Need to carry some serious camera gear, including a really big lens? The new Vanguard Alta Sky 69 has you covered. This giant 69cm-tall bag is so big it can swallow a gripped camera body with up to a 1200mm f/8 lens fitted! Alongside it you'll still have room for a further 8 lenses, or you can customise this section to store personal effects instead. A dedicated laptop compartment is large enough for a 17-inch laptop, plus there are smaller pockets and compartments for storing a 13-inch tablet, memory cards, cables, batteries, charger and smartphone. A large tripod can be strapped centrally to the front to keep weight centralised. A lighter tripod, monopod or water bottle can also be carried in an expanding side pocket.

Naturally, all this gear adds up to some considerable weight, so to ease the strain the Alta Sky 69 features an ergonomic, fully adjustable back and harness system. The thickly-padded, breathable 3D back and uniquely shaped, height-adjusting shoulder straps lighten the majority of the load, plus there's an adjustable sternum strap and well-padded waist belt to add further comfort on long treks. It all comes together to form what Vanguard claims will be a ‘never-tire’ user experience.

The main compartment of the Alta Sky 69 can be accessed by a top flap that also peels part-way down the front of the bag to provide a larger opening. Alternatively, there's a large hatch in the rear that gives access to the lower portion of the bag. To ensure your gear is well protected, the bag is constructed from tough 1000D and 600D polyester, and there's a separate rain cover to protect against heavy downpours. The bag is backed by a 2 year warranty, extendable to 10 years upon registration.

The Alta Sky 69 is available now, priced at $400/£300. For a limited time, you can also claim a free Alta Accessories Pouch that's ideal for organising small accessories like batteries, cables and SD cards.

Alta Sky 52

If you want the build and features of the Alta Sky 69, just in a smaller overall package, then there's the Alta Sky 52. Its 31 x 24 x 52cm external dimensions make it 17cm shorter, 10cm narrower and 6cm shallower than the Alta Sky 69, as well as being 50% lighter. These dimensions also mean the bag falls within IATA hand luggage guidelines, though airline rules do vary, so check with your preferred airline before travelling.

Despite the crash diet, you can still carry a 150-600mm lens attached to a full-frame camera, plus 4-5 additional lenses and a 16-inch laptop. You also get a similar level of back and strap padding, along with a an adjustable sternum strap and hip belt. Like the Alta Sky 69, there's a tripod mounting point on the front panel, and the main compartment can be accessed either through the top, or via a large opening in the rear panel.

The Alta Sky 52 costs $269.99/£210 and is available now. Vanguard is also offering the same Alta Accessories Pouch offer as with the Alta Sky 69, while stocks last.

Vanguard has launched three new tripods aimed at enthusiast and pro photographers. All use carbon fibre for their legs and are designed to support heavy camera gear.

Alta Pro 3 263Alta Pro 3 303

The two new Alta Pro 3 tripods are a traditional tripod design, with an extendable center column and a built-in low-angle adaptor. The key difference between the two models is their leg diameter, which is either 26mm or 30mm. Both use 3-section legs, which should offer greater stability and rigidity compared to a 4-section design, albeit with an inevitable portability trade-off (folded length is 69.5cm for the Alta Pro 3 263, and 72.5cm for the Alta Pro 3 303).

The legs have three angle settings, which when combined with the low-angle adaptor means you can shoot as low as 24cm from the ground. Each new Alta Pro 3 incorporates an aluminium central column with a hexagonal cross-section that allows the legs to fold closed to a diameter of under 10cm. Maximum extended height for the Alta Pro 3 303 is 150cm, or 176cm with the center column extended; the Alta Pro 3 263 is around 5cm shorter for both settings.

But where the new Alta Pro 3 tripods really make a case for themselves is their ability to support a serious amount of weight. Even the smaller Alta Pro 3 263 is rated to carry 20kg of gear, while the 303 will stand strong under a whopping 25kg. Despite this sturdiness, the Alta Pro 3 303 weighs a manageable 2kg, and the 263 is just 1.65kg.

Both tripods are supplied with Vanguard's LBP-55S ball head - a professional quality, low-profile dual-axis design that features an oversized ball for maximum grip, and a friction control lock for increased control. This makes the head suitable even for longer lenses, while the dual axis allows you to easily level your camera on any terrain, then pan/reframe your shot using the top axis.

Vanguard supplies the Alta Pro 3 263 and 303 with a padded tripod bag, and the tripod is backed by a 2-year warranty (extendable to 10 years if registered with Vanguard). Both are available to buy now: the Alta Pro 3 263 is priced at £350, and the 303 is £400 (US pricing as yet unknown).

Alta Pro 3X 304

The third tripod in the new Alta Pro 3 range is the Alta Pro 3X 304. This is also constructed from carbon fibre and has the same generous 30mm leg diameter as the Alta Pro 3 303, along with 23-, 50- and 80-degree leg angle settings. It differs from the other tripods by not having an integral center column. Instead, Vanguard supplies a separate column which can be fitted directly to the tripod's canopy to extend overall height from 150cm to 182cm.

The advantage to keeping the center column separate is the legs can fold tighter together when packed, resulting in an 8.5cm folded diameter. Packed length is also shorter than the other Alta Pro 3 tripods at 61cm, thanks to the Alta Pro 3X having 4-section legs rather than 3. Overall weight is a reasonable 1.68kg. What's more, despite having an additional leg section, which can sometimes compromise rigidity, the Alta Pro 3X can still support a mighty 25kg of kit. 

As with the other Alta Pro 3 tripods, the 3X 304 is supplied with a LBP-55S ball head and a padded tripod bag. RRP is £350 (US pricing not yet known).

When choosing a camera bag, I always consider not just the equipment I currently possess, but the potential for future expansion. And, while I believe there’s no such thing as an ideal camera bag for me – precisely because my wants and needs are in constant flux – I’m nonetheless always on the hunt for a single solution catering to all eventualities.

Enter the Vanguard Alta Fly 55T G2, a roller bag that thinks it’s a backpack. Or vice versa. Shoulder straps tuck neatly into the rear back padding when not needed. Similarly, chest and waist belts are provided for added stability if worn. Four wheels provide manoeuvrability when dragging the bag, with the added advantage of raising the bottom of the bag some four inches off the ground and clear of puddles. These wheels are also detachable, providing maximum flexibility and convenience.

With overall dimensions currently meeting most airline carry-on restrictions, I can take the Vanguard Alta Fly 55T G2 aboard as hand luggage. I found the multi-directional 360-degree rotation of its four wheels provides fluidity of movement when wheeling the bag around; in a busy airport or train station, the ability to quickly steer around other people’s trolleys and luggage when heading through security and on to the boarding gate is much easier with four wheels rather than just two. Naturally, an extendable/retractable handle is also included, onto which potentially a smaller, lighter second bag could be hung. This handle is neatly hidden within a zippered compartment when not in use.

First impressions are that this relatively lightweight and manageable roller bag/backpack combo could very well be a travel solution requiring fewer compromises than most. That’s thanks to the ability to transform the unit from a rolling case to a pack, and back again, as required.

But how does it also shape up when it comes to safely storing and transporting my precious camera kit, laptop, and possibly a tripod?

Vanguard Alta Fly 55T G2: Specifications

Vanguard Alta Fly 55T G2: Price

This backpack/roller bag combo certainly looks and feels premium from the outset. So, the manufacturer’s suggested price of $271.99 / £250 / AUS $369.99 does not come as a shock, or feel ‘off’, to me. Further peace of mind comes via an initial two-year warranty.

The asking price for the Vanguard Alta Fly 55T G2 also seems fair when compared to the competing Tenba Roadie Air Case Roller 21, which likewise resembles a traditional bag or pack from the outside, yet in this instance hides a hard case interior. It provides marginally more depth for housing kit, but is slightly heavier with it.

Another alternative in the same price bracket, which is bigger and heavier still for an increased level of protection, is Vanguard’s 53D rolling case. Bear in mind that this option does weigh three times as much as the Alta Fly 55T G2, so getting more storage and greater protection requires some compromise.

Vanguard Alta Fly 55T G2: Design & Handling

Design-wise, this resembles a stylish, premium-look-and-feel regular backpack, until you notice the wheels at its base; if, that is, you’ve chosen to attach them. In terms of where this bag fits into its maker’s line-up, the ‘G2’ is an update of its original (but now discontinued) Alta 55T pack. What’s new this time around is what Vanguard terms its ‘ReGLIDE’ removable wheel system, plus a more comfortably curved style of handle. Both combine to provide a greater degree of control regarding how the bag is manoeuvred.

Weighing 3.8kg when empty, the Vanguard Alta Fly 55T G2 is lighter than comparably priced hard cases, which can be stood on yet still hold their shape, such as the Peli 1535 Air – should I want a greater degree of protection. Albeit only just, as that rival weighs 4kg without any kit loaded. The Vanguard also deliberately looks – and handles – more like a standard backpack than a photographic case, meaning it’s less likely to attract prying or envious eyes. It’s not obviously a ‘camera bag’.

While I’d classify this more as an everyday pack for photo enthusiasts as opposed to pros, that’s not to say Alta Fly 55T G2 doesn’t feel rugged. The outer fabric is firm to the touch and looks hard-wearing. The materials used in its construction are moisture-resistant, though a pull-out rain cover is provided as an added measure. This gives me peace of mind that it’s an item that should last years of use. I found that the shoulder straps, when in use, are also comfortably padded and avoid digging into the skin when transporting heavier loads.

Upon unzipping the main part of the bag, there’s a self-contained camera compartment, approximately 11.5cm in depth, with the usual array of padded dividers to prevent expensive items from rubbing up against one another. Fastened in place by Velcro, this enables a degree of adjustment and modification to accommodate varying sizes of stored items, while also keeping them snug and preventing them from rolling around inside the bag.

With the entire camera compartment measuring 310 x 115 x 410mm, Vanguard suggests there’s room for two mirrorless or DSLR format camera bodies, one with up to a standard 70-200mm f/2.8 zoom attached, plus a further six lenses. Enabling the pack to be used as a storage solution for non-camera gear, or to mix and match what I’m carrying, the entire camera compartment lifts out.

There is space for a laptop within the front interior section of the bag when unzipped. The pouch here, measuring 290 x 25 x 410mm, ably accommodated my 14-inch laptop, with additional room for an 11-inch tablet, if needed. There’s the opportunity to cart around a standard tripod, too, if you’re OK with tethering it to the outside, though obviously all of this potentially adds to the combined weight on your back.

Of course, if I don’t want to max out the interior capacity with tech, I can use the remaining space for clothes and other items I might require when travelling. As noted, the removable interior divider system – the cushioned camera storage section lifts out as a single unit – allows for such personal customization. I particularly admired the choice of bright yellow interior – yes, it’s ‘on brand’ for Vanguard, but it also makes it easier to spot and retrieve smaller camera items and accessories.

Vanguard Alta Fly 55T G2: Performance

What I want from a good quality camera bag is not only peace of mind that it will protect my kit when out and about, but that it will provide quick and easy access to said equipment when a photo opportunity unexpectedly and fleetingly presents itself.

As well as the 47cm two-stage extendable/retractable handle for use when the bag is used as a roller, there’s a heavy-duty fabric carry handle at the top of the bag, plus another at one side. I found this useful when lifting the bag out of an overhead locker or simply picking it up off the ground.

Removing or attaching the wheels at the base is a quick and easy process. It simply involves squeezing a pair of tabs and pulling the wheel downwards to remove it, or realigning the tabs and pushing the wheel upwards and into place until hearing a definite ‘click’ to fix it. It’s intuitively straightforward.

Aside from sufficient padding and exterior strength to reassure me that whatever kit I have stowed isn’t going to get wrecked, even if my bag should endure rough handling, the other thing I care about is said equipment not getting damaged by damp conditions. While the wheels, if attached, do keep the bottom commendably clear of the ground, the rain cover – stashed in yet another zippered compartment near the handle – can envelop the bag/backpack if so wished.

Rather more quirkily – and thoughtfully – pull-down rain covers are also provided for the rear wheels. So, if I did quickly opt to wear the pack on my back in inclement conditions with wheels still attached, they hopefully wouldn’t leave dirty or wet marks on my clothes or jacket. As an added extra, the bag also comes with a combination lock, for added security when travelling, or if I need to stash my bag somewhere I don’t constantly have eyes on it. I get the impression Vanguard has thought of almost everything here.

As I would expect of any premium camera bag, numerous zippered compartments are provided for additional smaller items, not just the rain cover, but also, potentially, travel documents and paperwork.

As well as the top-located fabric handle plus extendable/retractable metal handle, I also liked the fact that we get an additional fabric handle on one side, so the entire setup can be carried like a briefcase/suitcase. It makes lifting it in and out of the boot of a car that much easier, too.

At each stage of exploration and use, everything is of high-quality construction. I didn’t spot any loose threads or fraying fibres, and setup and operation feel intuitive, practical and fluid at every step. I want, after all, to be quickly and easily loading and retrieving my kit, not endlessly faffing around with belts and zips.

Vanguard Alta Fly 55T G2: Verdict

Pushing versatility to the fore, this is a well-made, practical, and flexible transport solution for anyone who has a medium amount of kit to cart around. To that end, it would better suit the keen photo enthusiast rather than the fully professional photographer, which, in turn, is reflected in the feature-set and pricing.

There’s nothing ‘amateur’ about the Alta Fly 55T G2’s construction, however. Its rugged outer fabric provides peace of mind, and the bag/pack outwardly maintains its shape when squished or squeezed, with very little give. Inwardly, too, it provides a snug and safe fit for an average amount of photo gear.

It all adds up to a quality product for those wanting a relatively lightweight yet sturdy camera pack/rolling case combo, at a fair price.

Alternatives

Check out our full guides to the best roller bags for photographers, and to the best camera backpacks

Vanguard has launched a newly revised version of its Alta Fly 55T 4-wheel roller bag. The new G2 variant improves on the original 55T as its four wheels are now detachable. This not only enables the bag to be stowed in tighter spaces; it also helps improve longevity, as the wheels can now be replaced if necessary. Another new feature is the bag's robust dual handle that replaces the previous single bar handle design, enabling easier two-handed lifting.

The signature feature of the original Alta Fly 55T was its ability to transform into a backpack in seconds, and this is retained for the G2. It allows photographers to switch easily from rolling the bag through an airport terminal to carrying it comfortably over rugged terrain, with the backpack mode benefitting from padded shoulder straps, an adjustable chest strap, and a waist belt for improved load distribution.

When the going gets tough, the bag's durable, anti‑scratch, moisture‑resistant materials should shrug off plenty of abuse, plus there's a rain cover to protect against heavier downpours. Vanguard has even included pull‑out wheel covers to keep your clothing clean when the bag's on your back.

Inside, the padded camera compartment measures 310 x 115 x 410mm and is large enough to accommodate up to two camera bodies with a 70–200mm f/2.8 attached, up to six additional lenses (up to 300mm f/4), and 14" laptop and/or an 11" tablet. A range of accessories and travel documents can be stowed in large external front pockets which incorporate internal organizers, while a tripod is able to be strapped to the side of the bag. The entire camera insert can also be removed, allowing the bag to double as a standard travel roller bag.

Externally, the Alta Fly 55T G2 measures 340 x 245 x 555mm, making it compliant with IATA airline carry-on rules, though it's always worth double-checking the exact carry-on size limits of your chosen airline.

As the Alta Fly 55T G2 is intended for international travel, Vanguard has incorporated several security features: the main zipper includes padlock‑ready loops. Side buckles prevent the zipper from opening fully, yet still allow quick top access to essential gear. And inside, a zippered mesh panel adds an extra layer of protection when the front is open.

The Vanguard Alta Fly 55T G2 is available to buy now, priced at $272/£250.

Check out our full guide to the best roller bags for photographers

Vanguard Veo Lite backpacks are designed for everyday photography and everyday weather. With how changeable the climate is around the world these days, it’s so easy to get caught out by bad weather when you’re out on location taking photos. The great thing about these weatherproof Vanguard Veo Lite backpacks is that you don’t have to pack up and go home as quickly as you normally might when there’s a shower – enabling you to keep your kit dry as you try and capture those dramatic skies or reflections in city streets that many of us miss as we’ve run for shelter!

Vanguard Veo Lite backpacks are available in 20-liter (B20L) and 25-liter (B25L) sizes. The B25L models are available in a tasteful navy blue and (perhaps a little impractical) cream, while the B20L version is also available in a trendy red. I’m testing the 25-liter B25L navy blue model.

So, what’s the practical difference in size between the 20 and 25-liter packs? The B20L is better suited to smaller DSLRs or mirrorless cameras and a kit lens, plus two to three extra lenses, a 14-inch laptop, and an 11-inch tablet. Whereas the bigger B25L will accommodate larger full-frame DSLR or mirrorless bodies with a 70-200mm f/2.8 lens, plus room for three or four additional lenses, and a 16-inch laptop and 13-inch tablet.

Both can accommodate a travel tripod in the side pouch/strap, or a water bottle. As I use full-frame Canon EOS cameras and regularly carry a chunky EF 70-200mm f/2.8L lens, the B25L should suit me and my kit well.

Vanguard Veo Lite: Specifications

Vanguard Veo Lite: Price

The Vanguard Veo Lite 25-liter backpack sells for £150 in the UK and AU$220 in Australia, while the smaller 20-liter variant sells for £130 and AU$200. Given the modest addition cost for the larger bag, that's the option I'd go for, unless you really like to travel as light as possible and don't see your camera kit expanding anytime soon.

The Veo Lite range wasn't available in the USA at the time of writing, but Vanguard has assured me that stock is on its way and will be available from the usual camera retailers soon.

Vanguard Veo Lite: Design & Handling

The ability to wipe clean this Vanguard Veo Lite B25L backpack whenever it gets wet or muddy when I'm out on location, such as photographing landscapes in wintry or damp places, is a real bonus. It's also reassuring to know this Vanguard Veo Lite B25L backpack is also showerproof, so it doesn't matter if I stay out if there's a bit of drizzle.

Just to clarify, Vanguard says the Veo Lite backpacks are made of a “high-quality polyester with an eco-friendly PVC smooth coating with a durable water-repellent finish and weatherproof zippers, making the bag as weatherproof as possible, with a rain cover for the wettest days.”

Good to know, because I've been known to stumble too close to the water's edge trying to nail that great seascape composition or kneel a little too close to the lakeside for the sake of a better shot.

Should you be in any doubt, the B25L also comes with a black plastic rain cover (in a handy little pouch) that covers the entire bag if it really starts hammering it down with rain and you want to be sure your gear isn’t getting drowned.

The texture of the outer material is pleasing to the touch and feels slightly rubberized with a matte finish. This is a reassuringly well-made backpack, as I’ve come to expect from Vanguard, with sturdy straps, well-designed zipped sections. I'm a fan of the navy blue colour and sleek design that, as Vanguard says, “Has been created to disguise the fact that you are carrying valuable camera kit as you travel.”

The subtle blue backpack has just a hint of colour that says ‘hey, I’m cool’ but not too much colour to attract unwanted attention in cities with a backpack that says ‘hey, I’m a bag full of kit, come and steal me!’

While the cream option doesn’t obviously look like a camera bag, either, it’s a color that’s an acquired taste, and I fear that it certainly wouldn’t stay cream after a few photo trips with me to my local woods.

In the top ‘daypack’ section, I was able to fit my substantial lunch and snacks, with room to spare. If I weren’t carrying food, I’d be inclined to use the space for a flashgun or easy-to-grab lenses, depending on what I was shooting that day.

There’s a sturdy top strap (with extra poppers) for carrying the bag vertically in one hand. In addition, two rather unnecessary poppers fasten down the top zipped daypack section; as far as I can tell, these only serve to give you a little better access to the top section (and marginally more space) when both poppers are unfastened. I never needed to use them.

To access the main ‘camera compartment’ section, you need to lay the backpack down on its front and open the two chunky rubber zippers around the top and sides. You then have full access to all your camera gear.

I found these large rubber zippers were great when trying to unzip the bag with gloves on or with cold hands when quickly trying to grab a different lens mid-shoot.

As it’s waterproof and wipeproof on the front and sides, I wasn’t overly worried or as cautious laying down the Vanguard Veo Lite B25L as I am with my usual Lowepro backpacks – which are traditional top-access backpacks, so I often have to lie them down on their backs, which can mean wet and muddy backstraps picking them back up off damp ground in fields or woodlands.

In the Vanguard Veo Lite B25L’s main camera compartment, I could fit a Canon EOS R5 Mark II full-frame mirrorless with large Canon RF 100-500mm f/4.5-7.1L IS USM super-telephoto zoom, although understandably this left less space for other lenses, so I could only squeeze in a Canon RF 24-105mm f/4L IS USM and Canon EF 24-70mm f/2.8L USM on one side, but could fit a Canon 600EX-RT Speedlite flashgun in the space on the other side of the camera and telephoto lens.

I tried out some alternative kit combinations, and found I could also fit a Canon EOS 5D Mark IV full-frame DSLR with Canon EF 70-200mm f/2.8L IS II USM telephoto zoom attached, plus four Canon pro lenses; a Canon EF 24-70mm f/2.8L USM, Canon RF 24-105mm f/4L IS USM, Canon EF 24-105mm f/4L IS USM, and a tightly fitted Canon EF 16-35mm f/2.8L II USM wide-angle zoom!

