When it comes to tripod manufacturers, Benro might not be as famous as a couple of its Italian cousins, but this Chinese company has been up and running for more than 30 years and has manufactured some of my personal favorite professional-grade tripods, monopods, and support accessories during that time. I’ve tested and reviewed quite a few of them over the last decade and bought a couple as a result, subsequently being completely happy with them over long periods of time.

The monopod that I’m reviewing here is from the SupaDupa line-up. Typical of Benro products in general and SupaDupa monopods in particular, it’s cleverly designed with innovative features, expertly engineered, and immaculately finished. As such, it aims to be one of the best monopods for photographers on the market today. Whether you need to support the heavy load of a big telephoto lens or just beat the shakes when using slow shutter speeds, this Benro should prove well up to the task.

Benro MSD46CB SupaDupa: Specifications

Benro MSD46CB SupaDupa: Price

What price a monopod? The Benro MSD46CB Black Diamond SupaDupa costs $170 / £180, which is pretty much at the upper end of the scale, especially for a Chinese-manufactured monopod, although you can expect to pay more for a top-of-the-range Manfrotto or Gitzo, both of which are made in Italy. For comparison, we reviewed the similar Benro SupaDupa Pro MSDPL46C, which lists at an even pricier $209 / £209 and is shorter but heavier, though it does come complete with a useful leveling pan head, which is absent from the MSD46CB I’m reviewing here.

Benro MSD46CB SupaDupa: Design & Handling

There are a lot of things I like about this Benro monopod, but top of the list is the 8-layer carbon fiber from which it’s made. The look and finish of the carbon fiber absolutely scream ‘quality’, and as I’ll come to later, that translates into superb performance. And although impressively rigid even at full stretch, the carbon build helps to keep the weight down to an easily manageable 0.58kg or 1.3lb. That’s despite the monopod having a mighty maximum payload rating of 40kg / 88lb.

Speaking of full stretch, I’m a tall guy and have often been disappointed that even some of the best monopods on the market are simply too short for me to use without stooping. That’s definitely not a problem with this Benro, as it extends to a relatively towering 177cm, or 5ft 10in. Just like with the huge payload rating being delivered by a lightweight construction, the lofty maximum operating height comes with a surprisingly small stowage length of just 43.5cm or 17.1in. That’s made possible by no less than six telescoping leg sections.

Okay, I’d be the first to admit that such a large number of leg sections would normally equate to a couple of compromises. First up, as I’ve experienced with many travel tripods, the bottom sections often tend to be very thin and spindly, and therefore lacking in strength and rigidity. That’s not the case here, as even the bottom section has a generous diameter of 21.8mm (0.9in), with a robust and rigid feel to it.

The second compromise is that six leg sections require five separate clamps to release and lock them, which brings the prospect of the monopod being a time-consuming chore to use. As it turns out, the bottom four telescoping sections each have a twist-action lock. They’re pretty quick and easy to use, partly because when the monopod is contracted, you can grab all of the twist clamps in one handful and loosen or tighten them in a single gesture.

The top telescoping section is different from all of the rest, as it has a quick-release flip-action lock. Not only is it easy to locate by feel when your eye is to the viewfinder of your camera, but it’s super-speedy to operate. When using the monopod, I find that I generally tend to extend all of the lower sections and just rely on the top section with its flip lock for making any height adjustments. That makes using the Benro speedy and simple.

I’m a little disappointed that the monopod doesn’t come with a head, but I know a lot of photographers who find it unnecessary to use a head with a monopod. And at least if you do want to use a head, you can buy one of your choosing. Either way, the monopod has a 60mm / 2.4in diameter circular platform up top, which should prove ideal for mounting a camera or the mounting ring of a big, heavy lens, or indeed a head.

A crafty bit of design is that the securing screw for any of these has a dual-diameter spring-loaded arrangement, so the larger 3/8in thread automatically retracts to reveal a 1/4in thread if you need the smaller size. If you’re fitting a head on the monopod, there’s also a grub screw in the platform to ensure that it doesn’t work loose.

Another thing that you don’t want to be working loose is your grip on the monopod, sending your camera and attached lens crashing to the ground. I’m reassured that the monopod features a wrist strap, and it’s a particularly good one at that. Not only does it have an adjustable diameter to securely fasten around any size of wrist, but it also has a push-button, quick-release clip so that you can quickly and easily remove the wrist strap if you feel the need. The quick-release clip can also be easily removed from the securing lug to which it’s tethered.

Keeping a secure hold on the monopod is also aided by the inclusion of a Benro SupaDupa Shoulder Pad in the kit, a standalone version being available on its own for $20 / £15. It’s a really neat comfort pad that you can wrap around the monopod, with a rubberized, anti-slip inner surface, a padded mesh exterior, and a Velcro strip to keep it in place. You can actually use it with any monopod or tripod leg that has a diameter of between 32mm and 37mm (1.3in and 1.5in).

Neat extras include a couple of hex keys for making adjustments if and when needed, and there’s a clip for attaching one of them to the monopod if you feel you might need to use it when you’re out and about.

Even the foot of the monopod is pretty smart. I find that I’m often given to panning when using a monopod, as I use them with heavy telephoto lenses while tracking wildlife and sports subjects in motion. The fixed foot of most monopods tends to try to drill a hole in the ground during the process, and can make panning feel stiff and jerky. This Benro monopod features a spinning foot, which glides on its own V-profile roller bearing cage, making panning actions silky smooth.

If panning’s not your thing and you feel the urge to ram the bottom of your monopod into soft ground for a more assured footing, you can swap out the spinning foot with its rubber pad for a metal spike that’s supplied as part of the kit. You simply unscrew one and screw in the other, which takes minimal time and effort.

Benro MSD46CB SupaDupa: Performance

If I had to sum up the performance of the Benro MSD46CB Black Diamond SupaDupa Monopod in two words, they’d be ‘speedy’ and ‘sturdy’, but allow me to embellish. I like that, with no fewer than six telescopic sections, the monopod folds down small, but has a really tall maximum operating height.

That would usually come with the pain of setup and take-down being time-consuming chores. However, the provision of a flip-action clamp for the top section and twist-action clamps for the lower sections actually makes the monopod quick to extend and fold down again. It also makes any required height adjustments fast and effortless while the monopod is actually in use.

Then there’s the stability. I’m of the ‘fat legs first’ school of monopod and tripod use, in that I generally extend the larger-diameter top legs first and only deploy the relatively thin bottom ones if I really need to. I use this Benro rather differently, extending all of the lower sections, all of the time, and then extending or contracting the fattest top section with its flip-action clamp to apply any necessary height adjustments. In practice, that works really well, and the monopod remains rigid and extremely resistant to any unwanted flexing, even at its maximum operating height with everything fully extended.

And to finish with just a little thing, that spinning pad on the foot with its roller bearings gives a huge performance boost when you’re panning or just tracking subjects in motion.

Benro MSD46CB SupaDupa: Verdict

The Benro MSD46CB Black Diamond SupaDupa is definitely one of the best monopods I’ve ever used. It’s cleverly designed, superbly well-engineered, immaculately finished, and performs flawlessly. I really like that it folds down nice and small, and is really lightweight for the journey, yet stretches to a very generous maximum operating height and has a mighty payload rating.

The carbon fiber is of particularly good quality, and the clamps all work with smooth precision. I like the mix of twist-locks and a flip-action lock up top, which work brilliantly well together, enabling speed and ease of use. The spinning foot makes the Benro an absolute joy to use for panning shots. My only gripe is that Benro’s rather excellent leveling pan head isn’t supplied as part of the kit, despite the monopod being particularly pricey to buy.

Alternatives

Benro is a Chinese creator of pro-grade tripods and other photography and videography supports. The company has been going strong for 30 years and counting, and I’ve personally paid cash money for some of its products over the last 10 years or so. I’ve been very happy with all of my purchases, being continually impressed with the craftsmanship, quality and dependability, throughout heavy use over long periods of time. Items in my collection include the lofty but super-sturdy carbon fiber Benro TMA38CL Mach3 9X CF Series 3 Long Tripod, the Benro GH2N gimbal head for the joy of movement, the Benro SupaDupa Pro MSDPL46C carbon fiber monopod, and the highly ingenious, ultra-versatile Benro FS20PRO Hybrid Video & Foto Head.

The Benro A48FD Aluminum Monopod that I’m reviewing here might not be ‘SupaDupa’, but it’s still packed with clever tricks. Benro bills it as a lightweight flip-lock video monopod that’s ideal for small cameras, with a 3-leg locking base that includes a ball joint for smooth and stable shots, along with reverse folding legs for compact travel. I’d agree with all of that, although I really don’t feel it’s only ‘ideal for small cameras’. I think its 20kg / 44lb payload rating makes this monopod tough enough to support even the heaviest of cameras mounted with long lenses. All in all, it aims to be one of the best monopods on the market, and quite possibly the best value for money.

Benro A48FD Monopod: Specifications

Benro A48FD Monopod: Price

I recently tested and reviewed the rather excellent Benro MSD46CB Black Diamond SupaDupa Monopod, a heavy-duty monopod with a heavy-duty price tag of $170 / £180. I’d have bought one myself if I didn’t already have the older Benro SupaDupa Pro MSDPL46C in my supporting cast. Shortly afterwards, I spotted this aluminum monopod kit with added extras in the shape of a 3-leg base for the bargain price of just $99 / £59, and the deal was done. It seems outrageously great value, especially in the UK, and for me, it’s a worthy additional monopod that I can use for hybrid shooting. Further investigation revealed the full list price in the UK is actually £120, but even at that price, it's reasonable value.

If you’re feeling flush, there’s also the Benro SupaDupa Pro MSDPL46C carbon fiber monopod, which lists at a much more expensive $209 / £209. This kit doesn’t include a 3-leg base but does come complete with a leveling head that’s useful for panning when shooting video or stills.

Benro A48FD Monopod: Design & Handling

The full title of this monopod is the Benro A48FD Series 4 Aluminum Monopod with 3-Leg Locking Base, which pretty much gives the game away and doesn’t leave much to the imagination. Even so, it’s imaginatively designed to be genuinely supportive for both videography and stills photography. It’s a bit like the best bits of a monopod and tripod all wrapped up into one convenient package, able to stand on its own three feet while giving a helping hand to panning and tilting, so you can go steady while tracking the action.

Let me start by saying what this monopod is not… It’s not carbon fiber. Even so, it has a high-quality aluminum build. It’s just that it’s also nearly twice the weight of the carbon fiber Benro MSD46CB Black Diamond SupaDupa Monopod that I mentioned earlier, although that monopod doesn’t include a 3-leg base. Either way, the aluminum model isn’t exactly heavy, at a very manageable 1.07kg / 2.36lb, and that’s with the 3-leg base fitted.

There are four leg sections in all, enabling the monopod to rise up from a fairly compact 56cm / 22in folded length (or minimum height) to a maximum operating height of 164cm / 64.6in. Sure, it’s not the tallest monopod in the world, but I’m 6ft 5in and found that it was tall enough for me to use comfortably without stooping. Naturally, if you add a monopod/tripod head of your choosing, you’ll gain an extra few inches in maximum height. More on that later.

Each of those four leg sections is pretty beefy, with diameters of 36.2, 32.4, 28.6, and 25.2mm, as measured from fattest at the top to the thinnest at the bottom. The four sections come complete with three flip locks, again differing from the SupaDupa design, which mostly employs twist locks with just one flip lock at the top. I’m fine with flip locks throughout, especially as they work with smooth but solid efficiency.

I’ll come to that 3-leg stand in a moment, but let’s start at the top and work our way downwards. The circular platform for mounting a camera or head has a sizeable diameter of 56cm / 22in. Given the monopod’s aspirations towards videography and panning for stills, I’m pleased that there are no less than three grub screws featured in the platform to securely lock a head in place if you fit one. I just hate it when a head starts unwantedly unscrewing when I’m panning in a counter-clockwise direction.

Another neat thing about the platform is that it features a reversible screw, so you can use it for mounting cameras or heads with either a standard 1/4in or 3/8in thread. A spanner is provided along with some other tools for removing, inverting, and securely refitting the mounting screw in either orientation. While that’s in process, you can also remove the platform for securing or releasing the grub screws, and detach the wrist strap on its circular metal collar if you’d rather not use it.

A plus point of aluminum compared with carbon fiber is that it’s not prone to shattering if it gets a sharp knock (accidentally, of course). A minus point is that it feels relatively cold to the touch, which can be an issue in chilly weather if you’re not wearing gloves. With that in mind, there’s a generous length of comfort padding applied to the top tube, and very comfy it feels too, being not too firm and not too squishy.

Enough beating around the bush. Let’s get onto that 3-leg stand, which is indeed a pretty standout feature of the kit. The complete assembly fixes to the bottom of the monopod in the same way that you’d attach a regular foot pad or spike, via a single threaded socket. However, each of the legs within the assembly is mounted on its own separate hinge. You can therefore rotate each of the legs down from their folded-up position, so that they stick out laterally, ready for action. They lock in place automatically when you reach full extension, thanks to the inclusion of spring-loaded pins. The head of each of the three incumbent pins has the word ‘Push’ engraved in the top, and, sure enough, you simply push them in to unlock each leg and fold it up again.

The fact that the legs fold upwards means they don’t add anything to the stowage length of the monopod, unless you extend the bottom section to enable them to fold flush with the tube, rather than over the flip locks.

A smart feature of the 3-leg assembly is that it has a ball and socket joint at the top. An anodized red twist clamp enables you to lock or release the joint. When locked, it keeps the monopod standing upright, or at your preferred angle to the vertical. When unlocked, the ball joint enables tilt and panning for shooting stills or video. There’s a full 360 degrees of panning on offer, but the tilt range is relatively limited.

