With an expert blend of resolution and speed, the Canon EOS R5 series of mirrorless cameras quickly became a favorite among pros. The problem with most pro cameras, of course, is the price – but with a $700 discount in the US, the original Canon EOS R5 has dropped back down to its lowest price yet

The Canon EOS R5 is no longer the newest model in the series, now ousted by the EOS R5 Mark II. But pro-level cameras tend to have a longer lifespan than beginner cameras, and picking up an older pro model is my favorite hack for getting a pro-level camera with a more palatable price point.

The Canon EOS R5, at $1,200 less than the R5 Mark II right now, is the perfect example of this. The 2020 full-frame mirrorless body may be a few years old, but the camera has aged well, with the 45MP still photos at 20fps and 8K 30p video still more than enough performance for many pro photographers.

Digital Camera World Editor-in-Chief James Artius, in fact, still owns and shoots with the Canon EOS R5, even after trying out the Mark II version.

The Canon EOS R5 has dropped back down to its lowest-ever price in the US, with a $700 discount bringing the pro full-frame camera to $2,599 body only.

Canon EOS R5 sample images

The newer R5 Mark II is discounted by $500 right now, but that still puts the original R5 at a $1,200 savings from the newest model. The newer version bumps the burst to 30 fps, the video to 8K 60p, the stabilization to 8.5 stops, and enhances the autofocus, but both cameras have 45MP full-frame performance.

The original R5, as an older model, may not hang around for long – earlier this year, Canon Hong Kong listed the R5 as discontinued. The camera remains available in some regions, but the age is a sign that the camera may not be a budget pro option forever.

US retailers indicate that the $700 discount on the R5 ends on July 26 at just before midnight EST.

Need help deciding?

Take a look at the best Canon cameras to narrow down the options, or browse the best pro cameras as tested by expert photographers.

With camera manufacturers now focused on mirrorless systems, it would be easy to assume DSLR lenses have faded into history. Japan's latest sales figures suggest otherwise. According to Japanese retailer Kitamura, a 11-year-old Canon DSLR lens climbed to No.2 in its best-selling lens chart for June 2026 – outperforming almost every modern mirrorless lens on the list.

The lens in question is the Canon EF 50mm f/1.8 STM. The only optic ahead of it is the Sigma 18-50mm f/2.8 DC DN Contemporary for Canon RF mount – the company's first RF lens. The zoom is also available for Sony E, L-mount and Fujifilm X-mount.

Kitamura's June Top 10 reflects today's mixed lens market, with two lenses each from Sigma, Canon, Sony and Nikon, while Tamron and Fujifilm each claim one spot. Yet among all those zooms, there's just a single prime lens in the ranking – and it's the budget-friendly DSLR fifty first released more than a decade ago.

Kitamura's 10 best-selling lenses, June 2026

1. Sigma 18-50mm f/2.8 DC DN | C (RF-mount)
2. Canon EF 50mm f/1.8 STM
3. Sigma 28-70mm f/2.8 DG DN | C ( E-mount)
4. Canon RF 100-400mm f/5.6-8 IS USM
5. Nikon Z 24-120mm f/4 S
6. Sony E 70-350mm f/4.5-6.3 G OSS
7. Fujifilm XF 16-55mm f/2.8 R LM WR II
8. Tamron 25-200mm f/2.8-5.6 Di III VXD G2 (E-mount)
9. Nikon Z 180-600mm f/5.6-6.3 VR
10. Sony FE 24-70mm f/2.8 GM II

Why the Canon EF 50mm f/1.8 STM is so popular

Launched in 2015, Canon's EF f/1.8 STM is still available for $169 / £129, making it one of the most affordable first-party prime lenses on the market.

In our review, we described the classic nifty fifty as an "affordable marvel that any Canon photographer should own."

Our reviewer, Matthew Richards, praised its combination of sharp optics, smooth bokeh, fast and reliable AF (autofocus) and exceptional value for many, arguing that it outperforms Canon's EF 50mm f/1.4 USM in almost every meaningful area apart from its wider maximum aperture.

Its lightweight 160g (5.6 oz) design only adds to its appeal, making it an easy everyday lens for DSLR photographers.

Perhaps most impressively, our testing found that the budget-friendly prime delivered more accurate AF than the pricier EF 50mm f/1.4 USM, and produced sharper images across much of the f/1.8-2.8 aperture range.

It also offered better edge sharpness on APS-C cameras, along with lower levels of color fringing and distortion.

Taken together, those qualities help explain why a decade-old DSLR lens continues to attract buyers, even as the camera industry shifted almost entirely to mirrorless systems.

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The Nikon D500 may have launched a decade ago, but it remains one of the most sought-after cameras in Japan's second-hand market. New data from Japanese marketplace Minna Camera shows the DSLR was the most-traded camera between January 1 and June 30, 2026, beating newer mirrorless bodies.

Announced in January 2016, the Nikon D500 has now passed its 10th anniversary. Its combination of fast autofocus, pro handling, rugged construction, and high-speed shooting continues to make it attractive to photographers looking for serious performance at a lower used price.

The Nikon D500 isn't the only DSLR to outperform newer technology. The Nikon D750, released in 2014, ranked second, while the Canon IXY 650 (also known as the PowerShot Elph 360 HS A and Ixus 285 HS A in different regions) took third place as the highest-ranked compact camera.

DSLRs dominated the rankings, accounting for six of the Top 10 most-traded cameras. The only mirrorless bodies to make the Top 10 are the Sony A6000 in sixth place and the Sony A7 II in seventh, while compact cameras claim the remaining two spots.

Top 10 most-traded cameras at Minna Cameras (H1 2026)*

*Discontinued status and approx. used prices in USD and GBP added by Digital Camera World.

Discover the full Top 20 most-traded cameras on Minna Camera here.

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The Megadap M2RF makes a tantalizing promise: to enable manual focus Leica M lenses, designed for rangefinders with their magical rendering, to be used on Canon RF cameras with full support for Dual Pixel Autofocus – including eye tracking and subject detection.

Well, it's tantalizing and it's also true: the Megadap M2RF transforms Leica's gorgeous rangefinder glass into autofocus EOS R optics. Something for which, as a Canon shooter, I'm doubly grateful, given how closed the RF mount is to full-frame AF lenses from other manufacturers.

I had a blast using ultra-refined M-mount lenses to capture images with their unique character on my Canon EOS R5, though there are definitely a few asterisks that potential buyers should be aware of.

Megadap M2RF: Price & availability

The Megadap M2RF adapter is available for pre-order now, priced $399 / £429 (Australian pricing to follow).

For comparison, Megadap currently produces two other cross-mount autofocus adapters: the Megadap ETZ21 Pro+ (Sony E to Nikon Z) for $249 / £259 and Megadap EFTZ21 (Canon EF to Nikon Z) for $299 / 299.

Megadap M2RF: Build & handling

The build quality on the Megadap M2RF is first class. This isn't one of those flimsy adapters you get on eBay; it's a reassuringly heavy, substantially constructed device, beautifully machined and with thick, solid gold-plated contacts.

It has a custom coreless motor, with dual-hall (using two magnetic sensors) and optical sensing, using an electronic helicoid driver system for steady and precise control of the attached lens.

All the controls are likewise exquisitely made, from the aperture switch to the AF / MF selection button to the lens release. This feels every inch a premium product, befitting the luxury Leica glass that will be mounted to it.

As I'll explain in the Performance section below, the aperture switch is used to select the aperture from the preset positions that sync with your camera's aperture setting.

The AF / MF button gives you a one-touch toggle between auto and manual focus (whereupon M2RF retracts back to infinity). You can also double-tap the button in manual mode to engage manual macro mode, which fully extends the lens to its maximum focus position.

As a bonus, because the adapter extends the lens by up to 4.5mm beyond its original position, this reduces the 0.7m standard minimum focus distance of M lenses – enabling you to get close-up shots without accessories like extension tubes, unlocking new creative opportunities.

I also want to shout out the front and back caps, which are so often an afterthought from third-party manufacturers. These are handsome-looking transparent caps, bearing the Megadap logo, and like the rest of the unit feel very premium.

Even so, while it's an impressively robust product, there is one key limitation to the lenses you can mount to the Megadap: how much they weigh.

While every make of M-mount glass is supported, whether it's made by Leica, Voigtländer, Zeiss or anyone else, it only plays nicely with lenses that are 500g or less – which means that bigger, heavier M glass won't be well suited, as they put too much strain on the mount and motor.

And of course, if you're feeling brave, you can double-stack almost any other vintage lens (such as M42 glass) via an M-mount adapter and then attach that to the M2RF for even more creative possibilities.

Megadap M2RF: Performance

I primarily tested the Megadap M2RF with the Leica Summilux-M 50mm f/1.4 Classic and Leica Summicron-M 28mm f/2 Asph. Overall, it delivers pretty astonishing performance for specific genres of photography – or, perhaps more accurately, for a specific pace of photography.

For portraiture, still life, landscape, travel, street and everyday shooting – in other words, shooting at a fairly soft pace or with a gently moving subject – it's absolutely brilliant.

For example, the autofocus keeps up with people absolutely wonderfully during a portrait session. The eye tracking is particularly impressive, and it's also steady and reliable for head and full-body tracking when your subject moves around. Using the Megadap for the first time is really quite a magical experience.

However, other genres and paces of photography are definitely not well suited to what the Megadap does. If you're hoping to shoot fast action like sports or wildlife, that's not what this adapter is for. Nor are most forms of video, where multi-axis movement overwhelms the device.

More than just the capabilities of the device itself, though, it's important to understand that there is a lot expected of the user that may surprise someone expecting a plug-and-play, fully automatic experience.

The Megadap M2RF is a "push-pull" adapter that uses a helical drive to move the lens forward and backward in order to shift the plane of focus. As such, you must remember to turn the focus ring of your adapted lens to infinity or performance will be substantially impeded.

It's definitely something that takes some getting used to – and especially if you're somebody who whips your camera in and out of a bag, you need to be mindful of knocking the focus ring too far.

In addition, when mounting the lens, you need to synchronize its aperture value to your camera's by setting it to a specific aperture value – f/1.4, f/2, f/2.8 or f/4 – corresponding to the values on the aperture switch on the side of the adapter.

Again, if you don't do this then the performance will be significantly degraded. Getting your muscle memory used to these steps each time you use the adapter or switch lenses is crucial, otherwise you'll likely experience hunting or complete focus failure.

Obviously different lenses are going to have different focal length and aperture combinations, which is a further point to factor in.

The adapter comes with four factory presets (Leica Summilux-M 50mm f/1.4 Asph, Leica Summicron-M 35mm f/2 Asph, Zeiss Biogon T* 25mm f/2.8 ZM and Voigtländer 50mm f/1.2 Nokton Aspherical II), but it can be customized for any four lenses via the Megadap M2RF Custom Tool.

While it's brilliant to be able to add your own lens data (which is then helpfully written to your EXIF), it's fair to say that Megadap's expertise is in optics and not software. The Custom Tool is certainly usable, but it's a bit clunky and doesn't have the same premium feel as the M2RF itself.

Megadap M2RF: Samples

Megadap M2RF: Verdict

I've always been skeptical about cross-system adapters, but I was pretty blown away by the Megadap M2RF… once I'd mastered its setup intricacies! Setting infinity focus and syncing the aperture before shooting is an extra step when mounting a lens, but once it becomes part of your muscle memory you can enjoy seamless shooting.

I love the magical rendering of Leica's M lenses, but rangefinder focus gets harder as my eyes get worse with age. So it's nothing short of liberating to be able to use them on an RF-mount camera – and the ability to make use of Canon's Dual Pixel AF and algorithmic subject detection is a truly transformative experience.

It's obviously important to be aware of the Megadap's limitations. While it offers fairly fast focus that can keep up with gently moving genres, it's not designed for fast action – which limits its usefulness for wildlife, sports and video. But then, I don't believe anyone is really interested in adapting M lenses for any of those.

The Megadap M2RF is ideally suited for the intended purposes of M glass, like portraiture or street photography. It replicates rangefinder results on your RF camera but supercharges them with the power of Canon's autofocus. If you've ever wanted to add a touch of class to your EOS R camera, this might be the best way to do it!

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Take a look at the best Leica M lenses to adapt and, if you get a taste for the finer things, check out the best Leica cameras.

Canon's mirrorless line offers two of the best beginner options around. Right now, you can save on both the Canon R100 and Canon R50 lens kits – and which one is best depends on what kind of creator you are.

The Canon EOS R100 + 18-45mm f/4.5-6.3 lens bundle is now available for £489 at London Camera Exchange – with this deal, you save £180 off its original price of £669.

The Canon EOS R50 + 18-45mm f/4.5-6.3 +75-300mm f/4-5.6 lens bundle is now available for £819 at London Camera Exchange – with this deal, you save £180 off its original price of £999.

Better still, the Canon EOS R50 bundle that includes only the 18-45mm lens currently costs £839 at London Camera Exchange– making this bundle exceptional value. For £20 less, you get the 750300mm telephoto lens included at no extra cost.

Which camera is the best to start your journey?

Both cameras are beginner-friendly, use the same Canon RF-S lens mount, and have a 24MP sensor. And both kits come with the 18-45mm f/4.5-6.3 IS STM lens, a versatile zoom optic that will get you started and beyond. But which camera is the best to start your journey?

Canon EOS R100

Best for beginners who want to learn photography step-by-step

The Canon R100 is focused on photography, and we rated it as the best beginner-friendly camera.

It's straightforward, lightweight, and has guided menus that help explain each mode.

It doesn't have a touchscreen or a flip-out screen, and 4K video is cropped with slower AF (autofocus). But for stills, it performs beautifully and keeps things simple.

Canon EOS R50

Best for beginners who want to shoot hybrid (photo+video)

The Canon R50 is better if you want to shoot video or vlog. It has a flip screen, touchscreen controls, and records sharp, full-width 4K video.

It also shoots faster and feels more like a hybrid content creation tool. It's still easy to use, but it gives you more room to grow.

Verdict: R100 vs. R50

So if you want to learn photography without extra complexity, the Canon EOS R100 bundle is a fantastic choice at just £489.

But if you want to do more video, social content, vlogging, or want a true workhorse lens that covers multiple photo genres, the Canon R50 bundle is absolutely worth the upgrade at £819.