It was snug with a full-frame and five lenses, and this mid-sized backpack felt noticeably heavier as the weight is concentrated into a small area. I feel that if I were to carry one body with an attached lens plus four lenses for a day-long shoot, I’d prefer to use my larger pro backpack to spread the weight and fit the kit more evenly spaced inside.

Great side access means, if you choose, you can sling the bag around off one shoulder and quickly zip open this side pocket to grab your camera and lens (or another lens if you’ve left it in the space you’d normally stow your camera).

The two internal zipped mesh sections that form the inside of the back flap were a good size; the top one ideal for 2-3 spare batteries and a cleaning cloth, while in the second section I could comfortably fit four lens filters (I usually carry a polarizer and two NDs, so this was more than enough space).

The unzipped mesh pocket above the camera compartment (that’s the rear of the top ‘daypack’) wasn’t so useful; it was fine for loosely stashing some food, and if I wanted to access it from the top, I could just partially undo the main zippers to reach it. However, when laying the backpack on its front to access the main section, anything in the unzipped section slipped out as it’s fastened with a very weak magnet.

Conversely, the mesh sections on the other side of this space, inside the top daypack section, were good. The magnetic fastening here was better (but still not that strong), plus there’s a zipped section the width of this internal day pack, which I’d use for things like memory cards, a card reader and cable, and/or portable SSD and cable.

A stretchy mesh material is used for the various internal zipped sections, enabling you to see what gear is inside, and, as it stretches, you can pack in more stuff than you might think you can, if necessary. Whether this material is made to last remains to be seen.

Vanguard Veo Lite: Performance

For my weatherproof testing of the Vanguard Veo Lite B25L out in the field, I used a water spray bottle, and the outer shell handled repeated sprayings, with the water beading on the surface before simply running off. I could also wipe off excess water drops from the smooth blue surface of the bag. However, on closer inspection, a small amount of water had seeped through to the interior.

So I probably wouldn’t recommend relying on the waterproof outer of the bag in heavy downpours or sustained rain to keep your camera gear perfectly dry, but I would recommend getting the supplied rain cover on just to be sure.

There is one side pocket on the right, which I found is best suited to carrying my water bottle (such as a standard 750ml plastic bottle), rather than squeezing in a travel tripod and strapping it to the side of the backpack.

Now I should confess; I don’t use travel tripods as such; I prefer to use a full-size sturdy tripod and carry it in my hand when walking to a location with my backpack on. I find it comfortable to carry this way, plus it's quicker to set up when a photo op presents itself.

I could just about squish the compacted end of a lightweight Manfrotto BeFree aluminium travel tripod and ball head in the side pocket of the bag, and it wasn’t too tall, and I could strap the top securely to the bag.

But I found it annoying strapped to the side, and found the extra weight on a fully loaded backpack wasn’t comfortable to carry. Perhaps you prefer to strap your little tripod to your bag and carry it that way; I just carry my tripod in my hand. Horses for courses.

A small note about the small side strap; it’s cleverly hooked in design, so it’s easy to unhook to access your tripod rather than having to loosen the strap itself and slide the tripod through the strap.

The little zipped smartphone pocket built into the front of the left-hand shoulder strap is… interesting. A nice idea, although trying to use it was nasty. I could squeeze my iPhone Pro Max (which measures 158x78x8mm) into this pocket if I removed my phone’s rubber case. But when walking around with the backpack, my phone was basically tucked under my chin.

This also meant it was very tricky to get my phone back out of the pocket with the bag on my back, as I had to undo the zipper (which is only half the width of the phone pocket, as the zipper is the width of the strap), then try to pull my phone out. Like most people, I stash my phone in my jeans pocket anyway, so after initially trying it, I didn’t bother with this little pouch.

On the rear of the Vanguard Veo Lite B25L is a separate zipped laptop compartment (that measures 250mm wide by 360mm tall) that can hold up to a 16-inch laptop, making it an option as an everyday commuter bag. You can also rearrange the internal inserts to organize your laptop accessories (power charger, mouse, and so on), or remove the dividers altogether to maximize space for your everyday stuff.

There’s a bit of a knack to sliding your laptop into the slim pocket inside the back, when you have camera gear in the main section, as it snags on stuff, but a little jiggle and my 16-inch Apple MacBook Pro slotted inside just fine.

The slim outside pocket on the front of the backpack (under the Vanguard logo) is perfect for your tablet, and fits an Apple iPad (with protective case), no worries.

Designed for use around town, the Vanguard Veo Lite B25L backpack allows you to keep your gear charged on the go, whether keeping your camera battery topped up, or mobile phone powered up – as at the side is a subtle slot for cables to slip inside and connect to your portable power bank, which remain dry and hidden inside the bag while you charge kit. There’s also a tiny secret Velcro pocket tucked away in the daypack to put an Apple AirTag / smart tracker.

If you find the 25-liter backpack isn’t quite big enough, you can attach the Veo Lite S2L Compact Shoulder Bag (available separately) to the front of a Veo Lite backpack.

With the Vanguard Veo Lite B25L backpack loaded up, with both sections full, and a water bottle in the side pocket, I found it comfortable to carry. The shoulder straps are slim yet padded, plus there’s a chest strap for added stability if you’re trekking longer distances.

The chest strap was easy to click in place with one hand and pull tight for comfort, plus it was pretty easy to adjust the shoulder straps, depending on whether I was just wearing a jumper or a thick padded jacket.

It doesn’t have a waist strap, which isn’t unusual for a medium-sized backpack like this. I find waist straps quite annoying anyway, and often just tuck them out of the way.

When I added my 16-inch Apple MacBook Pro laptop and iPad, the backpack was understandably very heavy. But I would very rarely carry my laptop, iPad and camera kit all together, unless taking a flight for an overseas photo trip.

Hidden under a black strap across the width of the rear of the backpack (to slide it onto a trolley handle) is a flat, secret zipped section; this is ideal for stashing valuables like a passport or cash, to keep them secure and inaccessible in busy touristy areas.

The top daypack zipped compartment is ideal for packing the personal kit you need for a day out, such as lunch and snacks, or carrying even more camera kit.

Vanguard Veo Lite: Verdict

At 25 liters, the sophisticated Vanguard Veo Lite B25L is a compact-sized backpack but a good size for everyday use, and large enough inside to fit your camera with lens, plus more than enough extra lenses for most photographers' needs. Plus, it has plenty of features and additional internal pockets to stash all your camera kit, personal stuff, water bottle/tripod, and more.

Although it’s described as "waterproof", I'd say "water-repellent" would be more accurate, fending off light moisture, so it offers protection against drizzle and splashes, rather than heavy rain. The cool design means it’s equally suited to landscape hikes or city trips, as well as travel, and it can double as a personal backpack for the days you're leaving the camera at home.

Alternatives

Vanguard has been making a variety of photographic kit, binoculars, spotting scopes, and gadget bags for many years now, starting its business back in 1986. Although the current product range is very diverse, if I had to sum up what immediately springs to my mind when I hear the word ‘Vanguard’, that word would be ‘tripods’.

The company makes a huge range of tripods – large, small, and in-between – to suit all wants and needs. The catalog includes some of the best tripods for photographers, best tripods for videographers and best travel tripods. The Vesta TB 204CB tripod kit that I’m reviewing sets its sights not only on being a travel tripod in general, but also one of the best budget tripods in particular. It seems to be impossibly great value for a complete carbon kit.

Vanguard Vesta TB 204CB: Specifications

Vanguard Vesta TB 204CB: Price

Think carbon fiber tripod kits and you’re probably thinking big bucks. And you’d nearly always be right. The luxurious yet lightweight material is used in some of the world’s best tripods, but they tend to command hefty purchase prices. As a complete kit with ball head, the Vesta TB 204CB is not only refreshingly lightweight but has a comparatively featherweight price tag of $120 / £100. The big question is, “Is it worth it?”

Vanguard Vesta TB 204CB: Design & Handling

When I’m travelling, there’s usually a flight involved somewhere along the line. That can cause a bit of a problem as I like to take my camera gear as cabin luggage, so it has to fit into one bag. The Vesta TB 204CB fits the bill perfectly, as its folded length of 37.5cm / 14.8" and weight of just 0.78kg / 1.72lb make it easy to slip into a small bag, along with the rest of my gubbins. Maybe that’s why this travel tripod isn’t supplied with a bag of its own. The more likely reason is that, unlike the vast majority of carbon fiber tripod kits on the market, it’s priced to appeal to those on the tightest of budgets.

Let’s kick off with the legs, which seems entirely natural. They’re made of carbon fiber, and not just any old carbon fiber but from an up-market cut that really looks and feels the business. And unlike some tripods that have carbon legs but a metal center column, the Vanguard is made from carbon fiber throughout.

Each leg comprises four telescoping sections, which is par for the course when it comes to travel tripods. Unlike with three-section legs, the extra section enables a taller maximum operating height along with a smaller folded height, for easier stowage. As with almost every travel tripod on the market nowadays, the Vanguard has a swing-up design for the legs, so that the feet encircle the extended center column when folded. This tends to take about 20cm / 8” off the folded height, so that you can squeeze the tripod into the smallest of spaces.

The clamps for releasing and fastening the legs are twist-locks, which I tend to favor over flip-locks. They’re good ones, too, with only minimal rotation being required to release and lock the legs. It’s also easy to grab all the locks in one handful when the legs are retracted, saving time and effort.

The outer or top leg section has a diameter of 20mm, and there’s a drop of 3mm as you work your way down towards the bottom. As a result, the very lowest section of each leg has a relatively thin and spindly diameter of just 11mm. That might compromise the rigidity of the overall tripod when the bottom sections are extended, but we’ll see how it works out later when I get to ‘performance’.

A bit of a ‘must-have’ feature for any tripod, as far as I’m concerned, is ‘multi-angle legs’. These make it much easier to work on uneven terrain, or around obstacles, as well as making the tripod more secure in low-level shooting. I’m happy that the Vanguard has three locking leg angles, and they’re engaged by a simple spring-loaded lever at the top of each leg.

At the bottom of each leg, the feet are of the rubber pad variety. It’s a safe bet that works well on most surfaces but the pads don’t feature retractable metal spikes, which can work better on loose ground or carpet.

To further shrink the minimum shooting height, the center column has two sections rather than one, each of which has its own twist-clamp, similar to the ones featured in the legs. I’m a little surprised that the outer section of the telescoping center column isn’t full-length, which would enable a greater maximum operating height when the inner section is extended. As it is though, you can shrink the minimum shooting height down to 30cm / 12”. If you want to go lower still, you can reverse the center column and shoot right down to ground level with the camera inverted.

Up on top, there’s a ball head that fits nicely with the design of the legs. It’s quick and easy to use, with just a single lock/release knob. There’s therefore no pan-only release (despite a calibrated panning scale being featured), nor an independent friction adjuster. What you do get is a bubble level to aid leveling the head, as well as an Arca-Swiss type quick-release plate.

Vanguard Vesta TB 204CB: Performance

The legs have quite a large number of adjustments, based on nine leg section twist-locks, two center column twist-locks and three multi-angle levers. Given that you’ll most likely swing the legs upwards for minimum stowage size, the net result is that the tripod can take a bit of time and effort to set up for shooting and to fold down again afterwards. Even so, it’s a relatively simple and painless procedure.

I like to explore all the angles when shooting and I’m particularly pleased that the multi-angle legs and telescoping 2-section center column enable ultra-low-level shooting without having to invert the camera and shoot with it upside down. That’s still an option if you feel the need.

Despite the reservations that I expressed earlier, it turns out the tripod legs remained pretty rigid and resistant to flexing and vibrations at full extension, even with the thin bottom sections brought into play. At least that’s what I found during testing, with the center column retracted. To gain extra height by extending the bottom section of the center column, I found that the tripod felt rather less rigid. Extending both sections of the center column to enable the full operating height of 130cm / 51" made the tripod very susceptible to vibrations and oscillations. That’s rather disappointing, especially considering that the maximum height is pretty modest anyway.

Vanguard Vesta TB 204CB: Verdict

There’s a lot to like about the Vanguard Vesta TB 204CB tripod kit. As a travel tripod, It’s suitably small when folded, measuring just 37.5cm / 14.8", and it’s refreshingly lightweight at just 0.78kg / 1.72lb, despite having a decent maximum payload rating of 3kg / 6.61lb. It also has a luxury look and feel, based high-quality carbon fiber for the legs and center column. The ball head is none too shabby either. The whole kit is outrageously inexpensive, considering its feature set, but it’s disappointingly wobbly at its maximum height. If you can set your sights a little lower, so to speak, and can avoid the maximum operating height, it’s a smart bit of kit.

Alternatives

Vanguard has made a name for itself as a high-ranking manufacturer of tripods, monopods bags, cases and other photographic accessories, as well as binoculars and spotting scopes, with an illustrious history that stretches back to 1986. Although the company’s current product range is very diverse, ‘tripods’ are always the first thing that springs to my mind when the name crops up. Indeed, Vanguard makes some of the best tripods for photographers, best tripods for videographers and best travel tripods.

The tripod that I’m reviewing here doesn’t fit into any of those categories, although it’s sufficiently lightweight to classify as a travel tripod. Instead, the Vesta 203AP aims to be one of the most inexpensive complete tripod kits on the market, and is definitely a contender as one of the best budget tripods, if you’re after a set of sticks for minimum outlay.

Vanguard Vesta 203AP: Specifications

Vanguard Vesta 203AP: Price

Vanguard makes a huge range of tripods to suit every need and budget. But when it comes to ‘budget’, you’d struggle to find a complete tripod kit from a reputable manufacturer that costs less than the $70 / £50 / AU$100. That’s the selling price of the Vanguard Vesta 203AP. Ultimately, it’s a fraction of the price of many a set of legs or a head, sold individually rather than as a complete kit, potentially making it a bargain buy.

Vanguard Vesta 203AP: Design & Handling

The Vanguard Vesta 203AP looks and feels pretty small and lightweight, but it’s not advertised as a ‘travel tripod’. That’s a fair point, as the vast majority of travel tripods these days have swing-up legs, so the feet encircle the extended center column when folded down, to reduce the stowage size. But you pay a price for those space-saving designs, in that it takes longer to set up your tripod and pack it away again. Instead, the 203AP has regular legs that simply hinge out through a small arc. Even so, the tripod folds down to just 57cm / 22.25", complete with head, so it can still fit into small spaces for stowage.

As I’d fully expect at this price point, the leg sections and center column are made from aluminum rather than carbon fiber. A downside is that they feel cold to the touch in chilly weather and, in keeping with the minimalist design and pricing, there’s no comfort padding on any of the legs. There are also only three sections per leg, rather than the four or five often featured in travel tripods.

That compromises the maximum operating height as well as smallness when folded, but, again, there’s an upside in that with only two clamps per leg, rather than three or four, it’s relatively quick and easy to set up the tripod and fold it down again. The sections are released and clamped with flip-lock levers. Twist-locks are often preferred as they don’t tend to stick out as much, but the levers in this tripod are very slimline.

Another advantage of the tripod only featuring three sections per leg rather than four or five is that it avoids the bottom leg sections being too thin and spindly. As such, the diameter of the top section is 20mm and the inner ones measure 17mm and 14mm, so even the bottom one isn’t super-skinny.

One thing I really do miss in this tripod is that it only has one locking angle for the legs. I’m more used to three angles, so I can splay the legs further apart. It can be very useful for shooting on uneven terrain and for working around obstacles. It’s also great for enabling really low-level shooting, while also adding stability at short operating heights, making the tripod less prone to toppling over. With just one angle on offer, the minimum height is relatively tall at 53.5cm / 21.1".

On the plus side, the textured rubber feet enable a slip-resistant footing on rough and smooth surfaces. At full stretch with the leg sections and center column fully extended, the maximum operating height is a little disappointing at 155cm / 61", or just an inch over 5 feet. The center column has a locking screw that, again, is quick and easy to use. However, you can’t remove and reverse the center column, which would have enabled ultra-low-level shooting, albeit with the camera inverted.

I’m pleased that despite the bare-bones nature of the tripod, Vanguard has included two bubble levels, one on the platform at the top of the legs and one on the head. These are handy for leveling the camera. Leveling can be an important factor given that the tripod features a panning head. Correct leveling ensures that the camera stays on the level when panning, even through a whole 360 degrees, which is ideal for shooting video as well as taking a sequence of stills to stitch into a panorama.

Although it looks and feels like a 2-way pan head, with an operating handle and independent panning lock, there’s a neat trick to add versatility. An additional panning lock on the other side of the main one enables you rotate the upper platform on which the camera sits, in relation to the rest of the head. Rotate it through 90 degrees and you can use the tilt mechanism to swivel the camera into portrait orientation instead of the regular landscape orientation.

Another little luxury that you might not expect in a bargain-basement tripod is that this one features a quick-release plate. It features a D-ring and slot for securing it to your camera with a finger and thumb of coin, and a sprung pin that can help to avoid the camera unwantedly twisting or working loose on the plate.

Vanguard Vesta 203AP: Performance

Performance is pretty impressive in terms of the speed with which you can set up the tripod and start shooting. It’s certainly quicker to put up than typical travel tripods, thanks to its relatively simple design. However, what you gain in speed, you lose in compactness for stowage. With only three leg sections and no multi-angle leg facility, nor the ability to reverse the center column, the range of operating heights is comparatively limited. It ranges from a minimum of 53.5cm / 21.1" to a maximum of 155cm / 61". Ultimately, the tripod is too tall for ultra-low-level shooting and you might feel it’s too short for comfortable shooting at its maximum height.

The lack of wider leg angles also makes the tripod feel a little prone to toppling over at its minimum operating height. Up towards the maximum height with all of the leg sections and center column extended, the tripod is quite prone to vibrations and feels a little lacking in rigidity. Sure, it only has a fairly modest maximum load rating of 3.5kg / 7.78lb but simply feels a bit wobbly. The highlight of performance is that panning and tilting work smoothly, courtesy of the panning handle, which makes the tripod good for tracking action with a camera or birdwatching with a spotting scope.

Vanguard Vesta 203AP: Verdict

High-quality tripods often cost a small fortune, so it would be unfair to expect too much from a complete kit that’s priced at just $70 / £50 / AU$100. Sure enough, the Vanguard Vesta 203AP is relatively simple in its design and basic in its feature set. Rigidity isn’t altogether convincing either, but, for the money, it works pretty well. It’s sufficiently compact and lightweight to take along for the ride, quick to set up, and easy to use. The 2-way motion of the pan/tilt head enables smooth and wide-ranging movement, and the additional upper panning mechanism gives the option of switching to portrait orientation shooting. As a basic tripod, it’s really pretty good, and they don’t come any more affordable than this.

Alternatives

Vanguard is a global company with headquarters in Myanmar and branches in many other countries around the globe. It’s been making high-quality tripods and other photographic accessories as well as the likes of binoculars, spotting scopes and gadget bags, building up an extensive catalog over the last 40 years or so. The company has a knack of dreaming up innovative ideas and successfully turning them into useful products. A case in point is this Vanguard VEO PH-38S 3-way pan head, which is almost like a 4-way head, thanks to its dual-axis panning system. As such it aims for a spot in the best 3-way heads hall of fame, and then some. Let’s take a closer look.

Vanguard VEO PH-38S 3-way pan head: Specifications

Vanguard VEO PH-38S 3-way pan head: Price

What price a good 3-way head? It often depends where in the world you’re buying it. For example, Manfrotto products tend to vary considerably in price from one world region to another. As such, the Manfrotto X-PRO 3-way head costs $220 in the USA and £129 in the UK. It’s therefore very good value in the UK, less so in the USA. This Vanguard head is currently priced more competitively in the States, at $160 but is still pretty good value at £150 in the UK.

Vanguard VEO PH-38S 3-way pan head: Design & Handling

Although ‘different by design’ and decidedly innovative, the Vanguard does include a feature that I like and have seen before in various other 3-way heads. I’m talking ‘retractable handles’. The levers for both tilt and swivel have long metal shafts with comfortably large and grippy textured knobs. Better still, the knobs extend and retract along the shafts, with locking positions at each end. The bonus is that you get more leverage for easy and precise adjustments when they’re extended, along with space-saving retraction for stowage.

The tilt and swivel handles have the same textured knobs, although the shaft of the swivel handle is a little longer. Both have a fairly generous range of overall movement, equating to -30 degrees to +91 degrees. The larger 91-degree directions offer vertically downward shooting (front/back) and portrait orientation shooting (lateral) respectively, the latter without the need for using an L-bracket. It’s good as far as it goes although some might miss the provision of marked reference scales, which can be handy for replicating a previous setup.

The main panning mechanism fits with tradition by being at the bottom of the head. Unlike tilt and swivel, this one is calibrated. It’s numbered at 45-degree intervals with large lines at 15-degree intervals and short lines at 5-degree increments. There’s a small locking lever for the lower panning mechanism, which is very different from the large handles for tilt and swivel.

The tricked-up bit of the design is the secondary panning mechanism, which is situated between the tilt and swivel mechanisms, a bit like the filling of a sandwich. But why would you want this anyway? For one thing, you can rotate the upper handle on its X-axis so that both of the long handles are in line. This saves the levers sticking out in two directions and is more ideal for use with an L-bracket or a large lens that sits on a tripod mounting ring. In both cases, you don’t need a lateral swivel adjustment, as that’s taken care of. Vanguard points out that you can also configure the tripod head for left-handed use by laterally rotating the upper handle through 180 degrees, in relation to the lower one.