Although the 3-leg base is a major feature of the kit, there are times when it’s more convenient to ditch it altogether and use the monopod in time-honored fashion, with just a single foot. With that in mind, you can simply unscrew the 3-leg base and detach it altogether, stowing it away for safekeeping.

For regular monopod duty without the 3-leg foot in tow, the kit comes complete with a regular and impressively chunky pointed rubber pad. It simply screws into the bottom of the monopod in place of the 3-leg base. A metal spike is available to buy as an optional extra if you’d prefer that for working on loose ground.

For making adjustments to any of the flip locks, removing and refitting the platform, and for other running repairs or alterations, the monopod is supplied with a spanner and three hex keys of different sizes. There’s also a clip that you can attach to the top tube, for holding the largest of the hex keys and for tethering a cable that’s running down from your mounted camera.

I’ve seen plenty of expensive, luxury tripods and monopods from certain manufacturers that are supplied without a carrying bag (stand up and be counted, Manfrotto). I’m impressed that despite the cut-price tag on this Benro monopod, it’s nevertheless supplied with a high-quality soft case, complete with an adjustable shoulder strap and an inner zippered pocket for stashing the set of tools.

Benro A48FD Monopod: Performance

The Benro monopod is short enough for me to use on my hands and knees, if I feel the need. That also means it’s not too big or heavy to carry around easily. That’s a big performance factor in my book, as unwieldy kit is likely to be left at home when I’m out and about, where it’s of no use whatsoever.

For more practical purposes in general shooting, the Benro extends to a fairly generous height so that I can use it without stooping, and I’m a pretty tall guy (well, tall if not pretty). Maximum extension is a stern test for any monopod or tripod, because it makes use of the thinnest legs and all of the joints, each of which is a potential point of weakness. I’m pleased that the Benro feels really rigid and resistant to unwanted flexing and vibrations, even at its maximum operating height.

Last but not least in the performance stakes, given the hybrid video/stills nature of the monopod, is its ability to enable tilting and panning. I’d say that the system works, but that it’s good rather than entirely great. I found the range of tilt to be a little limiting, and panning was prone to catching occasionally, rather than having a fluid and free-flowing action. The remedy for both of these niggles comes in the shape of a pan and tilt head, which you can buy separately and fit to the monopod.

I’d heartily recommend the Benro FS20PRO Hybrid Video & Foto Head, which I actually bought for use with this and other monopods and tripods, and it’s been serving me thoroughly well. It’s a ball head that also includes independent tilt and panning locks with a nice fluid action. There’s even a secondary panning mechanism up on top, which is especially useful for rotating the Arca-Swiss top clamp to suit either a long lens with a tripod mounting collar, or a camera with an L-bracket or cage.

Benro A48FD Monopod: Verdict

I really like that the Benro A48FD Series 4 Aluminum Monopod with 3-Leg Locking Base amply caters to my every whim. Sometimes I want the extra stability and secure footing of a 3-leg base. Other times, I prefer the slimline and unrestricted placement of a single foot. The Benro does both, thanks to the inclusion of a 3-leg base and an alternative chunky rubber foot, which are quickly and easily swappable.

In other respects, the Benro continues to impress, with solid and sturdy performance, fast and simple adjustments, and a good range of operating heights enabled by its chunky 4-section design. Sure, it lacks the luxury of a carbon fiber monopod, but this aluminum stick is cleverly designed, smartly finished, and works a treat. All in all, it’s great for shooting both video and stills, and it’s an absolute steal at the price.

Alternatives

I’ve owned a Vanguard carbon fiber tripod in the past, as well as reviewing many of its tripods and other supports, bags, and backpacks over the years. I’ve always been impressed with the quality, performance, and competitive prices of Vanguard kit, and there’s a big catalog to choose from, the company making a diverse and constantly growing range of photographic and other accessories for nearly 40 years.

Suffice it to say that Vanguard makes some of the best tripods for photographers, best carbon fiber tripods, best travel tripods, and best ball heads, as well as some of the best monopods, including the VEO 2S CM-264TR that I’m reviewing here. Let’s take a closer look.

Vanguard VEO 2S CM-264TR monopod: Specifications

Vanguard VEO 2S CM-264TR monopod: Price

In various world regions, this monopod is available in a couple of different options. First up is the version that comes with a smartphone connector kit and costs $104 / £130 / AU$240. That’s certainly not cheap for a monopod but is nevertheless a very reasonable price considering the build quality and the additions of ‘tri-feet’ and a smartphone clamp and Bluetooth remote.

The pricier version is still very reasonably priced at $170 / £170 and includes all of the above, plus a Vanguard VEO BP-120T ball/pan head. I’d say the latter is a much better option, although at the time of writing this review, I couldn’t find availability in Australia (you can still buy the parts separately). If you want to save a few bucks, the monopod is also available in aluminum instead of carbon fiber.

Vanguard VEO 2S CM-264TR monopod: Design & Handling

I’m generally accustomed to monopods resembling a stick that’s made out of metal or carbon fiber. Not surprising, really, as they simply have a top plate at one end, a foot at the other, along with an extending tubular section in between. This Vanguard looks more like some kind of medieval mace. Sure, the main section is akin to that of a conventional monopod, made from four sections of luscious-looking carbon fiber, but there’s a 3-pronged protuberance at the base.

Let’s start at the bottom with those tri-feet and work our way up. The feet are permanently attached to the monopod, rather than popping on when you feel the need for them. You therefore need to factor in their size and weight for carrying the monopod around and packing it away. For operational use, each foot hinges down individually and clips into place. As with the proverbial milking stool, the three points of contact with the ground give a firm footing for the monopod even on very uneven terrain, although you could argue that the single point of contact for regular monopods would suffice for that equally well.

An advantage of the tri-feet is that the monopod can stand up all on its own, rather than needing to be held upright. However, Vanguard recommends that you don’t try this with a camera or other equipment mounted on it, saying you should hold onto the monopod at all times. Nobody wants an expensive accident. Even so, the feet do add an extra layer of support and security.

One concern I had was that I wouldn’t be able to tilt the monopod to my desired angle from the vertical when using it, or pan at will. I needn’t have worried on one front, as the feet are attached via a ball joint, which enables a generous range of tilt. Panning proved problematic, as I’ll come to in ‘performance’.

Moving on up, there are four sections of carbon fiber tubing that make up the main part of the monopod. The outer section has a pretty chunky diameter of 26mm, or about an inch. An upside of this is that even the thinnest of the four telescoping sections has a reasonable girth and isn’t flimsy. That’s reflected by the beefy 15kg / 33lb payload rating of the monopod.

To extend or contract the sections, the monopod relies on twist-action clamps. Compared with flip locks, these can make monopods more slimline, without stick-out bits, but that’s rather redundant considering the fold-up feet. Even so, many photographers prefer twist clamps to flip locks and these ones work with smooth simplicity, requiring about half a turn to release them or lock them up again.

Up towards the top, there’s a comfort pad, which helps you keep a firm grip on the monopod in all weathers and temperatures. It’s even nicely styled and has the maker’s name stamped in it. Things get quite interesting just under the camera platform. There’s a wrist strap for added safety and security, or for strapping the monopod to something else, as well as a carabiner for alternative attachment. There’s also a flip-over rubber pad that slips over the camera mounting screw and top plate. I found this added some genuine comfort if I wanted to use the monopod as a makeshift trekking pole on tricky terrain.

Remove the top plate cover and you’ll see that it has a circular platform and 1/4in connection screw. This is fine for use with the smartphone clamp and Bluetooth remote controller supplied in the kit, less ideal, to my mind, if you’re using a camera.

Naturally, you can attach a camera directly to the 1/4in screw on the top plate, and many photographers swear by this. I prefer the added convenience of a pan/tilt head when using a monopod and, as I’ve mentioned, Vanguard also offers a pricier kit that includes the VEO BP-120T ball/pan head. It’s a smart addition and helps with the overall performance.

Vanguard VEO 2S CM-264TR monopod: Performance

This Vanguard monopod fulfills the brief, as far as I’m concerned, at least most of it. With the addition of its tri-feet, it certainly gives a good, solid platform for shooting. It’s resistant to unwanted flexing or vibration, even at its generous maximum operating height of 163cm / 64.2in (without a head fitted). It also shrinks to a minimum height of 55cm / 21.7in for low-level shooting, while height adjustments are quick and easy, thanks to the effective twist-action clamps.

My only real problem is with those tri-feet. I found them highly effective for static shooting, and they do add stability while also enabling a generous amount of tilt. However, they’re also advertised as enabling panning, via the ball joint which connects the feet to the tripod. With my review sample, I found that panning was actually very stiff, and the feet tended to move around on the ground when attempting to pan the camera.

All the more reason to get the kit that comes complete with the pan/tilt head. The head works really well and makes panning a cinch, especially with the panning handle attached. With the addition of the head, performance is transformed and is extremely good.

Vanguard VEO 2S CM-264TR monopod: Verdict

The only hard part is whether to choose the basic version of the Vanguard VEO 2S CM-264TR Carbon Fiber Monopod with a smartphone kit, or the pricier edition that also includes a pan/tilt head. Actually, it’s not hard at all, as far as I’m concerned. If you need to pan and tilt your camera to track moving subjects, the pricier kit is a no-brainer, and it’s still excellent value for money at the price.

Alternatives

I’ve owned a couple of Benro tripods and heads over the years and have always found them to be absolutely dependable. The Chinese manufacturer has been creating quality tripods and other supports since 1996 and has earned a very good reputation over the past 30 years, turning out some of the best tripods for photographers, best carbon fiber tripods, best travel tripods, best ball heads and best gimbal heads, to name but a few of the catalogued temptations. It also makes some of the best monopods, including the innovative Benro SupaDupa Pro MSDPL46C. The monopod that I’m reviewing here is a more conventional stick but based on the highest quality components.

Benro Adventure 8X CF Series 3: Specifications

Benro Adventure 8X CF Series 3: Price

Good-quality monopods are available for about half the price of this Benro, which comes in at $120 / £125 / AU$229. However, they tend to have an aluminum build whereas this Benro is carbon fiber with additional magnesium alloy components. That makes the price less than I’d expect to pay for a monopod of its quality and specifications. It’s actually very good value.

Benro Adventure 8X CF Series 3: Design & Handling

There’s a saying that stems from a 1960s British sitcom entitled Never Mind the Quality, Feel the Width. Alternative tailoring priorities aside, this Benro stands out from the crowd in terms of both quality and width. Like any monopod, this one’s very much akin to a single tripod leg with a camera mounting platform at the top. But the leg is made from very high-quality 8-layer carbon fiber, with additional components engineered from magnesium alloy. The overall benefit is that the monopod is very strong and rigid, but with a lightweight build of 0.5kg / 1.1lb. It's very sturdy but easy on your back.

Getting back to the ‘width’ side of the equation, the top section of the monopod has an oversized diameter of 32.4mm / 1.28in. There are four sections in total, the lower three filtering down to 28.6mm, 25.2mm and 21.8mm (1.13in, 0.99in, 0.86in). The net result is that even the bottom section has an impressive girth with no hint of being thin and spindly.

I think that four sections per leg is a good compromise. Three sections would result in a long folded length for stowing the monopod away, whereas five sections would increase setup time as well as reduce the diameter of the bottom section. As it is, the folded length works out to an easily manageable 52.5cm / 20.7in, which also enables fairly low-level shooting, should you feel the urge.

Despite being made from relatively warm-to-the-touch carbon fiber instead of aluminum, the monopod features a generous amount of comfort padding, which to me feels just right on the scale of firm to soft. There’s also a wrist strap, which comes in handy for carrying the monopod around and for adding a sense of security when you’re actually using it with your precious camera mounted on the top.

Naturally, the top of the monopod features a mounting platform or ‘top plate’. You can attach your camera directly to this, but I feel that a little head goes a long way in terms of practicality when using a monopod. I know opinion is divided on that amongst photographers, but the platform is circular with a diameter of 56mm, just crying out to have a head added to it.

There’s also a spanner included with the monopod, so you can remove the 1/4in camera fixing screw from the platform, reverse it and pop it back in with a 3/8in thread up top for mounting a suitably sturdy head. My ideal match for the monopod would be the very clever Benro FS20PRO Video & Foto Head. It works equally well as a ball head and as a pan-and-tilt head, selling for around $85 / £100 / AU$215.

Down at the bottom of the monopod, at least when it's folded, are the three flip-lock levers for extending and locking the inner sections. They’re quick, comfortable, and reliable in use, with a similarly high-quality feel to the rest of the monopod. Some might prefer twist-action clamps instead of flip locks, but that’s just a matter of personal preference.

At the very bottom of the monopod is a large rubber ‘rotating foot pod’. I have mixed feelings about this. I like that its large, flat, textured base gives a good, solid footing on hard and soft surfaces alike. I also like that it has a cutout at the top, which enables you to angle the foot in relation to the monopod by up to almost as much as 90 degrees. The only thing I don’t like about it is something I’ll come to next, in ‘performance’.

Benro Adventure 8X CF Series 3: Performance

If I’m going to the expense of buying a monopod and the effort of carrying one around, I want it to be able to do the job for which it’s intended. The Benro does that and more. I found it to be super-sturdy and extremely resistant to any unwanted flexing or vibration in use. I’m tall at 6ft 5in but found the maximum height of the monopod adequate for my needs. It’s an even better fit for me with a compact ball head added to the top, which is not included in the kit but a very worthwhile add-on in terms of performance as well as practicality.

My only slight niggle is that while the rotating foot pod is nice to have, it didn’t actually work very well in my tests. It was so stiff that the whole foot would scrape around and dig a hole in the ground instead of rotating on the end of the monopod. And when I did force it to rotate or adjust the angle to the vertical, it made a horribly loud squeaking noise. I’m sure that both of these negative attributes could be easily remedied with the application of the right kind of lubricant, but there’s no mention of that in the instruction pamphlet.

