To capture the bounciest balls around
Time: One hour
Skill level: Beginner
Kit needed: D-SLR, Tripod, Remote release, Bouncy balls, Bucket or box, Motionless subjects, One or two lamps
Here’s a fun project to sink your teeth into: make a vibrant bouncing bonanza at home using colourful rubber balls. There’s no need to buy props (besides the balls), and you don’t need a special flashgun. What’s more, you can do this tutorial at home or in a studio. And if you don’t have many rubber balls, we’ve even got a way around that for you.
It can be hard to demonstrate movement in a still image. But with a continuous light or two, we’re going to ‘drag the shutter’ – slow the shutter speed – until we capture some motion blur in the balls, while keeping others tack-sharp so it’s clear what they are. Sound impossible? Good, then let’s see how it’s done.
1 DON’T STOP SHOOTING
Be ready to snap as soon as the balls are dropped. Hold the shutter release down in burst mode and keep going until there are no balls left.
2 THE STILL ELEMENT
Do: get some interesting objects to pour your balls over. Don’t: put them all on the same level – stack them on books or blocks of wood to add variety to the height in your image, otherwise you’ll have too much foreground and background.
3 BRIGHT IDEA
Make your images look more fun and exciting by putting a vibrant backdrop behind the shooting area. It doesn’t have to be a commercial backdrop; some coloured paper will be smooth and even-coloured enough to do the job.
4 CONSTANT CRAVING
One or two continuous lights are necessary for this project – flashgun bursts are too quick and you won’t be able to blur the motion of the balls properly. LED lights (if you have them) or even an ordinary desk lamp will be perfect.
STEP BY STEP: The first bounce
1 STEADY AS YOU GO
You’re going to be using a relatively slow shutter speed to blur the movement of the balls, so put your camera on a tripod to keep everything steady. Also, plug in a remote release as this will make it easier to time the shot when the balls drop.
2 LIGHT WORK
Place one light so the front of the scene is lit up. Slightly to the left or right of the camera is great, but you need to light the whole scene to make a lively, vibrant image. If you have another light, place it adjacent to the first (key) light to fill in any shadows.
3 DON'T MISS A MOMENT
Don’t miss out by taking shots in single-frame mode. Change to continuous high burst mode and prefocus on your scene (engage autofocus, move the AF point to the centre of the scene, and focus, then turn off the autofocus to maintain the same focus throughout).
4 THE BOUNCE TEST
Put your camera in manual mode, set ISO640 and a shutter speed of 1/125 sec. Use an aperture of around f/9 for a decent depth of field. Drop a few balls and take some shots. If the balls are too crisp or blurry, then lower or raise the shutter speed respectively.
Drop the balls in waves to ensure a range of speeds and get some sharp and some blurry
5 DROP EVERYTHING!
Once you’re happy with your settings, it’s time to go for it. Gather your balls in a bucket or box and get ready for the drop. If you move the container back and forth you will get more of a three-dimensional look than if you drop the balls at just one point in front of the camera.
CLEAR IT UP
A dustpan and brush will make it easier to clear up after each session – it takes quite some time to get on your knees and pick the balls up one-by-one with your bare hands
6 VARIETY BUCKET
As well as moving the container back and forth and side to side to cover a range of your scene, try to drop the balls from differing heights as well. The balls will move at different velocities depending on the height they’re dropped from, so going for variety is key.
STEP BY STEP: Extra balls
1 BRING THEM TOGETHER
If you only have a few balls, take several shots of them bouncing. Open Photoshop and go to File>Script>Load Files into Stack. Select all your shots and click on Open. Hit OK and the Layers palette should populate with all the images on separate layers.
To mask in the balls you want in the final image, select the top layer and hit the layer mask button at the bottom of the Layers palette. Paint over the ball in question to remove it. With your layer mask selected hit Cmd/Ctrl + I to invert the mask. Do this for all layers except one.
3 SAVE YOUR WORK
Once you’re happy with your shot go to File>Save as and choose to save it as a PSD so you have a multi-layer document to edit later. If you want to save it as a flattened image as well, go to File>Save as and change the dropdown to Save as JPEG.