Both cameras give you a strong start with Canon's mirrorless system, and with these London Camera Exchange deals, it's a great time to begin your creative journey.

Photographers are getting tired of carrying around heavy full-frame cameras, if the latest numbers from Japan are any indication. The latest data from retail tracker BCN+R for trending mirrorless cameras in June 2026 is almost entirely made up of cameras known for smaller designs – and more affordable prices.

The monthly data also featured a camera that made the top ten for the first time, despite launching a year ago: The OM System OM-5 Mark II. The Micro Four Thirds mirrorless slid into 8th place in the monthly rankings.

The OM System OM-5 Mark II is a compact mirrorless body built for the outdoors with IP53 weather-sealing. Part of the lure of the camera is also the stabilization system, which means fewer shots that need a tripod.

The OM-5 Mark II, however, is far from the only smaller-bodied mirrorless on the list. In fact, nine out of the top ten cameras have cropped sensors (APS-C or Micro Four Thirds) and only one is a full-frame model.

According to BCN+R, these were the top mirrorless cameras in Japan in June 2026:

1. Canon EOS R50
2. Sony ZV-E10 II
3. Canon EOS R10
4. Sony ZV-E10
5. Sony A6400
6. Sony A7 V
7. Fujifilm X-T30 III
8. OM System OM-5 Mark II
9. Fujifilm X-M5
10. Nikon Z50 II

That’s a list packed almost entirely with APS-C bodies – though it’s worth noting that the data from BCN+R often doesn’t match up directly with major Japanese camera stores like Map Camera. BCN+R only tracks around 40 percent of electronics sales in Japan, and much of the data comes from general tech stores rather than retailers geared specifically for serious photographers, which tend to lead more towards advanced models than BCN+R’s lists.

Regardless, the list is an interesting look at the latest mirrorless trends in Japan. Of course, crop sensor cameras also tend to be more affordable than their full frame counterparts, so beyond the smaller size, the format also tends to fit into more beginner budgets.

The Sony A7 V is the lone full-frame model on the list, a mirrorless camera that has topped charts across several sources and multiple regions since its launch. The A7 V mixes a full-frame sensor with blackout-free 30 fps shooting and smarter autofocus.

But, the Sony name dominates the list. Both of Sony’s APS-C video mirrorless models, the ZV-E10 and ZV-E10 II made the list, along with the more stills-focused crop sensor, the Sony A6400.

The Canon EOS R50 tops the list; however, a crop-sensor beginner camera with a low price point that has proved exceptionally popular, driving the R50 to numerous bestseller lists since launching in early 2023.

The Canon EOS R10 is still a crop-sensor camera, but is more advanced than the R50 with an autofocus system and burst speeds geared towards fast action.

Fujifilm similarly had two models make the top ten – and both fall on the more affordable end of the brand’s X-series. The X-T30 III is a budget model that still has Fujifilm’s retro looks and a viewfinder, where the X-M5 is Fujifilm’s cheapest, smallest current mirrorless body, but it lacks a viewfinder and is more geared towards vlogging.

Sliding into the tenth-place spot is the Nikon Z50 II, a popular ASP-C model that brings some of Nikon’s high-end speed and autofocus into a more affordable crop-sensor body.

The sales data from general retailers tends to lean more towards affordable beginner models than photo specialty stores. From Yodobashi in Japan, for example, the latest trends list is led by pricey models like the Hasselblad X2D II 100C; but cameras like the A7 V, X-M5, X-T30 II, Z50 II, R50, and ZV-E10 II make both lists.

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The Canon PowerShot name has gone so viral that sales have increased nearly seven times in half as many years. Yet, despite the success, Canon hasn’t released any PowerShots outside of the video-focused V-series since 2019. But the latest rumors are calling for that to change before the end of 2026.

Newly circulating rumors hint that a new Canon PowerShot could be coming in September. The speculation further hints that the upcoming model isn’t a V-series video-focused model like the 2023 PowerShot V10 and the 2025 PowerShot V1.

Canon hasn’t verified these rumors – but with the growth of compact cameras, it would be strange for the PowerShot brand that so regularly dominates best-seller lists to ignore the trend. According to NPR, sales for Canon’s PowerShot series have grown nearly seven times amid the resurgence of the compact camera between 2022 and 2025.

The last time that Canon launched stills-focused PowerShots was in 2019 with the G7 X Mark III and the G5 X Mark II. The PowerShot G7 X Mark III in particular has seen newfound viral fame, making the compact camera difficult to find in stock and driving the camera manufacturer to increase production on multiple occasions.

Earlier this year, Canon did launch a new look for the G7 X Mark III as part of the 30th anniversary of PowerShot, but the camera retains the same tech on the inside.

Of course, I could play devil’s advocate here and point out that retro compact cameras are also part of the trend, with older lo-fi models seeing new growth amid the modern sharpness (and AI infiltration) of the typical smartphone camera. And if retro cameras are trending, then there’s not much reason to upgrade the tech inside a camera that’s already selling so well I can’t find it in stock anywhere.

The PowerShot G7 X Mark III isn’t one of those lo-fi cameras, however. The reason that the camera has surged in trends is likely more due to the fact that the camera mixes a one-inch sensor with a zoom lens. Zoom tends to be more flattering for portraits, as well as the real camera flash that had influencers recommending the G7 X Mark II in droves.

So far, the rumors around a new PowerShot coming in the fall are short on details, if not believability. But looking at the latest trends and sales numbers, launching a new stills PowerShot in 2026 would be a smart move for Canon.

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The Canon EOS M50 Mark II was a firm favorite among vloggers, creators, casual and travel photographers. However, after half a decade of service (including the original M50), it and the entire EOS M system was discontinued in 2023. 

Not only was it Old Yellered, but the Canon EOS M50 Mark II was replaced wholesale by its EOS R system equivalent, the Canon EOS R50 – a more advanced camera using more advanced Canon RF lenses.

All of which means that the Canon EOS M50 Mark II is dead and buried, right? Actually, I disagree with the 'buried' part. In fact, I disagree with the 'dead' part, too. This camera may have been discontinued, but I think there's plenty of life left in it.

Obviously there's no doubt that the EOS M system is finished, but only as far as Canon is concerned. While the manufacturer hasn't made any lenses for it in years, you still see third-party companies releasing the occasional new optic for the EF-M mount.

But I don't think the mount even needs any new lenses. There are plenty of fantastic EF-M lenses already on the market, and the mount can easily adapt EF and EF-S glass from DSLRs – so there are literally hundreds of other optics you can use on the Canon EOS M50 Mark II. 

On top of that, I'll absolutely grant that the best Canon RF lenses are generally superior to the best Canon EF-M lenses, with one crucial exception: size.

The RF mount is physically much bigger than the EF-M mount, which means that even the most compact EOS R glass is never going to be as small and light as the EOS M lenses can be. 

This is a massive win for the Canon EOS M50 Mark II, whose primary selling point is its tiny size. Yes, the R50 is technically a better camera – newer sensor, more advanced AF, uncropped 4K – but it's not a better camera if you want the smallest and lightest setup possible.

For those of us who want a small body and lenses to throw in a sling bag or handbag while going out on a walk, or to keep in the glove compartment on a road trip, or want the lightest possible load around their neck on vacation, the M50 Mark II is a more suitable solution that its RF sibling.

As you can see from the above shots, this is a perfect carry-everywhere camera for spontaneous shooting with fantastic image quality. It's such a good companion for those outings where you wouldn't want to lug around your full-frame kit, but you always want to be able to take a great picture.

And an upside of it being discontinued is that you can get the Canon EOS M50 Mark II super cheap from the likes of MPB and KEH. It's a camera that I still happily take out for shoots precisely because of its smaller footprint, but it still delivers photo quality that's indistinguishable from the R50. 

So, it's not a fashionable take, but yes – the Canon EOS M50 Mark II still has plenty going for it. Don't mistake "discontinued" for "dead" or "no new lenses" for "no more use". After all, people still buy old film cameras – and they haven't made new lenses for those in decades!

You might be interested in our Canon EOS R50 vs M50 Mark II head to head, as well as our round-up of the best travel cameras and best cameras for beginners. 

As the headquarters for several of the biggest camera brands, Japan is often the first region photographers look to for key trends – but the latest list of best-selling compact cameras doesn’t include any of the usual viral suspects like the Fujifilm X100VI or Ricoh GR IV. Instead, the list starts with the retro Kodak PixPro C1 and reads like a who's-who list of cheap compact cameras.

The data comes from BCN+R, a market research company that compiles data from about 40 percent of retail sales from major electronic store chains across Japan. The company recently shared a list of the top-selling compact cameras for the first half of 2026.

Kodak dominates the list with four models – more than any other manufacturer – building on another BCN+R trend where Kodak was the leading brand in sales for compact cameras in 2025. The four Kodaks on the list come from JK Imaging, a company that licenses the Kodak name.

According to BCN+R, these are the most popular compact cameras in Japan for January through June 2026:

1. Kodak PixPro C1
2. Kodak PixPro FZ55
3. Fujifilm Instax Mini Evo
4. Canon PowerShot SX740 HS
5. Canon IXY 650m / PowerShot ELPH 360 HS / IXSUS 285 HS
6. OM System TOUGH TG-7
7. Panasonic Lumix TZ99
8. Kenko Tokina KC-AF11
9. Kodak PixPro FZ45
10. Kodak PixPro WPZ2

As a photography industry expert, the first thing that struck me about the list is that it lacks some of the most viral advanced compact cameras with larger sensors, like the Fujifilm X100VI and Ricoh GR IV. But, both of these options are so popular that they are difficult to find in stock, which could be playing a key role in those cameras’ absence.

But there could be another factor at play: Price. The list is heavily dominated by budget cameras. Only three of the options on the top ten list retail for more than US$500: The Canon PowerShot SX740 HS, the waterproof OM System Tough TG-7, and the zoomy Panasonic Lumix TZ99.

The push for less time spent on smartphones and more classic retro images has sparked a resurgence among cheap compact cameras. The cheap compact category had been all but decimated by the smartphone, but as compact cameras make a return in trends, so too do the most affordable models.

The cheap point-and-shoot isn’t making a comeback for image quality. In tests, for example, we found most smartphones will outperform the Kodak PixPro C1. But, part of the comeback is the nostalgia for less perfect images – lo-fi resolution, softer lenses, and even those orange time/date stamps in the corner can all be found without spending a lot of money.

Perhaps because the cheap point-and-shoot trend isn’t about modern image technology, several of the models on the list are a few years old, like the Instax Mini Evo, a digital-instant film hybrid packed with retro special effects launched in 2021, and the 2017 Kodak PixPro FZ55.

Importantly, the BCN+R list only includes around 40 percent of electronics sales in Japan and includes major electronics retailers that may cater more towards general consumers than serious photographers. While some models like the Canon PowerShot SX740, Kodak PixPro C1 and OM System Tough TG-7 are also popular at some photo specialty stores, looking at large photo stores like Map Camera tends to create a list that leans more towards pricier, larger sensor compact cameras.

Regardless, the BCN+R rankings indicate that even the cheap compact camera has returned from the dead – it’s not just the large sensor compacts and models with more zoom than the typical smartphone that have made a comeback.

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Since the point at which most manufacturers conspired to get us to re-buy all our interchangeable lens camera equipment in more compact mirrorless form, DSLRs have been portrayed as bulky, lumpen and very much yesterday’s news.

That perception persists, underscored by the fact that former DSLR stalwarts Canon and Nikon have stopped releasing anything new with a mirror box. Along with everyone else, except possibly Pentax.

While I’ve shared prior opinions on why I feel that’s short-sighted and a shame, any connection of mine to DSLRs isn’t nostalgic, emotion-based or a kneejerk reaction to manufactured hype.

There are tangible, practical reasons for choosing a DSLR in 2026. Yes, still. And, if choosing a DSLR, for choosing a Canon DSLR above all others.

Why? Well, for starters, the golden rule of buying an interchangeable lens camera still holds – namely, I shouldn’t just consider the specific body I have my eye on, but the whole system that surrounds it, including all lenses and accessories.

Even before DSLRs were no longer cool, Canon still enjoyed the most far-reaching and comprehensive support out of any camera brand.

And still, if buying a Canon DSLR today, users not only have access to lenses produced since the first digital EOS, but also film-era lenses stretching back decades (if, in some cases requiring an adaptor).

Buying a Canon DSLR therefore becomes the most cost-effective, value-added solution, as I explore the wealth of compatible Canon EF and EF-S lenses for DSLRs – numbering over 200 since 1987 – available on both the new and second-hand market.

Last year Canon claimed it had manufactured 170 million EF and EF-S lenses in total. So, tracking down a perfect match for both intended subject and DSLR in use won’t be an issue.

Couple this with over 110 million Canon EOS cameras produced – with the caveat that this figure does include some mirrorless – and it shouldn’t be a stretch to find either a mint unboxed DSLR or a good quality used option.

At the time of writing, I can still buy a flagship EOS-1D X Mark III or EOS 5D Mark IV camera body direct from Canon’s online store. Or, at the other end of the price scale, snap up an EOS 2000D DSLR plus standard zoom for less than is currently being asked for most compact travel zooms.

So yes, as well as a DSLR’s imaging performance, functionality, battery life, optical viewfinder and durable build, sheer stock numbers work in Canon’s favor. As they do for anyone considering one of its DSLRs in 2026.

DSLRs might not be the cool kids anymore, but sometimes sensible is the smarter option.

Check out our full guide to the best DSLRs you can still buy today. If you want to follow in Gav's footsteps with one of the best Canon cameras, check out the best Canon lenses for DSLRs to go with them.

These three mirrorless models deliver excellent price-to-performance value – and right now, you can save up to £552.

The Canon EOS R8 is now available for just £1,229 at London Camera Exchange – a £400 discount from its original £1,629 price tag.

The Nikon Z6 II is now available for just £1,249 at London Camera Exchange – a £550 discount from the original £1,799 price tag.

The Sony A7 III is now available for just £947 at Amazon – a £552 discount from the RRP of £1,499.

Canon EOS R8

Budget-friendly option for Canon DSLR users and vloggers

The Canon EOS R8 offers an affordable entry into full-frame territory. It keeps the familiar Canon interface, supports your DSLR lenses via an adapter, and packs modern features into a lightweight, compact body.