Up on top, there’s a single bubble level. This is less useful than a combination of three spirit levels, at least when it comes to leveling the camera in portrait orientation. In regular landscape orientation as well as when using an L-bracket or a lens with a tripod mounting ring, the bubble level is perfectly sufficient.

For attaching a camera, the head features an Arca-Swiss type quick-release plate, which ensures the greatest amount of universal compatibility. A growing number of L-brackets and the feet of tripod mounting rings now use this system, so you can slot them straight into the head without even using the quick-release plate. A security pin in the base avoids the QR plate sliding out accidentally, and it retracts when using other kit, if it needs to fit flush with the base and there’s no clearance for the protruding pin.

The bottom of the head has the usual circular profile for attaching it to a set of tripod legs, and a diameter of 58mm. That’s a good match for like-minded, heavy-duty tripods, the head having a 10kg / 22lb payload rating. A smaller version by the name of the Vanguard VEO PH-36S 3-way pan head is also available which has a 6kg / 13.2lb payload rating and a 50mm diameter base.

Vanguard VEO PH-38S 3-way pan head: Performance

For conventional use, I found the Vanguard 3-way head worked really well. The telescopic arms for tilt and swivel enable enhanced handling, making it easy to apply very fine and precise adjustments, as well as more sweeping changes. The lower panning section also works similarly well. However, I’m less convinced about the upper panning section. After fully releasing the locking mechanism, I found the panning action was disappointingly stiff and lacked any kind of fluid feel.

Perhaps I was expecting too much, but I was hoping to be able to use this for panning when shooting video. An upside in this respect is that, so long as the lower tilt adjustment is leveled even on sloping ground, the upper panning mechanism keeps everything on the level when you’re panning, which is a boost for videography as well as for taking a series of shots to stitch into a panoramic image.

Over the last couple of weeks, I’ve been testing a number of 3-way heads with a Sony A7 II body and a Viltrox AF 85mm f/1.4 Pro lens. The combination weighs a not inconsiderable 1.4kg / 3.2lb and the lens doesn’t feature a mounting ring, so the weight shifts to being significantly off-axis in portrait orientation shooting. I found that the Vanguard head did an impressive job of supporting the load in both landscape and portrait orientation shooting, with minimal flexing or vibration. I checked this by manually focusing the lens and using an enlarged preview in the camera with image stabilization switched off.

Vanguard VEO PH-38S 3-way pan head: Verdict

I always think it’s nice to see things that are a bit different. The dual-axis panning facility in this Vanguard certainly gives it a novel look and feel, compared with the vast majority of 3-way heads on the market. If the upper panning mechanism worked with more of a fluid, free-flowing feel, my joy would be complete, as I’d feel the head was equally viable for shooting stills and video. That’s not really the case but, even so, it’s a highly impressive 3-way head that mostly works a treat and offers satisfyingly solid support.

Alternatives

I’ve owned a Vanguard carbon fiber tripod in the past, as well as reviewing many of its tripods and other supports, bags, and backpacks over the years. I’ve always been impressed with the quality, performance, and competitive prices of Vanguard kit, and there’s a big catalog to choose from, the company making a diverse and constantly growing range of photographic and other accessories for nearly 40 years.

Suffice it to say that Vanguard makes some of the best tripods for photographers, best carbon fiber tripods, best travel tripods, and best ball heads, as well as some of the best monopods, including the VEO 2S CM-264TR that I’m reviewing here. Let’s take a closer look.

Vanguard VEO 2S CM-264TR monopod: Specifications

Vanguard VEO 2S CM-264TR monopod: Price

In various world regions, this monopod is available in a couple of different options. First up is the version that comes with a smartphone connector kit and costs $104 / £130 / AU$240. That’s certainly not cheap for a monopod but is nevertheless a very reasonable price considering the build quality and the additions of ‘tri-feet’ and a smartphone clamp and Bluetooth remote.

The pricier version is still very reasonably priced at $170 / £170 and includes all of the above, plus a Vanguard VEO BP-120T ball/pan head. I’d say the latter is a much better option, although at the time of writing this review, I couldn’t find availability in Australia (you can still buy the parts separately). If you want to save a few bucks, the monopod is also available in aluminum instead of carbon fiber.

Vanguard VEO 2S CM-264TR monopod: Design & Handling

I’m generally accustomed to monopods resembling a stick that’s made out of metal or carbon fiber. Not surprising, really, as they simply have a top plate at one end, a foot at the other, along with an extending tubular section in between. This Vanguard looks more like some kind of medieval mace. Sure, the main section is akin to that of a conventional monopod, made from four sections of luscious-looking carbon fiber, but there’s a 3-pronged protuberance at the base.

Let’s start at the bottom with those tri-feet and work our way up. The feet are permanently attached to the monopod, rather than popping on when you feel the need for them. You therefore need to factor in their size and weight for carrying the monopod around and packing it away. For operational use, each foot hinges down individually and clips into place. As with the proverbial milking stool, the three points of contact with the ground give a firm footing for the monopod even on very uneven terrain, although you could argue that the single point of contact for regular monopods would suffice for that equally well.

An advantage of the tri-feet is that the monopod can stand up all on its own, rather than needing to be held upright. However, Vanguard recommends that you don’t try this with a camera or other equipment mounted on it, saying you should hold onto the monopod at all times. Nobody wants an expensive accident. Even so, the feet do add an extra layer of support and security.

One concern I had was that I wouldn’t be able to tilt the monopod to my desired angle from the vertical when using it, or pan at will. I needn’t have worried on one front, as the feet are attached via a ball joint, which enables a generous range of tilt. Panning proved problematic, as I’ll come to in ‘performance’.

Moving on up, there are four sections of carbon fiber tubing that make up the main part of the monopod. The outer section has a pretty chunky diameter of 26mm, or about an inch. An upside of this is that even the thinnest of the four telescoping sections has a reasonable girth and isn’t flimsy. That’s reflected by the beefy 15kg / 33lb payload rating of the monopod.

To extend or contract the sections, the monopod relies on twist-action clamps. Compared with flip locks, these can make monopods more slimline, without stick-out bits, but that’s rather redundant considering the fold-up feet. Even so, many photographers prefer twist clamps to flip locks and these ones work with smooth simplicity, requiring about half a turn to release them or lock them up again.

Up towards the top, there’s a comfort pad, which helps you keep a firm grip on the monopod in all weathers and temperatures. It’s even nicely styled and has the maker’s name stamped in it. Things get quite interesting just under the camera platform. There’s a wrist strap for added safety and security, or for strapping the monopod to something else, as well as a carabiner for alternative attachment. There’s also a flip-over rubber pad that slips over the camera mounting screw and top plate. I found this added some genuine comfort if I wanted to use the monopod as a makeshift trekking pole on tricky terrain.

Remove the top plate cover and you’ll see that it has a circular platform and 1/4in connection screw. This is fine for use with the smartphone clamp and Bluetooth remote controller supplied in the kit, less ideal, to my mind, if you’re using a camera.

Naturally, you can attach a camera directly to the 1/4in screw on the top plate, and many photographers swear by this. I prefer the added convenience of a pan/tilt head when using a monopod and, as I’ve mentioned, Vanguard also offers a pricier kit that includes the VEO BP-120T ball/pan head. It’s a smart addition and helps with the overall performance.

Vanguard VEO 2S CM-264TR monopod: Performance

This Vanguard monopod fulfills the brief, as far as I’m concerned, at least most of it. With the addition of its tri-feet, it certainly gives a good, solid platform for shooting. It’s resistant to unwanted flexing or vibration, even at its generous maximum operating height of 163cm / 64.2in (without a head fitted). It also shrinks to a minimum height of 55cm / 21.7in for low-level shooting, while height adjustments are quick and easy, thanks to the effective twist-action clamps.

My only real problem is with those tri-feet. I found them highly effective for static shooting, and they do add stability while also enabling a generous amount of tilt. However, they’re also advertised as enabling panning, via the ball joint which connects the feet to the tripod. With my review sample, I found that panning was actually very stiff, and the feet tended to move around on the ground when attempting to pan the camera.

All the more reason to get the kit that comes complete with the pan/tilt head. The head works really well and makes panning a cinch, especially with the panning handle attached. With the addition of the head, performance is transformed and is extremely good.

Vanguard VEO 2S CM-264TR monopod: Verdict

The only hard part is whether to choose the basic version of the Vanguard VEO 2S CM-264TR Carbon Fiber Monopod with a smartphone kit, or the pricier edition that also includes a pan/tilt head. Actually, it’s not hard at all, as far as I’m concerned. If you need to pan and tilt your camera to track moving subjects, the pricier kit is a no-brainer, and it’s still excellent value for money at the price.

Alternatives

A levelling tripod base makes it possible to level a tripod in seconds, on any terrain and without needing to fiddle around with the legs, or checking the level of the camera every time you reframe a shot. It's a handy feature usually associated with video tripods, but it can also benefit landscape and wildlife photography.

1/2-ball leveling bases tend to only come with complete tripods, such as Vanguard's Alta Pro 3VL, but now Vanguard has launched a new line of separate leveling adapters: the LVL series. These adapters are designed to convert any existing tripod into a leveling tripod simply by fitting between the tripod and the head.

The LVL series includes five different size options, from 42mm up to 75mm in diameter, so you can get a leveling adapter that'll fit the diameter of your particular tripod head.

The smaller 42mm and 45mm adapters have been designed for travel tripods, ensuring they maintain the slim diameter of a travel tripod, allowing its legs to still fold up and close neatly around the head when packed. The 42mm adapter also weighs just 115g, and is 36mm high, so it won't add much weight or bulk to a lightweight travel tripod, yet its 20kg load capacity should still cope with pretty much any camera/lens combination.

Step all the way up to the largest 75mm leveling adapter and load capacity doubles to a whopping 40kg, while the adapter's weight is still only 355g. All LVL-series adapters include locking screws designed to ensure the tripod head is securely attached to the leveling adaptor, so you don't inadvertently unscrew the head while panning.

The Vanguard LVL series will be priced from £55 for the smallest LVL-42, rising to £100 for the LVL-75 with its extra-large 75mm diameter – US pricing and availability have yet to be announced. All LVL adapters are backed by a 10-year warranty.

Expect retail availability in April/May, but the new range will be officially launched at The Photography & Video Show 2025, which takes place between the 8th and 11th of March at Excel London.

When it comes to hard cases aimed at photographers and videographers who want to make sure their kit stays working when travelling between destinations, the Vanguard brand offers examples with adjustable interior dividers – its ‘D’ models – plus those with padded foam blocks – its ‘F’ series alternatives. We can set these against similarly tank-like hard case offerings from key competitor Peli, typically the go-to brand for professionals.

Vanguard’s hard case range is not only extensive in terms of options but keenly priced with it. Further features like O-ring sealed waterproofing and an automatic pressure equalization valve if you do end up placing it in hold storage, are potentially useful if you’re going to be travelling a lot or using the case in extreme climates and circumstances.

I’m looking at its Supreme 40F example here which incorporates the above features and includes three removable foam layers within its polypropylene constructed outer case, which can be molded to suit whatever kit we’re looking to store within, as we’ll get to in a moment.

Will this be enough to seal the deal for those photographers seeking that extra degree of protection and peace of mind when transporting their kit?

Vanguard Supreme 40F: Specifications

Vanguard Supreme 40F: Price

Widely available for the best part of a decade, the Vanguard Supreme 40F seems fairly priced to me at £139 / $199, especially when set against the likes of its VEO Select 55BT rolling case or Peli alternatives. The 55BT is a bit more flexible when it comes to handling, but ultimately of a similar size. If you’re happy with a chunky black box, as ever it’s worth shopping around in order to bag the best deal from a range of suppliers.

Vanguard Supreme 40F: Design & Handling

Similar in size to a small suitcase or rolling luggage I might pack for a two-day work trip, the Vanguard Supreme 40F features a chunky carry handle and two snap-shut locks, with holes to thread a padlock through if we want further security, but no wheels to help lighten the load. This case weighs a chunky 4.4Kg even when empty, with its maker suggesting a possible maximum capacity of a whopping 25Kg. That’s a huge weight to carry around by hand.

Such concerns need literally weighing up against the fact that Vanguard describes this polypropylene shelled case as ‘virtually indestructible’. Maximising protection inevitably means adding weight and bulk, so it’s always a tradeoff between practicality and portability. I feel this 40F just about gets it right.

Like the bigger and much heavier Vanguard Supreme 53D hard case, the three-piece foam layered Supreme 40F claims the same degree of waterproofing; thanks to being O-ring sealed, it can impressively prevent moisture ingress to a depth of five metres. Like its sibling, it further claims a degree of crush proofing, in being able to withstand 120Kg of external pressure applied without buckling. That makes me feel better about exploring the option to check the bag in on an airline.

Capacity wise, the mid-sized interior is claimed to be good for stashing two DSLR or mirrorless cameras and ‘multiple’ lenses. That’s ideal for a pro or semi pro ‘weekend warrior’ shooting, say, weddings, or looking to transport a main body for shooting on while having a second ‘spare’ to hand for back up. Or you may have a load of kit sitting around on shelves at home or the office, whereby this case could act as a solid storage option to tidy it all away into.

Vanguard Supreme 40F: Performance

The Vanguard Supreme 40F certainly felt substantial from the moment I lifted it out of the box. At over 4Kg, even when empty, on the one hand I was reassured by its rock-solid feel, while at the same time thinking about how my arms and back would cope if carrying this around for a long time when full.

There are no wheels on this example, though the larger 53D does have them. Neither do we get additional carry straps to add convenience or help lighten the load, as found on its maker’s similarly sized but more distinctly bag-like VEO Select 55BT option. There are stump-like rubber ‘feet’ on the reverse of the unit to prevent the case sliding around when trying to insert or retrieve gear, but the Supreme 40F feels rather bare bones in comparison to its siblings. That said, if all you want is a solid feel protective case with a strong carry handle, then this is certainly that. Further peace of mind is provided for purchasers via a 10-year warranty.

In terms of how to provide a snug fit for your various bits of kit within the foam layers, without taking a knife to them to gouge out compartments, handily there are pre-cut hexagonal shapes that enable sections to be ripped out and removed by hand. Vanguard claims that the remaining hexagonal edges help grip the kit more tightly than smooth ones. For a neater finish I feel a knife could still be used, however.

If you do make a mess of it or change the kit needing storage/transportation, it’s good to know replaceable foam inserts are available separately. That said, the alternative of Velcro’d dividers feels a neater, more flexible solution to us than gouging out foam inserts, and can be found in this size of case if opting for Vanguard’s Supreme 40D instead. Overall though the case feels constructed to a high standard and able to withstand occasional rough handling.

Vanguard Supreme 40F: Verdict

Most of us won’t have enough photo or video gear to justify purchase of Vanguard’s whopping 53D hard case. In such circumstances, the much smaller Supreme 40F, similarly robustly constructed to withstand extremes, offers a more viable alternative and wider appeal due to its more manageable size and weight.

I did miss the adjustable felt dividers of the 53D I’d looked at prior however, which feel more practical than the 40F’s chunky blocks of foam. Happily, there is a 40D alternative that has dividers for just a couple of bank notes more in cost, and, in being the same external size, it’s another option for airline travel.

Alternatives

Peli is still the brand to beat in the hard case category, with Vanguard’s examples being a more budget-friendly alternative.

From Vanguard’s own range, its VEO Select 55BT is comparable in terms of size and weight to this Supreme 40F. It’s a strongly padded rolling bag rather than a hard case per se. But it is more portable in that it can be wheeled as well as carried, or worn in backpack fashion, thanks to rear straps at the back. Of course, further alternatives come in different-sized bags in the Supreme ‘F’ range, with the 40F sitting somewhere in the middle of the available foam-filled options that start out with the 27F and top out at the 53F.

If we really have got a shedload of gear, then the Vanguard Supreme 53D which can cram in up to 14 cameras and lenses, feels like a value-added option.

A similar light yet tough alternative for checking in as hold luggage can be found in the Peli Pelican Air Case 1535. The possible appeal here is that it’s 40% lighter than a regular Peli case of similar dimensions. Chunkier still at 6.3kg is the foam interior Peli Pelican Protector 1510, which like the Vanguard Supreme 40F can fulfil most cabin baggage restrictions. As ever, the more rock-solid the bag or case, typically the weightier it is when empty plus the higher the price with it. All things to take into consideration when making your choice; it’s not just about how much room there is inside and how many bits of kit we can transport within.

Vanguard has introduced a new tripod in its Alta Pro 3VL range of tripods that feature a built-in levelling base. The Alta Pro 3VL 304CT is designed to support weighty, professional equipment and consequently has stout 30mm-diameter legs and an impressive 13kg load capacity. Despite this, the Alta Pro 3VL 304CT weighs a reasonable 1.43kg and folds down to 560mm long, with a compact 70mm folded diameter.

With four leg sections the tripod can reach 152cm high when fully extended. Three leg angle settings are available (23, 50 and 80 degrees) enabling low angle or macro shots down to 140mm (without a head), while rubber feet with retractable spikes mean the tripod is usable on smooth or rough ground. This makes it ideal for landscape or wildlife photography, where you may have to set up on less than ideal terrain in order to capture the perfect shot.

At the canopy of the legs is a built-in levelling base with 360-degree rotation and +/- 15 degrees of tilt. A spirit bubble is also incorporated in the base, making it simple to level the tripod head and quickly compose a shot, regardless of the terrain. The base includes a 1/4" thread that can attach to a tripod directly, or via the 3/8" adaptor usually supplied with a typical tripod head.

The Alta Pro 3VL 304CT is manufactured from carbon fiber with aircraft-grade aluminum for load-bearing parts and is backed by a 2-year warranty, with the option to extend this to 10 years by registering with Vanguard.

Vanguard will display the Alta Pro 3VL 304CT at The Photography & Video Show 2025, which takes place March 8-11 at Excel London.

Tickets for The Photography & Video Show 2025 are now on sale, and you can get hold of yours (with a 20% discount on standard tickets with the code DCW25)

Vanguard has been building a suitably ‘solid’ reputation for making quality tripods for about 40 years. For most of us in the ‘digital camera world’, myself included, when we think of a tripod, we think about a set of legs and a head that holds a camera firmly in place for shooting stills. 

A video tripod is a different kind of beast. Apart from when it’s locked off for static use, it’s all about freedom of movement, so you can pan and tilt with an intuitive, fluid feel and follow the action. I’ve recently been very impressed with the super-solid, feature-rich and innovative Vanguard VEO 3+ 303CBS for stills photography. It’s certainly one of the best tripods for photographers on the market today. 

This Vanguard Alta Pro 3VRL 303CV 18 video tripod takes many features and styling queues from its stills sibling, while adding video-centric functions, in a bid to be among the best video tripods.

Vanguard Alta Pro 3VRL 303CV 18: What's changed?

The Vanguard Alta Pro 3VRL 303CV 18 aims to build on the success of the Vanguard VEO 3+ 303CBS, the latter essentially being a full-height, top-performance carbon fiber tripod that can accommodate one or even two cameras, with stills shooting predominantly in mind. The newcomer comes complete with a VEO PV-18 fluid head for smooth movements when shooting video, but the kit also includes a lightweight flat platform, which you can swap over with the removable leveling base, then add the likes of a ball head or 3-way head (sold separately, if you don’t have one already) when you want to shoot stills.

Vanguard Alta Pro 3VRL 303CV 18: Specifications

Vanguard Alta Pro 3VRL 303CV 18: Price & Availability

At around $500/£500 the Vanguard Alta Pro 3VRL 303CV 18 certainly isn’t a cheap tripod. You get what you pay for though, as it’s really well-engineered and immaculately turned out, complete with a high-quality padded soft case. Sure, it lacks some of the fanciest features of top-end video tripods, like a counterbalance system and adjustable drag for panning, but you’ll generally only find these kinds of extras on top-flight video tripods like the Manfrotto 504X 635 Fast Single Leg Carbon kit, which has a list price of around $1,315/£1,325, getting on for three times the price.

Vanguard Alta Pro 3VRL 303CV 18: Design & Handling

I do like a bit of luxury. As soon as I got the Vanguard Alta Pro 3VRL 303CV 18 out of its padded soft case, I knew I was onto a winner. Carbon fiber comes in various different grades of quality but in this case, the leg sections definitely look ‘the right stuff’. The top sections have a large 30mm diameter to ensure maximum stability.

Metal parts are made from aviation-grade aluminum and engineered with a CNC (Computer Numerical Control) manufacturing process to ensure the utmost precision. They’re polished off with high-quality anodizing so they look as good as they feel. Speaking of which, if I’m investing in a high-quality tripod, I like to feel that it’s built to last, so it’s good to know that this kit is backed up by Vanguard’s 10-year extended warranty.

I’m a pretty tall guy, at 6ft 5in. This kit is billed by Vanguard as ‘ultra-tall’ and I like that, when shooting video, I can be eye-to-screen with my camera without stooping. Indeed, it has a 181cm (71.3”) maximum operating height. The flipside is that, with only 3-section legs, it’s still pretty tall when folded down, at 86.5cm (34”). I don’t really mind that, and prefer the comparative speed and ease for setting up the tripod, compared with 4-section or 5-section legs, or legs that swing up over an extending center column to save size. This tripod doesn’t actually have a center column anyway. Instead, it has a circular aperture for accommodating the leveling base.

The leveling base operates in the time-honored tradition. You twist the grip at the bottom to clamp or release its movement. It has a full 360-degree lateral rotation and +/-15 degrees of vertical tilt. Two large spirit levels on the video head make short work of making sure that everything’s on the level. That’s essential for keeping your verticals vertical when panning in video shots, or taking a sequence of stills to stitch into a panorama. A weight hook is featured just below the grip, for adding ballast – ideal when shooting in breezy conditions outdoors.