Benro Adventure 8X CF Series 3: Verdict

All things considered, I really like the Benro Adventure 8X CF Series 3 Monopod. It’s a relatively simple and straightforward affair, lacking little add-ons like fold-out feet, smartphone clamps and other mod cons, but that’s fine by me. When I reach for a monopod, it’s because I want something that will give solid and sturdy support with no flexing or vibration. And that’s what the Benro is all about, with its top-quality carbon fiber and magnesium alloy construction, and its hefty 16kg / 35lb payload rating. It doesn’t come with a monopod head but still, that’s reflected in the price and it’s nice to be able to add one of my own choosing.

Alternatives

3 Legged Thing is offering new kit bundles for its range of monopods. 3LT’s Legends and Punks monopods will now be available in 'Superkits' which bundle a monopod with the Docz stabilizer foot, as well as 3LT's new AirHed Trinity compact pan & tilt head, with the aim of creating an ideal kit combination for wildlife and sports photography, as well as for video use.

Read more: 3 Legged Thing AirHed Trinity full review

The AirHed trinity head is especially suited to video thanks to its smooth fluid panning axis and a spring-weighted tilt axis, making camera movements much smoother and more controlled. It’s equipped with a standard 38mm Arca Swiss quick-release plate and is just 8cm tall and 9cm wide (without the included panning handle attached), yet still has a maximum weight capacity of 5kg.

Four monopod Superkits will be available, based around the Alana and Lance Legends monopods, as well as the Trent 2.0 and Taylor 2.0 Punks monopods. Both Legends monopods are carbon fiber supports, with Alana being a compact, travel-focussed 5-section leg, while Lance is an ultra-tall 4-section version. Trent 2.0 and Taylor 2.0 fulfil the same travel vs. tall split, but are constructed from magnesium alloy instead.

“The Superkits offer an enormous range of features. Additionally, content creators buying a monopod with both Docz and the AirHed Trinity can save a significant amount, versus the cost of buying each item separately. It really is a fantastic bundle for sports, wildlife and video creators”

Stuart Boston, Chief Operating Officer, 3 Legged Thing.

Expect to pay $269.99/£229.99 for the carbon Alana and Lance superkits, while the Taylor and Trent versions are priced at a more accessible $209.99/£179.99.

A monopod is just a monopod, right? These one-legged camera supports might not offer the hands-free stability of a tripod, but they are really useful extra supports in tight spaces and when you need to keep moving around. But what Sirui has done here is take a simple principle and add some excellent design features.

You might think that the best monopods are all pretty much the same, but we think Sirui has done something special here. On paper, these monopods look interesting enough, but when we got to try out them out for ourselves, we could see just how fast and efficient they actually are.

There are two sizes – the SVM145 and SVM165 – but they work in the same way. Both have fold-out feet for extra stability when panning or using other camera movements, and a ball head in the base for easy tilts.

We’ve seen monopod feet before, but these have a special feature – a quick-release mechanism used throughout these modular designs. In a single movement you can pull up a spring-loaded collar and detach the feet. And they click back into the socket against the spring tension and lock securely into place.

At the top of the monopod the camera plate is held in by another quick-release catch, and you can detach this and clip it directly to the feet to make a mini table-top tripod.

There’s more. An optional extension can be attached to the top of the tripod using the same mechanism to give you greater working height – or used with the feet to give you a taller mini-tripod.

Another feature we especially like is the single twist-lock at the top of the monopod. This unlocks and locks all the leg sections simultaneously, allowing much quicker and easier height adjustments. If only all monopods were made this way!

The Sirui SVM145 costs $249/£195 (about AU$378) while the taller SVM165 costs $299 / £229 (about AU$444). The extension is sold separately, as a variety of heads.

Not everyone needs a monopod, but it’s surprising how useful they are. In sports and wildlife photography they take the weight of a heavy lens, reduce wobble with long-range shots and make it easier to carry out level panning movements. They can help reduce camera shake in low light and smooth out micro-jitters when filming. If you’re into landscapes, they can even serve as an ad hoc walking pole on uneven terrain.

Choosing the best monopod sounds like it ought to be simple but, as with tripods, monopods come in different heights, with different leg sections and with either aluminium (or magnesium) construction for affordability or carbon fiber for lightness.

The 3 Legged Thing is at the top end of the scale. It uses lightweight but rigid carbon fiber tubing and extends to a maximum height over just over 2m, which is well above eye level for everyone who isn’t a basketball player.

You don’t have to be 7ft tall to need a monopod that can go this high. The extra height is ideal for filming over the heads of crowds, as 3 Legged Thing points out, and it’s also great if you are shooting or filming on a downward slope or on the bank of a river. Your monopod can stand in the water while you keep your feet dry on the bank!

3 Legged Thing Lance: Specifications

Max height: 202cm / 79.5in
Length folded: 61.4cm  / 24.2in
Leg sections: 4
Weight: 677g / 1.49lb
Max tube diameter: 32mm / 1.26in
Max payload: 60kg / 132 lb
Material: Carbon fiber, magnesium alloy
Colors: Darkness

3 Legged Thing Lance: Key features

The 3 Legged Thing Lance is a monopod stripped back to the basics. It doesn’t even have a tilting or swivelling head, a feature you can often find on rivals. Monopod purists may argue that a head adds unnecessary weight and complication that detracts from a monopod’s basic simplicity, but a tilt head is definitely useful when aiming the camera towards the ground or upwards at tall buildings or interiors. A swivel action can also smooth out panning movements.

However, the Lance can be bought with an additional Docz2 foot attachment. This does turn it into a free-standing camera support, though it’s far less stable than a regular tripod and perhaps best used indoors where there are nice flat surfaces and no strong winds. The Docz2 feet do give it a much smaller footprint than a regular tripod, though, which is really useful when shooting or filming in confined spaces or when you need to change position quickly.

3 Legged Thing Lance: Build and handling

The Lance is really simple to use, mainly because it doesn’t do all that much – which isn’t necessarily a bad thing in a monopod. The four-section leg is quicker to set up than a regular 5-section monopod (of course), but this does mean it’s still pretty long when folded. It’s going to have to go on the outside of your backpack not the inside, and it will need to be strapped down securely.

The thick rubber grip on the top section provides a comfortable, secure hold, and the ‘O-Pad’ twist lock leg section grips give you good purchase for tightening and loosening. You won’t necessarily need to slacken them all off, either. If you’re a bit of a shortie (like me) you’ll probably need only three sections extended out of four for most shooting scenarios.

The dual-thread mounting screw on the top works really well. The wider 3/8” outer sleeve screws straight into a tripod head, while if you push it into the base of a camera, this moves back and the inner 1/4” screw engages with the camera. It’s that simple.

3 Legged Thing Lance: Performance

It is possible to provoke some flex in the leg, but only if you shove it around in a totally unrealistic manner. The leg locks only require a short twist to go from loose to fully tightened, and the Lance easily handled the weight of our heaviest gear – the maximum payload is 60kg, and who even has 60kg of kit? – and if you are going to use it at its full 2.02m height, its stability is going to be limited only by the strength of your biceps. 

The optional Docz2 feet do, however, seem a bit of a weak point. They have a ball-type pivot for panning and camera movement – really useful – which you can tighten up with a locking nut, but even so it’s difficult to tighten the Docz2 on to the bottom leg section fully, and even when it’s locked down as tight as it will go, there’s still a bit of flex and wobble in the setup. It is designed to articulate when slackened off, and that is certainly useful for camera movements.

3 Legged Thing Lance: Verdict

If you need an extra-height monopod with a faster 4-section design and the lightness and rigidity of carbon fiber, then the 3 Legged Thing Lance definitely delivers. It is more expensive than 3 Legged Thing’s magnesium alloy monopods, though, so height and weight need to be your priorities for it to make sense – otherwise, you might just as well get the cheaper Trent 2.0.

But should you get it with the Docz2 feet? This adds considerably to the price and, while it might be useful indoors, it doesn’t have the stability or the adaptability of a tripod outdoors. It would be better, perhaps, if 3 Legged Thing offered a basic pan/tilt head instead (or as well).

Check out the best tripod ball heads, and the best pan-tilt heads

3 Legged Thing has released three new monopods, designed to expand its range for videographers, wildlife, and sports photographers.  

3 Legged Thing is an award-winning British manufacturer of tripods and monopods, often leading or ranking very highly in our best tripod and best monopod guides. Three new monopods have been released from 3 Legged Thing, set to pique the interest of both photographers and videographers. Commenting on the release, Stuart Boston, Chief Operating Officer for 3 Legged Thing said:

“We’re delighted to expand our range of monopods to offer our customers even more choice. These three new models take inspiration from our current best-sellers and add refined features, and handy wrist straps for additional security. We look forward to seeing them in use at sports venues and wildlife locations worldwide!”

The new monopods are named Taylor 2.0, Alana, and Lance, and they each have something a little different to offer. 

3 Legged Thing Taylor 2.0

Named after the late Foo Fighters drummer Taylor Hawkins, this monopod is a magnesium alloy travel-friendly monopod in 3LT’s Punks range. The Taylor 2.0 is designed for compact transportation with a folded length of just 44 cm / 17.32”. The monopod reaches a substantial 1.58 m / 62.2” fully extended, and can support loads of up to 30kg / 66 lb, despite only weighing 677 g / 1.49 lb. 

See our 3 Legged Thing Taylor review

3 Legged Thing Alana

This monopod is a part of the Legends range and is named after Alana Smith, the youngest skateboarder to win a medal at the X Games. The new Legend monopods have been created in conjunction with customer feedback and all feature a smooth bowl-shaped top section that alongside the large rubber grip makes Alana comfortable to use for long periods. The folded length is a compact 44.8 cm / 17.6”, yet reaches 1.58 m fully extended offering users a highly portable and lightweight monopod that can support up to 60 kg / 132 lb of camera gear. 

3 Legged Thing Lance

Like Alana the Lance monopod is part of the new Legends range, so also benefits from the updated smooth bowl-shaped top section alongside the large rubber grip, adding to its comfort. Keeping on theme Lance is named after former skateboarder Lance Mountain, but this time is designed for photographers and filmmakers that need greater extension. With a fully extended height of 2.02 m / 79.5”, Lance can also support up to 60 kg / 132 lb of camera gear. It folds to just over 61 cm / 24” for transportation. 

All three monopods feature a convenient spring-loaded dual thread at the top – 3/8”-16 for mounting a tripod or monopod head, and ¼”-20 for mounting a camera or lens directly to the top. They each include a non-removable rotating wrist strap at the top for additional security and a comfortable textured, rubber grip which is contoured with channels to aid water dispersal. Each of the monopods is also compatible with 3 Legged Thing's Docz foot stabilizer, which also doubles as a mini tripod. Docz has legs that can be folded upward making it extra-compact for transportation. Another useful feature of note, that I personally was unaware of, is that these monopods have the strength to double as boom arms for audio equipment and lighting! 

Monopods are a fantastic way of enabling camera stabilization, especially when using a long lens, and when working in confined spaces where a tripod isn't a viable option. The monopods are out now at the following prices:

Taylor 2.0 $89.99 / £79.99 / AU $153.00 ( for the monopod only), or $139.99 / £119.99 / (approx AU$230.00) (as monopod kit with Docz foot)

Alana $149.99 / £129.99 (around AU$250.00) (monopod only), $199.99 / £169.99 / approx AU$326.00 (as monopod kit with Docz foot)

Lance $149.99 / £129.99 / around AU$250.00 (monopod only), $199.99 / £169.99 / approx  AU$326.00 (as monopod kit with Docz) 

See the articles listed below for more information on monopods:

• Monopod vs Tripod

• The point of a monopod

• Shooting motorsports with a monopod

The 3 Legged Thing Taylor 2.0 is one of Three Legged Thing’s more affordable monopods, launched at the same time as the premium carbon fiber Lance. You can get the Taylor 2.0 on its own, or as a kit with 3LT’s screw-on Docz feet which enable it to stand on its own.

The best monopods can be extremely useful as an extra bit of stabilization for low light or video work, and for taking the weight of heavy telephoto lenses during extended periods of shooting. They take a fraction of the time (and space) to set up needed by a tripod, and they’re easier to carry around – doubling as a walking pole or stabilizing stick on rough ground if necessary.

3 Legged Thing Taylor 2.0: Specifications

3 Legged Thing Taylor 2.0: Key features

The Taylor 2.0 is made of ‘aerospace grade’ magnesium alloy and has a 5-section leg with twist locks, to give a folded length of 44.1cm and a very good maximum height of 158cm – that’s plenty for even the tallest photographers.

It’s relatively inexpensive, but 3 Legged Thing nevertheless says it’s designed for professional photographers and videographers.

The optional Docz feet simply screw into the base and have a collar which can be tightened for use as a free-standing support, or loosened off to provide freedom of movement for panning or tilting movements.

Speaking of which, there’s currently no tilt or ball head option. Monopod users seem divided on this issue, some saying it’s not needed while others would prefer a head of some sort. It’s easy enough to attach one of your own, though, via the dual-size screw attachment in the top. 

3 Legged Thing Taylor 2.0: Build and handling

It might not be a premium carbon fiber model, but the Taylor 2.0 feels extremely well made and not that heavy. The twist locks on the legs loosen and tighten with a short turn and when tightened with only a moderate effort they grip really hard, with no slippage at all even if you put your weight on the top.

The dual-thread screw on the top platform is a near touch. The 3/8” thread is exposed by default (the standard size for most tripod heads) but if you attempt to attach a camera directly, this pushes back to reveal a 1/4” screw to fit the base of the camera.