The only notable limitation is the lack of IBIS, which might be a deal-breaker if you do a lot of handheld shooting with long lenses or video. In that case, the EOS R6 II is worth considering, though it comes with a much higher price tag.

Nikon Z6 II

Best for Nikon DSLR switchers and hybrid shooters

If you're moving from a Nikon DSLR like the D750 or D780, the Nikon Z6 II is hands-down a smooth upgrade. It features a similar body design, intuitive Nikon menus, and excellent ergonomics.

While Nikon's Z-mount lens selection isn't as extensive as Sony's or Canon's, you can make use of your existing DSLR lenses via an adapter.

Sony A7 III

Ideal for system switchers and DSLR upgraders

The Sony A7 III remains one of the most versatile full-frame cameras in its price range and packs pro-level features.

It gives you maximum mirrorless flexibility as the Sony E-mount ecosystem is the most mature on the market, boasting a huge range of native lenses and third-party support from brands like Tamron and Sigma.

Comparison

If I were to pick a mirrorless full-frame camera today, I'd lean toward the Sony A7 III.

Its unmatched lens options and flexibility make it a standout choice, especially if you're open to switching systems entirely.

That said, if you want to stick with your current brand and already own a lot of DSLR lenses, staying within the same ecosystem is a smart and budget-friendly way to jump into mirrorless photography.

Want to browse more mirrorless options? Here are the best mirrorless cameras, along with the best cameras for beginners.

Japan has long been one of the world's biggest camera markets, making it a closely watched indicator of wider photography trends. Now data from Minna Camera Marketplace in Japan reveals that 70% of the 10 most-traded mirrorless cameras in the country during the first half of 2026 were APS-C models.

However, the overall winner is anything but typical. Canon's EOS R6 Mark II claimed the No.1 position despite being a full-frame camera in a market largely dominated by smaller, more affordable APS-C bodies. With its deeper grip and DSLR-style ergonomics, it also offers handling that's more familiar to photographers upgrading from DSLRs than many compact mirrorless rivals.

Minna Camera analyzed all mirrorless interchangeable-lens cameras traded between January 1 and June 30, 2026. While APS-C cameras accounted for seven places in the Top 10, the first and second positions were both secured by full-frame cameras: the Canon EOS R6 Mark II in first place, followed by the Sony A7 IV.

Top 10 most-traded mirrorless cameras at Minna Cameras (H1 2026)

Why APS-C cameras dominate the rankings

The three full-frame cameras in the ranking averaged around ¥190,000 (approx. $1,170 / £871), compared with roughly ¥90,000 (approx. $544 / £413) for the seven APS-C bodies – a price gab of around two times.

Half of the cameras in the Top 10 also averaged less than ¥100,000 approx. $616 / £458).

"Affordable APS-C bodies broadened the base of the ranking," states Minna Camera, highlighting how lower prices continue to drive demand in the used mirrorless camera market.

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These three mirrorless models deliver excellent price-to-performance value – and right now, you can save up to $350 at B&H. Two bundles include accessories at no extra cost, since the price matches the camera body alone, making the extras essentially free.

The Canon EOS R8 is now available for just $1,299 at B&H – a $350 discount from its original $1,649 price tag.

The Nikon Z6 II is now available in a basic bundle for just $1,546.95 at B&H – a $200 discount from the original $1,746.95 price tag, including a shoulder bag and 128GB memory card.

The Sony A7 III is now available in a basic bundle for just $1,698 at B&H– a $300 discount from the original price of $1,998. This deal includes a shoulder bag and 128GB memory card.

Canon EOS R8

Budget-friendly option for Canon DSLR users and vloggers

The Canon EOS R8 offers an affordable entry into full-frame territory. It keeps the familiar Canon interface, supports your DSLR lenses via an adapter, and packs modern features into a lightweight, compact body.

The only notable limitation is the lack of IBIS, which might be a deal-breaker if you do a lot of handheld shooting with long lenses or video. In that case, the EOS R6 II is worth considering, though it comes with a much higher price tag.

Nikon Z6 II

Best for Nikon DSLR switchers and hybrid shooters

If you're moving from a Nikon DSLR like the D750 or D780, the Nikon Z6 II is hands-down a smooth upgrade. It features a similar body design, intuitive Nikon menus, and excellent ergonomics.

While Nikon's Z-mount lens selection isn't as extensive as Sony's or Canon's, you can make use of your existing DSLR lenses via an adapter.

Sony A7 III

Ideal for system switchers and DSLR upgraders

The Sony A7 III remains one of the most versatile full-frame cameras in its price range and packs pro-level features.

It gives you maximum mirrorless flexibility as the Sony E-mount ecosystem is the most mature on the market, boasting a huge range of native lenses and third-party support from brands like Tamron and Sigma.

Comparison

If I were to pick a mirrorless full-frame camera today, I'd lean toward the Sony A7 III.

Its unmatched lens options and flexibility make it a standout choice, especially if you're open to switching systems entirely.

That said, if you want to stick with your current brand and already own a lot of DSLR lenses, staying within the same ecosystem is a smart and budget-friendly way to jump into mirrorless photography.

Want to browse more mirrorless options? Here are the best mirrorless cameras, along with the best cameras for beginners.

If the latest camera rumors are to be believed, Canon's next release will be a retro camera featuring its newest 32.5MP full-frame image sensor.

The long-awaited Canon EOS R8 Mark II will be much more than a traditional update to the original Canon EOS R8, and in turn will be much more than just the company's entry-level full-frame body.

Rumors have been flying for years that Canon has been working on a retro-styled camera, similar to what its arch rival has done with the Nikon Zf and Zfc, appealing to the same market that fawns over SLR-style Fujifilm cameras.

And, with 2026 marking the 50th anniversary of the legendary Canon AE-1, it's been widely expected that this would serve as the inspiration for a retro mirrorless design.

However, rather than releasing a retro body as a standalone product, it's being reported that the EOS R8 Mark II will be released with this retro design – and that it will be announced in September.

Personally I think we'll also see a traditional R8 Mark II, which looks like the rest of the EOS R range, because not everyone will want a throwback camera – and the R8 is, after all, the de facto replacement for the discontinued EOS RP as Canon's entry-level full-frame camera.

So, similar to Nikon releasing both the retro Zfc and the traditional Nikon Z50 with the same internals but different designs for different audiences, I think Canon will do the same here.

Canon EOS R8 Mark II specs (rumored)

• 32.5MP sensor
• 40fps burst shooting
• Oversampled 4K video (no 7K, no open gate)
• In-body image stabilization
• 2x UHS-II SD card slots

Either way, Canon Rumors has shared a set of specifications for the Canon EOS R8 Mark II.

While these mark a substantial upgrade from the original R8, what's most interesting is that this will be the fourth time that Canon deploys its new 32.5MP full-frame sensor – which we first saw in the Canon EOS C50, followed by the R6 Mark III and most recently the EOS R6 V.

However, just as dual base ISO was only enabled for the C50, it looks like a number of other high-end features will be disabled for the R8 Mark II: namely open gate video and 7K recording.

This makes sense for multiple reasons. Obviously there needs to be some delineation between the product lines, and omitting features like open gate will keep the price of the R8 Mark II down – and, crucially, keep the performance up, as there will be no need to worry about recording limits.

In addition to the resolution boost, the R8 Mark II will also see the introduction of in-body image stabilization (IBIS) as well as an additional SD card slot.

Both of these will increase the size of the body, which might be another reason for the proposed retro design (as the bulkier SLR-style frame will disguise the space needed for the extra card slot and IBIS unit).

I do, however, think we all might have been a bit too excited about the concept of an "EOS RE-1" modeled after the AE-1. We might in fact be looking at something along the lines of the limited edition, Asia-only Canon EOS RP Gold (above). 

This would also be very welcome in my book, as I'm just jonesing for Canon to release a silver camera. Come on, Canon – I've got a fresh credit card waiting for you, just give me what I want!

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Take a look at the best retro cameras from all brands, and see what the best Canon cameras on the market right now have to offer.

Despite newer flagship releases from Canon, Sony, and Nikon, one full-frame camera launched in 2023 continues to outperform far newer models in Japan's sales charts. Part of Sony's compact full-frame line, which debuted with the "world's smallest and lightest 35mm full-frame mirrorless camera", the Sony A7C II brings that same philosophy and performance to a newer generation. With built-in electronic viewfinder, in-body image stabilization and 33MP sensor, it has become one of the industry's biggest long-term success stories.

Major Japanese camera retailer Kitamura has now published its June sales rankings, with the camera once again taking the No.1 spot.

Launched nearly three years ago, the Sony A7C II has earned a reputation as a full-frame "sweet spot" camera, striking an impressive balance between performance, portability and price. Available for $2,098 / £1,799, it continues to prove that photographers don't always need the latest release to get the camera they want.

Kitamura's 10 best-selling cameras, June 2026

1. Sony A7C II
2. Canon EOS R10 + RF S 18-150mm IS STM Lens Kit
3. Fujifilm X-M5 + XC15-45mm Lens Kit
4. Sony A6700 High-Magnification Zoom Lens Kit
5. Canon EOS R50 Double Zoom Kit
6. Sony A7 V
7. Sony A7 IV Zoom Lens Kit
8. Sony ZV-E10 II Power Zoom Lens Kit
9. OM SYSTEM OM-5 Mark II + 12-45mm f/4 PRO Lens Kit
10. Nikon Z30 Double Zoom Kit

Lightweight design marvel

The Sony A7C II features a 33MP full-frame Exmor R sensor, AI-powered subject-detection autofocus (AF), 7-stop in-body stabilization (IBIS), and 10-bit 4:2:2 4K 60p video recording, offering serious performance for both photographers and videographers.

Even with its compact form, the A7C II retains a built-in electronic viewfinder – known as a must-have feature for many photographers.

Weighing just 514 g (1 lb 2.2 oz), it delivers full-frame image quality in a remarkably compact body that's particularly well-suited to travel photographers and hybrid creators. Despite its small size (124 x 71.1 x 63.4 mm), Sony has retained a built-in electronic viewfinder – a feature that many photographers still consider essential.

While some compact and creator-focused mirrorless cameras now rely solely on the rear LCD, the A7C II offers an eye-level shooting experience without significantly increasing its size.

Nearly three years after its launch, the A7C II still delivers everything most photographers want or need.

While camera manufacturers release dozens of new models each year, sales data continues to show older, well-balanced cameras can outperform the latest tech when they strike the right mix of price, performance and usability.

This Canon premium super-telephoto zoom is one of the best Canon zooms we've ever tested – and with this B&H deal, you can now get it for a great price.

You can grab the Canon RF 100-500mm f/4.5-7.1 L IS USM for $2,799 at B&H. With this offer, you save a stunning $300 off its regular price of $3,099.

The Canon RF 100-500mm f/4.5-7.1 L IS USM is known for its hefty price tag, making this deal even more tempting. It is one of the best Canon telephoto zoom lenses, designed for Canon's EOS R-series cameras.

This lens is a favorite among wildlife, sports, and aviation photographers who need reach and versatility in one package. With its impressive 100-500mm focal range, you're covered for everything from sweeping landscapes and intimate close-ups to fast-paced action shots.

It's the kind of lens that adapts to your creative vision, whether you're tracking birds in flight or capturing the thrill of the game.

Crafted with Canon's legendary L-series quality, this lens is a stellar build. To get the best performance and fastest AF (autofocus) – especially for capturing fast-moving subjects – pair it with the advanced AF and IBIS (in-body image stabilization) systems of the EOS R5 or R6.

One thing to keep in mind is that the aperture narrows as you zoom in. Unlike the Canon EF 100-400mm f/4.5-5.6L IS II USM lens, which holds f/5.6 at 400mm, the RF 100-500mm lens stops down to f/7.1 at 500mm.

It's a slight trade-off for the extra reach you get, but that's a point that's often worth it for the flexibility and performance you get.

Given the hefty original price tag, this deal is a great offer to invest in this 100-500 telephoto zoom.

If it is your first one, you will notice a difference in framing and will be amazed at how close you can get to the wildlife or sports action with this lens.

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The Canon EOS C70 is now just $3,499 at B&H, down from its usual $4,799 price, saving you a massive $1,300 on one of Canon’s most capable compact cinema cameras

. That is a serious discount on a camera designed for professional filmmakers, production companies, documentary shooters, and content creators who want cinema-quality results without stepping up to a much larger and more expensive camera system.

At the heart of the Canon EOS C70 is a Super 35mm Dual Gain Output sensor, which is designed to capture impressive dynamic range while retaining detail in both bright highlights and deep shadows. It delivers the rich color, natural skin tones, and cinematic image quality that Canon’s Cinema EOS cameras are known for, making it a strong choice for everything from commercial productions and interviews to documentaries, weddings, and independent films.

The C70 can record 4K video at up to 120 frames per second, giving filmmakers plenty of flexibility when capturing fast action or producing smooth slow-motion footage. It also supports Canon Log 2 and Canon Log 3, along with professional recording formats and Cinema RAW Light, giving experienced editors far more control over color grading and the final look of their footage.

Unlike many cinema cameras, the C70 manages to fit a comprehensive collection of professional features into a relatively compact and portable body. Built-in ND filters make it easier to control exposure while maintaining your chosen aperture and shutter speed, while its RF lens mount provides access to Canon’s growing selection of modern RF lenses. EF lenses can also be used with the appropriate adapter, making this a practical upgrade for filmmakers who already own Canon glass.

Canon’s Dual Pixel CMOS autofocus system is another major advantage, providing smooth and dependable subject tracking when working without a dedicated focus puller. The camera also includes professional audio connections, dual SD card slots, a fully articulating touchscreen, and a generous collection of customizable controls, helping it feel equally at home on a tripod, shoulder rig, gimbal, or handheld setup.

At its normal $4,799 price, the Canon EOS C70 is already a compelling professional cinema camera, but at just $3,499, it becomes considerably easier to recommend. Saving $1,300 gives you enough money left over to invest in a lens, microphone, lighting, storage, or a complete rig, making this one of the strongest Canon cinema camera deals currently available at B&H.

Technology tends to have a short lifespan, but the Canon EOS R6 series is so popular in Japan that both of the older models are in the top three for used camera sales.

