Raw Tuesday: the best way to manage your raw workflow

    | Photoshop Tutorials, Tutorials | 18/09/2012 03:00am
    The best way to manage your raw workflow in Photoshop or Photoshop Elements

    In our ongoing Raw Tuesday series we have taken you through some of the most common questions bout how to shoot and edit raw files, and now we are starting to look at some of the more specific ways in which the raw format can give you an advantage. This week we take a close look at how to edit raw files and manage your raw workflow in a way that makes sense for you. We’ll also follow on from last week’s discussion of the Adobe Camera Raw interface and explain how to customise the process of editing raw files using ACR.

    Raw Tuesday: how to edit raw files for immaculate colour and tone

    | Photoshop Tutorials, Tutorials | 11/09/2012 02:00am
    Raw Tuesday: how to edit raw files for immaculate colour and tone

    In our ongoing Raw Tuesday series we have taken you through some of the most common questions bout how to shoot and edit raw files, and now we are starting to look at some of the more specific ways in which the raw format can give you an advantage. This week we take a close look at how to edit raw files to achieve perfect colour and tone. Then we’ll also help you get familiar with the Adobe Camera Raw interface and some of its key functions.

    Raw Tuesday: how to assess and adjust the exposure of your raw files

    | Photoshop Tutorials, Tutorials | 04/09/2012 02:00am
    Raw Tuesday: how to assess and adjust the exposure of your raw files

    Find out how to assess the exposure in your raw files and then how to adjust them so that you get the best out of your tones.

    Raw Tuesday: how to combine multiple raw files for a perfect exposure

    | Photoshop Tutorials, Tutorials | 28/08/2012 03:00am
    How to combine raw files for a perfect exposure

    Each week in our ongoing Raw Tuesday series, which takes a closer look at shooting and editing raw files, we’ve answered some of the common questions we hear from photographers about working with the raw format. This week we’ll address one of the more common technique questions we hear, namely how to make an image from multiple raw conversions.

    An easy way to sharpen photos for printing

    | Photoshop Tutorials, Tutorials | 24/08/2012 12:25pm
    Photo Editing: an easy way to sharpen photos for printing

    Learn how to use Adobe Camera Raw to sharpen photos for printing without exacerbating noise or creating halos in our latest Photoshop Elements tutorial.

    Raw Tuesday: the best way to save a raw file

    | Photoshop Tutorials, Tutorials | 21/08/2012 02:00am
    The best way to save a raw file: answers to common questions about what raw file format is best and what non-destructive editing actually means.

    In our ongoing series about working with raw files, we’ve told what you need to know before shooting raw files, explained what a raw file actually does for your images, how to convert raw files and what edits to make (and when) in Adobe Camera Raw. It’s a pretty exhaustive list, but we’re not done! This week we tackle the subject of how to save a raw file.

    Get the HDR effect from one image

    | Photoshop Tutorials, Tutorials | 15/08/2012 12:23pm
    How to create an HDR effect in Photoshop from just one image

    When you’re faced with a subject that has a high dynamic range – that is, one that has high contrast, with both very bright highlights and very dark shadows – one technique you can use to capture the full tonal range is high dynamic range imaging. But as you will see in our Photoshop tutorial below, there is a simple way to get an HDR effect from just one picture.

    Abuse your raw files for a striking high-key portrait

    | Photoshop Tutorials, Tutorials | 14/08/2012 16:35pm
    Abuse your raw files for a striking high-key portrait: how to deliberately overexpose the highlights using Photoshop Elements to get a stunning effect

    A high-key portrait tends to be lit from the front, creating a relatively shadow-free image. The over-exposed highlights help to smooth out skin tones and dial down distracting details so that key features such as the eyes and lips stand out more dramatically.

    The challenge with high-key portrait photography comes when deliberately over-exposing a shot to produce bright flat skin tones while preserving shadows and midtones on the eyes and lips.

    Raw Tuesday: what to edit (and when) in Adobe Camera Raw

    | Photoshop Tutorials, Tutorials | 14/08/2012 02:00am
    What to edit (and when) in Adobe Camera Raw: essential advice for how to process raw files to get the best results

    In our ongoing series about working with raw files, we’ve told what you need to know before shooting raw files, the honest truth on what shooting raw can actually do for your images and last week we showed you how to convert raw files.

    This week on Raw Tuesday we’ll explore what edits to make (and when) in Adobe Camera Raw.

    Raw Tuesday: how to convert raw files

    | Photography Tips | 07/08/2012 03:00am
    How to convert raw files: some of the most common questions about raw conversion answered and explained

    We’ve told what you need to know before shooting raw files, and last week we gave you the honest truth on what shooting raw can actually do for your images. This week on Raw Tuesday we’ll explore some of the common questions about raw conversion. Our simple guide should have you getting more from your raw files in no time.

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