The maximum load rating is a hefty 25kg for the legs, 15kg for the Veo PV-18 fluid head. This makes the kit ideal not only for video, but also for tracking the action in sports and wildlife photography, when using long telephoto lenses, as well as for using a spotting scope for birdwatching. To add versatility, there’s a 3/8” socket with a ¼” adapter for adding accessories via a ‘magic arm’ like the Veo TSA DLX.

For locked-off or action shots, the head features locking knobs for vertical tilt and panning, and there’s an adjustable drag damper for tilt. There’s technically no drag adjuster for lateral panning drag but you can replicate this to some extent by adjusting the length of the telescopic pan handle. Indeed, where most video heads have a removable pan handle that can attach to the left or right side, this one comes with two detachable handles so you can fit them to one or both sides.

Even the most fervent videographers might like to shoot stills from time to time. The tripod accommodates this with its quick-release leveling head, which you can replace by a flat platform that comes as part of the kit. This makes it easy to fit a high-quality ball head or 3-way head in no time at all. For me, it’s a bit reminiscent of using the Manfrotto MOVE Quick-Release System.

Vanguard Alta Pro 3VRL 303CV 18: Photo Performance

The legs of this tripod kit are really sturdy and give excellent resistance to flexing and vibration. The twist-action clamps for each leg section work with smooth efficiency, as do the extension and contraction of each section. There’s a neat push-button mechanism for selecting any of three leg angles, ideal for working around obstacles or on uneven terrain. I like that the feet have rubber pads that screw in to reveal metal spikes, the latter being better suited to soft ground.

Leveling the head is quick and easy, with two large spirit levels to help out. These are easily visible on camera mounting platform and aren’t obscured with the large Arca-Swiss compatible quick-release plate in place.

There’s no counterbalance system but with fairly lightweight mirrorless cameras, like a Nikon Z 6II and 24-70mm f/4 lens, I found that the tilt angle remained fixed at up to around 30 degrees when letting go of the pan handle, even without resorting to using the locking knob. At least, that’s the case when tightening the adjustable damper for tilt drag.

As I’ve mentioned, there’s no adjustment for panning drag but lengthening or shortening the pan handles is a useful substitute. I also very much like having dual handles, as it offers right-handed or left-handed use on the fly. Ultimately, both tilt and pan feel very smooth and fluid, which is exactly what I want from a video head.

Vanguard Alta Pro 3VRL 303CV 18: Verdict

The Vanguard Alta Pro 3VRL 303CV 18  is an excellent video tripod kit. It’s cleverly designed to deliver great versatility, especially with its removable leveling base and alternative flat platform, making it eminently suitable for stills as well as video, if you have an additional head. The quality of the carbon fiber construction is top-notch and the standard of engineering and finish is superb in all respects. It’s pretty pricey to buy but this Vanguard is well worth the price, making it very good value.

Alternatives

Vanguard’s new Veo City camera bags adopt the style and design of its existing City Cross Body bags, but are designed for larger mirrorless and DSLR camera systems. They come in backpack and shoulder bag designs and include a removable tech pouch.

There’s a choice of colors and capacities too. The Veo City shoulder bags are available in 7 and 10-liter capacities in either light gray or navy blue, while the Veo City backpacks are in 12, 16 and 21-liter sizes in the same light gray or navy blue colors.

Not sure which type you need? Check out our guide to the best camera shoulder bags, best camera slings and best camera backpacks for more ideas.

It's always good to see and try camera bags for real before deciding, and visitors to the UK's The Photography and Video Show at the Birmingham NEC March 16-19 can see these new bags at their first public showing. 

Vanguard Veo City S shoulder bags

The smaller 7-liter Veo City S bag holds a mirrorless camera or a small DSLR body with two additional lenses and an 11-inch tablet, with the ability to carry a tripod below, while the 10-liter version can hold a DSLR with four additional lenses and a 13-inch laptop.

Both bags come with a fitted accessories pouch for storing memory cards, cables and other accessories, and these can be detached to be used separately for small items like passports and phones.

The top flap incorporates a pocket for valuables, and there’s a ‘non-slip’ shoulder strap with a detachable cross-body strap for extra stability on the move. This can also be used as the shoulder strap for the accessories pouch.

Vanguard Veo City B backpacks

The City B backpacks come in three sizes of 12, 16 and 21 liters. The 12 liter model can hold a mirrorless camera or smaller DSLR with up to four lenses and an 11-inch tablet. It has a top pocket for valuables, multiple additional pockets and a detachable accessories pouch plus the ability to attach a tripod.

The largest 21-liter version can hold a pro DSLR with up to four lenses, including a 70-200mm f/2.8, and a 16-inch laptop. Like the Veo City S shoulder bags, the backpacks come with a detachable accessories pouch that can be used with an included dual-purpose strap.

Vanguard Veo City S and City B prices

The Veo City S30 7-liter bag will cost £149.99 (about $192 / AU$290) and the Veo City S36 10-liter bag will cost £169.99 (about $217 / AU$329). The Veo City B37 12-liter backpack will be £179.99 (about $230 / AU$348), the 16-liter B42 backpack will be £199.99  (about $256 / AU$387) and the 21-liter B46 will be £219.99 (about $281 / AU$423).

Vanguard has just launched its tallest and most stable tripod ever – the Vanguard Alta Pro 3VL. 

The Alta Pro 3VL could become one of the best video tripods as it sets new standards in height and stability with an extendable height of 1.8 meters / 71 inches (without a central column) and robust 30mm diameter legs providing outstanding stability. 

It comes in two versions, an aluminum model which weighs 3.26kg / 7.2 pounds and a lighter, more travel-friendly carbon fiber edition which weighs 2.92kg / 6.44 pounds. Both tripods are capable of taking a maximum payload of 25kg / 55 pounds making them perfect for mounting camcorders and cameras with cine lenses, and pack down to 85.5cm / 34 inches.

These are 7 ways video tripods are different to regular ones

Vanguard has replaced the standard central column with a cutting-edge leveling system, CNC machined from a solid block of aluminum. This process not only delivers smooth and precise movements but ensures the highest quality finish. The levelling system can rotate through 360 degrees and the vertical cab be moved 15 degrees allowing for fast and easy camera leveling on any terrain. 

The three-section tripod features convenient twist leg locks that operate silently and securely lock each joint in place ensuring the tripod remains stable at all times. It also comes with a choice of retractable rubber or spoked feet so can be used on a wide range of surfaces from polished marble to sand or stone making it incredibly versatile. Legs can be easily cleaned so should they get covered in salt when shooting at the beach you can prevent rust and corrosion ensuring the tripod's longevity. 

Mounted on top of the leveling system is the VEO PV-18 Video Head with an Arca-Swiss plate. Just like the leveling system, it has been CNC machines to ensure smooth and precise movement with a maximum load capacity of 15kg / 33 pounds. It includes pan-and-tilt locks, tilt dampening, and extra-long telescopic handles, providing users with precision and accuracy when setting up shots. The large maximum payload of the tripod head makes it perfect for use with bird photography and wildlife lenses, spotting scopes, and telephoto lenses. It also includes a 3/8-inch thread with a 1/4-inch adapter that allows you to attach a magic arm that could mount an action camera or a video light alongside the main camera. 

On the side of the head is a 3/8" thread with a 1/4" adaptor, with non-slip bayonet slots on each side. This allows you to attach a magic arm to the side with an accessory that can make the most of your shoot. While you can fit any brand's magic arm, we would recommend the VEO TSA DLX as these incorporate Vanguard's non-slip bayonet fittings that ensure that the magic arm can't slip in use.

Both the aluminum version and the carbon fiber version come with a luxury padded tripod bag, complete with handles and a shoulder strap, ensuring it can be transported safely and comfortably. This is undoubtedly a tripod aimed at professional photographers and videographers who need ultimate stability and versatility. The aluminum is now on sale for $399.99/£349.99 while the carbon fiber one is priced slightly higher at $499.99£449.99. The VEO PV-18 Video head can be purchased separately for $169.99£159.99 for use on other tripods. 

Read our guide to the best video tripods for other options, and don't forget that other creative options exist like the best gimbals for DSLR and mirrorless.

We love a nice lightweight, compact travel tripod, but there are often times when a bigger, heavier and more rigid shooting platform is required. Enter Vanguard's new VEO 3+ 303 tripod. Available in aluminum or carbon fiber, even the heavier aluminum version is still comfortably portable at 2.3kg, yet can support a huge 25kg of camera gear.

3-section legs mean a relatively long folded length of 67cm, but can reach a 139cm maximum height, or 165cm with the central column extended. Having fewer leg sections is also good news for tripod rigidity, as there are fewer joints where leg flex could occur. A relatively large 30mm leg diameter further enhances the stiffness of the VEO 3+ 303, and you won't find a removable leg / monopod conversion feature either, again in the pursuit of maximum tripod  rigidity.

But what really adds to the tripod's versatility is its Multi-Angle Central Column (MACC). Vanguard claims this makes the VEO 3+ 303 ideal for any style of photography, from macro to landscape. The column can be moved almost 360° in any direction and swing right down to the floor for ground-level shooting. What's more, with the central column positioned horizontally, the included VEO+ MA1 Adaptor can be clamped onto the column, enabling the attachment of a second camera or any accessory with a 1/4-inch attachment thread. Also included with the tripod are a set of spiked feet that can replace the factory-fitted rubber items.

If you like the sound of all that but want it in a lighter package, there's the carbon fiber VEO 3+ 303CT. It shares the same size and features as the aluminum, but at 1.9kg it's 400g lighter.

Both the aluminum and carbon versions can be had as standalone tripods, or as kits with the also-new VEO BH-250S Dual Axis Ball Head. It matches the 25kg load rating of the VEO 3+ 303 tripods, is precision CNC machined from aircraft-grade aluminum for maximum stability and features Vanguard's Dual Axis System with panning rotation at the base and below the quick-release plate. With this ball head attached to a VEO 3+ 303, maximum height reaches 151.5cm, or 177.5cm with the central column extended.

All versions of the VEO 3+ 303 are available to pre-order now, with prices starting at $299.99/£299.99 for the standalone aluminum VEO 3+ 303AT, rising to $499.99/£499.99 for the carbon VEO 3+ 303CBS tripod + ball head kit.

Pre-order now from B&H

Read more:

• The best travel tripod
• The best video tripods 
• The best monopods
• 7 golden rules of tripod stability
• Best ball heads for tripods
• Best pan and tilt heads for tripods
• Best gimbal heads for tripods

Something of a wonder material, carbon fiber is used extensively in the construction of racecars and other high-performance vehicles, as well as in most of the best tripods you can buy. Carbon fiber tripods are both stronger and lighter than their aluminum counterparts, which is useful for pretty much any genre of shooting. But ‘better’ usually equates to ‘more expensive’ and carbon tripods are certainly no exception.

Although renowned for being pricey, carbon fiber tripods don’t have to be prohibitively expensive. Many major manufacturers offer carbon options of their tripods that are fairly budget-friendly. Check out some of the big names in the business like Manfrotto, 3 Legged Thing, Benro and Vanguard, and you’ll see a number of carbon fiber tripods that offer premium quality at very good value for money.

So how do you choose? Different carbon fiber tripods offer different features – some can carry more weight than others, while others have clever extra options like the ability to convert to a monopod, or a reversible central column that makes it easy to shoot close-ups down at ground level. It's worth shopping around to find a tripod with all of the features you need, and that you’re not paying for a whole bunch of extras that you’re never going to use. Let’s take a closer look at some of the best options on the market right now.

Best carbon fiber tripods 

Best multi-purpose carbon fiber tripod

Carbon fiber tripods usually fall into one of two categories – big full-height tripods or travel tripods. From 3 Legged Thing’s Pro 2.0 range, the Winston 2.0 is a full-height tripod that reaches a towering 194cm / 76.4” maximum operating height, complete with a super-strong 40g / 88lbs load rating, and that includes its rock-steady AirHed Pro ball head that comes in the complete kit, all wrapped up in a high-quality padded carrying case. And carrying is actually simplified by Winston taking a leaf out of travel tripod design. The legs swing up and surround the extended center column, enabling it to fold down to just 61.2cm / 24” in length.

Naturally, it can sometimes be just as important to be able to shoot from a really low level instead of from up on high. The tripod obliges, as you can remove the center column and attach the head directly to the legs, which splay out to enable a minimum operating height of just 23.1cm / 9.09”.

In many recent tripods, you can remove one leg and attach it to the center column to act as a monopod. The Winston goes one (or two) better in that you can remove all the legs. As well as monopod duty, this enables you to fit optional Vanz dual ball/spiked feet (sold separately as an optional extra) and turn the Winston 2.0 into a sturdy tabletop-tripod. Other footwear is also available, to suit pretty much any kind of terrain.

Read our full 3 Legged Thing Winston 2.0 tripod review

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Best budget carbon fiber tripod

The Vanguard Vesta TB 204CB is a highly affordable and complete carbon fiber travel tripod kit, and the inclusion of carbon fiber legs and a ball head at this price point is remarkable. Weighing just 0.78kg (1.72lb) and folding down to a compact 37.5cm (14.8 inches), it is ideal for travelers who want to pack it inside a daily bag without it being a burden.

The tripod's design features four-section legs with twist-locks and a reversible center column that can be used for low-level shooting. The included T-46 ball head has a quick-release plate, a single locking knob for pan and tilt, and a separate friction control.

Its main limitation is its modest maximum height of 130cm (51 inches) with the center column extended, and the tripod can feel a little bit wobbly at this full height. But on the whole, the Vanguard Vesta TB 204CB is an attractive and well-made kit that offers exceptional value for money, and makes an excellent choice for budget-conscious photographers on the go.

Read our full Vanguard Vesta TB 204CB review

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Best travel carbon fiber tripod

Built from carbon fiber and aluminum alloy, the Freewell FW-T1 supports everything from smartphones to medium-format cameras while remaining exceptionally lightweight. Its standout feature is versatility; the quick-release plate cleverly doubles as a phone holder when flipped, allowing creators to switch seamlessly between professional photography and social media content.

One leg can be detached to convert into a monopod, offering flexibility for fast-paced shooting. The tripod also includes a 360° ball head that supports portrait orientation without needing an L-bracket, accessory expansion holes, and a hidden compartment for an AirTag.

The twist-lock legs allow for quick setup with three flexible angle positions (20°, 55°, and 75°), making it adaptable to uneven terrain. The ball head is smooth and precise, though the multiple levers can initially be confusing. While it sits in a mid-range price bracket, the professional build quality and thoughtful engineering make it excellent value for money.

Read our full Freewell FW-T1 review

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Best premium travel carbon fiber tripod

This is the first tripod Peak Design (best-known for its camera bags) has made – and considering the carbon fiber version is one of the most expensive travel tripods around, it needs to be good. And it is. The low-profile ball head is quite simple but well-made, the overall rigidity is excellent, and it reaches to a good height.

Perhaps the nicest touch is the attention Peak Design has paid to how the tripod folds down. There’s very little ‘dead volume’ between the center column and the legs, so not only is the folded tripod short (just 39cm), it’s also slim enough to go inside a camera bag, while most tripods have to strap to the outside.

There is a much less expensive aluminum version available, with the same design features but slightly less resistance to vibration.

Read our full Peak Design Travel Tripod review

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Best design

The Benro Cyanbird Carbon Tripod comes as a kit with Benro's FS30 Head, and the pair makes for a great combination that stands out for its innovative design and performance. Unlike many typical travel tripod designs, this forgoes swing-up legs, thus allowing for quicker setup and breakdown, but rather than being completely circular in shape, the legs are made of oval, curved leg sections that wrap around a triangular center column, minimizing its stowed size to a still-very-compact 45.5cm. The supplied FS30 ball head offers similarly innovative design solutions, with the panning section located at the top of the head rather than the base, which makes leveling the tripod for panning particularly easy.

Despite its lightweight construction – tipping the scales at a shade under a kilogram – it offers impressive rigidity and stability, offering solid support for loads up to 4.5kg, even at its maximum height of 150cm, effectively resisting vibrations and ensuring stable shots. While this carbon tripod is priced higher than the hybrid version (which combines carbon fiber and aluminum), its clever design and attention to detail justify the cost, and it's a worthwhile investment for photographers and videographers seeking a compact, lightweight, and high-performing travel tripod.

Read more: Benro Cyanbird Carbon Tripod + FS30 head kit review

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Best for height range

The Neewer LiteTrip LT38 travel tripod is constructed from high-quality carbon fiber, but rather than traditional circular tubes, the legs have a flattened profile for compact stowage. It features five-section legs and a two-section center column, and offers three locking leg angles, which enable a really versatile range for shooting up high and down low, with a maximum operating height of 155cm and a minimum operating height of 15cm.

Some five-section tripods are a bit on the flimsy side, but not so the LiteTrip LT38, which boasts a substantial 10kg load capacity and effectively minimizes vibrations and unwanted flexing. What's more, the 12 leg-locking levers are quick and easy to operate, enabling quick setup times. All in all, this Neewer tripod makes for an excellent choice, combining a high-end carbon fiber build with a robust and adaptable ball head, delivering outstanding performance.

Read more: Neewer LiteTrip LT38 review

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Best carbon fiber tripod for video

Built to an exceptional standard, this tripod kit is made with professional-grade video in mind. It’s robust enough to take a specialist cine camera or a pro-level full-frame camera, and gives rock-solid support. In my testing, I was delighted with the ease of setup, with single-twist legs making adjustments a breeze.

The head supplied in this kit is a work of art, with beautifully smooth pan and tilt, and adjustable drag to choose the degree of friction you want. This isn’t a cheap kit, but the fluid filming experience it delivers easily justifies the cost.

Read our full Manfrotto 635 Fast Single Leg Carbon & 504X head review

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Best easy-setup carbon fiber tripod

The carbon fiber version of Manfrotto's 055 tripod, the Manfrotto MT055CXPRO3 is designed to marry superior stability with smooth operation. Its redesigned center column can pivot 90 degrees easily, with redesigned ‘one-finger’ operation that makes the whole enterprise easier than ever to set up. Its legs are secured by new Quick Power Locks that provide 50% more rigidity compared to its predecessor, and each leg can be positioned independently.

A bubble level has been set into the top of the center column, rotating freely around it so you can always position it somewhere you can see it. This allows you to get your horizons straighter than straight. What's more, the Easy Link connector at the top supports the attachment of additional accessories like video monitors or extra lights, further expanding the tripod's utility for a broad swathe of users.

Read our full Manfrotto MT055CXPRO3 review

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Best tough carbon fiber tripod

Benro Rhino tripods are designed to be as sturdy and hefty as their name implies. This model, the catchily named FRHN34CVX30, is able to support a whopping 20kg of camera kit, making it more than equipped for even the most extravagant of photo or video setups.

It's all down to the build, which uses braided carbon fiber tubing to keep the weight down without compromising on strength. The tripod packs away pleasingly small, with reverse-folding legs that flip up to surround the head when they're not being used. It's also easy to attach an extra accessory arm for a smartphone or video monitor, further expanding your shooting options.

This tripod also comes bundled with one of Benro's VX ball heads, which have been specifically designed to complement the Rhino range. In real terms, this means that they are also strong and lightweight, but there are a few extra features as well, such as the redesigned quick-release plate with a safety catch to prevent calamity resulting from accidentally releasing the camera. All in all, it adds up to an impressive, high-quality setup for pretty much any camera user.

Read our full Benro Rhino FRHN34CVX30 review

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Most versatile carbon fiber tripod

With so many knobs, this doesn’t look at first glance like an easy tripod to use, but it’s actually pretty intuitive to set up – and it gets better from there.

This is a tripod that ticks all the boxes. It can take a heavy load (up to 25kg), it’s tall and proved to be extremely sturdy during our testing, and all for a reasonable price. You can pivot the center column when you want to shoot low, perhaps for macro.

If compact storage is important to you, other tripods reach similar heights but fold down much smaller. But if you want a tripod that can cope with virtually any shooting situation, this is a strong choice.

Read our full Vanguard VEO 3+ 303CBS review

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Aluminum vs Carbon Fiber

Aluminum tripods are created from an aluminum alloy, and while it's not the strongest metal available, it is relatively strong for its weight. It also has the benefit of being fairly malleable, meaning that if you manage to damage it via impact, it will more likely become bent rather than completely broken, and therefore still be usable.

Carbon fiber is a composite material in which strings of carbon atoms are set in a plastic resin, and have a very high strength-to-weight ratio, meaning that tripods made from the material are much lighter to carry. However, while tougher than aluminum, if it suffers from a sudden impact, its greater rigidity means it’s prone to cracking or shattering – in cold weather or when dropped onto a hard surface. So carbon fiber tripods need to be used with more care than aluminum ones.

Carbon fiber tripods are touted as stronger and lighter than their metallic counterparts. When we refer to tripod ‘strength’, we’re essentially talking about stiffness – resistance to compression when a load is placed on top. Stiffness is measured in gigapascals (GPa), and aluminum scores 69 compared to around 181 for carbon fiber. So, for the same diameter tripod leg, carbon fiber is much stronger, and because the material is less dense, it’s far lighter, too (although you should note there are different grades of carbon fiber).