The Docz feet are quick to attach, but you have to make sure you put the standard rubber foot somewhere safe because you’ll need to reattach it to use the Taylor 2.0 like a regular monopod again.

The rubber grip on the top section is a good size, and the wrist strap provides a little extra security, though it’s a shame it’s non-removable – it can be a bit irritating if it gets caught up with your other camera gear or backpack straps.

3 Legged Thing Taylor 2.0: Performance

We didn’t have any 30kg weights handy to test 3 Legged Thing’s 30kg payload claim, but the Taylor 2.0 does feel absolutely rock solid and we’ve no reason to doubt it (who actually HAS a 30kg camera kit?).

The Docz feet work very well too, though if you’re going to use the Taylor 2.0 as a free-standing camera support, you’ll want to choose a level surface and lock the ball joint down tight – and stay nearby in case the wind gets up. The setup works really well indoors, though, where it takes up a much smaller footprint than a regular tripod, even if it doesn’t offer the same kind of stability.

3 Legged Thing Taylor 2.0: Final Verdict

The 3 Legged Thing Taylor 2.0 is a really solid, no-nonsense tripod at a fair price, given its generous maximum height, rigid feel and materials. The Docz feet are an interesting extra and are available with the Taylor 2.0 as a bundle, but while they are fine on a flat surface, everything gets a bit wobbly if you extend more than a couple of leg sections – though they do give the monopod a more solid grounding if you’re holding it at the same time for static or panning shots.

But it would be better still if the Taylor 2.0 came with an optional head, even one with a simple tilt mechanism. Without that, it’s difficult to photograph or film things on the ground or up high, without leaning at all sorts of awkward angles.

GoPro's 2023 launch sees a new official accessory join the ranks of the much-loved Chesty, Handler, Volta, and countless other best GoPro accessories on the market – the Extension Pole + Waterproof Shutter Remote – a mouthful, but at least we know exactly what it does.

A relatively compact 10 inches (25.5cm) when collapsed, this action cam mounting pole almost quadruples in length, reaching 48 inches (122cm), and best of all, it can be used with any GoPro product. That means if you have a 360º action camera like the GoPro Max, you should be able to capture incredible footage when paired with this far-reaching accessory.

More than just a mount and pole, GoPro knows that when you're 48 inches away from your action camera, controlling it will be a struggle, which is why it's bundled in a detachable shutter remote. This additional accessory is waterproof to 5m, and it's wearable, so you'll be less likely to lose it mid-action.

As for mounting options, there are plenty to choose from. At the base is a 1/4" 20 thread, so you can mount the pole itself. At the top is another 1/4" 20 mount, and you can screw on a range of included heads, including a traditional action camera mount and a ball and socket mount with a fast swap GoPro clip. There are also two lanyards, one for the pole and another for the remote, so you can loop both around your wrist.

Alternatives in GoPro's line available now include the 3-Way 2.0, but that only extends to 19.5 inches (49.53cm), and El Grande – which is curiously out of stock on GoPro.com at the time of writing – could we finally be bidding adios to GoPro's much loved extender? 

As for numbers, El Grande reaches 38in (97cm), making the Extension Pole + Waterproof Shutter Remote the longest official option around when it launches.

If you're wondering when you can get your hands on the pole and shutter remote, it will be available to buy in October 2023, with pricing to follow. That makes the combo the only announcement from GoPro's 2023 launch event to arrive after the GoPro Hero 12 Black and Max Lens Mod 2.0, both available to pre-order until they go for sale on September 13, 2024.

Best GoPro cameras
Best GoPro alternatives
Best invisible selfie sticks

We all take selfies, but holding your phone or camera at arm's length to include yourself in the shot rarely gives a flattering image, with the combination of a wide-angle view and shooting up close exaggerating facial features, not to mention forcing an awkward pose with an outstretched arm. A selfie stick enables you to shoot yourself from a much more natural distance and is great for including yourself in group shots, as well as shooting from up high for an aerial view or to clear lofty obstacles.

But there's more to it than a simple long pole to attach your camera to. Many selfie sticks come with pop-out feet that can help alleviate shake in long exposures, without having to resort to a dedicated tripod. Some include a Bluetooth remote control, which enables the shutter to be fired or video recording to be activated remotely. And some stabilizing gimbals also offer selfie stick functionality, with the ability to smoothly pan from a selfie of the presenter to showing their point of view.

You'll also need to consider what you're shooting with. Many of the selfie sticks I tried are only suitable for smartphones, while others come with attachments for action cams or even heavier full-frame cameras. There is also a tradeoff in extended size and portability; you'll need to decide whether extending to a decent length is more important than something you can pack away in a pocket.

Investing in one of the best selfie sticks not only enables you to take pictures and videos of yourself in comfort but can open up a whole new world of photographic possibilities. With so many selfie stick options on the market, I'm here to help you find the best one for your needs and budget…

The best selfie sticks

Best selfie stick for iPhones

The KraftGeek JustTap Magnetic Phone Tripod is designed primarily for MagSafe-compatible iPhones, utilizing a strong magnetic mount that can securely hold up to 2.5kg. It will also hold phones in a magnetic case, and an adhesive magnetic ring is included. The product also comes with a rechargeable Bluetooth remote control with a 10m range, capable of up to 20,000 shutter activations on a single charge.

Its 'JustTap' functionality allows it to quickly transform from a selfie stick to a tripod by tapping its base gently on the ground, whereby three legs pop out to form a stable platform that can support your setup up to an impressive maximum height of 66 inches (5.5 feet), making it one of the tallest options available and perfect for eye-level shots.

While its extended height is hard to beat, this does limit its portability somewhat; with a stowed length of 13 inches, it's hardly a pocket-sized accessory. But its robust build and clever design earn it the number one spot for those with MagSafe phones. It offers great value, too.

See our full KraftGeek JustTap Magnetic Phone Tripod review

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Best selfie stick for value

The K&F Concept 62-inch 2-in-1 Selfie Stick Tripod is surprisingly affordable, considering its enormous reach and versatility. It's primarily aimed at smartphone and action camera users, but with a 2kg (4.4lb) load rating, it can just about also handle a small mirrorless or DSLR. Priced at around just $27 / £26, it exceeded my expectations with impressive features and good overall functionality for its budget cost.

It combines a selfie stick with an impressive maximum extension of 62.1 inches (157cm) and a functional tripod. Constructed from plastic and aluminum with a carbon fiber look, the build quality is surprisingly good for the low cost. You get a detachable Bluetooth shutter remote thrown in, which pairs easily with smartphones for remote activation, and a GoPro-style mount adaptor.

While it can support larger cameras at its minimum height, raising the telescopic center column, even slightly, introduces significant wobble and instability. It performs much better with lighter devices, such as phones and action cameras, for which it is primarily intended. The ball head is functional but basic. The other big trade-off is its size when folded. At 13.9 inches (352mm), it is relatively long and may not fit into smaller bags, though it can be carried comfortably in a backpack.

Read more: K&F Concept 62-inch 2-in-1 Selfie Stick Tripod review

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Best selfie stick for larger cameras

The Neewer TP38 is a two-in-one desktop mini-tripod and selfie stick that is designed to support both cameras and smartphones. It features a clever and versatile camera plate and phone cradle, which eliminates the need for separate attachments and makes it suitable for photographers frequently switching between using a phone and a dedicated camera.

The robust build quality feels more durable compared to some other tabletop tripod/selfie stick combinations, and the head is well-engineered, supporting a decent load rating. However, the device only offers a limited degree of extension via its non-locking telescopic center column.

I was impressed with the Neewer TP38's compact design and its usefulness in various shooting situations, including vlogging, live streaming, and general photography. It is a portable and practical solution for photographers and content creators who require a flexible support system and who switch between a traditional camera and a smartphone.

Read more: Neewer TP38 review

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Best selfie stick for remote control

I found the SmallRig SR-RG2 to be an interesting attempt at combining several camera support functions into one device. It's designed to work as a handheld grip, a selfie stick, and a tabletop tripod – all of which can be used in conjunction with a sophisticated remote that takes care of the main shooting functions. The device itself is about six inches long, and I found the rubberized, contoured grip comfortable to hold. Attaching my Nikon Z5 II mirrorless full-frame camera was easy enough thanks to the standard tripod screw, and the head's tilt and pan functionality gave me some flexibility.

When I used it as a grip or selfie stick, I could operate my camera single-handedly, with controls for shutter release, video record, lens zoom, and a customizable button right at my fingertips. The extension for selfies was a nice touch, although it didn't add a huge amount of reach. Transforming it into a mini-tripod with the flip-out legs was simple, but I found the shooting height to be quite low as the column can't be extended in tripod mode.

The standout feature for me was the detachable Bluetooth control. It worked well with various camera models and offered more flexibility than many standalone remote shutter releases I've used. The inclusion of a wide/telephoto rocker, a two-stage shutter release, a dedicated video recording button, and a customizable button was a definite plus.

However, I have to admit that while the SR-RG2 is versatile, it doesn't truly excel in any single function. The selfie stick and tripod modes have their limitations. Despite this, I think it's a handy all-in-one solution, particularly for vloggers who need a compact and multifunctional tool. But if you're looking for a dedicated selfie stick, you might be better off with one of the other specialized products in this guide.

Read more: SmallRig SR-RG2 review

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Best selfie stick for vloggers

The KraftGeek Variety Tripod is a highly adaptable accessory designed specifically for content creators, including vloggers, influencers, and TikTokers. It seamlessly transitions between a selfie stick, a tabletop tripod, and a full-sized tripod. Made primarily of aluminum, the device is relatively lightweight at just 450g and can support a maximum load of 2kg, making it well-suited for smartphones and smaller cameras.

A key feature is its impressive maximum height (or length, in selfie stick mode), which extends to 62.5 inches (158cm), and is equally useful for large group selfies or creating professional 'to-camera' video presentations. Multiple cold shoe mounts enable easy attachment of accessories, such as microphones and LED lights. It comes with a flexible ball head for cameras and a rotating universal cradle for smartphones, offering compatibility with a wide array of devices.

While the extended height is a significant advantage, this comes at the cost of compactness when it's collapsed. It is not as portable as smaller, pocket-sized selfie sticks. However, this tradeoff is well worth it, as the Variety Tripod provides a solid and stable platform, and is a compelling and affordable choice for smartphone shooters who need a versatile and robust support system for their content creation needs.

See our full KraftGeek Variety Tripod review

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Best lightweight selfie stick

The Joby TelePod Mobile is a combined selfie stick and mini-tripod designed for phone photography or lightweight cameras. It folds small and has a grip that folds out to form tripod legs. A four-section telescoping center column extends to 56cm, almost three times its stowed size, and there's a cradle atop that has a sprung mechanism to grip your phone snuggly and also folds flush against the handle for stowage. The cradle can be removed to reveal a small ballhead with mouting screw for use with (very) lightweight cameras – the max payload is just 325g. It also comes with Joby's Impulse Bluetooth remote trigger for activating your phone's shutter.

I found the TelePod Mobile to be straightforward to use, with a twist-lock mechanism that works well. The ball head, while small, is suitable for holding light payloads like mobile phones. When used as a tripod, the leg splay is narrow but provides enough stability for its intended payloads. The device's ability to extend to over half a meter is useful for fitting small crowds into selfies and reaching decent heights as a mini-tripod. However, the drawbacks are that it is not suitable for heavier loads, and I found that the center column had a nasty habit of accidentally unlocking when adjusting the ball head. It feels pricey compared to some competitors, especially given its low payload capacity.

Overall, the Joby TelePod Mobile is a supremely portable device that is easy to use and has an impressive reach for its size. It is well-suited for phone photography and action cams, but users needing to support heavier equipment will need to look elsewhere.

Read more: Joby TelePod Mobile review

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Best extending stabilizer

The DJI Osmo Mobile 6 (OM6) is an all-in-one smartphone stabilizer and a selfie stick. It automatically stabilizes the phone, reducing camera shake in both stills and video, and the head twists, turns, and rotates through all three axes to track subjects automatically. While the 215mm (8in) extension cannot match the lengths that dedicated selfie sticks go to, it nevertheless enables selfies to be shot from a decent distance.

DJI has steadily improved the Osmo Mobile line over several iterations, and this has a more 'pro' look and feel compared to the Osmo Mobile 5 that came before it. The OM6 introduces an analog control, which offers a great deal more subtlety in adjusting the movement of the head to which the phone is attached. The phone sits in a cradle that attaches to the body of the device via a magnet (so you can easily pull your phone off to use it), but is plenty strong enough to support the weight of a phone and is a lot more convincing in reality than you might imagine!

The OM6 doesn't take up much more space in a bag than a regular selfie stick (it’s positively svelte compared to earlier-generation Osmo models), but opens up a whole world of creative possibilities. Posts will be immeasurably improved, with silky smooth panning when used as a mini tripod. While it clearly costs a lot more than a simple selfie stick, it's an intriguing alternative if you have the budget.

Read more: DJI OM6 review

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How we test

We test products by using them for their intended purpose; it's as simple as that. With selfie sticks, that has meant trying them to shoot selfie photos and videos, both solo and in groups, as well as testing functions such as the rigidity of tripod feet and the effectiveness of remotes.

See also
Best gimbals for iPhones and smartphones
Best gimbals for GoPros
The best iPhone and Android tripods and supports
The best mini tripods
Best invisible selfie sticks

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Image stabilization is a wonderful thing, whether it’s in-camera, in-lens, or both. I often find that I can get pin-sharp shots at slow shutter speeds, the kinds of which I could only dream of in bygone times. Another upside is that I much prefer the freedom of movement I can enjoy in handheld shooting, compared with using a tripod, and it’s also one less thing to carry. But that’s not the whole story, especially when I’m using a big, heavy telephoto lens for the likes of sports and wildlife photography.