The data comes from a popular Japanese camera buy-and-sell app, Minna Camera, which recently tallied the most popular cameras sold on the app for the month of June. The list is led by the Canon EOS R6 Mark II, followed by the Sony ZV-E10 and the original Canon EOS R6.

The Canon EOS R6 Mark II was replaced in November 2025 by the new R6 Mark III, a 32.5MP full-frame 7K open gate camera that has been listed among several new camera top ten lists since its launch. But the 24.1MP Mark II and original 20.1MP R6’s inclusion in Minna Camera’s list suggests solid used camera sales across the camera’s history.

However, the data also highlights how rapidly the used camera market can shift, with five of the cameras in the top ten list all cameras that hadn’t made the previous month’s list. The Ricoh GR IV, for example, was in 35th place the previous month but jumped up to 6th place – Ricoh’s announcement of a price increase coming in July – which has now also been implemented outside of Japan too – likely influenced the used sales for the relatively new compact camera.

Two of those five cameras that have popped into the top ten from the lower rankings are DSLRs, the Nikon D7500 and the D750, suggesting the larger interchangeable lens format remains well-traded among used camera marketplaces.

The top-traded cameras on Minna Camera for June include:

• Canon EOS R6 Mark II
• Sony ZV-E10
• Canon EOS R6
• Nikon D7500
• Nikon Z50 II
• Ricoh GR IV
• Canon EOS R10
• Nikon D750
• Sony A7C II
• Sony A7 IV

For lenses, shoppers seemed to have a healthy craving for telephoto glass. The workhorse Nikon 70-200mm f/2.8 VR S topped the June list. While Canon took two of the top three camera bodies, Z Mount glass is the most popular mount on the platform at 30 percent of sales. The Canon EF, Canon RF, and Sony E all trailed at 20 percent each – so combining Canon’s DSLR and mirrorless lenses would bring it to the top spot – with Fujifilm X capturing the other ten percent.

Zooms make up much of the top ten list, with just three prime lenses on the list, and many of those optics hit a focal length longer than 100mm.

The most popular lenses in June on Minna Camera were:

1. Nikon Z 70-200mm f/2.8 VR S
2. Canon RF 24-105mm f/4 L IS USM
3. Canon RF 100-400mm f/5.6-8 IS USM
4. Canon EF 100mm Macro f/2.8 L IS USM
5. Nikon Z 24-120mm f/4 S
6. Fujifilm XF 35mm f/1.4 R
7. Nikon Z 180-600mm f/5.6-6.3 VR
8. Sony FE 24-105mm f/4 G OSS
9. Sony FE 200-600mm f/5.6-6.3 G OSS
10. Canon EF 50mm f/1.8 STM

Used trends don’t directly match the trendiest new cameras from Japan, and data from Japan doesn’t necessarily match other regions. But, with Japan the home to several major camera brands, the data offers an interesting look at what cameras are selling well in the home of major camera brands like Canon, Sony, Nikon, Fujifilm, Ricoh, and others.

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The vlogger-oriented Sony ZV-E10 cameras have gone largely unchallenged since the original was released in 2021. Any search for the best cameras for vlogging, content creation or travel photography now seems to bring up these models, and justly so.

However, I also think that a certain competitor camera, the Canon EOS R50, which came out in 2023, subsequently gets overlooked in this debate – and it’s actually a pretty solid rival to the ZV-E10.

These cameras boast similar specs and cost around the same. So if you’re looking for a small, nimble, creator camera, I want to make the decision easier for you.

The big question, then: which one would I choose? I’d go with Sony, simply because it's more versatile.

While both cameras pack a decent but respectable 24MP APS-C CMOS sensor, can record 4K 30p and FullHD 120p, and have a 3.0-inch fully articulating touchscreen, the Sony E-mount system has a much wider array of compatible lenses and better battery life.

There are over 80 native Sony E-mount lenses compatible with its cameras, whereas Canon can has over 50 native RF and RF-S lenses.

You’re sure to find the Canon lens you need from that range, but it’s the third-party options that boost Sony's appeal – swelling the total catalog to over 300. With Canon restricting third-party manufacturers' ability to release RF / RF-S glass, there are far fewer to choose from.

The Sony camera battery, the NP-FW50, also significantly outperforms Canon’s LP-E17 battery, powering approximately 440 still shots versus 310 on a full charge.

Of course, there are things about the Sony I don’t like, notably the lack of an electronic viewfinder. I get that this is because the ZV series is aimed at video, but it’s annoying if you shoot stills as well.

I also give the ergonomics points to the Canon. Its grip has more depth and, in general, the camera seems to fit in your hand more snugly. The Sony is way too thin for that snug feel, which is a criticism I’ve had of all Sony Alpha cameras – even my beloved Sony A7 III.

Still, the ZV-E10 is the winner for me – but not by a country mile. It's smaller and lighter, has a better selection of lenses and more juice in the battery – though I still wish it had an EVF for stills.

The Sony ZV-E10 II is also available, which brings a few extra megapixels of resolution and almost double the battery life thanks to the new NP-FZ100 (though it will set you back around $300 more than its predecessor).

And there's also the Canon EOS R50 V, a vlogging-oriented version of the R50 that's more of a direct competitor to the Sony options… but again you lose the viewfinder…

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The Canon EOS 5D Mark IV is currently available at B&H for $1,799, reduced from $2,498.01 and offering a substantial saving of $699.01.

That is a serious discount on one of Canon’s most respected full-frame DSLRs. While mirrorless cameras may dominate the conversation today, the 5D Mark IV still has plenty to offer photographers looking for a tough, reliable, and professional camera.

Some cameras simply refuse to go quietly, and the Canon EOS 5D Mark IV is very much one of them. It was once the go-to body for wedding photographers, press shooters, portrait photographers, landscape specialists, and working professionals around the world, and even now it carries that same reassuring sense of dependability.

What makes the 5D Mark IV so appealing is that it was built as a proper workhorse. It features a 30.4MP full-frame sensor, Dual Pixel CMOS AF, 7fps continuous shooting, 4K video, Wi-Fi, GPS and Canon’s familiar DSLR handling. Even by modern standards, this is a camera that still feels highly capable rather than outdated.

Of course, newer mirrorless cameras offer faster subject-tracking autofocus, lighter bodies, and more advanced video features. But that is not really the point of the 5D Mark IV. This is a camera for photographers who still enjoy using an optical viewfinder, value excellent battery life, and want a rugged body capable of handling demanding shoots.

It also provides access to Canon’s enormous EF lens system, which remains one of the strongest reasons to consider the camera. There is a vast selection of new and used lenses available, covering everything from affordable everyday zooms to professional telephotos and fast primes.

There is also something rather charming about seeing the 5D Mark IV remain available from a major retailer such as B&H. It belongs to the final golden generation of professional DSLRs, before the industry shifted almost entirely towards mirrorless cameras.

This is therefore more than simply an opportunity to buy an older camera at a lower price. It is a chance to invest in one of Canon’s most important full-frame systems and a camera that has already proved itself in the hands of countless professionals.

At $1,799, the Canon EOS 5D Mark IV feels like a very clever buy for anyone who wants full-frame image quality without immediately committing to the cost of a modern mirrorless system. For photographers who already own EF lenses, or anyone looking for a dependable DSLR that continues to produce beautiful files, this is well worth considering.

Check out our pick of the best lenses for the Canon EOS 5D IV

Most keen photographers use, or at least know about, back button focusing. For Canon EOS mirrorless cameras, such as the R6 Mark III, this is when you set the AF-ON button at the back of the camera to control focusing, instead of focusing being handled when you half-press the shutter button. With this custom setup, you can press the ‘back button’ with your right thumb to track focus on moving subjects such as soccer players, or lock focus part of a scene, leaving the shutter button for only taking photos (and metering).

But there are lots of other ways to customize other buttons on your camera to make your photographic life easier, and so you don’t miss that shot as you’re fiddling about with your camera’s menus, scrolling for that special setting you can’t find!

I was shooting a big soccer tournament all-day long recently, with loads of quick matches between local youth teams on eight different pitches, and I didn’t have time to switch lenses as I’d miss those winning shots – like a great Jude Bellingham goal for England against Norway in the World Cup!

I was shooting with the full-frame Canon EOS R5 Mark II and RF 70-200mm F2.8L IS USM lens, and I was very happy to discover I could set it up to instantly switch between Cropping/aspect ratio modes. I had the rear * (star) button (reserved for as AE lock by default, which I never use) as a custom control to switch from full-frame to crop 1.6x mode for more reach when needed for players at the other end of the pitch, so 200mm became 320mm at the press of a button.

As the * button is next to the AF-ON button, I didn’t need to take my eye from the viewfinder, I could quickly press the * button with my right thumb mid games to flick to 1.6x crop mode (skipping the 1:1 square mode), to fill the frame with the action.

This also turned out to be a crucial custom setup for me and the EOS R5 Mark II, as it was hammering down with rain and windy as hell for most of the afternoon, so I couldn’t switch lenses in those conditions even if I wanted to.

This setup also saved hours when editing over 4,000 action images, since I didn’t need to crop the JPGs as much as I would have if I’d only used the usual full-frame mode.

Some other full-frame EOS cameras switch between aspect ratios, so I have to press the * button a couple of times to go from full-frame to square to crop mode. The EOS R8, for example, brings up the cropping/aspect ratio modes on screen when pressing the customized * button, so you can switch to crop mode and back to full-frame quickly.

What other modes might you find helpful to access quickly via the * button on newer Canon EOS cameras like the EOS R5 Mark II?

There are over 50 of other options to switch modes or to essential controls to this one * button as you can see in all these menu screenshots above and below.

Here are 5 suggestions you might find useful:

1. Switch between AF modes from One-Shot AF to Servo AF for action subjects.

2. Activate Eye Control AF.

3. Switch to Action Priority AF mode, ideal if your subject suddenly gets active.

4. Switch your screen off to save battery power.

5. Simply to access your White Balance options (as dedicated WB buttons on top of EOS mirrorless cameras have gone missing now they’re smaller than DSLR bodies).

You can also customize other buttons on EOS cameras including: M-Fn, SET, MODE and even the LCD light bulb button!

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Take a look at the best Canon telephoto lenses and best Canon superzoom lenses to get more reach instead of using crop modes if you prefer and need max high res images.

Like many photographers, I like to make prints to adorn the walls at home. And some years ago I invested in a poster-sized printer so that I could do so at will.

Specifically, I got a Canon Pixma Pro 9000 Mark II, which was the 2009 version of a printer that hasn’t significantly changed from its 2006 release.

When I tried to print something this weekend with no success for the first time, I wasn’t sure what to do.

There are obvious steps that everyone goes through, obviously. Checking that all the ink tanks are full is step one. They weren’t, of course. It had been a few months, and I suspect a degree of evaporation may have played its part.

The current heatwave and the fact that I keep the printer upstairs won’t have helped matters. However, it was not a cheap printer – well over $500 – so I don’t mind forking out $30 for a set of replacements from a brand of compatible inks I have come to trust: Inkredible (unlike, sadly, some of the ‘compatible’ brands on Amazon).

Each of the ink tanks for this printer has a chip and the printer senses them. I’ve never had an issue with these, whereas some ‘compatible’ inks have proven not to be. Some will tell me I should continue using Canon’s own inks, but their price is somewhat off-putting by comparison.

Two days later, when the inks arrived, I swapped them out and reassuring lights indicated that the printer recognized them; however, it was still not inclined to print a page for me.

At this point, I had to resort to attempting to understand the printer’s problem via its only means of communication – an orange LED that flashes a number of times in sequence.

This felt positively archaic in an era where my portable battery pack has a small color display, but casting my mind back to 2006 (before the iPhone was announced) perhaps this wasn’t so unlikely.

I can connect to my computer, of course, and hope that the software understands the error, but that doesn’t actually solve it either. Plugging into my Mac did remind me of the printer’s age, though, with a dedicated USB-A cable forcing me to find an adapter for the USB-C ports on my computer.

My MacBook reported a print head error via the Print Center, and ChatGPT concurred when I described the flashing light. Unlike the computer, though, the AI chatbot wanted to help out – suggesting a load of things to try.

While every one of the eight ink colors is a small replaceable tank, the whole print head is attached beneath them and is also removable and replaceable.

The ever-sympathetic chatbot initially suggested a series of parts of the printer to clean – buttons, paper feeds and the like – all of which, it felt, could lead to the same issue.

Eventually, it decided that it was time to remove the print head – but before replacing it, suggested some ways to clean it. In other words, lint-free cloth and rubbing alcohol were additional investments that ChatGPT thought were worth consideration. Not to mention a lot of time.

Sadly, though, AI wasn’t totally on-side with my problem, wanting me to perform a nozzle check – which the printer was refusing to do because the print head wasn’t working.

After a lot of back-and-forth in a chat, though, it gave me odds (about 90%) of an electrical failure of the print head, which brings me to my next choice. Do I source a new one – there are compatible options out there, even if Canon ones are hard to come by – or is it time to call it quits?

I think the answer is starting to become apparent. I’ve already lost a good amount of money and time – and ended up with very inky fingers several times.

I was, I have to admit, impressed with the amount of knowledge that AI had to offer about the printer’s error messages given its age. But at this stage I start to measure the value of my time (no, really, it has some).

There is also a point at which being told “We’re getting there” or “That’s a good sign” by a cheery and positive AI is increasingly frustrating as a human. ChatGPT is a bot, after all, and doesn’t quite appreciate that getting eight different colors over your fingers every time you get all the tanks out to access the print head to try “one more thing” is a bit annoying.

And it takes a long, long time to clean printer ink off your fingers.

So the final question should perhaps be “What is the best large-format printer?” That is a question I’ll still trust to humans with experience, but I did appreciate AI lending a hand in making me feel that I won’t be slapping down the cash on a whim.

This photograph, Galaxy on the Rise, was captured in Tenerife, the Canary Islands, where the photographer spent nearly four hours searching for a hidden cave that proved remarkably difficult to find.

"I'm always drawn to locations that feel unique and relatively undiscovered, and this cave was a perfect example," says astrophotographer Anastasia Gulova, reflecting on the image that has now been selected for Capture the Atlas 2026 Milky Way Photographer of the Year collection.

The search became even more demanding due to intense heat and powerful winds, which pushed the photographer against the surrounding rocks. Almost abandoning the attempt, Gulova finally located the cave that would become the foreground for one of her most memorable Milky Way images.

