Using Camera Raw tonal adjustment sliders to finesse your exposure

Camera Raw finesse: how to use the tonal adjustment sliders wisely

In our latest Raw Tuesday post on using the raw format, discover how using Camera Raw tonal adjustment sliders in the basic tab will let you process your image exactly how you want it to appear. Here is a guide to each slider and what it can do for your images.

Raw Tuesday: how to rescue a raw file in Adobe Camera Raw

Raw Tuesday: how to rescue a raw file in Adobe Camera Raw

Even though our Raw Tuesday series is concerned with shooting and editing raw files, we must acknowledge that JPEGs do have their advantages – the file sizes are smaller, and shots are ‘ready to go’ straight from the camera.

But if you’re serious about photography you should set your camera to shoot Raw. And perhaps the biggest reason why should do this is, in addition to getting the best possible quality, shooting raw files gives you an invaluable safety net when the scene in front of you presents exposure problems.

Raw Tuesday: shooting raw files the right way

Shooting raw files the right way: set up your camera to ensure you capture the most detail possible

In the latest installment of our Raw Tuesday series on shooting and editing raw files, we take a closer look at shooting raw files. By now we all know that you capture more detail when you shoot raw files, but if you don’t set up your camera properly it’s a wasted effort. In this tutorial we explore how to set up your camera to shoot raw and get it right in-camera, as well as answer some of the common questions about shooting raw files.

Raw Tuesday: the best way to manage your raw workflow

The best way to manage your raw workflow in Photoshop or Photoshop Elements

In our ongoing Raw Tuesday series we have taken you through some of the most common questions bout how to shoot and edit raw files, and now we are starting to look at some of the more specific ways in which the raw format can give you an advantage. This week we take a close look at how to edit raw files and manage your raw workflow in a way that makes sense for you. We’ll also follow on from last week’s discussion of the Adobe Camera Raw interface and explain how to customise the process of editing raw files using ACR.

Raw Tuesday: how to edit raw files for immaculate colour and tone

Raw Tuesday: how to edit raw files for immaculate colour and tone

In our ongoing Raw Tuesday series we have taken you through some of the most common questions bout how to shoot and edit raw files, and now we are starting to look at some of the more specific ways in which the raw format can give you an advantage. This week we take a close look at how to edit raw files to achieve perfect colour and tone. Then we’ll also help you get familiar with the Adobe Camera Raw interface and some of its key functions.

Raw Tuesday: how to combine multiple raw files for a perfect exposure

How to combine raw files for a perfect exposure

Each week in our ongoing Raw Tuesday series, which takes a closer look at shooting and editing raw files, we’ve answered some of the common questions we hear from photographers about working with the raw format. This week we’ll address one of the more common technique questions we hear, namely how to make an image from multiple raw conversions.