Metal is a better thermal conductor than carbon fiber, which is bad news in cold weather, as aluminum tripods will be incredibly cold to the touch – too cold to handle without gloves. Carbon fiber tripods are warmer to the touch, which landscape photographers will appreciate. Many aluminum tripods have a foam covering on the top section of one leg, but this further adds to the bulk, and you’ll still need gloves to set up the tripod.

How to choose

Although all tripods have three legs, there are lots of features to differentiate between different models. These are some of the key features to consider when picking the right one for you:

Maximum height
A tripod that can at least reach up to your own head height is useful – but it can make the tripod bigger and heavier, so you may need to compromise on this.

Minimum height
How low can you go when photographing a subject? Some tripods allow their legs to stretch out sideways, or to reverse the column so the head is suspended between the legs, to get you close to the ground. This is particularly useful, say, when photographing flowers.

Folded size
The size of the tripod when folded is important for travel. Some tripod legs have more sections than others, to help keep the tripod compact when not in use. Some have swing-up legs, so the feet encircle the head.

Heads
Some tripods are sold with a head, and others are not, to allow you to choose the legs and head separately. Most tripod kits are sold with a ball head.

Leg section clamps
Twist-action locking clamps are generally more popular for loosening and locking the leg sections, but the Manfrotto 055 uses equally effective flip locks.

Monopod option
With some tripods, you can unscrew one leg and use it with the center column as a monopod.

Pivot facility
Some tripods have a center column that pivots to allow you to have the camera pointing straight down to the ground – useful for flat-lay photography, and more.

How we test tripods

When we test carbon fiber tripods for review, we take note of the manufacturers' specifications for payload, working height, and folded length, and carry out our own subjective assessment of rigidity, stability, ease of use, and design to see how the tripod measures up. Over the years, we've tested many, many tripods, either for standalone reviews, for group tests, or while working on tutorial or how-to articles, so by now we know exactly what we're looking for and which features count most.

Read more about how we test and review on Digital Camera World

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In the mirrorless march to overachieving technology, IBIS (In-Body Image Stabilization) has become a key feature in the vast majority of recent and current cameras. Claims of up to 8-stop effectiveness, or thereabouts, are frequently touted, enabling you to shoot handheld in very low-light conditions. Even so, a decent tripod is still a must-have accessory for most of us, enhancing our versatility as photographers or videographers. Many camera techniques simply aren’t possible without a good, solid camera support, and while tripods can come with quite a high price tag, there are plenty of budget-friendly options that really deliver.

The main concern is that a small outlay will only get you a poor-quality product. There’s certainly the potential for false economy, so it’s best to stick to reputable brand names, many of whom have done a commendable job of offering affordable tripods alongside their more expensive products. To qualify as a 'budget' tripod, I've imposed a typical street price ceiling of $200 / £200 / around AU$400, but be sure to check around, as I've noted some retailers sell the same model tripod notably cheaper than their competitors.

Depending on your needs, you’ll want to look at slightly different types of budget tripod, and I’ve included plenty of options in this guide. The majority are 'travel tripods', but I’ve also added in a great-value video tripod with a three-way head that is ideal for videographers, as well as options with reversible central columns for low-down shooting – this is great for macro and close-up work. What I haven't included are tabletop tripods that you'll need to pop on a table or wall and are only suitable for lightweight setups. For those, see our separate guides to the best mini tripods or the best phone tripods.

Sticking to a low budget does rule out certain types of tripod, so you might need to stick with aluminum legs rather than splashing out on pricey carbon fiber. You can also expect a relatively simple ball head as part of a complete kit, but you can always upgrade later with our guides to the best ball heads or best pan-and-tilt heads. Let’s take a closer look at the low-cost tripods that stand out from the crowd. For a more in-depth analysis of each model, I've provided links to our full reviews to help you make the most informed buying decision.

The best budget tripods

Best budget tripod overall

The 3 Legged Thing Punks Corey 2.0 travel tripod is aimed at hybrid content creators who need a compact yet robust support system. It has an exceptionally compact folded height of 36.1cm, which makes it easy to pack inside a camera bag rather than strapping it to the outside, while still providing a respectable maximum operating height of 146cm. This is due, in part, to its five-section leg columns and two-section center column, yet it still manages an impressive load rating of 14kg (30lbs), which is unusually high for a travel tripod and enables it to take heavier camera and lens combinations in its stride.

The upshot is that it remains rigid and vibration-free and is a rock-solid support under even the most trying conditions. Tricks include a detachable leg that can be used as a monopod, and the option to convert it into a tabletop tripod with optional Vanz footwear. While the legs can be purchased separately, the full kit, which includes the Airhed Neo 2.0 ball head, offers cracking value, and is my pick of the budget tripods.

See our full 3 Legged Thing Punks Corey 2.0 review

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Best budget tripod for options

Some people prefer twist leg locks, others prefer lever-style clamps, and the Manfrotto Befree Advanced AS is available in both variations for around the same price. You can also opt for aluminum or carbon fiber; the latter is pricer and doesn't save a huge amount of weight, so my advice to the budget-conscious is to go for the metal version, which I particularly rate for its excellent value.

It folds to a compact 40cm and reaches a reasonable maximum height of 150cm when fully extended, and has a solid 9kg payload rating, which is pretty good combo for a travel tripod, although that may be a little low for taller ’togs. Three lockable leg angles add to its versatility. Best of all, it comes with Manfrotto's Befree Advanced 494 Center Ball Head, which has an adjustable friction damper and dedicated panning lock, and is topped with an Arca-Swiss compatible plate.

See our full Manfrotto Befree Advanced AS review

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Best budget tripod for macro

The 3 Legged Thing Patti 2.0 is a travel tripod from the company's 'Punks' range aimed at beginner photographers. Made from a magnesium alloy and weighing 1.7kg, it combines travel-friendliness with durability. A neat feature is its ability to convert into a monopod by detaching a leg and connecting it to the center column. You can also invert the center column, so the camera sits upside-down between the legs, making it useful for low-level shooting and macro photography work.

The tripod retains excellent rigidity and stability, even at its maximum operating height of 163cm, and extends even higher, to 166cm, in monopod mode, but its folded size of 45.5cm is not the most compact. The legs are extended using easy-to-operate flip locks, on top of which a tri-mount plate has three accessory spurs. It comes with an AirHed Mini ball head, which boasts a decent 10kg load rating, a single locking knob for movement, and a panning scale, although it lacks an independent panning lock.

See our full 3 Legged Thing Patti 2.0 review

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Best budget carbon fiber tripod

The Vanguard Vesta TB 204CB is a highly affordable and complete carbon fiber travel tripod kit, and the inclusion of carbon fiber legs and a ball head at this price point is remarkable. Weighing just 0.78kg (1.72lb) and folding down to a compact 37.5cm (14.8 inches), it is ideal for travelers who want to pack it inside a daily bag without it being a burden.

The tripod's design features four-section legs with twist-locks and a reversible center column that can be used for low-level shooting. The included T-46 ball head has a quick-release plate, a single locking knob for pan and tilt, and a separate friction control.

Its main limitation is its modest maximum height of 130cm (51 inches) with the center column extended, and the tripod can feel a little bit wobbly at this full height. But on the whole, the Vanguard Vesta TB 204CB is an attractive and well-made kit that offers exceptional value for money, and makes an excellent choice for budget-conscious photographers on the go.

Read our full Vanguard Vesta TB 204CB review

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Best budget video tripod

The Neewer LL27 video tripod with fluid head offers exceptional value for videographers. It is easy to set up with single-lock legs and a leveling bowl base, and has an impressive maximum operating height of 192cm (76in). The fluid head provides smooth panning and tilting, aided by independent locks and a reversible panning handle, while the tripod features robust rubber feet, multi-tube aluminum legs for quick adjustments, and a 75mm (3in) leveling bowl. A long Arca-Swiss compatible quick-release plate has dual connection screws, enhancing stability.

However, its rigidity at full extension could be better, and I found the tripod to be susceptible to vibration when extended to its full height. Its maximum load capacity is fairly modest too, at 8kg (17.6lb), and it lacks the ability to shoot at very low angles. These minor drawbacks aside, the Neewer LL27 is well-built for its price, offering a solid solution for videography needs without a hefty price tag.

See our full Neewer LL27 video tripod review

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Best budget pan-and-tilt tripod

The Vanguard Vesta 203AP is an exceptionally affordable aluminum tripod kit, making it an excellent value for budget-conscious photographers. Weighing in at just 1.1kg (2.4lb), the tripod is easy to transport. Its design includes a standard three-section leg system, which facilitates a quicker setup compared to models with four or five sections. Despite its simplicity, the Vesta 203AP has a respectable load rating of 3.5kg, making it suitable for compact cameras and smaller mirrorless or DSLR setups.

On the downside, the height range is somewhat restrictive, spanning from a minimum of 53.5cm to a maximum of 155cm, and, when fully extended, it exhibits a slight wobble and susceptibility to vibration. It also lacks multiple locking leg angles for versatile positioning on uneven terrain. The center column is not reversible, which limits creative low-angle or macro shooting.

The included 3-way pan head is really rather good. It boasts a unique capability to rotate the camera platform by 90 degrees, which is particularly useful for capturing images in portrait orientation. While it may lack advanced features and top-tier stability, it's commendable as a basic tripod and a great value proposition considering its low cost.

Read our full Vanguard Vesta 203AP review

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How to choose the best budget tripod

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How we test tripods

We measure the maximum operating height of each tripod and its folded height for carrying, complete with the head attached. We also measure the combined weight of each set of tripod legs and head, using electronic scales, and measure the diameter of all leg sections, from the widest to the thinnest, using digital calipers.

We check the ease of use, smoothness, and precision of all available adjustments in each set of tripod legs and heads. This ranges from adjusting leg sections and pivot facilities (where available) to the locking mechanisms of the head, as well as independent pan and friction damping adjustments, where fitted.

To check overall stability, we shoot with a range of camera bodies fitted with wide-angle, standard, telephoto, and macro lenses. We look for good resistance to flexing and vibrations throughout the whole range of operating heights, including the tallest available settings, with the legs and center column fully extended.

Find out more about how we test and review on Digital Camera World

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I like to travel light, whether I’m walking city streets, trekking across the countryside, or jetting off to the other side of the world. Conventional full-sized tripods tend to be big, heavy, and unwieldy – so I often leave mine at home, making it completely useless. By contrast, the best travel tripods literally take a load off. They’re made to be compact and lightweight, but in the past, they’ve often been notorious for being flimsy, relatively unstable, and too small to offer a useful operating height. The new breed of travel tripod tempts me with the promise of giving me the best of both worlds.

Many modern travel tripods have legs that swing upwards for storage, so that the head is encircled by the feet. This typically reduces the folded height by as much as 4in / 10cm. Some also include as many as five sections in each leg, and a two-section extending center column, reducing the folded height even further, while still enabling reasonably lofty shooting. I find they take longer to set up and fold away, but it’s a trade I’m willing to make for smaller stowage.

These are the best of the best travel tripods, but if you're on a limited budget, you might also want to check out our guide to the best budget tripods, many of which are also travel tripods. I've linked each mini-review to our full reviews so you can get even more in-depth info on the models you're most interested in.

My recommendations of the best travel tripods

Best tripod overall

The Peak Design Travel Tripod may be the first tripod that Peak Design has made, but it's hands-down one of the best travel tripods that I've ever used! While I tried the carbon fiber model, there is an aluminum version that has all the same design features, with a little more weight and less vibration resistance, but is a massive 40% cheaper. A couple of the other tripods here will go higher, but the Peak Design will still go to eye level for an average-height person, and it packs down to just 39cm in length.

I like that it's designed to cut out the dead space between the legs and the column when packed, which means it's not just short when folded but very slim too – I can put this inside my camera bag or cabin bag instead of just strapping it to the outside. The low-profile ball head is simple but brilliant. There's a phone holder hidden inside the center column, and best of all for me, the tripod feels seriously rigid.

Read more: Peak Design Travel Tripod review

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Best for versatility

The Manfrotto Befree Advanced AS is a great travel tripod compromise: it’s sturdy but lightweight, folds down nice and small, and the clever head takes just about anything I can throw at it.

The included Befree Advanced 494 Center Ball Head is super quick and easy to work with, but fully featured, with independent adjustments for the main ball lock/release, plus an adjustable friction damper and a panning lock. Below the head is Manfrotto’s ‘Easy Link’ socket, which is ideal for mounting an LED video lamp, microphone, or other accessories.

You can have the Manfrotto Befree Advanced AS is an aluminum or carbon construction, but I reckon the aluminum option is the best value. It still weighs just 1.51kg / 3.3lb, making the complete kit impressively lightweight for an aluminum setup. What's more, you can also have this tripod with either twist clamps for the leg sections or lever locks, depending on your personal preference. The 9kg load capacity is also generous, and despite the tripod's low weight, it still feels reasonably sturdy, even at its full 150cm stretch.

Read more: Manfrotto Befree Advanced AS review

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Best alloy tripod

I find that all of the Punks tripods from 3 Legged Thing are very travel-friendly, but the Corey 2.0 is the smallest and easiest to pack for the journey. It has the usual swing-up legs to save stowage space, this time with five sections in each, plus a two-section head, enabling a decent maximum operating height but a very small stowage size.

Don’t be put off that this one’s not a carbon fiber tripod. It’s actually made from aerospace-grade magnesium alloy, and the upshot is that it’s still lightweight yet very strong, with a hefty 14kg maximum load rating.

It ticks another two boxes on my wish list by easily converting to a monopod and enabling ultra-low-level shooting, with the option of attaching the ball head directly to the canopy (leaving the center column out of the equation). All three legs are removable, and Vanz footwear (sold separately) transforms the Corey 2.0 into a stylish tabletop tripod.

Read more: 3 Legged Thing Punks Corey 2.0 review

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Best tripod for features

Built from carbon fiber and aluminum alloy, the Freewell FW-T1 supports everything from smartphones to medium-format cameras while remaining exceptionally lightweight. Its standout feature is versatility; the quick-release plate cleverly doubles as a phone holder when flipped, allowing creators to switch seamlessly between professional photography and social media content.

One leg can be detached to convert into a monopod, offering flexibility for fast-paced shooting. The tripod also includes a 360° ball head that supports portrait orientation without needing an L-bracket, accessory expansion holes, and a hidden compartment for an AirTag.

The twist-lock legs allow for quick setup with three flexible angle positions (20°, 55°, and 75°), making it adaptable to uneven terrain. The ball head is smooth and precise, though the multiple levers can initially be confusing. While it sits in a mid-range price bracket, the professional build quality and thoughtful engineering make it excellent value for money.

Read more: Freewell FW-T1 review

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Best for height range

The Neewer LiteTrip LT38 travel tripod is constructed from high-quality carbon fiber, but rather than traditional circular tubes, the legs have a flattened profile for compact stowage. It features five-section legs and a two-section center column, and offers three locking leg angles, which enable a really versatile range for shooting up high and down low, with a maximum operating height of 155cm and a minimum operating height of 15cm.

Some five-section tripods are a bit on the flimsy side, but not so the LiteTrip LT38, which boasts a substantial 10kg load capacity and effectively minimizes vibrations and unwanted flexing. What's more, the 12 leg-locking levers are quick and easy to operate, enabling quick setup times. All in all, this Neewer tripod makes for an excellent choice, combining a high-end carbon fiber build with a robust and adaptable ball head, delivering outstanding performance.

Read more: Neewer LiteTrip LT38 review

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Best design

The Benro Cyanbird Carbon Tripod comes as a kit with Benro's FS30 Head, and the pair makes for a great combination that stands out for its innovative design and performance. Unlike many typical travel tripod designs, this forgoes swing-up legs, thus allowing for quicker setup and breakdown, but rather than being completely circular in shape, the legs are made of oval, curved leg sections that wrap around a triangular center column, minimizing its stowed size to a still-very-compact 45.5cm. The supplied FS30 ball head offers similarly innovative design solutions, with the panning section located at the top of the head rather than the base, which makes leveling the tripod for panning particularly easy.

Despite its lightweight construction – tipping the scales at a shade under a kilogram – it offers impressive rigidity and stability, offering solid support for loads up to 4.5kg, even at its maximum height of 150cm, effectively resisting vibrations and ensuring stable shots. While this carbon tripod is priced higher than the hybrid version (which combines carbon fiber and aluminum), its clever design and attention to detail justify the cost, and it's a worthwhile investment for photographers and videographers seeking a compact, lightweight, and high-performing travel tripod.

Read more: Benro Cyanbird Carbon Tripod + FS30 head kit review

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Best lightweight tripod

With five sections in each swing-up leg and a two-section center column, this Vanguard folds down to just over a foot long yet gives a reasonable maximum operating height. I find it can easily fit into my daily bag or backpack. It’s also very lightweight, although, as expected, the alternative aluminum version is a little heavier. The bottom leg sections are quite spindly, with a diameter of just 11mm, but stability is pretty good even at full stretch.

As well as giving a typically quick and easy change to monopod configuration, the Vanguard is more unusual in coming complete with a smartphone adapter. I like that it works well as a monopod and even a selfie stick, so I only need to take one support for the journey rather than two or three.

Read more: Vanguard VEO 3GO 235CB review

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Best for sturdiness

The 3 Legged Thing Leo 2.0 is no ordinary tripod. It folds down to just 35cm in length but opens out to offer a maximum height of 146cm and a huge payload capacity of 30kg. That far exceeds the weight of any of my camera and lens combinations, but the net result is great rigidity.

I like that it has a detachable monopod leg that can also be used as a microphone or camera boom, a Tri-Mount system for adding accessories, and an innovative two-section center column. That helps it to fold down really small yet reach a decent maximum operating height. You can buy the legs on their own, but I’d get the complete kit with 3 Legged Thing’s new and improved AirHed Pro Lever ball head.

The Leo 2 is not the lightest travel tripod you can get, and not the cheapest, but its ratio of folded length to maximum height, combined with its all-around versatility, makes it one of the best.

Read more: 3 Legged Thing Leo 2.0 + AirHead Pro Review

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Best with 3-way head

The Manfrotto Befree 3-Way Live Advanced is a lightweight photographer’s travel tripod paired with a three-way head. Although ball heads have become hugely popular, I actually prefer a 3-way head for the likes of architectural and close-up shooting, where precise adjustments can be critical. The 3-way fluid head in this case uses a hydraulic damping system to make it easy for smooth, fluid camera movements, so I find it also works well for shooting video.

The tripod, meanwhile, provides a good balance between capacity, weight, and price. It’ll take 6kg of kit and only weighs 2kg itself. I’ve tested lighter and stronger tripods, but they tended to be more pricey than this one.

It’s not as tall as some of the other tripods in this guide, and doesn’t fold down particularly small, the latter not helped by having a 3-way rather than ball head. But, for the vast majority of purposes, this is an impressive all-around package and merits serious consideration for any traveling photographer or videographer.

Read more: Manfrotto Befree 3-Way Live Advanced tripod review

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Best compact tripod

A plus point for me when space is at a premium is that the Benro Rhino 05C VX20 (also called the Rhino Zero Series VX20) is the smallest in a group of four recently launched Rhino travel tripods. Compactness doesn’t equate to flimsiness, though, and I’ve found that it’s remarkably rigid and robust for such a compact tripod. Another nice touch is that Benro’s companion VX ball heads have a secondary pan axis just under the camera plate. It’s great for taking sequences of panned shots to stitch into a panorama, and shooting video, as the panning axis remains on the level without the need to meticulously level the legs as well as the head.

I find that travel tripods have limitations, including a lower maximum working height and longer ‘unfolding’ time, but this goes with the territory, and I can’t criticize the Rhino for that. Sure enough, this Benro doesn't extend to a particularly tall height, and outright rigidity can feel a little compromised if I fully extend all of the leg sections and both of the center column sections. When it’s not at full stretch, though, I find this Benro is as rigid as much bigger and heavier tripods.

Read more: Benro Rhino 05C VX20 review

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How to choose the best travel tripod

It’s good to be choosy when picking your perfect travel tripod for your needs and budget. Here are a few things to bear in mind…

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How we test travel tripods

We measure the maximum operating height of each tripod and its folded height for carrying, complete with the head attached. We also measure the combined weight of each set of tripod legs and head, using electronic scales, and measure the diameter of all leg sections, from the widest to the thinnest, using digital calipers.

We check the ease of use, smoothness, and precision of all available adjustments in each set of tripod legs and heads. This ranges from adjusting leg sections and pivot facilities (where available), to the locking mechanisms of the head, as well as independent pan and friction damping adjustments, where fitted.

To check overall stability, we shoot with a range of camera bodies fitted with wide-angle, standard, telephoto, and macro lenses. We look for good resistance to flexing and vibrations throughout the whole range of operating heights, including the tallest available settings, with the legs and center column fully extended.

Find out more about how we test and review on Digital Camera World

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Today's prices compared

If you shoot video at a serious level, you’ll likely need to use an external, mic, lights and maybe an external monitor. You might be able to put a shotgun mic on the camera’s hotshoe, but then you might want to position and point it separately. Light of any size don’t work well on a hotshoe and bring the same lack of positioning control, and external monitors are the same.

Ultimately, you can’t fit up to three separate devices on a single hotshoe, quite apart from the control you might want to use over their positioning. So clamps and accessory arms are a near-essential part of a videographer’s kit-bag – and these gadgets are useful for stills photography too.

And even the best camera rigs need some help mounting accessories. The best cinema cameras often come with mounting points on the body, like the new Sony FX30, but you can never have enough clamps, support arms, and mounting points, even with these.

