There are two basic types of noise you need to tackle in your low-light photography. The first is Chrominance noise, which introduces itself with higher ISO shots and can be recognised by its coloured speckling in shadowed or even-toned areas.
The second is Luminance noise, which is trickier to remove and can be seen in the form of random variations of brightness between pixels. Reducing this can result in a loss of overall image detail, so in this tutorial we’re going to look at techniques to reduce both types of noise while preserving quality.
Remember that the version of Adobe Camera Raw in Elements is stripped-down compared to Photoshop proper, and that you won’t be able to target specific areas of your image to make localised adjustments.
So a solution is to produce two or more versions of your raw file, then open them in Photoshop or Elements, combine them as layers in a single image and use layer masks to hide or reveal adjustments in specific areas. Here’s how it’s done…
In the first part of our new Shoot Like A Pro series on mastering black and white photography, we explained how to compose for black and white photos – and what subjects work best. In the second post in the series we start to look at best practice post-shoot. We’ll look at how to take control of black and white conversion, and the subtleties of doing it both in Photoshop Elements and Photoshop CS.
Recently we showed you how to add autumn colour to your spring or summer photos. In this post we’ll show you how to take your actual autumn photos and boost the colours subtly for pictures that pack more of a punch.
Our easy to follow Photoshop tutorial shows you how to make a Photoshop collage and turn a single image into a series of overlapping prints.
As one improves as a photographer, you might find yourself asking less about photography tips and techniques and instead how to make money from photography. One popular method is to sell photos online via one of the numerous microstock libraries.
In our post we’ll show you how to prepare and edit your pictures so that when you go to sell photos online through a microstock library you stand the best chance of making money.
The Harris Shutter Effect is a process discovered in the days of film photography. It’s achieved by taking a sequence of three exposures on the same frame, with a red, green and blue filter used for each.
However, with Photoshop Elements it’s possible to get the same results using three standard colour images shot in sequence. In our latest Photoshop Elements tutorial we’ll look at how to use Elements to apply colour fills and blending modes to filter the three shots into their component channels.
Cross-processing (or ‘Xpro’) is an effect often used in fashion photography to give the kind of stylised look you can see here. Our simple, but effective, Photoshop tutorial shows you how to achieve the classic cross-processed effect in no time at all.
As our Shoot Like A Pro series on landscape photo ideas continues, this week we take a look at how to take creative pictures of mountains and hills. We’ll give you our best photography tips for emphasising the grandeur of mountain ranges and how to use hills as the perfect backdrop for creative landscape photos.
Deserted streets and historic buildings make great subjects for a retro photography take on a notable landmark or scene. One way of doing this is to process your images to give them an old postcard look, which enhances the retro effect.