How 'Galaxy on the Rise' was captured

Gear: Canon EOS RP Astro-modified (for sky), Canon EOS R5 (for foreground), Tamron 35mm f/1.4 SP Di USD, Canon EF 16-35mm f/4L IS USM

Accessories: Leofoto Ranger, Sky Watcher Sky Adventurer Pro 2i, VF foto white mist filter

Exposure: Sky: Pano 1 row x 6 panels x 4 frames at 60sec, 35mm, f/1.8, ISO 800; Foreground: Pano 1 row x 6 panels at 60sec, 16mm, f/4, ISO 100 (focus stacking + bracketing)

"The conditions made the process demanding," Gulova explains. "Intense heat combined with powerful winds made movement difficult, at times pushing me against sharp rocks.

"After nearly giving up and heading back, I finally came across the cave, a moment that made the entire search worthwhile.

"Capturing the image proved just as challenging. Composing and shooting the panoramic foreground required careful positioning, while properly illuminating the upper section of the cave was particularly difficult.

"To manage this, I used focus stacking across different planes, including the upper edge, the horizon and the lower foreground, all in near-total darkness, where the brief blue hour offered little assistance.

"With the Milky Way sitting low on the horizon, bringing out its color and detail required additional effort in both capture and processing.

"In the end, the result reflects not only the scene itself, but also the persistence and experience behind it, making it especially meaningful."

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Looking for competitions to enter? Here are 10 global photo contests now open for entries from July 2026 to January 2027.

One of the best cinematographers of modern film and cinema got his start with a groundbreaking Canon DSLR – and ultimately "blagged" his way into a BAFTA-nominated career shooting series like HBO's The Last of Us and Apple TV's Cape Fear.

After getting addicted to movies like Blade Runner and RoboCop when he was ten, Eben Bolter always wanted to get involved in film. And it was as an amateur photographer, when he discovered his camera could shoot video, that everything started to fall into place.

"I grew up on the south coast of England a million miles away from the film and TV industry, but like a lot of people I fell in love with cinema because of VHS," he explained on The Making Of podcast.

"I used to beg my parents to go to the cinema, and I think the real kind of inciting moment was Jurassic Park in 1993. I was 10 years old, saw it at the cinema, and it really did what it did to me. I was the perfect age to see that film.

"And that really inspired this lifelong love of movies. And it took me, from the age of 10, it took me another like 15 years to figure out what a cinematographer was, and and that real people can make movies – you don't have to be born into the industry."

Moviemaking was "still magic that [he] knew nothing about", leaving Bolter with a love of film that he didn't know what to do with. His first idea to get involved with film was to study business at university, with a notion of working with distributors or movie theaters somehow. He just wanted to do something related to film, and that felt attainable way in.

"In a way, luckily, that didn't work out. And at the same time I was getting into amateur photography, just picking up a DSLR and shooting photographs. I traveled a little bit, learned how to take better pictures as I went – but completely separate to any kind of career. That was just for the love of images.

"And then there was a crucial moment in time with the Canon 5D Mark II, the DSLR camera that I happen to own, enabled a video mode. And this had a large format sensor, and I'm already holding this thing and using this thing, and suddenly I could shoot video.

"So suddenly these photographs I was going out and taking in the street could become animations, could become movies. And it just opened up this idea of like, huh – well maybe that is a thing I could kind of do."

Bolter was working for a marketing company at the time, which needed some corporate videos shot. He volunteered, just for the opportunity to go out and shoot something. "I was basically shooting these sort of corporate interview rubbish videos, but I was kind of learning about editing and dealing with Final Cut Pro."

This led him down "a rabbit hole of short films", after connecting with a group of filmmakers via an evening film school.

"We started shooting short films, and I was the guy who had a camera, so I was de facto cinematographer. And a couple of those short films got into festivals, and it felt like the train had left the station and I was just suddenly a DP [director of photography] without really knowing what a DP was."

What he did have, however, was a knowledge of film that had been building for years, ever since watching his cousin's stack of VHS tapes as a kid.

"So if directors talk to me about, 'Hey you know that shot in ET, and how Spielberg covered this scene and blah blah blah,' I was like, 'Oh, I know exactly what you mean,' and I can visualize that, and I can attempt to do that. And the way that I fail in attempting to do that is going to make it my photography."

With an abundance of passion and no formal training (save the Final Cut course he was sent on by his old marketing firm), Bolter forged an enviable career that saw him work with Pedro Pascal on The Last of Us and Javier Bardem in Cape Fear.

Despite being recognized as a Breakthrough Brit by BAFTA in 2016, and receiving a nomination for a BAFTA Award for his work on The Last of Us, Bolter still experiences imposter syndrome.

"It's sort of like, here I am, I found myself in this absurd position, and I started by just picking up a camera and not knowing what I was doing. And I'm still in a way the same person. I've sort of blagged it this far, and now I guess I've legitimized myself finally, but at the beginning it was very much a sort of, 'Huh, they're letting me do this!'"

I highly recommend checking out the full 43-minute episode, where Bolter shares more about working on an Apple production, the camera gear he uses on set and more. Pour yourself a tasty beverage and over to The Making Of podcast.

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We all know that DSLR sales have declined, but they have far from flatlined. In fact, Canon still sells up to 620,000 of them each year – which is an astonishing number, when you consider the current market in terms of both trends and overall sales figures.

Moreover, Canon – one of the last three brands still making these cameras – has no plans to abandon them, telling me that it will support DSLR customers as long as they are out there.

I was fortunate to talk to Canon's senior management earlier this year at CP+ 2026, where we discussed some of the more traditional segments of the camera industry – including the fact that Canon is the only company still supporting beginner photographers with a true entry-level body.

I also wanted to take the opportunity to ask the Canon brass about the tenacious nature of the DSLR market – which still makes up a significant amount of the company's business.

As Go Tokura, executive vice president and head of Imaging Group at Canon, explained to me, "90% of the market is dominated by mirrorless cameras; DSLR cameras only account for 10% of the market, and currently it is about 700,000 unit shipments."

That figure is the total number of DSLRs shipped in 2025, which according to market overseer CIPA was 690,911 – of which Canon sold between 600,000 and 620,000 units.

Which means, despite it 'only' accounting for 10% of the market, 700,000 sales is still a considerable figure – meaning that there is a considerable user base still buying and using this kind of camera.

"In other words, we have that many customers still there!" smiled Tokura. "So as long as there are still customers for DSLRs, we would like to continue to offer our products."

Currently, the company still sells three DSLR models: the flagship Canon EOS-1D X Mark III, the workhorse Canon EOS 5D Mark IV and the entry-level Canon EOS Rebel T7 / 2000D. And there are still 27 current Canon DSLR lenses listed on the Canon USA store.

The company said in 2020 that it had officially shifted its focus to RF-mount development, while also noting that "should the market demand it, we are ready to create new EF lenses."

While that seems implausibly unlikely in 2026, it's reassuring to know – and speaks very highly of the company – that Canon is still supporting both its existing DSLR customers, as well as newcomers who are still buying into the EF-mount system.

But how long will DSLRs keep selling? Before I could get the words out of my mouth, Tokura added: "Now, your question is until when? We cannot even imagine that!"

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This Canon premium super-telephoto zoom is one of the best Canon zooms we've ever tested – and with this deal, you can now get it for a great price.

You can grab the Canon RF 100-500mm f/4.5-7.1 L IS USM for just £2,379 at Amazon. With this offer, you save a stunning £780 off its regular price of £3,159.

The Canon RF 100-500mm f/4.5-7.1 L IS USM is known for its hefty price tag, making this deal even more tempting. It is one of the best Canon telephoto zoom lenses, designed for Canon's EOS R-series cameras.

This lens is a favorite among wildlife, sports, and aviation photographers who need reach and versatility in one package. With its impressive 100-500mm focal range, you're covered for everything from sweeping landscapes and intimate close-ups to fast-paced action shots.

It's the kind of lens that adapts to your creative vision, whether you're tracking birds in flight or capturing the thrill of the game.

Crafted with Canon's legendary L-series quality, this lens is a stellar build. To get the best performance and fastest AF (autofocus) – especially for capturing fast-moving subjects – pair it with the advanced AF and IBIS (in-body image stabilization) systems of the EOS R5 or R6.

One thing to keep in mind is that the aperture narrows as you zoom in. Unlike the Canon EF 100-400mm f/4.5-5.6L IS II USM lens, which holds f/5.6 at 400mm, the RF 100-500mm lens stops down to f/7.1 at 500mm.

It's a slight trade-off for the extra reach you get, but that's a point that's often worth it for the flexibility and performance you get.

Given the hefty original price tag, this deal is a great offer to invest in this 100-500 telephoto zoom.

If it is your first one, you will notice a difference in framing and will be amazed at how close you can get to the wildlife or sports action with this lens.

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The Sony A7 V has topped multiple sales charts across both the US and Japan since the mirrorless camera’s launch late in 2025 – but Sony may have just outdone themselves. Topping US photo retailer B&H’s trends chart for June 2026 is the A7 V’s newly announced big brother: The Sony A7R VI.

The 66.7MP full-frame mirrorless camera tops the overall sales charts for the retailer in June, followed by the $35 camera that just won’t quit: The Kodak Charmera. The longstanding Canon PowerShot G7 X Mark III and cheaper sibling PowerShot ELPH 360 HS A also make an appearance on the trends list, along with a new compact camera with zoom, the Panasonic Lumix L10, and a longtime zoom favorite, the Sony RX100 VII.

Looking exclusively at mirrorless cameras, another trend emerges as full-frame cameras that mix speed and resolution headline the list. Along with the A7R VI, the Canon R5 Mark II, Nikon Z6 III, and Canon EOS R6 Mark III also earn top-seller badges at the retailer.

The Sony A7R VI only began shipping at the beginning of June, so the trends list offers an early glimpse at how popular the new mirrorless is. Sony’s A7R series has traditionally offered more resolution than the A7 line, but the A7R VI brings a 67.8MP full-frame sensor with a 30 fps blackout-free burst speed – that’s three times the burst speed of the A7R V.

The upgrades on the A7R VI came with a price hike – but the camera’s appearance on the top sales charts suggests photographers are more impressed with the feature mix than discouraged by the price.

The Sony A7R VI appears to have pushed the A7 V farther down the trending list, but Sony’s December 2025 launch still makes an appearance. While the camera may not have the resolution of the R series, the A7 V borrows the autofocus tech of its pricier siblings, building a reputation for its hybrid performance.

Both Canon’s late 2025 launch of the 7K open gate EOS R6 Mark III and an older pro favorite, the 45MP 8K R5 Mark II, also sit toward the top half of the top-selling mirrorless list, while the new Canon EOS R6 V also made the list.

Nikon’s full-frame Z6 III has also risen unusually high for a 2024 release – but the 24.5MP mirrorless known for its low-light autofocus also dropped to its lowest-yet price in the US during June. (The Z6 III is still $500 off at B&H).

One of Sony’s more compact full-frame mirrorless also made the mirrorless list – potentially helped by June discounts – though it's the higher resolution Sony A7CR, not the more affordable A7C II, making the list.

B&H’s list of trending cameras for June 2026 isn’t exclusive to full-frame models. Sony’s compact but quick A6700 also makes the list. Fujifilm’s mirrorless bundle that shared the most features with the trendy X100VI, the X-E5 with a 23mm f/2.8 kit lens, also makes the list, along with Canon’s budget favorite EOS R100.

A medium format model even made the top trends list, the Hasselblad X2D II 100C, a pricey but luxury 100MP model.

The top trending cameras at B&H for June 2026 include:

• Sony A7R VI
• Kodak Charmera
• PowerShot G7X Mark III
• Panasonic Lumix L10
• Canon PowerShot ELPH 360 HS A
• Canon EOS R5 Mark II
• Canon PowerShot G7 X Mark III
• Nikon Z6 III
• Sony RX100 VII
• Hasselblad X2D II 100C
• Canon EOS R6 Mark III

Broken down to include only mirrorless cameras, the top trending options for the month include:

• Sony A7 VI
• Canon EOS R5 Mark II
• Nikon Z6 III
• Hasselblad X2D II 100C
• Canon EOS R6 Mark III
• Sony A6700
• Sony A7 V
• Fujifilm X-E5 with XF 23mm f.2,8 lens
• Canon EOS R6 V
• Sony A7CR
• Canon EOS R100 with 18-45mm kit lens

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The Sony A7 V has topped multiple sales charts across both the US and Japan since the mirrorless camera’s launch late in 2025 – but Sony may have just outdone themselves. Topping US photo retailer B&H’s trends chart for June 2026 is the A7 V’s newly announced big brother: The Sony A7R VI.

The 66.7MP full-frame mirrorless camera tops the overall sales charts for the retailer in June, followed by the $35 camera that just won’t quit: The Kodak Charmera. The longstanding Canon PowerShot G7 X Mark III and cheaper sibling PowerShot ELPH 360 HS A also make an appearance on the trends list, along with a new compact camera with zoom, the Panasonic Lumix L10, and a longtime zoom favorite, the Sony RX100 VII.

Looking exclusively at mirrorless cameras, another trend emerges as full-frame cameras that mix speed and resolution headline the list. Along with the A7R VI, the Canon R5 Mark II, Nikon Z6 III, and Canon EOS R6 Mark III also earn top-seller badges at the retailer.

The Sony A7R VI only began shipping at the beginning of June, so the trends list offers an early glimpse at how popular the new mirrorless is. Sony’s A7R series has traditionally offered more resolution than the A7 line, but the A7R VI brings a 67.8MP full-frame sensor with a 30 fps blackout-free burst speed – that’s three times the burst speed of the A7R V.

The upgrades on the A7R VI came with a price hike – but the camera’s appearance on the top sales charts suggests photographers are more impressed with the feature mix than discouraged by the price.

The Sony A7R VI appears to have pushed the A7 V farther down the trending list, but Sony’s December 2025 launch still makes an appearance. While the camera may not have the resolution of the R series, the A7 V borrows the autofocus tech of its pricier siblings, building a reputation for its hybrid performance.

Both Canon’s late 2025 launch of the 7K open gate EOS R6 Mark III and an older pro favorite, the 45MP 8K R5 Mark II, also sit toward the top half of the top-selling mirrorless list, while the new Canon EOS R6 V also made the list.