The Veo CP-65 Accessory Kit is a great way to get started. Each item is available individually, but if you don’t have any mounting accessories at all, this kit comes with three essentials: a Veo CP-65 Clamp with mounting holes for accessory arms, a multi-jointed VEO TSA DLX L Tripod Support Arm and a VEO SPH Smartphone Holder with Arca Swiss base and mounting holes of its own.

If you don’t need such a heavy-duty clamp or such a long support arm, there’s a cheaper CP-46 kit which still comes with a small clamp and support arm, and the same VEO SPH Smartphone Holder.

Specifications

VEO CP-65 Clamp
Jaw width: up to 65mm
Mounting holes: 2 x 1/4”, 1 x 3/8”
Weight: 160g
Maximum load: 2.5kg

VEO TSA DLX L Tripod Support Arm
Folded length: 67mm
Maximum extension: 290mm
Weight: 297g
Maximum load: 3kg

VEO SPH Smartphone Holder
Smartphone width: up to 90mm
Ball joint rotation: 360° rotation, swivel +/- 40°
Mounting: Arca compatible base, 1/4” and 3/8” thread in base, cold shoe
Weight: 180g

We’ll look at each component separately because the are available individually and you might want to buy them that way. And we'll starting with the CP-65 Clamp, which is likely to be the mainstay of your accessory mounting system.

VEO CP-65 Clamp review

The VEO CP-65 can clamp on to objects up to 65mm in thickness (hence the model name) and has swivelling pads to handle circular objects like tripod legs or flat surfaces like desk or table edges.

It’s beautifully made and finished, and clamps with grip of iron (or whatever material it’s made out of). There are two standard-size 1/4” mounting points, one at the back, one on the top, and one 3/8” hole for accessories that use the larger size.

VEO TSA DLX Tripod Support Arm review

This is like a miracle of miniature engineering. It has two sections with a rotating pivot in the center, and a fully articulating ball joint at either end – and all three are locked in position – and very firmly – by a single locking nut at the center.

You release the locking nut to fold it down for storage, or adjust the position of the attached accessory to a huge range of angles, directions and positions, then lock everything in place by tightening it again.

At either end of the support arm, on an articulating ball joint are the mounting screws. These come with an extra twist (or rather without an extra twist) by using a bayonet plate that works with other accessories in the Vanguard mount system to prevent any swivel even when they’re not fully tightened.

This support arm is impressively rigid when locked, though it needs to be screwed into the clamp very tightly to remove any trace of play. I did use a supplied hex key a couple of times to get some extra leverage. There’s a hole in the knurled wheel that’s perfectly positioned for this. At full extension and carrying heavy objects, it can get knocked out of position and need tightening, but putting a mid-size light at the end of a support arm is asking a lot.

Some Vanguard tripods and others have 1/4” mounting points build into the tripod ‘spider’ so you may not need to use the clamp (above).

VEO SPH Smartphone Holder review

I’ve used a lot of smartphone holders, and while they all do the job well enough, most are just plastic gadgets with spring-loaded clamps. The Veo SPH Smartphone Holder is in a class above. The metal finish oozes quality, the Arca Swiss Base is so useful for attaching your phone straight on to a compatible tripod, and there’s a 1/4” (and a 3/8”) mounting point if you want to use the accessory arm instead.

The clamp jaws fold out for use, and are tightened by a screw to give a really secure grip. There’s a ball joint at the back for quick angle adjustments and to switch between horizontal and vertical orientation. The locking nut, though, does require pretty strong fingers to lock the ball really firmly; otherwise a quick twist will keep the phone where you positioned it but not prevent you pushing it into a different position – which may have been the idea.

Verdict

The Vanguard VEO CP-65 Accessory Kit is not cheap, but the engineering, design and built quality are obvious from the moment you take it out of the box. You could probably find some low-cost equivalents on Amazon for a fraction of the price, but they would probably be a fraction of the quality too.

The Veo kit is easy to set up and use, exceptionally rigid, remarkably versatile and looks like it might last a lifetime. And if you’re going to be dangling accessories that could cost hundreds on a set of clamps, brackets and support arms, you want them to be good!

Read more:

• Best video lights
• Best microphones
• Best external monitors

Image stabilization is a wonderful thing, whether it’s in-camera, in-lens, or both. I often find that I can get pin-sharp shots at slow shutter speeds, the kinds of which I could only dream of in bygone times. Another upside is that I much prefer the freedom of movement I can enjoy in handheld shooting, compared with using a tripod, and it’s also one less thing to carry. But that’s not the whole story, especially when I’m using a big, heavy telephoto lens for the likes of sports and wildlife photography.

A good monopod can literally take a load off, as far as I’m concerned. Especially for long periods of shooting, when I’m covering a sports event, a heavy camera and lens kit can be a real pain in the neck (and the back). It’s great to be able to transfer all of the weight to a monopod and let it take the strain. In the absence of stabilization, they can also cut camera shake at slower shutter speeds in low light, and they're great for adding stability to video. But while a monopod might seem like a very simple device, there is a huge range of different options on the market with different advantages and drawbacks.

The quality of the build of monopods can vary greatly, as can their height, weight, and maximum payload. Some monopods have more leg sections than others, some have stabilizing feet that can sometimes also be used as mini tripods, and some even double as video sliders or have their own leveling heads. For the following guide, I've picked out some of the best options to suit a range of needs and budgets but, if you still feel that three legs are better than one, make sure you also check out our guides to the best tripods and the best travel tripods.

The best monopods

The best monopod overall

3 Legged Thing is a reliable British brand for tripods and monopods, and I've tested lots of their products over the years. The redesigned Trent 2.0 stands out for its impressive max load-to-weight ratio, able to support up to a hefty 30kg of kit. It can also reach very high, up to over two meters, all while being relatively light as well as more affordable than some of the brand's more premium options.

It features redesigned leg locks, which I found easy to operate even in the cold when wearing gloves. And there's the option to include 3 Legged Thing's Docz2 foot attachment, which adds extra stability and allows you to use the monopod hands-free (don't go too far!). The feet can be attached and removed, but that involves screwing them on or off.

The Trent 2.0 still measures a pretty chunky 60cm when packed down (an unavoidable trade-off for all that height). It also lacks a quick-release plate or head, so you'll need to have one already or buy one separately if you want to avoid having to screw the monopod to your camera every time you use it. If you don't mind those frustrations, I think this is a fantastic value for big setups.

Read our full 3 Legged Thing Punks Trent 2.0 review

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The best monopod for innovative design

Just when I think I've seen everything in monopod design, Benro comes along and surprises me with the Benro SupaDupa Pro MSDPL46C, which proves there's still innovation to be found. It's a clever monopod design with a few interesting tweaks that I really appreciated when I tested it.

First, there's a clever rotating foot that I found makes it easier to produce smooth panning movements without the heavy and expensive addition of a video head. Second, there's an inbuilt leveling head that offers 20-degree movement in all directions. Like the first feature, it doesn't offer the range and fluidity of a pan and tilt head, but I found it can be useful in certain situations. For example, you could lean the monopod up against a wall or railing to keep it steady and adjust the leveling head to set the camera straight.

Finally, the leg locks are all twist-style except for the top one, which is a flip catch. This makes it very easy to use the top section for quick height adjustments. All of these features make this a relatively expensive monopod, and it's probably more than most monopod users need, but these touches could make the difference, particularly for sports photographers who don't want the expense and weight of an additional head.

Read our full Benro SupaDupa Pro MSDPL46C review

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The best monopod for feet

Constructed from carbon fiber, the Vanguard VEO 2S CM-264TR is both lightweight and incredibly sturdy, a combination that’s not always easy to find. In the field, it proved to be a reliable companion. The twist-lock legs were quick to deploy and secure, allowing me to set up for a shot in moments.

The standout feature for me, however, was the set of tri-feet at the base. These offered a surprising amount of stability on uneven ground, giving me the confidence to shoot at slower shutter speeds without worrying about camera shake. While the added stability of the feet was a huge plus, I did find the panning function a bit stiff. It wasn't as smooth as I'd hoped for capturing fluid motion. The included smartphone clamp and Bluetooth remote were a nice touch, though, and I can see them being very useful for vlogging or behind-the-scenes shots.

Overall, I found the VEO 2S CM-264TR to be a versatile and dependable monopod. It’s a solid choice for any photographer who needs reliable support without the bulk of a full tripod. Despite the minor issue with panning, its robust build and thoughtful features make it a worthy contender if you need a little additional stability. If you don't mind a little extra weight, the Vanguard VEO 2S AM-264TR offers the same features but is made from aluminum.

Read our full Vanguard VEO 2S CM-264TR review

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The best value monopod

The Benro A48FD Series 4 Aluminum Monopod with 3-Leg Locking Base is an exceptionally solid support system that cleverly bridges the gap between a monopod and a tripod. One of the little luxuries I love is that it doesn't fall over if and when I let go of it, thanks to its foldout three-leg base.

Benro bills this as ideal for small cameras, but with its impressive 20kg (44lb) payload rating, I found it tough enough to support the heaviest camera setups with long lenses for both video and stills. At 6 feet 5 inches tall, I could use its four leg sections comfortably without stooping. The three flip locks operate with smooth, solid efficiency, and the base features a helpful ball joint for fluid panning and tracking.

The aluminum build is highly durable and won't shatter if hit, though it can feel cold to the touch in chilly weather. It is also nearly twice the weight of some carbon fiber alternatives. However, the tough build and removable three-legged stand make it cracking value for the money.

Read our full Benro A48FD Series 4 Aluminum Monopod review

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The best carbon fiber monopod

My first impression of the Benro Adventure 8x CF Series 3 Monopod was how incredibly lightweight it is, a real back-saver on long hikes. The carbon fiber construction is top-notch, providing a sense of durability that inspires confidence. I found the twist-lock leg sections to be a breeze to use, allowing for quick and silent adjustments, which is crucial when you're trying to capture wildlife. The monopod extends to a very generous height, which I, as a taller photographer, really appreciated.

In the field, it performed admirably. The large rubber foot at the base provided a solid grip on various surfaces, from rocky trails to slick city streets. I did find myself wishing for a little more stability in some situations, as the lack of tripod feet meant I had to be more mindful of my own movements to avoid camera shake. The foam grip was comfortable to hold, even in colder weather, and the attached wrist strap gave me an extra sense of security.

The Benro Adventure 8x CF Series 3 is a fantastic choice for photographers who prioritize portability and speed. While it may not offer the same level of stability as a monopod with tri-feet, its lightweight design and solid build make it an excellent companion for those who need to travel light and react quickly. It's a no-fuss, reliable piece of kit that I would happily take on my next adventure.

Read our full Benro Adventure 8X CF Series 3 Monopod review

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The most versatile monopod

Moza's original Slypod is an innovative 2-in-1 slider-come-monopod: a clever motorized device that could automatically extend at different speeds via a dedicated mobile app. Its big brother, Slypod Pro, which I'm concentrating on here, is an evolution of the same concept, with more power and a set of detachable feet.

It's mainly aimed at videographers, and most of the versatility is more beneficial for video than stills. When I tested it, I found the addition of the feet, larger than many such detachable bases, to be a welcome addition for allowing me to use the device vertically, hands-free. Using the motor in the vertical position, I was able to create smooth vertical tracking shots.

Meanwhile, fitted to a regular tripod, the monopod becomes a horizontal or angled slider or boom. Both in this position and vertically, it can automatically extend a total length of 1.46m. I found that the app works well, allowing me to regulate the extension speed between 0.5mm/s and 40mm/s to create different looks.

Unsurprisingly, given that it includes a motor, this monopod is far more expensive than most. It's also fairly heavy and measures 65cm when collapsed (without the tripod attachment). But while the motor is of limited use for photography, I found that it comes into its own as a slider or jib arm for shooting video.

Read our full MOZA Slypod Pro review

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The best tall monopod

I think this is the best monopod overall if you need a lot of height. A fast four-section design makes it quick to extend, and the lightness and rigidity of carbon fiber helps keep weight down while giving over 2m / 6.5ft of reach.

That level of extension might be more than what most people need to bring their viewfinder to eye level, but it can be useful in various scenarios, including situations where you want to shoot downward, over people's heads, or if you're on a hill or steps and the base of the monopod is lower than your feet.

When I tested it at its full extension, I felt reassured by the solidity of the build. The thick rubber grip feels secure and comfortable to hold, and the wrist strap provides extra security. I liked the grips on the ‘O-Pad’ twist locks on the leg sections to aid purchase for tightening and loosening.

There's an option to include the brand's Docz2 feet for extra stability, but, alas, no head is included. The Lance doesn't pack down small, so you'll need to strap it to a backpack to carry it. Also, due to the carbon fiber body, it is more expensive than 3 Legged Thing’s magnesium alloy monopods. If convenience and keeping weight down are priorities, it's a great buy.

Read our full 3 Legged Thing Lance review

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How to choose the best monopod for you

Buying a monopod doesn't have to be too complicated – fundamentally, all you're dealing with is a single-leg support for your camera – but there are a few things worth looking out for. It's worth thinking about the type of shooting you're doing and what you might prioritize based on that. Is it more important to you that a monopod is quick to set up or light to carry?

A monopod must be able to support the combined weight of your camera/lens/accessories setup, so the best monopod for you will depend on your kit. If you're using a lightweight mirrorless camera and a small lens, this will be a pretty different proposition than if you're using a hefty DSLR with a super-telephoto lens.

You also need to consider how high you need your monopod to go. This will depend on several factors, not least of which is how tall you are yourself. Monopods that reach greater heights are useful for high-angle work, but they're more expensive. If you're short in stature and you don't plan to take shots from high angles, you could save money by picking up a monopod that doesn't extend so far.

Also consider the practicality of each monopod's design. Monopod leg sections will be separated with twist- or flip-style locks. Twist-locks tend to be more secure, but flip-locks are faster. Tripod users tend to prefer more secure locks, but for a monopod, you may be better off with something that can be deployed faster in order to take advantage of the monopod's greater shooting versatility.

Monopod feet

Some monopods also have additional flip-out feet for more stable support. In some cases, these are fixed, and in others, the feet form a detachable base that can also be used as a handy mini tripod. Other types of bases include a fixed, rounded foot.

Monopod head

Like tripods, monopods can be fitted with different heads to allow panning and tilting, but in most cases, you will need to buy these separately. Most monopods have a standard 3/8in screw, which will allow you to attach most tripod heads, but it's always worth checking. See our pick of the best ball heads for options to accompany a tripod or monopod.

Monopod grips

Finally, at the top of the monopod, there should be a grip. As the monopod won't stand up on its own without your assistance, it's important that you're able to keep a secure grip on it, so this is something worth paying attention to. On cheaper monopods, the grip is likely to be foam, while some more expensive models use textured rubber.

Model variations

Be aware that many monopod brands make several variations of the same model, which sometimes have the same name but a different product code. For example, they may have a carbon fiber version and an aluminum version, or combination products that add in feet and/or a tripod head. On some retail websites, these variations often appear as different options under the same listing, so always be sure to check you are buying the version that you want.

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How I tested the best monopods

I have made this selection of the best monopods based on our reviews of each monopod and real-life testing in the field. To begin with, I set certain criteria as a minimum, choosing monopods capable of supporting the weight of a full-frame camera and lens combination. I also ensured the monopods were compatible with most tripod heads.

I then evaluated each monopod's strength, build, design, portability (weight and compactness), how quick and easy it was to set up, and useful features. Finally, I picked out the best monopod for different needs, considering more affordable options for those on a budget and more versatile options for content creators.

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FAQs

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The 235CBP sits in the middle of Vanguard's Veo 3T range of travel tripods. It features 5-section carbon fiber legs with twist locks and a 2-section carbon fiber centre column. A sprung hook at the bottom of the centre column enables a weight to be hung to give extra stability.

Vanguard supplies the tripod with a ball head, the Veo BP-50T, which is made from aluminum alloy and has a socket to attach a telescopic pan handle for easier control. In addition, the Arca-Swiss compatible quick release plate doubles up as a smartphone holder (with a cold shoe) that can accommodate a phone up to 85mm wide.

With the centre column fully extended, the Vanguard Veo 3T 235CBP has a maximum height of 1.55m, and with the center column down but the legs still fully extended, the height is 1.155m. The centre column can be reversed for low-level shooting, or it can be swapped out for the low-angle adapter.

The tripod folds down to 41cm in length, ready to be slipped into the included drawstring carry bag.

Vanguard supplies a few nice extras with the tripod, including a Bluetooth remote control for triggering IOS and Android devices and spiked feet that can be fitted instead of the stand rubber feet. It's also good to see two 3/8-inch thread holes in the tripod's canopy for mounting accessories via Vanguard's Tripod Support Arms. 

Specifications

Material: Carbon fiber and aluminum alloy

Folded length: 410mm

Maximum height: 1.55m

No. Leg sections: 5

Weight: 1.6Kg

Maximum load: 8Kg

Build and handling

When you remove the Vanguard Veo 3T 235CBP from its packaging, it's clear that it is a well-made tripod. It also looks very smart, and all the locks and threads run smoothly.

The Vanguard Veo 3T 235CBP's legs flip up over the centre column and head for transportation, and it makes a slender package. However, the head needs to be tipped at just the right point and the pan handle removed to get most compact result.

Each of the legs folds smoothly down with a nice degree of resistance. Pressing the broad button at the top of each leg releases the angle lock to enable it to be set to one of the three positions. 

There's a rubberized covering on each of the leg and center column locks, which gives excellent purchase so they can be loosened and tightened quickly. Conveniently, when the legs are collapsed, the leg locks are close enough to be covered by one hand and loosened together. 

The top section of one of the tripod legs has a rubber covering that provides excellent grip. It also denotes the leg that can be removed by untwisting to create a monopod in combination with the center column. The plug that holds the hook in the base of the centre column must be unscrewed before the center column can be removed and threaded onto the leg to create a 1.58m monopod with a ball head.

Performance

It's important to remember that the Vanguard Veo 3T 235CBP is a travel tripod rather than a full-sized studio tripod. For its size and weight, it's impressively sturdy, with the hook in the center column making it even more stable when a weight is attached. 

However, even with a weight attached, there's quite a bit of wobble around the center column when it's extended to its full height. I'd recommend keeping the column as low as possible unless you're shooting with a tiny, light camera or a smartphone in windless conditions. 

There's a single control over the ball movement of the tripod head and another to lock or release the panning movement. Both have a wing-like shape, making them easy to use and lock tight. The ball movement, however, is a little sticky rather than super-smooth. Nevertheless, it's easy to move a camera into position to get the composition that you want. 

Vanguard Veo 3T 235CBP: Verdict

The Vanguard Veo 3T 235CBP is a very nice travel tripod with a great range of features that make it suitable for many situations. Vanguard has neatly incorporated a smartphone mount within the quick release plate. The fact that the clamp is Arca-Swiss compatible means it can accommodate a camera with an L-plate mounted directly.

It's best to use the center column with caution, especially on windy days, but the 1.155m maximum height without it is fine for many situations. Importantly, it doesn't take much brainpower to work out how to flip the centre column or change it for the low-level adapter, and neither is a lengthy procedure, so you can be shooting at the height you want very quickly. 

Read more:

• These are the best travel tripods right now
• We pick the best tripod for all round photography
• These are the best cameras for travel
• The best camera backpacks right now

Vanguard produces two versions of this head, the H-160S, tested here, which which weighs 490g and supports loads of up to 15Kg and the smaller BH-110S that can handle loads of up to 10kg and weighs 427g.

The Veo BH-160S is made from machined aircraft-grade aluminium using CNC technology to enable the ball to have the super-smooth surface needed to deliver jerk-free movement.

Like the Benro GX35 it features a dual pan design that means the ball can be used to correct for any levelling issues not addressed by the legs and the horizon won’t slope when the head is panned. The secondary pan mechanism sits immediately below the clamp while the standard one is at the base of the head. 

The quick release plate has an Arca-Swiss design and the clamp is closed using a screw mechanism.

Specifications

Height: 112mm

Base diameter: 58mm

Weight: 490g

Controls: ball lock, pan

Plate compatibility: Arca-Swiss

Maximum load: 15kg

Build and handling

When you pick up the Vanguard Veo BH-160S Dual-Axis Ball Head it’s immediately apparent that it has an all-metal construction.

While there are two panning mechanisms, there is only one control over the movement of the ball. However, this has an asymmetric wing nut design that means it’s easy to make subtle adjustments and lock the ball tight. Careful positioning of the large control also means that it doesn’t extend below the base of the head and consequently there are no issues if the head is on a tripod with a very large mounting plate. 

The two panning control knobs have a smaller single-wing design but less force is required with these mechanisms.

Two locating pins in the bottom of the quick release plate help ensure it is reasonably centred in the mount, and they may stop your camera from sliding off the head, but there isn’t a locking mechanism like you see on heads like the Benro GX35, Gitzo Series 4 or Manfrotto XPRO.

Performance

Thanks to a small flip-out D-ring, it’s easy to get the quick release plate finger-tight on a camera or lens. There’s also a skinny hex socket but there’s no key in the box so unless you happen to have the right one to hand, you’re more likely to use the coin slot to get the plate tight on the camera.

With the release plate mounted on the camera, it slots easily into the clamp with the locating pins sitting in the front and back position and the clamp knob to one side. As there’s no safety lock, you need to keep a good hold of the camera while you close the clamp and then test it before letting go.

While there is a single friction/locking knob on the Veo BH-160S, it affords a pretty good level of control over the movement of the ball. As a result I experienced only very slight drifting of the framing after locking the ball tight when a camera was mounted directly with a 1.57Kg lens attached. Switching to mounting the lens via its collar eliminated the drooping.

