CamRanger was one of our favorite ways to remotely control your DSLR, offering extensive functionality from an easily pocketable device. The new Mini version is now barely bigger than a chunky USB thumb drive, yet it can do even more.

CamRanger Mini is about half the size of the original model and two thirds the cost, yet it manages to be slightly faster and able to work over a longer 120m (400ft) Wi-Fi range.

As before, you can wirelessly control you Camera’s shutter, aperture, ISO and white balance, along with many other settings. Delve deeper and CamRanger can also run more advanced functions like focus stacking, time-lapse sequences, and automatically capture bracketed exposures to produce combined HDR and time-lapse effects.

The device is also great for letting you stay hidden for capturing images of wildlife, as your camera's live view image preview can be streamed to your smart device.

The CamRanger Mini app can be used with iOS or Android devices, whether they be smartphones or tablets. Both versions of the app have also been given a complete work-over to maximise ease of use.

CamRanger Mini works with most Canon and Nikon DSLRs. It's powered by a built-in lithium-ion battery capable of 3-4 hours run-time and charged via the device’s micro-USB port. A carry case is included and this can double as a holding pouch to attach the CamRanger to a tripod leg.

The Camranger Mini is available now for £229.