Our easy to follow Photoshop tutorial shows you how to make a Photoshop collage and turn a single image into a series of overlapping prints.
As one improves as a photographer, you might find yourself asking less about photography tips and techniques and instead how to make money from photography. One popular method is to sell photos online via one of the numerous microstock libraries.
In our post we’ll show you how to prepare and edit your pictures so that when you go to sell photos online through a microstock library you stand the best chance of making money.
The Harris Shutter Effect is a process discovered in the days of film photography. It’s achieved by taking a sequence of three exposures on the same frame, with a red, green and blue filter used for each.
However, with Photoshop Elements it’s possible to get the same results using three standard colour images shot in sequence. In our latest Photoshop Elements tutorial we’ll look at how to use Elements to apply colour fills and blending modes to filter the three shots into their component channels.
Cross-processing (or ‘Xpro’) is an effect often used in fashion photography to give the kind of stylised look you can see here. Our simple, but effective, Photoshop tutorial shows you how to achieve the classic cross-processed effect in no time at all.
As our Shoot Like A Pro series on landscape photo ideas continues, this week we take a look at how to take creative pictures of mountains and hills. We’ll give you our best photography tips for emphasising the grandeur of mountain ranges and how to use hills as the perfect backdrop for creative landscape photos.
Deserted streets and historic buildings make great subjects for a retro photography take on a notable landmark or scene. One way of doing this is to process your images to give them an old postcard look, which enhances the retro effect.
When you take photographs on a hazy day, moisture particles in the air diffuse the light, causing distant objects to display a more subtle range of tones. This is a great way of evoking a sense of depth, due to the gradual change in contrast between objects in the foreground and those in the background.
The downside of shooting in such hazy conditions is that those more distant objects can be somewhat lacking in detail and definition. The haze can bleach distant colour, too, especially when shooting into the sun.
There are lots of ways to make a black and white conversion, but the number of choices depends on the software you’re using. Here we show you how to take control of the process by learning how to use your tools effectively to control the shade of great of each colour in your original image.
When it comes to portraits, everyone wants to look their best. But with today’s high-resolution SLRs, every spot, blemish and flaw can appear in startling detail. There are of course a few shooting techniques you can use to minimise these, such as bouncing light with reflectors to avoid strong shadows, and using off-camera flash to control the direction of the light to complement the model. However, you don’t need to get bogged down with different techniques and equipment to get great portraits, because Elements has a range of tools specially designed for seamless Photoshop retouching.
In our ongoing Raw Tuesday series we have taken you through some of the most common questions bout how to shoot and edit raw files, and now we are starting to look at some of the more specific ways in which the raw format can give you an advantage. This week we take a close look at how to edit raw files and manage your raw workflow in a way that makes sense for you. We’ll also follow on from last week’s discussion of the Adobe Camera Raw interface and explain how to customise the process of editing raw files using ACR.