Normally when you shoot a panorama, it’s important to get the mounting plate of the tripod level so that the horizon stays straight as you pan. This is achieved by adjusting the leg length and/or angles and it can take some time to get everything just so. With the Vanguard Veo BH-160S, you just need to ensure that the tripod is well-balanced and then you can use the ball movement to level the horizon. Then, instead of using the usual panning mechanism at the bottom of the head, you use the one between the ball and the plate clamp. 

If your camera has a level display (most do) you can use that to guide your adjustment of the ball head. However, if it doesn’t have a level display or you need to preserve battery power, you’ll have to remove the camera from the head to reveal the bubble level that’s in the top of the head.

Verdict

Vanguard’s Veo BH-160S Dual-Axis Ball Head looks and feels very well made yet its price is attractively low. The controls are also nicely shaped to give a good, comfortable grip and allow you to apply the force that’s sometimes required. 

As with some other heads, it’s a shame that the bubble level isn’t visible when a camera is mounted, and it would be nice to see an Allen key provided, ideally on a key ring, to tighten the quick release plate. Overall, however, it’s an excellent ball head that copes superbly with heavy optics to ensure shake-free images.

• Read more
• The best tripod for your camera
• The best travel tripods right now
• The best iPhone tripods and supports
• The best pan and tilt tripod heads
• Best gimbal heads for tripods
• The best panoramic tripod heads

Vanguard’s Alta BH-250 ball head is made from aircraft-grade aluminum and weighs just over 577g (20oz) but it can support loads of up to 20kg (44lb) as it’s designed with larger cameras and long lenses like a 70-200mm in mind.

It also has three knobs to enable separate control over the panning, ball lock and friction. Unlike the Vanguard Veo BH-160S, however, it has just the one panning control and, as with most ball heads, that’s at the base.

Vanguard has opted for an Arca Swiss style plate and clamp. While the screw lock for the clamp doesn’t have a safety catch, there is a pin that’s designed to stop the plate (and camera) from slipping out sideways from the clamp.

Specifications

Height: 117mm

Base diameter: 61mm

Weight: 577g / 20oz

Controls: ball lock, friction, pan

Plate compatibility: Arca-Swiss

Maximum load: 20kg / 44lb

Build and handling

Overall the Vanguard Alta BH-250 has a high quality look and feel. It’s predominantly made from metal and this gives it an air of durability. Each of the control knobs has a deeply textured rubber-like coating, which makes them comfortable in your hand as well as easy to grip.

The larger ball lock knob has a wing-like shape which means it’s easy to apply pressure with your thumb to lock the ball securely. It’s range of movement is quite limited, but it can be pulled out and repositioned to ensure it’s at a convenient angle for use.

The panning control knob has the same shape as the locking knob but it’s a lot smaller. Meanwhile, the friction control and quick release plate locking knobs are the regular round style but the rubber covering gives the purchase that’s required.

The ball of the Vanguard Alta BH-250 has an oxidized and anodized surface, which as well as protecting it from scratches is designed to enable it to move smoothly.

It’s good to see a large flip-out D-ring on the quick release bolt as this makes it easy to fix the plate on a camera or lens. However, the ring was prone to detaching my sample and I had to pop it back in place on a frequent basis. You may get away with just finger-tightening via the D-ring with a small camera or lens, but for longer lenses it’s essential to use a coin in the bolt slot or even an Allen key in the small socket. As there’s no Allen key in the box, you’ll have to find your own to fit the socket.

At 6cm wide, the quick release plate strikes a nice balance. It’s not so wide that it covers the battery compartment door of every camera its mounted on but it gives a nice solid base.

Helpfully, both of the two bubble levels on the Alta BH-250 remain visible when a camera is mounted. The most prominent one sits immediately below the rear of the camera while the second is on the side ready for use when the drop-slot is in action and the camera is in portrait orientation.

Performance

The limited range of movement of the locking knob is a little disconcerting at first and, as usual, it takes a while to find a balance with the friction control - which also has a fairly limited range of influence. However, even with an unbalanced load such as the Nikon D7100 (765g) mounted directly with a Nikkor AF-S 80-400mm f/4.5-5.6 G ED VR (1.57kg) fitted, it’s possible to just about eliminate any droop.

Switching to a more sensible and balanced arrangement with the quick release plate attached to the tripod foot on the lens collar, it doesn’t take long to find the composition that you want and lock everything tight so the lens doesn’t drift downwards.

While this is the correct way to mount a camera with a long lens, it means that the camera sits further back over the head and the rear bubble level is hidden.

The ball movement is pretty smooth but to doesn’t feel quite as fluid as that of some other ball heads.

Vanguard Alta BH-250: Verdict

The Vanguard Alta BH-250 is a good ball head but it’s up against some very tough competition with even smoother ball movements. Its robust build is also somewhat let down by the D-ring on its quick release plate which is prone to popping out of position. It makes using a coin or finding the right Allen key essential when mounting long lenses.

The control knobs are well shaped and feel good in use, but a greater range of movement would be appreciated with the locking knob to enable subtler adjustments.

• Read more
• The best tripod for your camera
• The best travel tripods right now
• The best iPhone tripods and supports
• The best pan and tilt tripod heads
• Best gimbal heads for tripods
• The best panoramic tripod heads

Looking for the best hard case for cameras? You're in the right place! If you’ve splashed out big bucks on your camera kit, it makes sense to keep it safe when you’re on the go – and this is where hard cases for cameras come into their own.

A regular camera shoulder bag or camera backpack will offer good protection against light knocks and bumps when out and about. For those who travel with their gear on trains and planes, a camera roller bag offers greater protection. But to survive more serious rough and tumble – or the assault course endured by checked-in airport baggage – something stronger is in order.

Hard cases for cameras offer the best possible protection for your gear, short of locking it in a safe, and they’re still fairly portable. Most hard cases are waterproof to at least one meter, so they will easily withstand a downpour or an accidental dunking in a stream, and many are marketed as crushproof. This can mean they’ve been tested to various military standards, but in layman's terms, a crushproof case should comfortably stand strong under your own weight, while also shrugging off drops and harsh treatment without damage. Here are the best you can get right now…

The best hard case for cameras

Best lightweight hard case

The Peli (aka Pelican) Air range has been designed to be 40% lighter than a regular Peli hard case of the same size. Consequently, the Air 1535 weighs just 3.95kg, though that’s just for the plastic shell. Load it with foam or a divider insert, and the weight difference between this and the equivalently sized Peli Protector 1510 hard case is more marginal.

As for toughness, I did my best to burst the Air, but while it does flex slightly more under pressure than the Protector 1510, the difference is reassuringly small.

The default interior option is cubed foam. You can also spec a Velcro divider insert; however, I went for Peli’s innovative TrekPak system. This uses sheets of corrugated plastic sandwiched between layers of dense, closed-cell foam. There’s a bespoke cutter included, so you can slice each sheet into strips to fit around the gear you want to carry, and the joins are secured by special hooped pins. It’s a very nicely engineered padding system that’s more elegant than basic Velcro dividers, but it's a bit less soft and cossetting than the default foam setup.

See our full Pelican Air Case 1535 review

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Best budget hard case

The Supreme 40F hard case will keep your kit dry down to five meters underwater. But with its cubed foam interior, you have to wonder how the case could possibly sink so deep in the first place.

Its 43 x 29.5 x 17.5cm interior dimensions give enough space for a full-frame DSLR and three or four lenses, but don’t expect to carry glass larger than a 70-200mm f/2.8. This translates to a very convenient 46.5 x 36.5 x 19.5cm outer size and modest 4.4kg weight - and that's with a full, untouched foam interior. This hexagonally-diced foam is included in the price, but Vanguard also sells a self-contained, removable divider bag for added versatility at an additional cost.

Despite its very competitive price tag, the Supreme 40F sports nice extras like a comfy handle and non-slip rubber feet on the base. Robustness is top-notch, too, with the Supreme being every bit as tough as cases from companies like Peli. Not only is it crush-proof to 120kg of force, the Supreme 40F will also withstand temperatures from -40ºC up to a toasty 95ºC.

See our full Vanguard Supreme 40F review

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Best hard case for interior options

Peli (short for Pelican) cases are the industry standard for camera hard cases. The Protector 1510 is one of the most popular cases in Peli’s huge range that includes a vast selection of different size options. At 56 x 35 x 23cm, the 1510 is designed to comply with most cabin baggage size requirements. Its 51.4 x 29 x 19cm bare interior will be a few centimeters smaller when lined with foam, but it's enough to store a typical camera kit as long as you don't plan to carry any fast super-tele optics. At 6.3kg with full foam, it's a little heavier than some equivalently sized hard cases, but its well-protected roller wheels will lighten that load most of the time.

Perhaps the best bit about Peli’s Protector range is that you don’t have to settle for boring black plastic. The Protector 1510 can also be had in silver, tan, orange, pink, and bright yellow. It means you’ll have no trouble spotting your gear on the airport baggage carousel if it ever has to travel in hold luggage!

See our full Pelican Protector 1510 review

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Best extra-large hard case

The list mainly includes hard cases that can be carried as hand luggage for maximum versatility and portability, but hard cases are designed to be almost indestructible, giving them a fighting chance against your average baggage handler.

Vanguard’s Supreme 53D will have to go in the hold as it's 63 x 52 x 24cm on the outside, but that gives you a capacious 56 x 45 x 20cm interior – large enough to carry a serious amount of gear. You also get wheels, which are a real must as the case weighs over 10kg empty.

The D in 53D signifies this case carries a removable padded divider insert, rather than the 53F, which contains cubed foam. The 53D is a little more expensive than the 53F, and is the smarter buy if you need to reconfigure your interior to carry varied kit requirements. The divider insert is highly customizable, but annoyingly it doesn’t quite fill the whole case.

Despite its large size, the 53D feels every bit as invincible as the smaller cases here, with its lid held shut by no fewer than six latches. It’s also rated to withstand 120kg of crushing and is waterproof to a 5m depth.

See our full Vanguard Supreme 53D review

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Best hard case for carry-on

The Reloader Tough-55 comes in two size variants. Both have a 55 x 35cm length and width, but where this HighLid version has a 22.5cm depth, the LowLid option is 20cm, ensuring you meet even the strictest airline carry-on size requirements.

You get smooth rolling wheels on both, yet at 4.6kg, the HighLid is relatively light if you need to carry it. The Manfrotto's lightness is helped by an interior that uses a removable padded liner and Velcro dividers, rather than heavy cubed foam. It’s very effective. Internal dimensions are quoted as 50 x 26 x 17cm for this HighLid variant, which seems small, but this takes into account the thickness of the padded liner, where most case manufacturers quote an unrealistic internal size with the case completely bare.

The lid is secured by two-stage latches for added security, and I like the included harness that enables you to strap a tripod on the front. I'm less keen on the needlessly stiff release catch for the otherwise-robust extending handle, and the case flexes slightly more than the competition when crushed, but not worryingly so.

See our full Manfrotto Reloader Tough H-55 PL Roller Case review

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Best roller bag-style hard case

The Tenba Roadie Air Case Roller 21 offers the protection of a hard case with the appearance of a standard roller. Its Air Case layered protection features a rock-solid, virtually uncrushable internal structure concealed beneath a hard-wearing fabric exterior, allowing the case to withstand a load of up to 180kg, providing reassurance when checking the bag into an aircraft's hold. However, its robust build contributes to a heavy empty weight of 4.7 kg.

It's capable of storing two or three pro-level mirrorless cameras or DSLRs with grips, along with up to eight lenses, including one as large as a 400mm f/2.8. Internal organization is handled by a comprehensive system of adjustable, padded dividers, as well as clear plastic zippered pockets in the lid for cables and memory cards. A side zippered pocket can accommodate a small tripod, and a removable rain cover is included. It does lack a dedicated sleeve or compartment for a laptop or tablet, though.

Ultimately, the case offers exceptional protection and build quality, but it's hugely weighty and you'll need to carry your computing devices separately.

See our full Tenba Roadie Air Case Roller 21 review

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What to look for when buying a hard case

1. Wheels: Most practically-sized hard cases weigh upwards of 4kg, even without gear. If you’ll be travelling far from your car, go for a rolling hard case and your back will thank you.
   
2. Customization cushioning: The padding of choice for most hard cases is a simple block of foam, perforated into small cubes. Gradually extract these to form holes that’ll perfectly fit each item of your kit.
   
3. Interior options: Hollowed-out foam is great if you only intend to carry the same items every time. For a more versatile, reconfigurable interior, choose a hard case that can be specced with movable padded dividers instead.
   
4. Little extras: Hard cases are all about keeping your kit safe and secure. Padlock points are a must, while lid latches that release in two stages will help guard against accidental opening.
   
5. Pressure equalization: Water-tight cases are also air-tight. To avoid pressurisation issues like deformation when changing altitude, an airtight case should always incorporate a pressure equalization valve.

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If you've spend a lot of time setting up a particular shot, particularly one that's going to be over in an instant, it can be useful to have a couple of cameras lined up. Well, with this new multi-mount arm from Vanguard, you can have a total of four cameras or accessories installed on a single tripod.

The Veo MT-12 Multi-Mount and Horizontal Arm is made of aluminium, and can be attached to any tripod with a 1/4-inch or 3/8-inch thread, using the provided adapter. Available at a recommended retail price of $129.99 / £119.99 it also comes with a carrying case.

Each end of the bar has 3/8-inch threads that reverses to convert to 1/4-inch threads, and grub screws to ensure a secure fit. The kit also includes two VEO+ MA1 Multi-Mounts to attach extra gear, with a stopper on each end preventing your stuff from sliding off. The horizontal bar can be shifted from left to right, as long as you ensure the tripod is balanced before you let it go.

Weighing 2.26lbs (1.025kg), the bar extends to 25.6 inches (650mm), and can support up to four cameras or accessories such as flash units, spotting scopes, lighting and binoculars, up to 22lbs (10kg) in total. If you need to add more still, Vanguard suggests buying additional VEO+ MA1 Multi-Mounts to slot on.

Alternatively, the bar can also be used as a horizontal arm, for those shots where a vertical central column doesn't quite deliver, such as shots of food.

To anyone who's has a lot of gear, this cleverly designed bar will be very tempting indeed, saving you from having to lug around multiple stands and allowing you to keep your kit in one, easily accessible place. You can see just how it all fits together and operates in the video below.

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At The Photography Show 2021 we caught up with Vanguard who in addition to launching a new range of VEO 3T tripods at the show on Saturday, showed us a proof-of-concept Alta Sky 68 backpack in pre-production. 

The bag offers even more choice to professional photographers using large telephoto lenses and is designed predominantly for photographers using large 600mm f/4 and 800mm f/5.6 optics, such as wildlife and sports shooters and the like. 

Camera bags for photographers using super telephoto lenses like a 600mm f/4 or 800mm f/5.6 are often restricted to tall, skinny backpacks that have just enough room to stow a long telephoto lens with a camera body attached but not much else.

With this new proof-of-concept Vanguard aims to fix this issue and give photographers more space to stash up to an addition five lenses, or, by rearranging or removing the velcro padded inserts you could use the extra capacity to store camping equipment or other items which could come in very handy and mean you don't need to carry an additional bag with your non-photographic kit.

The bright yellow interior is spacious and completely customizable using the velcro padded inserts giving you loads of options to lay out and balance photographic and non-photographic kit to your heart's content.

Although the bag is currently in pre-production, Managing Director Ian Bywater told us that interest had been really strong over The Photography Show and that he couldn’t see a reason why the bag wouldn’t go into production in 2022.

The Alta Sky 66 is currently the largest bag in the range which can fit a pro DSLR body with upto a 600mm or a small 800mm lens attached plus a 9in tablet, while the new Alta Sky 68 model will be able to take 600mm or 800mm lenses with a pro DSLR body attached plus an additional 4-5 lenses and a laptop.

The Alta Sky 66 backpack currently retails for $250 / £230 so you can expect the new Alta Sky 68 model to be upwards of this price when it comes out in 2022.

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Travel photography is an increasingly broad term, now often used to mean any stills or video that is shot on the move. Photographers who are working on the go need all of their gear to be worth its weight, and likewise, content creators don't want to buy a different set of kit for their smartphone and professional camera.

Fortunately, Vanguard has just launched its latest VEO 3T travel tripod range at The Photography Show 2021, which it says "includes everything you’d expect in a high quality travel tripod, with additional features that help anyone get the best result for their video with a camera or smartphone."

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There are four new products in the range – two carbon fibre and two aluminum tripods – available with a maximum extension height of 155cm or 166cm.

We got hands-on with the new tripods to see how they work and feel, as nothing beats checking out a new product firsthand.

To suit advanced photographers, the travel tripods can support a load up to 12kg, yet fold down to as little as 41cm. They also feature Arca compatible heads, plus a hook at the base of the central column for attaching additional weight, spiked feet and a tripod bag.

The new Vanguard 3T range is also aimed at vloggers. The head has a removable pan-handle to allow greater control while filming, and a new Arca compatible quick-release plate can hold a camera or smartphone up to 85mm wide, plus a Bluetooth remote control for IOS or Android.

Checking out these tripods on the Vanguard stand at The Photography Show, we discover that one of the legs converts to a monopod in seconds. All models also include fast set twist locks with the added advantage that they are easy to clean.

The recommended prices in UK are:

• VEO 3T 235AB £179.99
• VEO 3T 235CB £219.99
• VEO 3T 265HAB £229.99
• VEO 3T 265HCB £269.99

US pricing and availability has yet to be announced.

The VEO 3T series has been launched exclusively at the Photography Show, which runs until 21 September, and will available on the Vanguard website shortly after.

For a limited time only, Vanguard is offering a free gift when you buy a VEO 3+ or VEO 3T+ tripod.

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Vanguard VEO Adaptor camera backpacks charge kit on the go

There's nothing worse for a busy photographer on an important shoot to find out that batteries are running low. Whether you need to keeping your camera charged that little bit longer, or upload to social feeds using your smartphone on a trip, Vanguard's new VEO Adaptor backpack range can provide an easy solution.

We got hands-on with their latest charging backpacks at The Photography Show 2021. The VEO Adaptor bags share Vanguard's sleek and modern design ethos, but also feature a USB-A port to allow kit – cameras and smartphones – to be charged on the go.

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The USB interface is a simple but effective solution. The photographer can keep the power bank safely stored away in the bag, and then connect their chosen kit to charge up with the right cable while using it on the outside.

The VEO Adaptor backpacks come in black and grey colour ways, several sizes and two options for accessing kit. The "S" models allow side access for both left and right handed photographers, while "R" models give a traditional rear access.

All backpacks in the range can carry a travel tripod, and are made from a 600D polyester fabric with an waterproof PU coating– adding to that "on the go" vibe. With a tripod attached things are well balanced, as it sits in the centre of the bag.

We tried on a few different VEO Adaptor bags – the perks of a trade show – and found the adjustable chest strap and waist strap super comfortable, even for female bodies which can require slightly different ergonomics. 

It's also a nice touch being able to tuck away the waist strap so it doesn't flap about. When not needed, the waist straps tuck away discreetly, so they don't hang loose and flap as you go.

The Vanguard VEO Adaptor range will be available in November, and prices start at an RRP of £100; US pricing and availability have not yet been announced. Check the backpacks out for yourself on Vanguard's stand (E300) at The Photography Show which is taking place from 18-21 September at the NEC in Birmingham, UK.

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Camera bag manufacturer Vanguard has introduced some new rucksacks to its VEO range. The new VEO Adaptor backpacks are unique bags – they do everything you'd expect of a slim-line Vanguard camera bag – but they also include a USB interface port that enables you to charge your camera or smartphone while you're out and about.

This neat feature means you'll never have to worry about your power levels ever again. After all, we've all experienced the stress of batteries running out or the pain of having no power at all when you need it – these VEO Adaptor backpacks will give you some much needed backup. 

Each model includes a USB interface port that enables you to keep the power bank of your choice in the bag, and connect your chosen kit so you can stay charged on the go. To charge up, you just place the power bank of your choice inside the top compartment and connect it to the USB-A port inside the bag with a suitable cable (the power bank and cables aren't included). You can attach your device to the external USB-A port using another suitable cable, and can keep the power flowing with the power bank safely tucked inside your bag. So whether your camera batteries run down faster than planned, or the GPS on your app has depleted the power in your smartphone battery, it's no longer an issue!

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The VEO Adaptor Series backpacks come in two configurations: the S models and the R models. All the rucksacks in this range have been built using improved waterproof material (high-quality polyester fabric with PU coating), but a rain cover is also provided for you should you need it for wetter weather. And the rucksack has reflective stitching, making it safer for early morning and night-time use.

The S models come with extra-wide side access, making it suitable for left/right-handed photographers. These models have a daypack section (which can be removed to allow top access), and they have a good security zipper feature – you just thread the zipper tag through the elasticated loop at the top of the side pocket to prevent anyone getting into it.

The R model comes with the traditional rear-access setup, that can be changed to a top-access setup, if you prefer.

All models include multiple pockets so you can easily store all your cables, SD cards and so on. The backpacks all come with an ergonomic, wide, padded harness that enables you to carry your bag with ease and in comfort. And for longer trips, the harness includes a chest strap and waist strap to help spread the load.

The new VEO Adaptor bags will be officially launched at The Photography Show, which takes place at the NEC, Birmingham next week from 18-21 September.

