A great way to breathe new life (often at little cost) into your photography is to adapt old lenses to use with your digital camera. There are two main options when it comes to choosing old lenses for your digital camera – using an old manual focus lens, or modern, low-tech glass from Lensbaby, Diana or other specialists. Both solutions mean you will sacrifice some of the automatic features on your digital camera, but that’s part of the appeal.
The Osmonds, woodchip wallpaper… plenty of things from the 70s are best forgotten, but the faded look of round-cornered prints have lasting retro charm. You’ll find plenty of inspiration for this type of print if you’ve got an old photo album lying around.
The 70s retro look can put the finishing touch to any shot, but combine it with a source image taken using one of the techniques in the first part of this feature, and you will end up with a really eye-catching result.
This Tuesday is the Queen’s Diamond Jubilee, celebrating 60 years of the reign of the Queen of England. So sit down and have a nice cup of tea (perhaps with a crumpet) because to celebrate this, we’ve decided to take a look at the most influential photographers to come out of Great Britain.
Three years after making its first entrance into the compact system camera arena with the PEN E-P1, Olympus has gone back to its roots again to produce the OM-D, with its retro styling owed to its analogue predecessor.
Inside the camera are an all new 16 million pixel Live MOS Four Thirds sensor and TruePic VI image processor, which Olympus says is designed to give better low light performance and higher dynamic range than previous Micro Four Thirds cameras in its line-up.
Find out inside what score it got from our testing team.
In-camera effects may be seen as a bit of a marketing gimmick by some, but the ones offered by your EOS DSLR form a powerful and creative set of tools that has the potential to save you time and improve your photography.
Converting an image to black and white is pretty simple, but if you want truly impressive results it pays to think about how and what you shoot, and learn how to use your photo editing software’s powerful tools to get the most from your shots. In this black and white photography tutorial, we’ll show you how to choose your subjects, set up your camera and how simple but effective adjustments in Photoshop can make your images stand out.
So you think you have a good idea of most of the cameras that are on the market? The compact cameras are approximately the same shape as one another, as are the SLRs and the DSLRs and the retro and toy cameras look a little different again, but essentially you know a camera when you see one. Or do you? The cameras listed below might force you to change your mind about cameras and photography. Some of them are obscure, some of them are impractical, and some of them are genius.
It’s time to rethink what you thought you knew about cameras and reconsider what is in store for the future of photography.
Lomography – a community dedicated to analogue photography – has its beginnings in the early 1990s when two students in Vienna discovered the small Russian camera, the Lomo Kompakt Automat. They were so excited by the variety of images the camera produced that they were inspired to approach the Lomo factory to get the licence required to reproduce the cameras. Since then, Lomography has gone from strength to strength and now boasts a community of over half a million members across the world.
We spoke to Lomography about analogue photography’s place in a digital world.
The latest issue of Digital Camera is on sale today! As you can see from the eye-catching cover, this issue is all about retro photography – how to get vintage-looking shots, how to use old film lenses on digital SLRs, essential Photoshop tips and more.
We all love the Lomo look, with its distinctive distortions and charmingly off-kilter colours. Sure, you can shoot with a cheap plastic lens or try one of the arty effects in your camera, but Photoshop is also a great way to get the Lomo effect without having to pay for the film processing. The key to getting this Photoshop effect is to introduce many of the ‘faults’ associated with cheap lenses, plus quirky extras like film grain and deliberately wrong colours. Here’s how to do it…