A good monopod can literally take a load off, as far as I’m concerned. Especially for long periods of shooting, when I’m covering a sports event, a heavy camera and lens kit can be a real pain in the neck (and the back). It’s great to be able to transfer all of the weight to a monopod and let it take the strain. In the absence of stabilization, they can also cut camera shake at slower shutter speeds in low light, and they're great for adding stability to video. But while a monopod might seem like a very simple device, there is a huge range of different options on the market with different advantages and drawbacks.

The quality of the build of monopods can vary greatly, as can their height, weight, and maximum payload. Some monopods have more leg sections than others, some have stabilizing feet that can sometimes also be used as mini tripods, and some even double as video sliders or have their own leveling heads. For the following guide, I've picked out some of the best options to suit a range of needs and budgets but, if you still feel that three legs are better than one, make sure you also check out our guides to the best tripods and the best travel tripods.

The best monopods

The best monopod overall

3 Legged Thing is a reliable British brand for tripods and monopods, and I've tested lots of their products over the years. The redesigned Trent 2.0 stands out for its impressive max load-to-weight ratio, able to support up to a hefty 30kg of kit. It can also reach very high, up to over two meters, all while being relatively light as well as more affordable than some of the brand's more premium options.

It features redesigned leg locks, which I found easy to operate even in the cold when wearing gloves. And there's the option to include 3 Legged Thing's Docz2 foot attachment, which adds extra stability and allows you to use the monopod hands-free (don't go too far!). The feet can be attached and removed, but that involves screwing them on or off.

The Trent 2.0 still measures a pretty chunky 60cm when packed down (an unavoidable trade-off for all that height). It also lacks a quick-release plate or head, so you'll need to have one already or buy one separately if you want to avoid having to screw the monopod to your camera every time you use it. If you don't mind those frustrations, I think this is a fantastic value for big setups.

Read our full 3 Legged Thing Punks Trent 2.0 review

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The best monopod for innovative design

Just when I think I've seen everything in monopod design, Benro comes along and surprises me with the Benro SupaDupa Pro MSDPL46C, which proves there's still innovation to be found. It's a clever monopod design with a few interesting tweaks that I really appreciated when I tested it.

First, there's a clever rotating foot that I found makes it easier to produce smooth panning movements without the heavy and expensive addition of a video head. Second, there's an inbuilt leveling head that offers 20-degree movement in all directions. Like the first feature, it doesn't offer the range and fluidity of a pan and tilt head, but I found it can be useful in certain situations. For example, you could lean the monopod up against a wall or railing to keep it steady and adjust the leveling head to set the camera straight.

Finally, the leg locks are all twist-style except for the top one, which is a flip catch. This makes it very easy to use the top section for quick height adjustments. All of these features make this a relatively expensive monopod, and it's probably more than most monopod users need, but these touches could make the difference, particularly for sports photographers who don't want the expense and weight of an additional head.

Read our full Benro SupaDupa Pro MSDPL46C review

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The best monopod for feet

Constructed from carbon fiber, the Vanguard VEO 2S CM-264TR is both lightweight and incredibly sturdy, a combination that’s not always easy to find. In the field, it proved to be a reliable companion. The twist-lock legs were quick to deploy and secure, allowing me to set up for a shot in moments.

The standout feature for me, however, was the set of tri-feet at the base. These offered a surprising amount of stability on uneven ground, giving me the confidence to shoot at slower shutter speeds without worrying about camera shake. While the added stability of the feet was a huge plus, I did find the panning function a bit stiff. It wasn't as smooth as I'd hoped for capturing fluid motion. The included smartphone clamp and Bluetooth remote were a nice touch, though, and I can see them being very useful for vlogging or behind-the-scenes shots.

Overall, I found the VEO 2S CM-264TR to be a versatile and dependable monopod. It’s a solid choice for any photographer who needs reliable support without the bulk of a full tripod. Despite the minor issue with panning, its robust build and thoughtful features make it a worthy contender if you need a little additional stability. If you don't mind a little extra weight, the Vanguard VEO 2S AM-264TR offers the same features but is made from aluminum.

Read our full Vanguard VEO 2S CM-264TR review

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The best value monopod

The Benro A48FD Series 4 Aluminum Monopod with 3-Leg Locking Base is an exceptionally solid support system that cleverly bridges the gap between a monopod and a tripod. One of the little luxuries I love is that it doesn't fall over if and when I let go of it, thanks to its foldout three-leg base.

Benro bills this as ideal for small cameras, but with its impressive 20kg (44lb) payload rating, I found it tough enough to support the heaviest camera setups with long lenses for both video and stills. At 6 feet 5 inches tall, I could use its four leg sections comfortably without stooping. The three flip locks operate with smooth, solid efficiency, and the base features a helpful ball joint for fluid panning and tracking.

The aluminum build is highly durable and won't shatter if hit, though it can feel cold to the touch in chilly weather. It is also nearly twice the weight of some carbon fiber alternatives. However, the tough build and removable three-legged stand make it cracking value for the money.

Read our full Benro A48FD Series 4 Aluminum Monopod review

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The best carbon fiber monopod

My first impression of the Benro Adventure 8x CF Series 3 Monopod was how incredibly lightweight it is, a real back-saver on long hikes. The carbon fiber construction is top-notch, providing a sense of durability that inspires confidence. I found the twist-lock leg sections to be a breeze to use, allowing for quick and silent adjustments, which is crucial when you're trying to capture wildlife. The monopod extends to a very generous height, which I, as a taller photographer, really appreciated.

In the field, it performed admirably. The large rubber foot at the base provided a solid grip on various surfaces, from rocky trails to slick city streets. I did find myself wishing for a little more stability in some situations, as the lack of tripod feet meant I had to be more mindful of my own movements to avoid camera shake. The foam grip was comfortable to hold, even in colder weather, and the attached wrist strap gave me an extra sense of security.

The Benro Adventure 8x CF Series 3 is a fantastic choice for photographers who prioritize portability and speed. While it may not offer the same level of stability as a monopod with tri-feet, its lightweight design and solid build make it an excellent companion for those who need to travel light and react quickly. It's a no-fuss, reliable piece of kit that I would happily take on my next adventure.

Read our full Benro Adventure 8X CF Series 3 Monopod review

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The most versatile monopod

Moza's original Slypod is an innovative 2-in-1 slider-come-monopod: a clever motorized device that could automatically extend at different speeds via a dedicated mobile app. Its big brother, Slypod Pro, which I'm concentrating on here, is an evolution of the same concept, with more power and a set of detachable feet.

It's mainly aimed at videographers, and most of the versatility is more beneficial for video than stills. When I tested it, I found the addition of the feet, larger than many such detachable bases, to be a welcome addition for allowing me to use the device vertically, hands-free. Using the motor in the vertical position, I was able to create smooth vertical tracking shots.

Meanwhile, fitted to a regular tripod, the monopod becomes a horizontal or angled slider or boom. Both in this position and vertically, it can automatically extend a total length of 1.46m. I found that the app works well, allowing me to regulate the extension speed between 0.5mm/s and 40mm/s to create different looks.

Unsurprisingly, given that it includes a motor, this monopod is far more expensive than most. It's also fairly heavy and measures 65cm when collapsed (without the tripod attachment). But while the motor is of limited use for photography, I found that it comes into its own as a slider or jib arm for shooting video.

Read our full MOZA Slypod Pro review

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The best tall monopod

I think this is the best monopod overall if you need a lot of height. A fast four-section design makes it quick to extend, and the lightness and rigidity of carbon fiber helps keep weight down while giving over 2m / 6.5ft of reach.

That level of extension might be more than what most people need to bring their viewfinder to eye level, but it can be useful in various scenarios, including situations where you want to shoot downward, over people's heads, or if you're on a hill or steps and the base of the monopod is lower than your feet.

When I tested it at its full extension, I felt reassured by the solidity of the build. The thick rubber grip feels secure and comfortable to hold, and the wrist strap provides extra security. I liked the grips on the ‘O-Pad’ twist locks on the leg sections to aid purchase for tightening and loosening.

There's an option to include the brand's Docz2 feet for extra stability, but, alas, no head is included. The Lance doesn't pack down small, so you'll need to strap it to a backpack to carry it. Also, due to the carbon fiber body, it is more expensive than 3 Legged Thing’s magnesium alloy monopods. If convenience and keeping weight down are priorities, it's a great buy.

Read our full 3 Legged Thing Lance review

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How to choose the best monopod for you

Buying a monopod doesn't have to be too complicated – fundamentally, all you're dealing with is a single-leg support for your camera – but there are a few things worth looking out for. It's worth thinking about the type of shooting you're doing and what you might prioritize based on that. Is it more important to you that a monopod is quick to set up or light to carry?

A monopod must be able to support the combined weight of your camera/lens/accessories setup, so the best monopod for you will depend on your kit. If you're using a lightweight mirrorless camera and a small lens, this will be a pretty different proposition than if you're using a hefty DSLR with a super-telephoto lens.

You also need to consider how high you need your monopod to go. This will depend on several factors, not least of which is how tall you are yourself. Monopods that reach greater heights are useful for high-angle work, but they're more expensive. If you're short in stature and you don't plan to take shots from high angles, you could save money by picking up a monopod that doesn't extend so far.

Also consider the practicality of each monopod's design. Monopod leg sections will be separated with twist- or flip-style locks. Twist-locks tend to be more secure, but flip-locks are faster. Tripod users tend to prefer more secure locks, but for a monopod, you may be better off with something that can be deployed faster in order to take advantage of the monopod's greater shooting versatility.

Monopod feet

Some monopods also have additional flip-out feet for more stable support. In some cases, these are fixed, and in others, the feet form a detachable base that can also be used as a handy mini tripod. Other types of bases include a fixed, rounded foot.

Monopod head

Like tripods, monopods can be fitted with different heads to allow panning and tilting, but in most cases, you will need to buy these separately. Most monopods have a standard 3/8in screw, which will allow you to attach most tripod heads, but it's always worth checking. See our pick of the best ball heads for options to accompany a tripod or monopod.

Monopod grips

Finally, at the top of the monopod, there should be a grip. As the monopod won't stand up on its own without your assistance, it's important that you're able to keep a secure grip on it, so this is something worth paying attention to. On cheaper monopods, the grip is likely to be foam, while some more expensive models use textured rubber.

Model variations

Be aware that many monopod brands make several variations of the same model, which sometimes have the same name but a different product code. For example, they may have a carbon fiber version and an aluminum version, or combination products that add in feet and/or a tripod head. On some retail websites, these variations often appear as different options under the same listing, so always be sure to check you are buying the version that you want.

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How I tested the best monopods

I have made this selection of the best monopods based on our reviews of each monopod and real-life testing in the field. To begin with, I set certain criteria as a minimum, choosing monopods capable of supporting the weight of a full-frame camera and lens combination. I also ensured the monopods were compatible with most tripod heads.

I then evaluated each monopod's strength, build, design, portability (weight and compactness), how quick and easy it was to set up, and useful features. Finally, I picked out the best monopod for different needs, considering more affordable options for those on a budget and more versatile options for content creators.

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FAQs

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In the past, we have described the Osmo Mobile as having an origami-like quality, and this revised version retains the same fold-out principle. The series has advanced rapidly, as evidenced by the generation number. You’d be forgiven for asking how the OM5, which brought a built-in extension pole, could be improved, but for DJI this is a popular product and couldn’t be left idle.

DJI is not playing at the budget end of the market, and so it seems the new OM6 has steered into the professional feel with a slightly more serious and featured-looking device than its predecessor.

The question is, has DJI successfully combined pro standards and functionality with the usability and portability phone users expect?

DJI OM6 specifications

Dimensions: 138x32 mm

Extension rod: 215mm

Weight: 312g + 31g phone grip

Battery: 1000mAh 

Phone weight: 230g ± 60 g

Phone tested: iPhone 14 Pro Max

DJI OM 6 Build & Handling

The DJI Osmo Mobile 6, in a lovely new shade of darker gray than its predecessor, has a firm feeling in the hand. The grip has a matching rubberized surface so the device shouldn’t slip in the hand. At the top, the folding mechanism has a very firm hinge – so much so that you’ll worry you’re breaking it the first time you open it. The motors, however, when unpowered move very freely which may add to the concern, but in reality tells of good engineering.

The base of the gimbal, incidentally, has a standard tripod mount into which the fold-out tripod stand can quickly be screwed in or out. It provides a solid base thanks to rubber feet, and isn’t a heavy additional burden to carry.

Folding the gimbal back will, we suspect, always feel slightly odd because after the initial fold the arm needs to be coaxed around until it drops into a recess, but it is easy enough and, again, feels convincing once done. 

Turning to the controls, things here look markedly more professional than the previous OM5. In part the darker color makes this impression, but the gloss ‘display’ with the new Mode button to the right and the Side Wheel with orange trim really achieve this. The display is simply made of back-lit icons but the result is more elegant than exposed LEDs would be, and battery chart, status light and the four mode icons are all that is needed. 

The device requires that your phone (in case or not) is placed in a magnetic clip. In our testing this didn’t interfere with the device, though you can’t use wireless charging while it is in place. Most phones – including Apple’s smaller and larger ones – fit in with no problems, and the rubber grip left no marks on our shiny new 14 Pro Max.

DJI OM 6 App “Mimo”

Without installing DJI Mimo you can use the gimbal in its standard modes and your camera app, but this misses out on a lot of the features (not to mention firmware updates). 