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The new VEO 3T+ 264CB, available from June 2021, is actually one of a family of four. It’s the largest the two sizes available – there’s a smaller VEO 3T+ 234CB with a slightly lower maximum height – and both are available in carbon fiber versions (reviewed here) or cheaper aluminium.

The idea of the VEO 3T+ is that it combines the folding design of a travel tripod, where the legs fold upwards to enclose both the center column and the head to reduce the overall length, with Vanguard’s clever free-angle center column which can be used as a ‘boom’ for table-top photography or low-angle shots, for example. 

Specifications

Material: Carbon Fibre
Weight: 2275g
Folded Length: 48cm
Maximum Height Central Column Extended: 156cm
Maximum Height Central Column Down: 131cm
Maximum Load Capacity: 15kg
Leg Sections: 4
Feet Type: Rubber/Spiked
Tripod Head: VEO BH-160S
Included accessories: VEO MA-1 Multi-Mount Attachment, Spiked Feet (M6 thread), Hanging Hook, Tripod Bag, Quick Release Plate

Key features

The multi-angle center column and travel tripod design are not the only interesting features on the VEO 3T+. It comes with a VEO MA-1 multi-mount which you can slide on to the other end of the centre column when it’s rotated to attach another camera with or without another tripod head, or other camera or video accessories. There’s a further accessory mounting point on the side of the tripod ‘canopy’ which the legs are fixed to.

As usual with Vanguard tripods, one of the legs can be unscrewed and attached to the (detachable) center column to create a monopod for those times when a tripod would be just too cumbersome. 

There are three independently adjustable leg angles, and the legs themselves have four sections. This makes the VEO 3T+ quicker to set up than a 5-section tripod, and theoretically more rigid too, but it does mean the folded length is on the long side for a travel tripod, at 48cm.

The load capacity is 15kg, which is well beyond the weight of any camera/lens combination used in everyday photography, and the VEO BH-160S ball head has an interesting feature – a second pan axis. This means that you can simply use the ball head to get the camera plate level – you don’t have to make lots of time-consuming adjustments to the leg lengths – and then use the top pan axis for perfectly horizontal panning shots or panoramas.

The legs have rubber feet as standard, but you can swap these for metal spikes, which are included, and it all packs into a nicely made padded tripod bag, also included.

Handling and performance

The VEO 3T+ is certainly a travel tripod in the way it folds for packing and transport, but it’s right at the upper limit for a travel tripod for weight and folded length, despite the weight-saving carbon fibre legs of the VEO 3T+ 264CB that we tested.

It does feel extremely well made, though. The leg locks grip firmly with a short rotational travel, so the legs are quick to extend and lock into position. The column height adjuster and column pivot mechanism feel reassuringly solid and smooth, and you can also rotate the column clamp on very smooth pan axis to change the direction of the column when it’s angled over.

The VEO BH-160S ball head also feels both smooth and sturdy, and both panning axes and the large locking ball clamp are smooth when released and grip tight with a short turn on the locking knob.

But this tripod does have a lot of knobs quite close together, and it can take some trial and error to remember which one you need for which particular movement.

This is not a particularly straightforward tripod to pack away, either, because in order to get the legs to fold neatly past the column clamps and the knobs on the head, you have to slacken most of them off to do some jiggling around.

Verdict

The VEO 3T+ 264CB feels really nicely made and finished. It’s almost impossible to fault the materials used and the way it’s put together. But it is important to know what you’re getting into. This is not the kind of featherweight travel tripod you can slip into a backpack. This is a much more heavy-duty tripod that’s not far short of a full-size tripod in scale and versatility, but optimized – as far as possible – for portability. 

With any tripod you have to balance working height, load-bearing and versatility against weight, folded size and portability, and that’s certainly the case here.

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The Vanguard Alta Sky 45D is a heavy-duty camera backpack that offers the holy trinity for the modern hiking photographer; plenty of room for 22 litres of camera gear, space for a laptop and a drone, and decent shoulder straps to make carrying all that weight down a trail just about bearable. 

Why hike alone when you can go with a drone? Landscape photographers often now take their mechanical mates on shoots in the wilderness, but rarely do we see camera backpacks that properly cater for overloaded shutterbugs. 

Although we have the Vanguard Alta Sky 45D on test here, the step-up Vanguard Alta Sky 51D in our guide to the best camera backpacks is almost identical, but adds a further 10 litres of capacity and upsizes laptop support from 13-inch to a 16-inch Apple MacBook Pro. 

Specifications

Weight (empty): 2.2kg
Payload: 9kg (est.)
Dimensions: 310x230x495mm
Compartments: top, middle, lower
Laptop section: 13-inch
Rain cover: yes

Key features

A solid-looking backpack weighing a not inconsiderable 2.2kg when empty (the Vanguard Alta Sky 51D weighs 2.9kg), the Vanguard Alta Sky 45D offers top, front and side access. It carries about 9kg of gear in total spread across three zones; a top section for a drone or general daypack-type stuff (a jumper, coat or some food), a middle section for a Pro DSLR with attached lens (up to 70-200mm f/2.8) and a 13-inch laptop, and a bottom section for at least three more lenses and plenty of accessories. The well-padded interior is a distinctive yellow, as are all the customisable dividers, which looks great and makes it easy to find things when in low light. 

Made from dense nylon with lots of padding, the Vanguard Alta SKY 45D is easily shower-proof, but there’s a rain cover supplied in case of downpours. 

Overall it’s an impressive though slightly fussy design, with zipped areas also having double security buckles to add security and a few side-pockets that are flat-profile and have no real use. 

Too many camera backpacks have flimsy straps and aren’t built for the wilderness. That’s not the case here, with the Vanguard Alta SKY 45D sporting not only some comfortable and adjustable shoulder straps, but also an ‘Air System’. In practice, it’s merely a couple of raised pads that create a little airflow, but at least it’s more ergonomic than most. Arguably more useful on long hikes with lots of gear is the Vanguard Alta SKY 45D’s waist belt, which adds stability. 

Despite it being good for hiking, it’s the incredible storage offered by the Vanguard Alta SKY 45D that makes it a standout. In a main compartment of customisable Velcro dividers, it’s possible to fit all kinds of kit, with a quick-access door revealing a deep section capable of storing a DSLR or mirrorless camera sporting a long lens. At the rear of this section is where you’ll store a 13-inch laptop, though to access it means opening the Vanguard Alta SKY 45D from the rear. Doing so also reveals the camera, which is handy. In a separate section at the bottom, which opens like a mouth, is a third section for storing a whopping four lenses and a couple of accessories.

Build, usability, performance

In use, the Vanguard Alta SKY 45D’s padding and anti-sweat design really stand out. If you’re packing-in a couple of cameras, lenses and a drone – and hiking into the wild – its ultra-padded backpack straps are worth their weight. Although the dense nylon weave is fine for most weather, the Vanguard Alta SKY 45D is packing a rain cover in a section on its undercarriage that’s easy enough to unfurl and fit. 

On the front of the bag there’s a flap that drops down to reveal a couple of tripod clasps, with the inside of that flap hosting an area to stuff tripod legs. It’s a rather heavy-duty solution, but it works well. 

That belly is useful for storing lenses that you want to take on a shoot but perhaps won’t use, though don’t fill it just for the sake of it because doing so can make the Vanguard Alta SKY 45D bottom-heavy. 

Verdict

Is the smart-looking Vanguard Alta SKY 45D the ultimate gear-carrying and working backpack? We love its rear opening, side and top access, its bright yellow customisable dividers and its space for extra lenses, a laptop and a drone. Although it’s designed for landscape photographers heading for the hills – most likely on multi-day expeditions – a focus on comfort and capacity on the Vanguard Alta SKY 45D and step-up Vanguard Alta SKY 51D also make them ideal for solo event photographers with a long day ahead. 

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Tripods come in all shapes and sizes and the Vanguard Veo 3+ 263AB is very much middle of the road. It’s larger than than a travel tripod, but a good deal lighter to carry around than a big, old-fashioned studio tripod.

If you don’t mind carrying your tripod in a separate bag, the Veo 3+ 263AB is easy to carry around, though perhaps a fraction long to strap to a backpack.

We tested the Vanguard 263AB, which is the aluminium version with a ball head. You can also get a carbon fiber version (263AC) and the same choice of materials with a three-way head (263AP and 263CP).

Specifications

Tripod Style: Traditional Full Sized
Material: Aluminium
Weight: 2.45kg
Folded Length: 76cm
Maximum Height: 172.5cm (center column extended), 147cm (center column down)
Maximum Load Capacity: 15kg
Leg Sections: 3
Leg Lock: Easy Clean Twist Lock
Leg Angles: Three - 23°, 50° & 80°
Feet Type: Rubber/Spiked
Tripod Head: VEO BH-160Head TypeBall Head Arca Swiss Compatible
Accessories included: Tripod Bag, VEO MA-1 Multi-Mount Attachment, Hanging Hook

Key features

The VEO 3+ 263AB is a traditional size tripod with a far from traditional design. It has a clever angled center column mount which lets you rotate the column through a series of angled detents through to a full 90 degrees.

Also included is a good quality padded tripod back and an interesting MA1 Adaptor attachment for sliding on to the center column and mounting additional equipment when the column is horizontal. This could be a second camera, microphone, light, external monitor or whatever you like.

The VEO 3+ 263AB has three-section legs which makes it longer when folded but a good deal quicker to set up than four- or five-section tripods. One of these legs can be detached and used as a monopod. The legs have rubber feet fitted as standard, but these can be swapped out for spikes, which are included. This is pretty good value when you take into account the padded bag and mounting attachment also included in the price.

Our sample came with the Vanguard VEO BH-160 ball head, which is a neat and robust ball head with a separate pan axis (though no friction control) and an Arca Swiss compatible quick release plate.

Build and handling

For an aluminium tripod, the VEO 3+ 263AB feels quite light. It’s true that at 2.45kg it is close to twice the weight of a small carbon fiber travel tripod, but there are plenty of camera and lens combos that weigh as much as this so, in absolute terms it doesn’t seem that much. The only thing counting against it for travel is its long folded length of 76cm.

The leg angle catches look a little ornate but they work fine, and the ‘stiffness’ in the leg angle movement is perfect. The leg section twist locks are fast to use and lock securely and they can be dismantled easily for cleaning.

The center column action is smooth and locks quickly and securely, and if you pull the column out to its maximum height you can then release a side catch to change the column angle. This catch is a meaty lever with a locking button and requires some force – so you might bend back the odd thumbnail until you get used to it.

The column needs to be angled past 45 degrees to be able to move it freely up and down, but it’s smooth and locks securely, just as it does in vertical use.

Given that the legs are quite long, it’s a shame the center column isn’t a little longer than it is – though if it was any longer, it could probably topple the tripod when used horizontally at full extension, so this looks like a deliberate design decision.

There is an additional locking knob on the tripod ’spider’ and when the column is angled its use becomes apparent – you can loosen this and rotate the column mount on a horizontal axis. Even this movement is super-smooth, and simply adds to the feeling of engineering quality.

The BH-160 ball head is one we’ve seen before. It’s neat, strong and smooth, and while it doesn’t have a friction control (not everyone finds these useful – us included) it does have a separate pan axis. Best of all, it shows little or no ‘locking droop’ even with a fairy heavy camera-lens combo fitted. (This is when the camera drops slightly when you let go of it after tightening the ball clamp.)

Verdict

You can certainly get cheaper tripods than this one, but they won’t have this level of sturdiness, versatility and smoothness. You can pay a lot more, too, but if you spend any time at all with the Vanguard VEO 3+ 263AB, you might wonder why you would.

Frankly, it does everything brilliantly. It’s fast to set up, smooth to operate, feels really solid and firm and has that excellent angle center column design. Vanguard seems to have discovered a knack for making really nice-feeling, quality tripods at compelling price points.

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The Vanguard Veo Range 36M is only one of a bewildering number of camera bags made by the company in all shapes and sizes, but they all tend to combine good, practical design and value for money.

The Veo Range bags come in three sizes: the smaller 21M, the mid-size 36M which we’ve looked at here, and the larger 38M. What sets these two larger sizes apart is the split interior, which can accommodate camera gear in both parts or camera gear in the top part and a compact travel tripod in the bottom.

The Veo 36M can hold a travel tripod up to 33cm long when folded, so Vanguard’s own Veo 2 Go tripod is a snug fit, but most travel tripods will be a little too long. For these, you’ll be better off with the larger Veo 38M, which can hold a travel tripod up to 44cm long, which really opens up the field – but it is a bigger bag.

Specifications

Design: Double-deck shoulder bag
External dimensions: 400×195×300 mm (36M) , 430×210×340 mm (38M)
Internal dimensions: 360×120×240mm (36M), 385×145×300mm (38M)
Weight: 1,040g (36M), 1,200g (38M)
Max tripod length: 33cm (36M), 41cm (38M)
Laptop size: 13-inch (36M), 15-inch (38M)
Hand luggage compatible: Yes
Rain cover supplied: Yes

Design and use

You can access the main (top) compartment via a zip towards the back of the lid, and the opening is wide enough to take out a camera or a lens, but not your laptop. 

There is a second zipper in the lid, and this gives access to a storage pocket for a phone, paperwork or cables, for example. You have to remember which zip accesses which compartment, but it’s certainly handy.

You pull back the lid by ripping open a strong but noisy Velcro fastener. This reveals another horizontal zipper on the front of the bag for memory card storage. It’s nothing fancy, just a split compartment for unused cards on one side and used cards on the other.

With the lid back you also get access to the lower compartment with its own dividers. You can fold these back to fit a travel tripod, if you have one that’s short enough when folded, or use this lower compartment for lenses or other accessories and strap a tripod to the outside if you need to.

There are expanding pockets on the left and right sides of the bag for a water bottle, umbrella or even a small gimbal maybe, and a further zippered compartment on the back for documents.

Vanguard says the smaller 36M is designed for mirrorless camera systems, but a midrange DSLR will fit fine if you rearrange the dividers and lay it horizontally. Or, if you have a larger DSLR kit, the larger 38M bag will accommodate it a bit more easily.

Verdict

The Vanguard Veo Range 36M we tested felt pretty light and manageable even with a Veo 2Go tripod and a 13-inch laptop packed inside. Best of all, packing in all this gear didn’t ‘bloat’ the bag and access and portability remained as easy as ever.

These bags aren’t the ultimate in versatility. They don’t have dedicated pockets for everyday office gear like portable drives, pen holders, notepads or all the cables you seem to need, so you probably wouldn’t use them as hybrid camera/office/commuting bags, but as affordable and adaptable camera bags that can make light work of carrying lots of kit, these Vanguard Veo Range bags are very good indeed.

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Vanguard have lifted the cover on a new exciting accessory for avid smartphone photographers. The VESTA 8320M digiscope allows a humble smartphone to deliver stunning telephoto images - ideal for the budding wildlife photographer or birdwatcher looking to capture quality record shots. 

The Vanguard VESTA 8320M provides an 8x magnification to get the photographer closer to the action, using a 32mm objective lens. The optical construction makes use of a BaK4 roof prism and lens elements featuring specialized coatings, to provide sharp resolution and superior contrast. Nevertheless the unit remains compact and lightweight, for easy transport and storage.  It measures only 5 inches (12.7cm) in length and weighs just 260g. For even more portability the monocular is supplied with a neck strap, so it can be quickly accessed when needed, while a safety pouch enables it to be mounted on a belt.  

The monocular also makes use of a 1/4” thread to enable the setup to be mounted on a regular monopod or a table tripod, for convenience. The focussing mechanism is simple and intuitive, employing a single long-travel focus wheel. This is designed to simplify the focus procedure, even in tough outdoor conditions, such as cold and wet environments. The wheel is textured for a good grip, with minimal slip when wet. 

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To protect against the elements, and the rigors of regular usage, the monocular is fitted inside a durable, thick rubber armor, with provided lens covers, to prevent scratches on the main optics and the eyepiece. The unit is waterproof and fogproof. 

A key feature of the VESTA 8320M setup is the supplied PA-60 Universal Smartphone Adaptor. This is central to allowing users to employ the monocular as a digiscope. The universal design accepts any smartphone up to 2.15-3.4 inches/55-87mm wide and is easily affixed to the monocular eyepiece. Meanwhile a phone is secured using rubber grips and a dedicated, threaded clamp. The adjustable bracket enables the adaptor to be positioned to align with the lens of most smartphones, which vary in their position and size depending on phone model.  

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The Bluetooth Remote Control function enables the user to trigger the camera's shutter without physically touching the phone, to reduce blur-inducing vibrations - especially useful at high magnifications. 

The VESTA 8320M was originally scheduled to launch at The Photography Show 2020, which has now been postponed until September. It will retail for $79.99 / £79.99.

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Top bag manufacturer Vanguard has introduced new roll-top and slim profile backpack designs to its VEO Select range of bags. The new models join the innovative transformer-like VEO Select Backpacks to Shoulder models that are already in the ever-increasing range. 

The Slim Backpacks are designed to be as portable and lightweight as possible, for photographers working on the move - where travel is part of everyday life. Weighing only 1080g (2.4lbs), the lightweight backpacks are discreet. For easiest access these models are built into two separate main compartments. These consist of a lower primary storage section for the placement of cameras, lenses and accessories such as a travel tripod and an upper removable section which, one take out, allows top access to your gear. 

Main kit access is achieved from the back to maximize security, since these openings will be close to the photographer's person, and can be performed from both sides. This caters for both left and right handed individuals. 

Also incorporated are a non-slip, padded backpack harness, adjustable chest strap and padded back with central airflow system. The water resistant bags are available in two variants - the VEO Select 37BRM (280 × 175 × 390mm) for mirrorless cameras of small DSLRs and the VEO Select 46BR (280 × 210 × 475mm) for larger enthusiast and pro cameras. 

Meanwhile the new VEO Select Top Roll Backpacks feature the same lower photo gear compartment with an upper expandable section, for additional capacity and to allow the storage of up to 2 tripods, when using the expandable side pockets. Side access is again possible, but top access to gear is possible by reconfiguring the interior layout to custom arrangements. 

The VEO Select 39RBM measures 270 × 170 × 430mm while the VEO Select 43RB has dimensions of 310 × 205 × 470mm. These are tailored for smaller mirrorless cameras and larger DSLRs respectively. Both models have the same chest strap and harness as the slim backpacks. 

All of the new VEO Select bags have a seam sealed rain cover built in – and will go on sale in March.

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Vanguard has officially launched a quartet of new VEO 2S monopods – all of which have three feet, rather than the traditional one! Three of the monopod models are constructed of aluminum but notably, one made from carbon fiber - a first for the range. 

Three of the models feature an attachment for and come included with a smartphone connector, which allows higher quality, stable images from a cameraphone. The connector can either used attached to one of the monopods or separately as a selfie stick, vlogging tool or phone support when reviewing images, for added versatility. It accepts phone models up to 8.6cm in width.

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One of the units features a VEO PH-13 2-way Video Head, which opens up extra possibilities for capturing smooth video clips. The stronger attachment allows the user to fit a DSLR camera or mirrorless Compact System model, providing access to a pro-grade setup for shooting moving images. 

All four of the new monopods include the Vanguard Tri-foot attachment, which distributes weight more evenly than other monopod models, offering added stability, but without the weight and size of a tripod. This is especially useful in low-light shooting environments such as concerts or sports stadiums, where support is essential, but tripods often not permitted. 

The new Vanguard VEO 2S monopods range in price from £79.99 for the AM-234TR, which holds loads up to 5kg, to £119.99 for the AM-264TV, which handles 4kg loads, but comes with the VEO PH-13 2-way Video Head. 

The AM-264TR (£89.99), CM-264TR (£109.99) and AM-234TR are bundled with the Vesta SPC Smart Phone Adapter which is available for £19.99 as a separate item. The AM-264TR and CM-264TR support max loads of 6kg each. 

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Vanguard has released details of its new solution for photographers looking for a small, discreet and low-weight travel companion. As an entry-level offering, the brand new Vesta mini range of miniature tripods fits neatly into a pocket, measuring just 18cm when folded and weighs in at a mere 155g. As smartphone camera technology improves (look at the amazing five-camera Nokia PureView 9), users becoming much more aware of image quality and what it takes to get sharp shots.

While the range is clearly aimed at users of smartphone cameras, the Vesta Mini models are capable of supporting an impressive maximum payload of 2kg, meaning they can be paired with most mirrorless cameras, along with a standard lens, or even a small DSLR setup. It could be a great accessory for adventure nuts too, as even the best action cameras and best travel cameras benefit from a decent support.

The smartphone focus is supported by the bundled adaptor, which is used to quickly and easily mount a phone in either landscape or portrait orientation. With the legs folded away the Vesta Mini can he hand-held for freedom of movement, but with a lower risk of camera shake and smoother video recording. The adaptor itself can be removed and used remotely to support a phone during live calls, such as Facebook Live or Skype conversations.  

The versatility of the Vesta range extends into its compatibility with other optical accessories such as sports optics, spotting scopes, binoculars and video cameras. The build quality is all-metal and enables the user to operate freely and with confidence outdoors.

Each tripod features rubberised feet to prevent slipping on smooth or wet surfaces and employs a unique leg-opening system, which allows the legs to be unfolded and locked into position in a single movement. 

To cater for those fashion conscious image creators, the Vesta Mini series incorporates four attractive colours – White, Black, Champagne and Rose Gold. These all feature a 1/4" camera screw thread ball head, and have a recommended price of £34.99 / $44.99 each.

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