Nikon’s full-frame Z6 III has also risen unusually high for a 2024 release – but the 24.5MP mirrorless known for its low-light autofocus also dropped to its lowest-yet price in the US during June. (The Z6 III is still $500 off at B&H).

One of Sony’s more compact full-frame mirrorless also made the mirrorless list – potentially helped by June discounts – though it's the higher resolution Sony A7CR, not the more affordable A7C II, making the list.

B&H’s list of trending cameras for June 2026 isn’t exclusive to full-frame models. Sony’s compact but quick A6700 also makes the list. Fujifilm’s mirrorless bundle that shared the most features with the trendy X100VI, the X-E5 with a 23mm f/2.8 kit lens, also makes the list, along with Canon’s budget favorite EOS R100.

A medium format model even made the top trends list, the Hasselblad X2D II 100C, a pricey but luxury 100MP model.

The top trending cameras at B&H for June 2026 include:

• Sony A7R VI
• Kodak Charmera
• PowerShot G7X Mark III
• Panasonic Lumix L10
• Canon PowerShot ELPH 360 HS A
• Canon EOS R5 Mark II
• Canon PowerShot G7 X Mark III
• Nikon Z6 III
• Sony RX100 VII
• Hasselblad X2D II 100C
• Canon EOS R6 Mark III

Broken down to include only mirrorless cameras, the top trending options for the month include:

• Sony A7 VI
• Canon EOS R5 Mark II
• Nikon Z6 III
• Hasselblad X2D II 100C
• Canon EOS R6 Mark III
• Sony A6700
• Sony A7 V
• Fujifilm X-E5 with XF 23mm f.2,8 lens
• Canon EOS R6 V
• Sony A7CR
• Canon EOS R100 with 18-45mm kit lens

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Japan has long been one of the world's biggest camera markets and is used as an indicator of wider photography trends. Now new data from Minna Camera suggests a more complex picture than the familiar "mirrorless takeover" narrative.

Between November 2025 and June 2026, the most-traded camera on the platform was the Ricoh GR IV – a 228g compact camera and the lightest and only model of its kind in the Top 20. Despite its 2025 release, it sits at No.1 in the rankings, a position supported by strong demand and frequent stock shortages.

At the other end of the scale, heavier DSLR models continue to appear in the rankings. The Nikon D500 still appears in the Top 20 at 760g, making it the heaviest camera in the rankings, alongside long-standing models such as the D750 and D7500.

The Top 20

Top 20 most-traded cameras at Minna Cameras (Nov 6, 2025 - Jun 13, 2026)*

*Camera type, sensor size and release date added by Digital Camera World

Used-market insights

Compact vs. mirrorless vs. DSLRs

Mirrorless cameras account for 80% of the Top 20, dominating the rankings with models from Canon, Nikon, and Sony.

The Ricoh GR IV is the exception. At just 228g, it is the only compact camera in the rankings (5% of entries), yet it is also the most-traded model overall.

DSLRs make up the remaining 15% of the Top 20. Nikon is the only manufacturer represented in this category, with the D500 (11th), D750 (17th) and D7500 (19th) all appearing in the rankings.

Lighter vs. heavier gear

The mirrorless era, now almost two decades old, brought photographers smaller and lighter camera systems.

This shift is visible in the data, with 15 of the Top 20 cameras (75%) weighting 600g or less. The remaining five models (25%) all exceed 600g.

Yet the persistence of heavier DSLRs suggests that weight alone is not the defining factor for photographers buying on the used market.

For many, the used market represents one of the last opportunities to get discontinued DSLR models – or to find a high-demand compact camera that can be diffivult to purchase new.

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Compact cameras are enjoying a huge resurgence, but the Canon PowerShot SX740 HS never really went away. Since launching in July 2018, Canon’s travel zoom has remained one of the brand’s most sought-after compact cameras, proving its popularity isn’t simply driven by today’s retro camera boom.

In 2024, Canon introduced the PowerShot SX740 HS Lite, a lightly updated version of the original camera. Despite changing just one small feature, the model has proven just as popular, recently claiming the No.1 spot in Yodobashi’s latest sales rankings in Japan.

While manufacturers often use refreshed models to introduce hardware upgrades, the PowerShot SX740 HS Lite remains almost identical to the original camera released seven years ago. That unchanged formula continues to win for buyers looking for a genuinely pocketable camera with a powerful zoom lens.

Yodobashi's top selling compacts, 1st half June 2026

1. Canon PowerShot SX740 HS / Lite | Silver | Black
2. Sony ZV-1 II | Black | White
3. Panasonic Lumix TX3 / ZS300 / TZ300 | Black | Graphite Silver
4. Canon PowerShot G7 X Mark III | Black | Silver
5. Canon IXY 650 / Powershot Elph 360 HS A / Ixus 285 HS A | Black | Silver
6. Fujifilm X100VI | Silver | Black
7. Kodak Pixpro C1 | Brown | Black
8. Panasonic Lumix TZ99 / ZS99 | Black | White
9. Leica Q3 43
10. Sony RX100 VII

Why the PowerShot SX740 HS Lite is high in demand

Remarkable capable yet genuinely pocketable, the PowerShot SX740 HS Lite stays true to what compact travel cameras have always done best. It combines a 20.3MP 1/2.3-inch-type CMOS sensor with a body that’s small enough to slip into a jacket pocket.

Its standout feature remains the impressive 40x zoom lens, covering an equivalent focal range of 24-960mm – giving reach smartphones can’t match.

That reach is the camera’s defining strength, making it an excellent choice for travel, wildlife and everyday photography.

Lite vs original

Canon made just one notable change to the Lite edition: it removes USB charging.

The change comes after Europe introduced USB-C charging requirements for many electronic devices. Canon has not said whether the decision to remove USB charging was related to those rules.

There’s no larger sensor, longer zoom or new shooting modes – just the same travel-zoom formula that has remained popular for nearly a decade.

Panasonic's brief time at the top is over

Just a few weeks ago, Panasonic’s newly launched Lumix TX3 (aka the Lumix ZS300 in the US and Lumix TZ300 in the UK) reached No.1 in Yodobashi’s rankings shortly after its release.

But the latest rankings see the PowerShot SX740 HS Lite reclaim the top spot, while Sony’s ZV-1 II creator camera also moved ahead of Panasonic’s travel zoom.

Interestingly, Panasonic’s premium L10 doesn’t appear anywhere in the current Top 10, despite attracting attention ahead of launch thanks to its larger sensor and stronger stills and video capabilities.

For now, photographers in Japan prioritize portability, long zoom ranges and proven models over newer premium alternatives.

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I’m a Canon professional photographer, so I'm a big Canon fan and I only shoot with EOS cameras. I still use Canon DSLRs for studio stuff and day-to-day photography when I don’t need an EOS R5 Mark II’s super-fast AI AF and I’m not shooting small moving targets.

But one of the reasons I like using full-frame mirrorless Canon cameras like the R6 Mark III is that they have a clever built-in 1.6x crop mode. I find this useful when I’m traveling light and only have one lens on my camera, such as during a recent city break in Madrid, Spain.

A quick flick to crop mode and 100mm becomes 160mm for a little more reach, to help me compose on distant subjects, parts of a scene or interesting elements of architecture.

Which is why I was intrigued by the Digital Telephoto Converter mode available on cameras like the full-frame EOS R8. This ‘Digital tele-conv’ mode is on the first page of the red shooting menu, just beneath the cropping mode/aspect ratio option.

I was excited to try it out and had high hopes, as there are 2.0x and 4.0x digital telephoto options, but I very quickly discovered that it has some big flaws.

While you can shoot RAW and use the crop mode, the Digital tele-conv is only available when you shoot JPEG (due to necessary in-camera interpolation) which already restricts the quality before we even get to digital croppage.

It also only allows you to use one central AF point (or box), which is fixed, and tracking frames are not displayed. Initially I found this was fine, until I realized that it affects metering for off-center subjects – as the above photos illustrate.

However, while clever in-camera interpolation somehow keeps the 2.0x and 4.0x images at 24MP 6000 x 4000 pixels at 350dpi, they are simply heavily cropped (or zoomed-in) – so image quality is, well, rubbish. Images look low-res and unsharp.

The Digital tele-conv can also be used in conjunction with the EOS R8's 1.6x crop mode to give you 3.2x or 6.4x magnification, but again – it’s just heavily cropping into an already cropped image, so quality drops off rapidly.

I wouldn’t be surprised if the Digital tele-conv mode disappears from future EOS cameras. It’s not available on the EOS R5 Mark II for good reason.

If you need extra reach for Canon lenses, get a proper teleconverter (which Canon calls extenders) for your telephoto lenses. Canon Extenders are available in 1.4x and 2x in both EF and RF mounts, and will deliver far superior results to these digital in-camera crops.

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This versatile RF telephoto lens is an incredibly compact, high-quality all-rounder, and now, thanks to this unbeatable Amazon deal, it’s even harder to resist.

This top-rated Canon RF 70-200mm f/4 L IS USM is now just £1,274.99 at Canon. With this offer, you save £225 off its regular price of £1,499.99.

This record-low price is the best I've seen in over a year. So, if you've been waiting for the perfect moment to get Canon's smallest full-frame telephoto lens, that moment is now.

The Canon RF 70-200mm f/4 L IS USM is the shortest (FF) 70-200mm ever – and yes, it's as compact as it sounds – it's only barely bigger than a beer can. This lens redefines portability, fitting comfortably in a sling bag, even when mounted on your camera.

Perfect for portraits, sports, wildlife, events, and even landscapes, it's an all-around telephoto that can easily become your go-to workhorse lens.

Whether you're just getting ready or investing in something that will serve you for years, this lens delivers great value thanks to its versatility, sharpness, and built-in image stabilization (up to 7.5 stops!).

The center sharpness remains superb across the entire zoom range, from 70mm to 200mm. The corner sharpness is good, but not as crisp as the EF version.

While this lens doesn't support teleconverters, the reach you get will cover most subjects in a quality way, and with Canon's advanced stabilization, it's equally strong for stills and video.

It comes at a premium price – often around 50% more than its DSLR counterpart. So, if you're looking for a single telephoto lens that does (almost) everything and travels light, this one absolutely earns its spot in your kit.

As mentioned, this is the lowest price I've seen in over a year.

If you've been considering Canon's smallest full-frame telephoto lens, this is your chance to get it at a solid discount.

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There is nothing quite like the Canon PowerShot V10. This little fixed-lens camera is shorter than the average smartphone, as thick as a pack of cigarettes and weighs less than a can of Coke. One of my colleagues rightfully calls it one of the most revolutionary cameras from Canon and it's now down to its lowest price yet in Australia – just AU$398 for the black variant.

You will have to get a real wriggle on to snap this one up as there are only a few left in stock.

I mean, just look at it! Have you seen a camera like it? All other compacts look bulky compared to it!

And that's its headline act – it was designed to be as compact as possible to make creating content as simple and easy as possible, whether you're travelling or streaming from home. And the latter is why it also features its own built-in kick stand – perfect to prop it up on your kitchen counter to shoot that cooking video you've been keen to try or even stand up on your desk so you can take video calls.

The pocketable design also combines a 19mm wide-angle lens and stereo mics with wind, with every necessary button within thumb's reach for one-hand operability. It size, however, requires you to use a microSD card rather than an SD card like other cameras.

At the heart of the camera is a 20.9MP sensor that's been passed down from the Canon PowerShot G7 X III, which was a great camera in its own right. It can take 20MP still photos with some excellent results. It does struggle a little in low light, though, but the colours from any Canon camera more than make up for a little noise – native ISO is just 125-3200 for video and up to 12,800 for stills.

It supports UHD 4K video recording at up to 29.97 fps and Full HD at 59.94 fps. With built-in Wi-Fi and compatibility with the Canon Camera Connect app, users can quickly share their creations or live stream in Full HD at 30 fps.

The camera allows up to one hour of recording and features a rolling shutter speed ranging from 1/4000 to 1/25 second for video and 1/2000 to 1/8 second for stills. The DIGIC X processor also enhances creative possibilities, offering 14 colour filters and a Smooth Skin mode for flattering portraits.

It can even handle vertical shooting that might be ideal for social media, and it will automatically adjust when placed on its side. It can also be used as a webcam via its UVC capability, streaming in Full HD without the need for additional software, and is compatible with popular services like YouTubeLive, Facebook Live and various web conferencing platforms.

Admittedly there are better vlogging cameras for the professional, but this one is real handy and quite unbeatable at this price.

Photography can get expensive fast, but your first camera and lens don't have to be. These three cameras are ideal for learning the ropes and come with a versatile lens perfect for everyday shooting, travel, landscapes, portraits, and more. With these deals, you can save up to $420.

The Olympus OM-D E-M10 Mark IV + 14‑42mm lens is now just $919.97 at B&H – you save $420 off its original $1,339.97 price.

The Canon EOS R100 + 18-45mm lens is now just $499 at B&H – you save $180 off its original $679 price.

Olympus M-D E-M10 Mark IV: Best cheap retro
Lens: M.Zuiko 14‑42mm f/3.5‑5.6 EZ
Beautifully designed and packed with modern features, the OM-D E-M10 Mark IV is ideal if you value creativity and classic styling. Its 20.3MP Micro Four Thirds sensor, paired with 5-axis in-body stabilization, produces remarkably sharp results even when shooting challenging low-light situations handheld. The tilting touchscreen and tactile dials encourage manual experimentation, and the high range of compatible lenses opens up endless photographic possibilities. It's a superb choice if you want a lightweight, versatile tool for everyday shooting.

Canon EOS R100: Best cheap beginner camera
Lens: Canon RF-S 18-45mm f/4.5-6.3 IS STM
If you want a straightforward, capable camera to learn on, the Canon EOS R100 is a fantastic starting point. Its 24.1MP APS-C sensor delivers crisp, detailed images with pleasing color straight out of the camera, while Canon's Face+ Tracking autofocus helps keep subjects sharp with minimal effort. The guided menus make it easy to understand exposure settings. It's compact, lightweight, and compatible with Canon's expanding RF lens system – giving you room to explore different genres without overcomplicating your setup. Please note: If you mainly want to shoot video, the R100 is not the camera for you, as fixed screen and cropped 4K video, limiting flexibility.