Mimo supports Dolby Vision / HDR10 recording for those seeking to get the maximum from their camera phone’s feature list, or (and it is ‘or’) will let you choose from a range of ‘glamour effects’ if you just want to give your vlogs big eyes and smooth skin without the need for surgery or makeup. Whatever your thoughts on this kind of processing, credit is due to DJI for the subtle implementation and – at least on the iPhone – smooth processing. We didn’t spot any issues even testing with a beard!

DJI OM 6: Performance

The overall stabilization performance of the gimbal is impressive. Despite the weight of modern phones, the motors were able to keep up with some aggressive movement on our part and hold the camera stable. You can comfortably get the gimbal to nearly 180˚ without the default mode losing the horizon.

The option of a FPV mode, in which the camera effectively leans into the movement is a great touch for more action-orientated creators. Auto-stitched panoramas are also available, including one in which the subject can appear multiple times. Where features, like this, are especially social-media friendly, their icon is colored to hint of the Instagram icon (so there is no feature rabbit hole for enthusiastic social-mediarites.)

Sample videos shot with the DJI Osmo Mobile 6, wit comparisons with the DJI Osmo Action 3

In terms of the to-camera pieces, we found that the ActiveTrack 5 did a great job of keeping the camera on us, but we were less convinced by DJI’s claims about the ability to identify and follow subjects with zoom. We found it easier to simply use the joystick when testing with passing cyclists, which the software simply didn’t identify in the way that it does using a drone. No doubt future updates will address this.

The timelapse feature has a lot of potential, and even recommends frame rates for crowds, clouds or sunsets (see sample clip in the video above).

It should also be said that the battery life is solid. Position the grip on your phone at the center of balance and you can use the phone on the gimbal to watch a couple of movies without issue. Whether shooting that long is battery-friendly is more a matter for your phone. The OM5, with the same battery spec, managed over 6 hours and that doesn’t seem to be diminished here. 

DJI Osmo Mobile 6 vs DJI Osmo Action 3

Before rendering our final verdict, we thought it worth a quick comparison with the recently launched DJI Action 3. We tested both on the same cloudy day in selfie and forward-facing operation and the result surprised us a little. We set the DJI Action 3  to its Hozion mode which meant dropping to 2.7K and the result was a noticeably softer shot. Despite all the extra megapixels to process from, the stability rendered by the iPhone 14 Pro mounted in the OM6 was more obvious than even the Action 3 could manage. The picture from its selfie camera also seemed better, at least without any kind of processing (though we know Apple’s software is doing a lot of the work. On the other hand, the Action 3’s very long selfie stick offered somewhat more flexibility of composition.

DJI Osmo Mobile 6 Verdict

DJI’s folding phone gimbal seems to bring Ronin-grade shooting to anyone with a decent phone camera, and both takes advantage of all the possibilities of the tech – like motion timelapses – without missing any of the fun of vlogging.

Looked at from that standpoint, it is hard to find a complaint, but such is our work. Firstly, though we’re sure the software will change, the clips we recorded horizontally appeared vertical in Apple Photos; they’re quickly rotated, but it was an irk. Secondly the convince of the magnetic mount is good, but will always be a little illusory given it must be removed eventually (if shoved in and out of the pocket it can also slip). Finally, we should say that budget device this is not – you pay for the quality and features.

To our mind, though, it is worth it. This is a genuinely useful creative tool which is very robustly built. The focus/zoom wheel is a masterful improvement on its predecessor which, sorry, revolutionizes the device by our reckoning. 

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The 3 Legged Thing Trent 2.0 is a no-fuss monopod from 3 Legged Thing’s ‘Punks’ range. That means it’s a bit more down to earth and affordable than the company’s premium products, but effective nonetheless.

Whether or not you think you need a monopod is up to you. If you shoot a lot of sports and wildlife with big, heavy lenses, a monopod will save you a lot of muscle ache and get you sharper shots too.

But a monopod can also give you a more stable platform for everyday shooting, especially video. A monopod will eliminate any vertical movement and a lot of any potential camera shake with it. It won’t replace a tripod, but it will go places tripods can’t.

Specifications

Max Height: 2.02m
Max Height with Docz2: 2.08m
Min Height: 60.4cm
Min Height with Docz2: 65.7cm
Leg sections: 4
Max Leg Tube Diameter: 29mm
Load Capacity: 30 kg
Weight: 0.73kg
Weight with Docz2: 1.22 kg

Key features

The 3 Legged Thing Trent 2.0 is notable for a number of things. First, you can get it with or without 3 Legged Thing’s Docz2 triple-foot attachment. This is useful, but it does add almost 50% to the cost and to the weight too. But the Docz2 feet do lend extra stability for panning shots, and they let the Trent stand on its own, leaving you two hands free for sorting you camera gear.

You might not want the Docz2 feet for every job, in which case you can unscrew the unit from the base of the monopod, and screw in the regular Trent Boot (rubber foot, in other words).

The other notable feature is that it does not come with a head, even as an option. Some say monopods don’t need heads and that they just get in the way and slow you down; others might want a head to be able to use the camera at a different angle to the monopod. You can fit any regular head to the Trent 2.0 easily enough, but you’ll have to source one yourself.

A third notable feature of the Trent 2.0 is its maximum height of 2.02m. For most of us, that’s well above eye level, so here’s a tripod that you can use on a downward facing slope without having to crouch down, for example. In my testing, I only ever needed to extend three of the four leg sections.

Build and handling

The Trent 2.0 may be from 3 Legged Thing’s Punks range, but it feels very well made. The leg locks grip tight, the Docz2 feet fold out easily and give a good firm stance on the ground, and the thick rubber grip at the top gives you a solid hold.

The spring-loaded attachment screw at the top is a nice idea. It means you can fit a camera directly or screw on a tripod head with the larger 3/8 inch screw fitting.

If you bought the Trent 2.0 with the Docz2 feet but decide you don’t want to use them for whatever reason, you can unscrew them and screw in the Trent Boot (foot) supplied with the monopod.

Performance

Even more than the legs of a regular tripod, a monopod leg has to be super rigid because it’s taking all of the torsional stress of the camera on its own. I’m happy to report the Trent 2.0 feels rock-solid. I’ve used plenty of smaller, lighter monopods that don’t, and plenty of removable tripod legs that can serve as monopods which are even more disappointing. The Trent 2.0, however, is definitely a cut above.

The Docz2 feet are more than just a novelty too. They incorporate a small ball head which allows a few degrees of movement away from the vertical in all directions, allowing some freedom over the camera angle for both static shots and panning.

The feet are not an alternative to a tripod, and neither would 3 Legged Thing claim that they are. But they do let you stand the monopod upright while you need to do other things, and could, if you must, leave the camera on top – but you would only do that at the minimum height and you wouldn’t want to step too far away. The real value of the feet is the extra stability they give you while shooting.

Verdict

The 3 Legged Thing Trent 2.0 is a really good, no-nonsense tripod that goes a lot higher than most and yet feels completely rigid. The Docz2 feet might look like a bit of a novelty, but they are both effective and useful – as long as you don’t imagine they turn the Trent 2.0 into a tripod. (Though you can actually detach them and use them as a separate mini tripod – neat!)

The one thing missing is a head. It’s easy to understand why this isn’t included as standard since not everyone wants one on a monopod, but if 3 Legged Thing is going to offer the Trend 2.0 with the Docz2 feet as an option, it could at least have done the same with a tripod head.

So I have in for review a 3 Legged Thing Punks Trent 2.0 magnesium alloy monopod. 3 Legged Thing is famous for its innovate camera supports, and this one is from its non-nonsense mid-range ‘Punks’ series.

For me it has two standout features (features can be good AND bad). One is the DocZ tripod foot set, which is the more expensive option (this monopod is sold either with or without the feet) and probably the one I would choose. The feet aren’t meant to replace a tripod – they don’t have enough spread for any kind of stability – but they do give you a very firm stance on uneven ground. And if they’re just getting in the way you can take them off and screw on the normal monopod foot.

But there’s no head on this monopod! (says me)

This is what I can’t get along with. You screw the camera straight on to the top of the monopod. How are you supposed to change the camera angle? How are you supposed to pan with your subjects? What if the ground isn’t level?

Admittedly, if you get the version with the DocZ feet they do provide some of the answers, with a clever ball and socket movement where they joint the foot of the monopod. Still, to me, a monopod without a head makes scarcely more sense than a tripod without a head. Yes, I could add one at my own expense (grr) but that hardly seems the point.

It turns out my opinion is not universal.

Sebastian Oakley is our Ecommerce Editor, and amongst his many talents are years of experience as a professional equine sports photographer, so if anyone ought to know about monopods it’s him. I suppose.

Of course there’s no head (you idiot) says Sebastian

Over the years I have been a massive monopod user when carrying my big prime lenses across rings, round massive cross-country tacks and Olympic venues, but I have never wanted to attach a head to my monopod or add extra "feet" to the bottom of it. It just makes no sense. Let me explain....

I can see the "appeal" of having that little bit of extra foot support when mounting your expensive lens to what is theoretically a balancing stick in the ground, but you have to think of the practicality of it all. 

If you're shooting sports, which I assume most of you would be when thinking of buying a monopod, they are all about quickness and ease of use, they are there to serve a purpose, to balance and support your lens effectively to make sure you get the shot.

Now, if you throw a head and feet onto your monopod, you now have two problems to deal with, extra items to think about, as well as hurrying to get the shot. If you're shooting soccer/football you might want to capture the action at multiple positions on the field, and having just a standard monopod means you can move with ease, throwing your prime lens over your shoulder and off you go to the next spot, pivot your lens down in one motion back to your eye and you're back taking photos.

If you have a head to deal with, you now have another contact point on your tripod mount/lens handle, rather than just a simple fixed screw point. The head might be able to handle some lenses with ease, but I would feel rather worried and scared to lift my lens over my shoulder and rely on that head to keep your big investment secure. After all, more parts means more to go wrong!

Likewise with feet attached to the bottom. My opinion is, if you want feet, get a tripod and be done with it. They offer superior stability over any foot-equipped monopod any day of the week. 

As for "How are you supposed to change the camera angle?" well, each lens that has a tripod collar (some are now integrated as a handle too) can rotate 360 degrees, simply move your lens and camera combo up or down on the Y axis and your image is level, it takes two seconds, rather than dealing with a head that has a mind of its own when you unlock it, due to the weight of your equipment.

My final point about panning, which is a rather clever way of introducing the sense of speed of your subject within your images, goes back to my comment before, that a monopod is essentially a stick attached to your lens that connects to the ground – and you can turn 360 degree on the spot, as the monopod is at the centre of gravity. 

Panning can be achieved by simply and efficiently swinging your camera from left to right or vice-versa when following your subject. If you are scared that you might not have enough support, when compared to a head or tripod feet, then place your left hand or arm across your lens and hold the lens on the lens hood, this then creates an added bit of stability to the whole setup, and guess what... its free!  

If you've tried using one of the best 360 cameras  you'll know that the problem with getting into this new genre of videography is getting out of it. If you hold the camera you're always going to be in the shot, right? The alternative is to put the camera down on a tripod while you go and hide behind a pillar all the side of the building.

None of that is true any longer, and it's all thanks to the invisible selfie stick. In what seems nothing short of magic, it's now possible to use a 360° camera such as the Insta360 One X2, Insta360 ONE RS Twin Edition and the Kandao QooCam 8K (and, indeed, any 360º cameras by these brands) – for vlogging and general filming without your viewers seeing any clumsy selfie sticks or outstretched arms.

How do invisible selfie sticks work? As with everything in videography these days, this clever special effect is a combination of artificial intelligence and human creativity. Making a selfie stick disappear completely from 360° video may be the product of computational photography, but you can maximize its effect by following some simple techniques. 

Here's everything you need to know about invisible selfie sticks, from how they work to how to make them disappear completely from your 360° video.

How do invisible selfie sticks work?

Is each frame airbrushed out of the finished video? Of course not – that would take many hours. Is the selfie stick cloned-out by software or does it rely on an overlap between the angles of view of the two lenses on a 360º camera? It’s actually a bit of both. “The invisible selfie stick effect is achieved through a combination of lens/camera body design, and our proprietary image stitching algorithm,” says Ben Guo, Senior Product Manager of Insta360. 

The brand’s 360º cameras have two lenses, which each capture a 200° view and are carefully positioned on the camera body so that the distance between them is sufficient to hide the selfie stick. “The algorithm stitches the two images together, using the overlap between the two images to hide the selfie stick,” says Guo. “The stitching algorithm has been developed and fine-tuned over a number of years to achieve the perfect invisible selfie stick effect.” 

Why use an invisible selfie stick?

The answer to this question may appear to be very obvious, but by making a selfie stick disappear opens up a lot of possibilities for more creative kinds of shots when shooting 360° video. Yes, the most attractive reason for using an invisible selfie stick is to make it disappear from the finished content. However, doing so doesn't just get rid of a nasty black selfie stick at the bottom of your video. It also changes your camera’s perspective, in effect making it look like it's floating in mid-air.

It is important to note that with 360 cameras, the selfie stick is not just used for selfies or vlogging. As the camera's two lenses cover a 360° view - you shoot a point-of-view shot at the same time of the scene in front of you (and what is above and below you). In editing, you can effectively change the camera angle - to frame which part of the 360° view you want to show.

How to use an invisible selfie stick

There are two things that have to happen for a selfie stick to be cloned-out. Firstly, the selfie stick cannot be wider than the distance between the two lenses – and ideally it should be a bit thinner. Secondly, the camera should be mounted so that the stick is parallel to the lenses, and stays right between them. “If the stick is not completely in line, it will stray from that overlap between the lenses and become visible in the shot,” says Guo. 

Invisibility only goes so far. When using an invisible selfie stick you do have to be conscious of reflections and shadows in the shot, neither of which the software can (yet) remove. Avoid mirrors and don’t walk with the Sun behind you and you should be okay.

