Luminosity masks: why raw HDR is the best HDR

    | Photoshop Tutorials, Tutorials | 27/11/2012 02:00am
    Luminosity masks: why raw HDR is the best HDR

    This luminosity mask technique enables you to create the perfect raw HDR image by blending two exposures according to lightness, not just area. This is a variation on the traditional HDR photography technique, but because we want to darken highlights and lighten shadows throughout the image rather than in selected areas, we’ll blend the images in a different way.

    5 creative photo editing tricks for Adobe Camera Raw

    | Photoshop Tutorials, Tutorials | 20/11/2012 02:00am
    5 creative photo editing tricks for Adobe Camera Raw

    In the latest post of our ongoing Raw Tuesday series on editing raw format images we show you five simple ways to add a variety of creative Photoshop effects and cool photo editing tricks using only the tools in Adobe Camera Raw.

    Composite images: why Elements won’t let you be defeated by contrast

    | Photoshop Tutorials, Tutorials | 13/11/2012 02:00am
    Raw composite images: don't be defeated by contrast just because you have Elements

    Remember that the version of Adobe Camera Raw in Elements is stripped-down compared to Photoshop proper, and that you won’t be able to target specific areas of your image to make localised adjustments.

    So a solution is to produce two or more versions of your raw file, then open them in Photoshop or Elements, combine them as layers in a single image and use layer masks to hide or reveal adjustments in specific areas. Here’s how it’s done…

    Photoshop Smart Objects: intelligent blending using one raw file

    | Photoshop Tutorials, Tutorials | 06/11/2012 19:00pm
    Photoshop Smart Objects: intelligent blending using one raw file

    Quicken your Photoshop blending and post-processing time using the Photoshop Smart Objects. Here we show you how to do it with one raw file.

    Black and white photo effects: how Camera Raw can make pro-quality mono

    | Photoshop Tutorials, Tutorials | 30/10/2012 02:00am
    Black and white photo effects: how the Camera Raw Basic tab can make pro-quality mono

    Adobe introduced dedicated options for converting colour shots to mono back in Photoshop CS3, but you can create eye-catching black and white photo effects in any version of Adobe Camera Raw by desaturating a colour image and then working the sliders in the Basic tab. In our latest Raw Tuesday post on using the raw format, discover how to work these sliders in a different way to produce pleasing black and white photo effects.

    Using Camera Raw tonal adjustment sliders to finesse your exposure

    | Photoshop Tutorials, Tutorials | 23/10/2012 02:00am
    Camera Raw finesse: how to use the tonal adjustment sliders wisely

    In our latest Raw Tuesday post on using the raw format, discover how using Camera Raw tonal adjustment sliders in the basic tab will let you process your image exactly how you want it to appear. Here is a guide to each slider and what it can do for your images.

    4 Camera Raw tools for image correction you have to start using

    | Photoshop Tutorials, Tutorials | 16/10/2012 02:00am
    4 Camera Raw tools for image correction you have to start using

    Adobe Camera Raw offers a number of tools for image correction that fix capture-related flaws, including red-eye, noise and dust spots. Here are 4 of the most powerful options for photographers.

    Raw Editing: what you need to know about white balance correction

    | Photoshop Tutorials, Tutorials | 09/10/2012 02:00am
    Raw Editing: what you need to know about white balance correction

    In our latest Raw Tuesday post on editing raw files, find out the subtleties of white balance correction and how to neutralise colour casts.

    Raw Tuesday: how to rescue a raw file in Adobe Camera Raw

    | Photoshop Tutorials, Tutorials | 02/10/2012 02:00am
    Raw Tuesday: how to rescue a raw file in Adobe Camera Raw

    Even though our Raw Tuesday series is concerned with shooting and editing raw files, we must acknowledge that JPEGs do have their advantages – the file sizes are smaller, and shots are ‘ready to go’ straight from the camera.

    But if you’re serious about photography you should set your camera to shoot Raw. And perhaps the biggest reason why should do this is, in addition to getting the best possible quality, shooting raw files gives you an invaluable safety net when the scene in front of you presents exposure problems.

    Raw Tuesday: shooting raw files the right way

    | Photoshop Tutorials, Tutorials | 25/09/2012 02:00am
    Shooting raw files the right way: set up your camera to ensure you capture the most detail possible

    In the latest installment of our Raw Tuesday series on shooting and editing raw files, we take a closer look at shooting raw files. By now we all know that you capture more detail when you shoot raw files, but if you don’t set up your camera properly it’s a wasted effort. In this tutorial we explore how to set up your camera to shoot raw and get it right in-camera, as well as answer some of the common questions about shooting raw files.

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