Browse the best cheap cameras and the best camera for beginners.

Among the 21 RF-mount Canon cameras launched since 2018, newest among them is the Canon EOS R6 V – with the V indicating a ‘video first’ approach and mindset.

The camera has as many similarities with the Cinema EOS range, specifically the Canon EOS C50 – but this is smaller and lighter.

But one thing, however, that the ‘V’ in the camera’s nomenclature doesn’t indicate is the presence of a ‘viewfinder’. It has none – just a 3-inch, 1.62 million-dot rear LCD screen.

Yes, its maker will argue that this full-frame camera is designed to be used handheld, possibly at arm’s length, by influencers, and therefore an eye-level viewfinder wasn’t a development priority. But there’s not even an option to add an external viewfinder as an accessory, should users wish to do so, which feels like an opportunity overlooked.

More positively, a basic boxy shape may more readily fit a variety of camera cages and rigs. And, staying with practical concerns, the space usually reserved for an EVF has given way to a cooling fan to enable extended recording times without interruption.

And yet, thanks to the generous 32.5MP sensor at its heart – inherited from the C50 and R6 Mark III – the Canon EOS R6 V is also a very capable stills camera. Photos can be captured at full resolution up to 40fps, partly because it uses an electronic, as opposed to mechanical, shutter.

The lack of a mechanical shutter will also gaslight some photography purists.

Given that the R6 V could justifiably be considered a hybrid device, it does underline my question as to why Canon has limited its appeal by not providing an eye-level viewfinder for those who prefer to shoot that way – or at least want to have the option, on occasion.

The body-only price is still considerable, even for those who do want to primarily luxuriate in 7K 60p video recording, 4K 60p oversampled or up to 120p slow-motion footage.

Canon’s promotional tagline for the EOS R6 V is "loved for handheld creative brilliance". So why limit that creativity? I can’t help but feel it would have been adored if only, like the R6 Mark III, it had provided a viewfinder as well – even as an optional extra.

With rumors rife that the Sony FX5 is arriving next month with a similar feature set, Canon has released firmware version 1.0.4.1 for the Canon EOS C50 – bringing a host of usability and workflow improvements to its newest Cinema EOS model.

The new firmware focuses on operational features rather than image quality, introducing a new Ease In / Ease Out option for digital zoom speed and expands the range of camera functions that can be controlled externally via a USB connection.

These additions are designed to improve both shooting ergonomics and production flexibility, particularly for filmmakers working with gimbals, remote-control systems and compact crews.

Canon Firmware Download

Download firmware version 1.0.4.1 (Canon EOS C50)

I advise holding off downloading the latest firmware for a few weeks. This should give enough time for any new issues to arise in community chatter, and for Canon to address them. Keep an eye on Digital Camera World and we'll let you know about any problems.

The new Ease In / Ease Out setting for digital zoom operations is the standout feature of the update. When enabled, the camera smooths the beginning and end of a zoom movement, creating more natural-looking transitions.

Canon says this will help operators achieve more polished zoom effects without abrupt starts or stops, making digital zoom a more practical creative tool for shoots such as documentaries, corporate videos and live events.

Beyond zoom performance, the firmware also expands USB-based camera control. Users can now operate key functions from an external device while in video mode, including recording start/stop, One-Shot AF, manual focus adjustment, shutter speed, ISO and white balance.

This matches Canon's broader push towards deeper integration with external accessories and control ecosystems, including gimbal-based operation.

With firmware version 1.0.4.1 for the EOS C50, Canon continues to focus on practical improvements that streamline production workflows and enhance shooting efficiency, mirroring some of the benefits seen in recently released firmware version 1.0.6.1 for the EOS C80.

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The C50 is one of the best cinema cameras, but it shares a lot in common with two other Canon bodies. Check out the Canon EOS C50 vs R6 Mark III vs R6 V, and see how it fares in our Canon EOS C50 vs Sony FX3 comparison.

Nobody can truly say which camera brand reigns supreme when it comes to professional sports photography, but the latest data from MPB – the world’s largest photography gear resale platform – points to Canon.

According to MPB, during the build-up to and initial 14 days of the 2026 FIFA World Cup (from January 01 to June 23), sales of the Canon EOS R1, the brand's flagship camera, rose by a whopping 344% compared to the same period last year.

At the same time, on-site searches for the Sony A9 III, the best camera for sports photography from the Alpha brand, rose by 119% but led to a more modest 63% overall increase in sales year-on-year.

“For sports photography, it’s all about features like subject tracking, continuous shooting speeds, buffer depth, low light capabilities and overall image quality," said Amy Moore, a camera expert at MPB.

"A robust camera body with great battery life, as well as quick, professional connectivity for sharing the action are also important.”

The EOS R1 is Canon’s best camera for professionals, released in late 2024. Among other top-tier features, the powerhouse captures up to 40fps with the electronic shutter and boasts in-body image stabilization of up to 8.5 stops.

The A9 III gives the R1 a solid run for its money, featuring a lightning-fast 120fps and the world’s first commercial global shutter sensor.

However, the faster sensor lacks the low-light performance of the R1's conventional stacked design – particularly with Canon's neural net processing offering up to two stops of in-camera denoising for even cleaner results.

Surprisingly, the MPB data said nothing of recent Nikon sales on the platform, although Moore did mention the Nikon Z9 – the Big N’s flagship shooter – as also being an “obvious standout” camera when it comes to professional-grade stills and video.

Find flagship models on MPB

Find your next professional-level camera on the world’s largest resale platform.

Canon EOS R1
Sony A9 Mark III
Nikon Z9

When buying, pay attention to the actuation count (how many images the camera has taken), the overall condition and the accessories included as these affect prices and performance.

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See where these cameras rank among the best cameras for sports photography, where my colleague James has put each of them through their paces, and make sure to pair them with the best lenses for sports photography.

Canon has released new firmware for its EOS C80 full-frame cinema camera, bringing a series of workflow and connectivity improvements aimed at filmmakers, broadcasters, and content creators using the compact cinema rig.

As production workflows become increasingly collaborative and remote, the ability to control and monitor cameras from a distance has become evermore important. Firmware version 1.0.6.1 homes in on this, introducing monitoring, streaming and camera operation enhancements.

Canon firmware download

Download firmware version 1.0.6.1 (Canon EOS C80)

I advise holding off downloading the latest firmware for a few weeks. This should give enough time for any new issues to arise in community chatter, and for Canon to address them. Keep an eye on Digital Camera World and we'll let you know about any problems.

The primary update is a new USB control protocol that enables external devices, including compatible gimbals, to remotely control key camera functions such as recording start and stop, iris, shutter speed, ISO, and focus. This is a step forward for single-operator productions and multi-camera live setups, where quick access to camera settings can streamline workflows.

Beyond USB control, firmware version 1.0.6.1 introduces automatic Secure Reliable Transport (SRT) streaming reconnection, helping maintain transmissions during live broadcasts if the network connection drops. Canon has also redesigned the electronic level display so its appearance changes when the camera is perfectly level, giving operators faster visual confirmation during setup.

Overall, the update reflects Canon's broader goal of evolving the EOS C80 beyond a compact cinema camera into a more versatile production platform. Rather than focusing solely on image quality, firmware version 1.0.6.1 addresses the more practical demands of modern production environments, where connectivity and flexibility are increasingly key.

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Discover our pick of the best cinema cameras offering top-quality video capture and grading options as well as the ports and connections needed by pros.

I bought the Canon EOS R5 a few years ago, and it is still the main camera I use for professional work - but I paid a way lot more for it than you can buy it right now. In the Amazon Prime Day sale that ends today (midnight ET), you can snap it up for $2,599 which is the same price as we saw on Black Friday, equalling its lowest-ever price from Amazon.

Admittedly, with the newer Canon EOS R5 Mark II now on sale, we expected the price of the OG model to drop – but for me, this older R5 is now something of a bargain. And as I have previously explained, I am not going to upgrade to the newer model

Yes, the Canon EOS R5 (review) isn't just a brilliant camera on paper – it's a camera that's so good, I actually bought one… but I just wish I could have bought it at this price!

Its 45MP sensor delivers stunning photographs, and it can shoot them continuously at up to 20fps – making this perfect for fast action like sports and wildlife, particularly with the incredible Dual Pixel CMOS AF II driving the autofocus system. And if you love resolution, get this: the camera can shoot 400MP photos as well!

In terms of video, you can capture gobsmacking 8K 30p or 4K 60p HQ video that will take your breath away. The camera is weather-sealed, making it suitable for all shooting conditions, with two memory card slots (one SD, one CFexpress B), and the image stabilization is fantastic. I love my R5, and my only regret is paying over 1,000 bucks more for it!

It's a question that has been asked ever since Canon moved to mirrorless: should you use DSLR glass on your mirrorless camera, particularly when the DSLR versions are so much cheaper? A good case in point is the Canon RF 50mm f/1.8 vs Canon EF 50mm f/1.8.

During Amazon's latest sale, for example, the Canon EF 50mm f/1.8 has been slashed to just £89 in the UK. Meanwhile the mirrorless equivalent, the Canon RF 50mm f/1.8, is discounted to £165.

That's massive difference. And spoiler alert: at £89 the EF lens is so ridiculously well-priced that anybody who doesn't own a nifty fifty should definitely buy it. But what are the pros and cons of doing so?

Obviously the first thing to consider is whether or not you have a lens adapter. A cheap third-party one (which I wouldn't recommend) is as little as £35, while the official Canon adapter (which I own and use) is £119. Either way, if you have to buy one to save money on an EF lens, it's probably false economy.

That aside, what are the real talking points when it comes to the Canon RF 50mm f/1.8 vs EF 50mm f/1.8?

Canon RF 50mm f/1.8 vs EF 50mm f/1.8: What are the differences?

If you have the opportunity to try and compare the lenses for yourself, that's the best way to see what the differences really are.

Shy of that, I can tell you my personal experience as someone who owned and used the Canon EF 50mm f/1.8 STM (review here) for years on DSLRs, before upgrading to the R System and adapting it on mirrorless cameras.

Using it with Canon's Mount Adapter EF-EOS R, you get absolutely native performance when it comes to things like autofocus speed. I know that in years past, adapting lenses has been a bit of a minefield in terms of functionality – but with the official Canon adapter, the EF 50mm performs absolutely flawlessly on any EOS R camera.

Ultimately I upgraded to the Canon RF 50mm f/1.8 STM (review here), mainly to achieve a smaller footprint. The mount adapter works brilliantly, but it adds an extra inch or so to the front of your camera. So that was my main reason for moving to the RF version of the lens.

In and of themselves, the lenses are about the same size – so neither one really takes up any more or less space in your camera bag. The RF lens is sleeker and prettier, while the EF feels a bit more plasticky, but otherwise there's no size saving either way.

In terms of pure image quality, I don't think anyone could tell the difference. I look back at shots in my portfolio and, without looking at the EXIF, even I can't tell them apart. The RF lens is sharper across the frame while pixel peeping, but it's not a profound difference.

Optically, both the EF and RF versions render similar results – the f/1.8 designs are built for economy, not performance (for that, you'll need to look to the f/1.4 and f/1.2 models). But unless you're zooming into all your shots at 200%, you won't notice much difference.

When it comes to focusing speed, here there is a difference. Both lenses feature stepper motors (the "STM" in the name), but the EF version is slower and noisier.

Factor in that the EF mount only has eight electronic contact points, compared to the twelve on the RF mount, and the mirrorless version communicates faster and keeps up better when it comes to movement and subject tracking.

However, I don't think anyone is really using these lenses for fast action or sports – so the speed difference will be minor or even unnoticable to most people.

In truth, the only real difference in practice is that the RF lens has a customizable control ring on the nose. This can be toggled via a switch to act as a manual focus ring or to adjust exposure values such as ISO. It's not something I really use on any of my RF lenses, but it might be a consideration for some.

By contrast, the switch on the EF lens toggles between auto and manual focus; to do this on the RF version, you need to go into menus and make the change in-camera. So if you're someone who likes to snap into manual for fine focusing, this might also be a deal maker / breaker.

Canon RF 50mm f/1.8 vs EF 50mm f/1.8: Which should you buy?

As noted, I upgraded from the EF version to the RF version specifically to reduce the size (by removing the adapter from the equation). Yes the lens is slightly sharper and a fair bit snappier to focus, but in real-world use neither of those have been a factor.

Truth be told, if I was buying a nifty fifty today and looking at £89 for the EF lens and £165 for the RF, I would buy the DSLR version in a heartbeat. The price saving outweighs the performance benefits.

On top of that, the RF lens only works on my mirrorless cameras but the EF one works on my DSLRs as well. So in that sense, the EF is a much more versatile option.

If you want a really noticeable performance boost on your mirrorless camera, you're looking at the Canon RF 50mm f/1.4L VCM (or even the Canon RF 50mm f/1.2L USM). Pound for pound, though, I suggest saving some cash and getting yourself the EF lens.

Get a Prime Day discount

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Take a look at the best Canon RF lenses of all focal lengths, along with the best 50mm "nifty fifty" lenses from all brands.

The Canon 10x42 L IS WP binoculars have dropped to $1,598 in the Amazon Prime sale, down from $1,698.01 and saving you $100.01 on one of the finest pairs of image-stabilized binoculars money can buy.

• Today's top Amazon binocular deals- up to 55% off!
• See our favorite Amazon camera deals in our dedicated hub!

There is no getting around the price. These are the most expensive image-stabilized binoculars I have found in the Amazon sale, and a $100.01 reduction might not initially look as exciting as some of the larger discounts appearing elsewhere. Even so, I still think this is a deal worth paying attention to.

The Canon 10x42 L IS WP sits at the top of our guide to the best image-stabilized binoculars, and it has earned that position for good reason. Canon combines powerful stabilization with premium L-series optics, producing a bright, sharp, and remarkably steady view that cheaper models struggle to match.

The 10x magnification provides plenty of reach for birdwatching, wildlife, marine observation, and distant landscapes, while the large 42mm objective lenses help deliver a bright image in more challenging light. The weatherproof construction also makes them far better suited to serious outdoor use than many less expensive stabilized binoculars.

What really separates them from the competition is the complete viewing experience. The stabilization makes handheld observation feel calm and controlled, while the high-quality glass reveals fine detail with excellent clarity. During longer sessions, that steadier image can also make viewing considerably more comfortable.