How to hold an invisible selfie stick

The main limitation of using an invisible selfie stick is that it doesn't also make your arm or hand invisible. Given that you likely outstretch your arm to hold a 360° camera, the act of digitally removing the selfie stick still leaves your arm in the finished video. Arguably it looks even sillier than before because it now appears to be holding nothing. The answer, of course, is to outstretch the selfie stick rather than your arm. Keep your arm by your side and hold the selfie stick firmly but tidily, being sure to avoid spreading your fingers or thumbs around the handle. “For third-person shots, we recommend fully extending the selfie stick to put maximum distance between the camera and the subject,” says Guo. In the finished video if you look carefully you will be able to see that one of your hands looks slightly unnatural, but since most viewers will be looking at your face and the surroundings, it's not likely to get noticed if it doesn’t move much. 

Getting creative with an invisible selfie stick

You actually don’t have to hold the selfie stick to create the invisible effect. “Many people wear a mount with the selfie stick attached and get incredible results,” says Gupo. “This is great for things like winter sports or water sports, or the stick can be attached to cars and bikes for high-speed third-person shots.” 

Attach an invisible selfie stick to a helmet with a built-in tripod adapter and you’ll get a drone-like view of yourself walking/running/skiing with the illusion of the camera floating above you. 

You can also try experimenting with selfie sticks that have different lengths and features. For example, Insta360’s Extended Edition Selfie Stick has a maximum length of 3m/10ft, which helps create extremely realistic ‘fake drone’ shots. 

There’s also Insta360’s Power Selfie Stick for the Insta360 One X2, which features remote camera control and a 4,500mAh battery to keep the camera charged. GoPro and Ricoh also make their own invisible selfie sticks to work with their own 360 cameras.

See an invisible selfie stick in action

The invisible selfie stick was most famously used by the BBC for two series of Winter Walks, which were broadcast in 2020 and 2021. The presenters filmed themselves on country walks using a 360º camera on an invisible hand-held selfie stick. Wildlife presenter Chris Packham appeared in a special hour-long edition of this program called The Walk That Changed Me.

What’s next for invisible selfie sticks?

The logical extension of making a selfie stick invisible is to make you invisible. An early version of this concept is available on the Ricoh Theta X 360º camera, which in 360º still photo mode has a ‘time shift’ feature. By putting the camera on the tripod, the user must take two photos in succession that are identical save for the user’s position. In practice, all you need to do is make sure you are in a slightly different position in the second picture. The software then uses face recognition technology to identify where you are in both photos and then combine them while removing you from the finished composite. That would be a processing-intensive computational achievement for 360º video, so don't expect it to be around any time soon. 

The best invisible selfie stick deals

Read more:
The best 360 cameras

How to take 360-degree videos and photos

10 of the best 360-degree videos ever filmed

Best selfie cameras

The best selfie sticks for your smartphone, GoPro or camera

The Moza Slypod Pro is an unusual move for parent company Gudsen, in that it's decided to fund it as a Kickstarter project. We're told, though, that it reached its funding target in the first five minutes, so its future looks pretty safe! Our review sample arrived ahead of the Kickstarter launch and looks, feels and operates like a fully finished product.

Gudsen’s MOZA brand has carved out a bit of a name for itself in the world of gimbals, but has recently started to deviate and innovate. We’ve already had the world’s first 2-in-1 slider-come-monopod in the shape of the Slypod, a clever motorised device that can automatically extend at different speeds via a dedicated app, and now we have its big brother, the Slypod Pro.

Bigger and more powerful than the standard model, the Slypod Pro now sports a set of detachable tripod feet, meaning it can be now used vertically as a tripod (or tri-foot monopod) as well as a horizontal or angled slider as a boom fitted to a regular tripod. 

Specifications

Folded length: 650mm
Folded length (with tripod): 865mm
Expanded length (with tripod): 1180mm
Camera travel distance: 530mm
Maximum moving speed: 40mm/s 
Minimum moving speed: 0.5mm/s
Weight: 1460g (main unit) + 330g (head) + 520g (tripod base)
Vertical load: 6kg 
Horizontal load: 2kg 
Battery life: 4 hours
Charging: Type-C USB (90 minutes)

Key features

The Slypod Pro can be broken down into three parts – the compact pan and tilt head, the main powered monopod and the detachable feet. 

Let’s start with the monopod element. In its collapsed state it measures 650mm (without the tripod attachment), but thanks to the motor, it can be automatically extended a further 530mm to a total length of 1,460mm. The clever bit is that you can also regulate the speed as well, with a minimum moving speed of 0.5mm/s that can be increased to 40mm/s depending on the look you’re after. Not only can it be controlled via the simple controls on the monopod itself, but there’s also a dedicated app that you can control travel distance, speed and acceleration, which means that it’s not only very versatile for video, but great for those looking to capture dynamic time-lapse imagery.   

The compact pan and tilt head features a Arca Swiss quick release system, while the feet add an extra element to the Slypod Pro and turn it from a monopod into a tripod (of sorts) and allows you to tilt the monopod up to 60 degrees. 

Build and handling

MOZA doesn’t appear to have cut corners here. The main monopod unit has been constructed from carbon fibre, weighing in at 1,460g, while it’s also weather-proof as well. Both the feet and pan/tilt head are metal and sport a pleasing matt finish. 

The payload varies depending on which orientation you use it at 2kg horizontally and 6kg vertically, which might be something to bear in mind should you be planning some large, sweeping movements with some heavy kit. 

Even without the tripod feed attached, the Slypod Pro weighs 1790g. This makes it quite heavy to manage and manoeuvre when used as a boom/slider, and you'll need a good strong tripod with decent sized head to keep it locked down tight and steady.

One slight niggle is the bag it comes with – it just feels cheap and a bit of an afterthought compared to the rest of the kit.  

Performance

The Slypod Pro works a treat. Charging via a Type-C USB socket, you should be able to get up to 4 hours of use out of it before you’ll need to charge it up again. If that’s not enough for you, then the Slypod Pro can still be operated when charging – it also means it can be connected to a suitable battery pack out in the field. 

Here's a video we shot with the Slypod Pro with the camera audio included, just to give you an idea of the noise levels so that you can decide how to tackle any live audio. If you're using a separate audio track or a voiceover it's not an issue. The movement is both super-smooth and highly controllable.

The creative approaches on offer are pretty impressive, with the Slypod Pro working as a great slider or as a jib arm, allowing you to introduce an array of other types of shot into your filmmaking with simple inputs. That’s especially true if you partner the Slypod Pro with a gimbal. 

The controls couldn’t be simpler, while the app offers that extra level of adjustment if needed. The movement is nice and smooth too, though the motor noise at full speed is pretty loud. The motor is a lot quieter if you use lower speeds, but never completely silent (the app has a 'Silent' mode, but this simply reduces the maximum speed).

This means recording live audio could be difficult unless you stick to slow speeds and use an off-camera or strongly directional shotgun mic.

Verdict

The Slypod Pro is one of those ideas that is so good that you wonder why no one has come up with it before. It might have limited use for stills photography unless you’re shooting time lapses regularly (though it's still a very effective monopod), but for videographers looking for a versatile piece of equipment that will help them achieve a variety of shots in a single device that’s also portable enough to pack away, this is a good buy. 

Read more:

• Best camera sliders
• Best camera gimbals
• Best video tripods

The Benro SupaDupa Pro MSDPL46C is a high-end example of a camera accessory that’s often poorly understood and certainly isn’t glamorous. Monopods don’t have the obvious appeal of a tripod, which will stand up on its own and offers a firm, unmoving support. Instead, they are a support ‘aid’ that you still have to hold on to.

But we all rave about image stabilizers, and monopods do the same job. They provide valuable extra stability that may let you use slower shutter speeds without camera shake. More than that, they can take the weight of a heavy camera-lens combination for sports or wildlife photography, and can even help you get sharp panning shots – especially this Benro, as we shall see.

Specifications

Material: carbon fiber
Max payload: 32 kg
Max height:158 cm
Folded length: 48.5 cm
Weight: 0.9 kg

Key features

The Benro SupaDupa Pro MSDPL46C is the most expensive and most advanced of three new SupaDupa monopods from Benro. The cheapest in the range is the the SupaDupa MSD36C, which is the portable and affordable option, the next one up is the SupaDupa MSC46C, which is taller and has a clever rotating foot for panning movements, and the SupaDupa Pro MSDPL46C reviewed here is the top model, with the same rotating foot but also a levelling head with its own pan mechanism and an Arca Swiss compatible camera plate.

The spinning foot sounds like a small thing to add in, but it’s really useful for panning shots, since a regular fixed foot will quickly dig a hole in soft ground or ‘drag’ on rough surfaces as you turn to follow a moving subject.

The levelling head is a pretty unique feature in a monopod and not particularly common with tripods even. It offers a 20-degree movement in all directions so that you can get the camera level even if you can’t get the monopod properly vertical.

That done, the panning movement in the head lets you execute a level pan even if the monopod itself is not straight, or when you need to grip the monopod itself and can’t turn it on its foot.

The fourth clever feature in all four SupaDupa is a top section that’s locked with a flip-catch rather than the twist locks used for the other sections. This makes it much quicker to adjust the height out in the field.

Design and performance

The SupaDupa Pro MSDPL46C is superbly made and all the components and controls have a proper air of quality. The rotating foot is very free-running but with no wobble or play – it works so well that very quickly you just take it for granted.

With all the leg sections extended and locked, there’s no significant flex or twist at all, and Benro does quote a maximum payload of 32kg. However, the twist locks do need a slightly longer and firmer ‘turn’ than we’re used to in order to get the sections locked tight. If you don’t, the Benro will ‘sink’ if you put too much weight on it.

The flip-lock top section is a great idea for quick height adjustments – and with monopods more so than tripods, you really do want to get them close to eye level without lots of fuss.

The levelling adjustment works brilliantly too, though because monopods by their nature can be angled freely, so the argument for having it is less obvious – but it is definitely useful if you need to jam the foot of the monopod in the best spot in an uneven surface or you can’t hold the monopod perfectly vertically for any reason. You can even leave it unlocked and use it as a way to quickly level the camera as you change position.

The pan axis in the head sounds like it might have a practical value, but in reality, the rotating foot moves far more freely – the pan movement in the head only comes into its own if you are gripping the monopod.

Verdict

It’s hard to fault the SupaDupa Pro’s build quality, materials and design. It’s expensive for a monopod, but you can see where the money has been spent. 

What’s a little less certain is how useful the advanced features in this tripod are going to be. A levelling head and a dedicated pan axis make perfect sense in a tripod, but not so much in a monopod, where you have such a constant degree of free movement anyway. 

But then when you use it in real-life situations, you start to see the advantages. It’s really effective when you can’t get your monopod properly vertical – you might want to wedge the foot in a particular gap in some rocks, or perhaps the only stable base is under your own feet so you have to tilt it forward. You might start out thinking the SupaDupa Pro does things a monopod doesn’t need to, and end up realising that in situations like these it can adapt in ways that other monopods can’t.

Read more:

• Best monopods
• Best tripods
• Best camera gimbals
• Best travel tripods
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Benro makes a wide range of tripods, monopods and other camera supports and these three new SupaDupa models extend the company’s selection of monopods with some interesting new features.

Monopods are much more useful than many photographers might imagine, as quick, portable and effective camera supports for when there’s no time or space to set up a tripod.

The three new SupaDupa models are an entry-level SupaDupa MSD36C, the mid-range MSD46C and the flagship SupaDupa PRO MSDPL46C.

Benro SupaDupa details

The smallest of the three new Benro monopods, the SupaDupa MSD36C, collapses down to a height of 42cm but can extend to a full height of 164cm and weighs just 0.5kg with a payload of 40kg. It has a metal spiked foot for soft or uneven terrain and a detachable rubber foot for other surfaces. The Benro SupaDupa MSD36C will sell for $120/£110.

The mid-range SupaDupa MSC46C offers more height, up to 1.83m, and folds down to a length of 45.5cm, with a weight of 0.59kg and payload of 40kg. It has a waterproof shell and a clever rotating foot for stable panning movements – this can be swapped for a conventional spike. The price will be around $150/£130.

The flagship SupaDupa PRO MSDPL46C is a more sophisticated and expensive model that adds a levelling base with 20 degrees of movement in all directions and 360 degrees of rotation with a panning scale and bubble level. It comes with an Arca Swiss compatible quick release plate with a sliding mechanism to balance up heavier lenses. The maximum height is 1.57m, and the folded length is 48.2cm. The weight is 0.9kg and the maximum payload is 32kg. The SupaDupa PRO MSDPL46C will cost $235/£190.

All three Benro tripods feature a flip-lock top section for easy and rapid height adjustments and come with a shoulder case and carry strap.

Read more:

• Best monopods
• Best travel tripods
• Best camera gimbals
• Best mini-tripods

We have just updated our guide to the best monopods for photographers, but it occurred to us that many photographers might not see the point of them AT ALL. So we thought we should explain a little about these weird one-legged beasts.

Let’s get the obvious thing out of the way from the start. When you put your camera on a tripod you can step away and it won’t fall over. You can shoot a 30-second exposure and the camera won’t budge. A tripod is miles better as a camera support than a monopod. Why are we even having this discussion?

• See the Digital Camera World A-Z Dictionary of photography jargon

Because sometimes a tripod is impractical, inconvenient or impossible. And just as a tripod is miles better than a monopod, a monopod is miles better THAN NOTHING.

So here are five times you will be SO glad you had a monopod:

01 Sports and wildlife photography

That big super-telephoto lens maybe seems quite manageable when you hand hold it for five seconds, but after five hours (or five minutes) in the field, you can barely lift it, let alone get a steady shot. A monopod takes all the weight of a heavy lens, just like that. Problem solved.