At $1,598, these binoculars remain extremely expensive, but they are also completely top-of-the-line. This is one of those occasions where you genuinely get what you pay for, and even with a relatively modest $100.01 saving, I would still choose them over almost any other image-stabilized binoculars on the market.

If you're looking for a photo-quality printer at a knock-down price during the Black Friday sales period, then your search could well be over. Launched last year, the Canon Pixma Pro-200S (which we rated the full five stars and our coveted Gold award) is available at the best price we have seen so far - with a generous saving of almost $200

• Today's top Amazon deals- up to 55% off!
• See our favorite Amazon camera deals in our dedicated hub!

This A3+ 13-inch printer uses an eight-color dye-based ink system for vibrant, professional-quality prints. It can print borderless prints up to 13 x 19 inches using standard media, or eye-catching panoramics up to 13 x 39 inches. But while it's capable of such large prints, it has a space-saving compact design that should fit into any home office or studio.

The built-in 3-inch LCD display lets you check ink levels at a glance, as well as easily control all the printer functions. You can print through Wi-Fi or a wired connection, and it can deliver a borderless A4 glossy print in just under a minute

See our rundown of the best photo printers

The Canon 12x36 IS III binoculars have dropped to $734.95 in the Prime Day sale, down from an RRP of $879, and saving you an impressive $144.05on a powerful pair of image-stabilised binoculars.

Binoculars offering 12x magnification can reveal considerably more distant detail than traditional 8x or 10x models, but that additional power also makes every small movement of your hands much more noticeable. This is where Canon’s image-stabilisation system becomes particularly valuable.

At the press of a button, the stabilisation helps settle the view, making distant wildlife, birds, aircraft, and landmarks easier to follow. The difference can be immediately noticeable, especially during longer viewing sessions when maintaining a steady handheld image becomes increasingly difficult.

Despite their impressive magnification, the Canon 12x36 IS III binoculars remain relatively compact and lightweight. This makes them far easier to carry than many high-powered binoculars, while the stabilisation means you are less likely to need the additional weight and inconvenience of a tripod.

The 36mm objective lenses also provide a useful balance between brightness and portability. They may not gather as much light as larger 42mm or 50mm binoculars, but they help keep the overall design manageable for travel, birdwatching, aviation events, and days spent observing wildlife.

At $734.95, these are still premium binoculars, but meaningful discounts on Canon’s image-stabilised optics are always worth paying attention to. With a $144.05 saving, powerful 12x magnification, and a steady handheld view, this is one of the most interesting binocular deals in the Amazon sale.

If you love vlogging or are looking for the best vlogging camera to start your journey into YouTube then this little deal could be the deciding factor to take that dream and make it a reality.

The funky and convenient Canon PowerShot V10 has received its first-ever meaningful price cut of $100 in the Amazon Prime sale, meaning all you have to pay is $339.99 for this 4K vlogging and streaming companion.

The Canon Powershot V10 packs the versatility of a vlogging studio into a compact, pocket-sized design. Equipped with a 19mm wide-angle lens, high-quality stereo sound recording, and a built-in 30° stand, it’s designed for easy video capture and sharing on the go.

The camera also takes still photos and features the same 1" CMOS sensor found in Canon's popular PowerShot G series. It supports UHD 4K video recording at up to 29.97 fps and Full HD at 59.94 fps. With built-in Wi-Fi and compatibility with the Canon Camera Connect app, users can quickly share their creations or live stream in Full HD at 30 fps.

It offers an ISO range of 125-3200 for both UHD 4K and Full HD video, and up to ISO 12800 for still photos, making it adaptable to different lighting conditions. The camera allows up to one hour of recording and features a rolling shutter speed ranging from 1/4000 to 1/25 second for video and 1/2000 to 1/8 second for stills. The DIGIC X processor also enhances creative possibilities, offering 14 color filters and a Smooth Skin mode for flattering portraits.

.For vertical shooting, the camera automatically adjusts when placed on its side. It can also be used as a webcam via its UVC capability, streaming in Full HD without the need for additional software, and is compatible with popular services like YouTubeLive, FacebookLive, and various web conferencing platforms.

The Canon PowerShot V10 Vlogging Starter Kit has dropped to just £199 in the Amazon Prime Day camera deals. That’s a welcome saving of over £130, making this compact vlogging camera kit far more appealing for creators looking to start producing content without investing in a larger camera setup. But do note the sale ends at midnight!

• See all of today's best cameras deals in the Prime Day sale

Designed specifically with vloggers and content creators in mind, the Canon PowerShot V10 offers a compact, pocketable design that makes it easy to record video anywhere. Its all-in-one concept combines a camera, lens, microphone, and stand into a single device, allowing users to quickly set up and start filming without additional accessories.

At the heart of the camera is a 20.9MP sensor paired with a wide-angle lens designed for handheld recording. This makes it particularly suited to vlogging, livestreaming, and casual video creation, where a wider field of view helps keep both the creator and their surroundings comfortably in frame.

The PowerShot V10 also features a built-in stand, making it easy to place on a desk, table, or flat surface for stable recording. Canon has also equipped the camera with high-quality stereo microphones and a wind filter, helping ensure audio is clear and usable straight out of the camera.

Connectivity is another key strength, with the camera supporting direct livestreaming and simple smartphone integration. This allows creators to quickly transfer footage, share clips, or broadcast content online with minimal setup.

The Canon EOS 5D Mark IV is now $1,799, down from $2,498.01, saving you a cool $699.01 in this Prime Day sale deal. T

hat is a serious saving on one of Canon’s most respected full-frame DSLRs, and while mirrorless cameras may dominate the conversation today, the 5D Mark IV still has plenty to offer photographers who want a tough, reliable, professional camera.

There are some cameras that simply refuse to go quietly, and the Canon EOS 5D Mark IV is very much one of them. It was once the go-to body for wedding photographers, press shooters, portrait photographers, landscape lovers, and working professionals across the world, and even now it still carries that same sense of dependability.

What makes the 5D Mark IV so appealing is that it was built as a proper workhorse. With a 30.4MP full-frame sensor, Dual Pixel CMOS AF, 7fps continuous shooting, 4K video, Wi-Fi, GPS, and Canon’s familiar DSLR handling, this is a camera that still feels capable rather than outdated.

Of course, newer mirrorless cameras will give you faster subject-tracking autofocus, lighter bodies, and more advanced video features. But that is not really the point of the 5D Mark IV. This is a camera for photographers who still enjoy an optical viewfinder, proper battery life, a rugged body, and access to Canon’s huge EF lens system.

I also think there is something quite charming about seeing a camera like this still appear in a major sale. The 5D Mark IV belongs to that final golden generation of professional DSLRs, before the entire industry turned its attention to mirrorless. It is not just another camera deal; it is a chance to buy into one of Canon’s most important full-frame systems.

At $1,799, this Prime Day camera deal makes the Canon EOS 5D Mark IV feel like a very clever buy for anyone who wants full-frame image quality without jumping straight into the cost of a modern mirrorless setup. If you already own EF glass, or simply want a dependable DSLR that still delivers beautiful files, this is exactly the kind of deal worth paying attention to.

The Canon EOS R100 twin-lens bundle has dropped to just $699 in the Amazon Prime sale, down from $929 and saving you a massive $230 on a complete mirrorless camera kit.

• Today's top Amazon deals- up to 55% off!
• See our favorite Amazon camera deals in our dedicated hub!

For anyone buying their first interchangeable-lens camera, this is a deal that immediately demands attention. The EOS R100 is one of Canon’s smallest and most affordable mirrorless cameras, combining a compact body with a 24.1MP APS-C sensor, reliable autofocus, and the flexibility of the growing Canon RF lens system.

What makes this particular deal so appealing is the inclusion of two lenses. The RF-S 18-45mm is a compact everyday zoom that is ideal for family photography, travel, landscapes, and general shooting, while the RF-S 55-210mm gives you considerably more reach for wildlife, sports, portraits, and distant subjects.

Together, the two lenses cover an extremely useful focal range, giving new photographers the freedom to experiment with a wide variety of subjects without immediately needing to invest in more equipment. It is the kind of package that can take you from wide scenic views to close-up shots of faraway subjects simply by changing lenses.

The EOS R100 is also light enough to carry throughout the day, making it a great option for vacations, days out, and anyone moving up from a smartphone. Its straightforward controls make it approachable for beginners, while still offering the manual settings and creative flexibility needed as your photography develops.

At just $699, this is a huge amount of camera equipment for the money. With a capable Canon mirrorless body and two versatile lenses included, this Prime sale bundle provides almost everything a new photographer needs to start shooting straight out of the box.

Check out the best lenses for the Canon R100

The Canon EOS R6 Mark II dual-battery bundle has dropped to just £1,599 in the Amazon Prime sale, down from £2,229.99 and saving you a massive £630.99 on one of Canon’s most capable full-frame mirrorless cameras.

For photographers looking to upgrade to a serious hybrid camera, this deal immediately demands attention. The EOS R6 Mark II combines a 24.2MP full-frame sensor with superb image quality, excellent low-light performance, and Canon’s highly dependable subject-detection autofocus.

Speed is one of the camera’s greatest strengths. It can shoot at up to 12 frames per second with its mechanical shutter or an impressive 40 frames per second with the electronic shutter, making it a brilliant option for wildlife, sports, action, and other fast-moving subjects.

The EOS R6 Mark II is equally impressive when it comes to video. It can record oversampled 4K footage at up to 60p, while its strong stabilization, responsive autofocus, and fully articulating touchscreen make it a highly versatile choice for filmmakers and content creators.

This particular bundle also includes a second battery, which is a genuinely useful addition for longer shoots, events, travel, and video recording. Rather than worrying about running out of power halfway through the day, you have a spare ready to go when the first battery reaches its limit.

At £1,599, this is an outstanding price for a camera that remains one of the strongest all-rounders in Canon’s mirrorless lineup. With a huge £630.99 saving exclusive for Prime Members, and an additional battery included, this is easily one of the most tempting Canon camera deals in the Amazon Prime sale.

The Amazon Prime Day camera deals have only just started, but one of Canon's best full-frame cameras is already down to a ludicrously low price.

The EOS RP, Canon's smallest and best-value full-frame camera, has been reduced to an astonishingly cheap $617 in the US and just £679 in the UK.

🇺🇸 US deal

🇬🇧 UK deal

I've made no secret of my love for the Canon EOS RP (review), which to this day is one of my favorite members of the R System family. In fact, paired with a tiny pancake lens like the Canon RF 28mm f/2.8 and I think it's one of the best street photography setups you can buy – especially full-frame, especially at this price!

I have to note that the RP has just been discontinued in Asia, so stocks likely won't last long – especially at this price. But while the Canon EOS R8 is technically its successor, and is technically a better camera, the RP is by far the better buy with a price tag this low.

To this day it's Canon's smallest full-frame camera, which is something to be celebrated in a world where cameras are getting bigger and bigger. By contrast, the RP is even smaller than the Canon EOS 800D – a super-compact APS-C DSLR.

It's built around a 26.2MP full-frame sensor that delivers beautiful image quality, even though its wider specs are better suited to street and sedate photography rather than fast action and high-res video.

Its burst speed tops out at 5fps, which is enough for slow-moving subjects and general shooting, while the video is capped at 4K 25p and FullHD 60p. However, it's important to know that 4K shooting loses Dual Pixel CMOS AF and suffers about a 1.76x crop.

Other than 4K (where it reverts to contrast AF), the Dual Pixel-powered autofocus does a great job. It lacks the subject-detection algorithms of more recent cameras, but with 4,779 AF points and both face and eye tracking, it's capable for pretty much everything except the tough jobs.

Even though I'm a proud EOS R5 owner, and I long for the days when I had a brilliant little RP setup to take around with me for travel and everyday photography!

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Check out the best lenses for the Canon EOS RP. Looking for an alternative? Take a look at the best Canon cameras along with the best Canon RF lenses.

All good things must come to an end. And so it is that Canon has quietly started sunsetting the Canon EOS RP in Asia, first indicated by the "Sales ended" tag on the official Canon Japan store listing.

While the RP hasn't yet officially moved to the company's discontinued products listing, and though it's still being sold by both Canon USA and Canon UK, this is the first indication that the svelte mirrorless camera is being Old Yellered.

With Canon Japan having exhausted its inventory, it's only a matter of time before stocks are gone elsewhere in the world – so if you've been thinking about getting one, now is the time.

This marks the end of the first generation of EOS R cameras (following the original Canon EOS R) – but, for me personally, it's also the end of the first Canon mirrorless camera that I truly fell in love with.

The R System wasn't Canon's first mirrorless foray, of course; that was the APS-C-only M System. But while I thought the EOS M50 was a neat little camera, I don't think anybody ever felt the same affinity for M cameras that they did for the R series.

I bought the EOS R on day one, trading in my 6D Mark II so that I could join Canon's mirrorless revolution from the beginning. The original R was essentially a 5D Mark IV in drag, making it ostensibly an upgrade from the 6D Mark II. However, even though the RP was essentially an adjacent model, it was the RP that I really wished I'd gone for.

The Canon EOS RP lacked mirrorless essentials like in-body image stabilization, and the 4K video was tragically cropped and robbed of Dual Pixel AF. Crucially, though, it was Canon's smallest and lightest ever full-frame camera, coming in at just 440g body only and measuring 132.5 x 85 x 70 mm (making it smaller and lighter than the 800D DSLR).

And it was very aggressively priced, launching at just $1,299 / £1,399 for the body and the Mount Adapter EF-EOS R to use DSLR lenses straight out of the box. All of which contributed to the name, "RP", meaning "Popular" – in the Japanese sense that it's a camera meant 'for everybody'.

Even today, while the Canon EOS R8 is a better camera, the RP is still Canon's best value full-frame camera.

It's currently available for just $617 at Walmart in the US or only £799 from Amazon in the UK – an absolute steal for anyone wanting to upgrade to full-frame photography or get into Canon's mirrorless ecosystem.

So, whether you want to get one while you still can or it's a camera that you never knew existed, please join me in pouring some sip on the kerb for the Canon EOS RP. My first love of the R System.

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Got an RP? Check out the best lenses for the Canon EOS RP. Looking for an alternative? Take a look at the best Canon cameras along with the best Canon RF lenses.