02 Night shots in the city

In a perfect world you would use a tripod for night shots, or your camera’s image quality would be so good at ISO 51,200 (or whatever) that you could shoot everything handheld. In practice, there’s a big window of opportunity between tripod and handheld photography where a monopod is just the support you need, but doesn’t take an age to set up or cause an obstruction.

03 Outdoor hikes

Be honest. You have a tripod, but if you are faced with a five-mile hike across mountains and bogs, are you really going to take it with you? A monopod will give you added camera support right when you need it, and if it’s sufficiently sturdy (not all of them are, ahem), you can use it as a walking pole too. A good monopod doesn’t just stabilise the camera, it can stabilise the photographer too.

04 Amazing interiors

Anyone who loves history and culture will want to capture the amazing interiors they see on their travels. Trouble is, so will the ten thousand other people queuing to see the same thing, so you will be moved on pretty quick if you try to set up a tripod. A monopod can give you much-needed stabilization and you will hardly have to break stride.

05 Vlogging without a gimbal

Gimbals are great but they take an age to set up and can really get in the way in the push and shove of a busy street. A monopod will give you a stable base for a quick video clip, or you can close it up to a single section and use it as a vlogging 'grip', or you can extend a section or two and jam the ‘foot’ into your waist for mobility and stability combined!

So we're serious about monopods?

We certainly are. Monopods make a lot of sense as simple, adaptable and rapid camera supports. They don't solve every problem, but they are a brilliantly simple solution to lots of issues that us photographers face all the time.

Read more:

• Best monopods
• Best travel tripods
• Best mini tripods
• Best gimbals
• Manfrotto Befree GT XPRO

Looking for the best monopod for your money? Good idea! Monopods may not have the rock-solid stability of a tripod, but they make up for it with loads of other advantages.

Rather than having to unfold and set up three legs every time you want to shoot, monopods allow you to simply rest your camera setup when you need to, and, using one hand to keep the monopod steady, snap an image with much more stability than you would be able to achieve shooting handheld. Monopods are excellent for shooting in low light, reducing camera-shake, or simply providing yourself with a little extra support throughout the day’s shoot – this is especially useful if you’re on a hike.

Another thing worth noting is that tripods aren’t allowed everywhere – many popular tourist attractions forbid them for reasons of space and crowd control. Monopods, however, don’t generally fall under such restrictions, and this combined with their size and portability, makes them excellent for travel.

Let’s get the negative out of the way – this is the longest monopod here when compressed. It extends high though, and while using four rather than five leg sections reduces compactness, it ups rigidity. Combine this with the thick 20mm minimum leg diameter and twist-lock clamps that refuse to slip under much more than the rated 20kg, and the Explora rivals even the mighty Induro for stiffness. Everything stands on a good-sized rubber foot which can be removed to reveal a decent spike. Factor in the reasonably light weight and respectable construction quality and you’ve got unbeatable value. If you're having trouble tracking it down, you can buy it here.

The Vanguard VEO 2 AM-264TR immediately stands out among the competition for its 3-leg stabiliser at the bottom – a Vanguard staple – which really expands the range of what photographers can with a monopod, providing a level of support that’s tough to beat. Should you not want to use the feet, they retract away, revealing a rubber nub at the bottom.

The rubberised twist locks are as smooth as butter – easy to loosen and tight when needed – while the rubber grip at the top is provides an excellent, comfortable hold. The Vanguard VEO-2 AM-264TR extends to an impressive 163cm and can take a maximum payload capacity of 6kg – more than enough for most DSLR and mirrorless setups. All this tech means it weighs a little more than comparable monopods and doesn’t pack down as small, so bear this in mind when making a decision.

With a maximum payload capacity of 3kg, the Manfrotto Compact Photo Monopod Advanced isn’t going to be holding anything heavier than an entry-level mirrorless or DSLR setup, with a lens no longer than 200mm or so. However, if your setup meets these restrictions, you’ll find this to be an ideal monopod for all sorts of applications. It packs down really well and is amazingly light, meaning it’s perfect for travel. It’s also pleasingly quick to deploy, with a quick wheel just under the tripod screw that allows you to rapidly attach your camera with one hand – which works perfectly for a monopod designed to exclusively take setups light enough to be used one-handed.

The use of Gitzo’s carbon eXact fiber for the construction of this Traveler monopod is what makes it so light and easy to carry around, despite the fact that it’s a six-section behemoth capable of extending to 142cm and carrying a maximum payload of 12kg – more than enough to handle pro-spec DSLR setups with long lenses. It also packs down to an impressively short 36cm, meaning it’ll easily fit even in hand luggage and is therefore perfect for taking on your travels, whether for work or pleasure. 

Made from durable and lightweight carbon fiber, Benro’s Adventure MAD38C is also equipped with a round, vari-angle, rubberised foot that expands the photographer or videographer’s options for shooting angle while still providing optimal levels of stability. Quick-flip leg locks for its four leg sections make the monopod fast to deploy and simple to pack down, while the maximum payload it can support is a hefty 16kg, making the Adventure MAD38C a great choice for use with heavy pro-spec DSLRs and long lenses. If you’re planning some challenging shoots with distant subjects, this should definitely be in consideration, but really it’s a great choice for all stripes of user – its weight of 0.5kg makes it easy to carry, and it packs down to 52.5cm, which isn’t quite as short as other monopods in this round-up but is still very much travel-friendly.

The Velbon Ultra Stick Super 8 Monopod is so named for its impressive eight leg sections. These, when fully extended, allow it to reach a maximum height of 156cm, and when fully retracted it allow it to compact itself down to just 26cm. It’s also amazingly light, weighing just 340g. Having a monopod with this kind of versatility is certainly a boon, though it’s worth noting that the leg locks themselves are quite stiff and take some practice to get the hang of using – in our testing, we found one in particular towards the bottom gave us a lot of trouble. It’s also worth noting that the 3kg payload limit also restricts this monopod to entry-level DSLRs and mirrorless cameras – if this describes your setup, this monopod represents tremendous value for money.

No, that isn’t a typo up there – 3 Legged Thing’s Alan monopod can really support a whopping 60kg of camera kit. This is far, far more than even the most deranged of gear-heads could possible need, meaning you can have absolute confidence that Alan will be able to handle your setup. Like the Vanguard, it also has a retractable foot for extra stability, but it also weighs just 600g, making it easy to carry around on your travels. Taller photographers may find themselves wishing for a little more height than 149cm, and it’s certainly one of the pricier models in the round-up.

Extending the iFootage Cobra 2 to its enormous maximum height of 180cm and unfolding its ultra-secure adjustable feet will transform it into a perfect base for 360-degree footage – giving you the height and stability you need with no danger of tripod legs creeping into shot. It functions great as a monopod, with a solid aluminum construction, four leg sections and a maximum capacity of 80cm. It’s worth being aware that it’s very heavy at 1.5kg, and even when packed away still measures more than 70cm in length, so it isn’t one for travelling light. As long as you’re up for carrying it, this superbly engineered monopod will serve you well for all sorts of photo and video applications.

Manfrotto has launched new compact support accessories targeted at videographers who need to mount video accessories to a tripod or camera cage.

The 244MICRO-AA kit incorporates three elements: The centerpiece is Manfrotto's 244 Micro Friction Arm - a small 15cm-long, two-section arm with ball & socket attachment points at either end. The idea is to mount one end of the arm to a camera cage or tripod, then the other end can be used to mount an accessory such as an external monitor, microphone, or a small LED light. Max payload is a hefty 3kg, and friction is adjustable so you can tailor the arm to work with different payload weights.

The two other elements of the 244MICRO-AA kit are the attachment points at either end of the Friction Arm. At one end is a new 3/8-inch mounting point that also features two anti-rotation locking pins designed for compatibility with Arri camera equipment popular with professional videographers. The reversible steel plate containing the anti-rotation pins can be flipped over to convert the attachment to a standard 3/8-inch thread without pins, maintaining compatibility with more mainstream camera kit.

The other end of the Friction Arm is a 1/4-inch Anti Slip Adapter that features a stainless steel circular plate with a versatile 1/4-inch thread. The plate is topped off by a textured rubber surface that reduces the chance of the mounted accessory working loose as you change its position on the arm.

The 244 Micro Friction Arm has been available in various kit bundles for some time, but this new anti-slip/2-pin anti-rotation package is sure to appeal to anyone who needs maneuverable accessory support with reduced risk of their gear working loose.

The 3/8” two pin (Arri style) anti-rotation adapter and 1/4-inch Anti Slip Adapter are available individually for $31.99/£29.95 and $22.99/£20.95 respectively, while the 244MICRO-AA kit containing both adapters and the 244 Micro Friction Arm will set you back $119.99/£109.95.

Expect availability in October.

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The best ball heads for tripods

The best LED light panels

Vanguard has officially launched a quartet of new VEO 2S monopods – all of which have three feet, rather than the traditional one! Three of the monopod models are constructed of aluminum but notably, one made from carbon fiber - a first for the range. 

Three of the models feature an attachment for and come included with a smartphone connector, which allows higher quality, stable images from a cameraphone. The connector can either used attached to one of the monopods or separately as a selfie stick, vlogging tool or phone support when reviewing images, for added versatility. It accepts phone models up to 8.6cm in width.

Read more: Zoo photography tips: how to get great pictures of animals

One of the units features a VEO PH-13 2-way Video Head, which opens up extra possibilities for capturing smooth video clips. The stronger attachment allows the user to fit a DSLR camera or mirrorless Compact System model, providing access to a pro-grade setup for shooting moving images. 

All four of the new monopods include the Vanguard Tri-foot attachment, which distributes weight more evenly than other monopod models, offering added stability, but without the weight and size of a tripod. This is especially useful in low-light shooting environments such as concerts or sports stadiums, where support is essential, but tripods often not permitted. 

The new Vanguard VEO 2S monopods range in price from £79.99 for the AM-234TR, which holds loads up to 5kg, to £119.99 for the AM-264TV, which handles 4kg loads, but comes with the VEO PH-13 2-way Video Head. 

The AM-264TR (£89.99), CM-264TR (£109.99) and AM-234TR are bundled with the Vesta SPC Smart Phone Adapter which is available for £19.99 as a separate item. The AM-264TR and CM-264TR support max loads of 6kg each. 

Read more:

The best monopods in 2019: how do they work, and which should you choose?

The best tripod in 2019: need sharper shots? Get some support!

50 best camera accessories, gadgets and gifts for photographers in 2019

This neat little gadget is from stylus specialist Adonit, which is looking to broaden its product range and appeal with the PhotoGrip, now available in the UK for £44.99 (it’s $39.99 in the US). It will be available via Amazon and the Adonit website.

• The best iPhone tripods and supports

We’ve seen smartphone clamps before but this one seems particularly neat. It attaches in the usual fashion, via an adjustable clamp which fixes across the width of your phone. It can accommodate both naked phones and phones in cases, as long as they are in the width range 62.5-85mm and have a body thickness no more than 10mm.

The latest cameraphones are better than many photographers give them credit for, but they’re slippery little devils which are awkward to hold and shoot with, and a detachable grip makes them much nicer and secure to use – and as Adonit points out, it makes one-handed selfies less likely to result in a dropped camera.

What’s included

But you don’t have to hold your smartphone at arm’s length to get in the shot, because the PhotoGrip comes with a detachable Bluetooth remote with a range of up to 10m.

For any kind of remote photography you’re going to need a way to stand your camera up, and the PhotoGrip has that covered too. It has a tripod thread in the base for attaching an included mini-tripod (or your own tripod, if you’ve got one with you). 

Alternatively, the grip is designed to be free-standing, holding your smartphone in vertical orientation on any flat surface for FaceTime, live streaming on Instagram and any other social sharing needs. There’s even a little editing stylus stored in the side of the grip.

The PhotoGrip has a rechargeable internal battery that’s good for around 20 hours of continuous use (or up to 72,000 photos, we’re told), and is compatible with iOS 5.0 and Android v4.3 and above. As if all the other goodies weren’t enough, it also comes with a carry pouch and neck strap. 

READ MORE:

The best iPhone tripods and supports: turn your new iPhone into a camera king

Tripods are considered by many travel photographers to be a necessary evil. 

While occasionally needed for a steady shot, they’re bulky and cumbersome, and many places won’t let you set them down. Steadify, a new project funding on Kickstarter, is an attempt to solve this problem. Even the best monopods still need a stable bit of ground to stand them on, but Steadify doesn't even need that.

The brainchild of globetrotting father and son Gert and Tobias, it’s a wearable stabiliser that uses your body as its third axis of stability – essentially a monopod attached to a belt. The idea is that, once attached, the user can hold their camera for long periods of time and get crisp, blur-free shots, without needing to place anything on the ground.

The monopod unlocks with a simple twist action, and it features a fork-shaped mount on its top, which is designed to take devices of more or less any size. It’s also possible to attach a professional ball head to the 1/4in screw mount. 

The makers also have a stretch goal – an extra goal the project will undertake if it massively exceeds its funding target, which this one has – for a smartphone mount, details of which are to be announced soon. There’s also a pocket clip available, one designed specifically for photographers and videographers to provide a home for cards and batteries.

For filmmakers and those incorporating video into their shooting, the makers claim Steadify will also allow for pan, tilt, jib and slider movements. We’ll have to get our hands on one for ourselves to confirm how well this works, but it’s certainly an interesting prospect for anyone planning on shooting moving footage.

Steadify: price and release date

Steadify is funding on Kickstarter now. The minimum pledge to get your hands on one is currently US $99 (about £76), though this is an early bird special, and at time of writing these rewards are disappearing fast. 

Available in black, suede and camouflage, the makers are estimating delivery in October.

Read more: The best monopods right now