In the fifth and final part of our Shoot Like A Pro Series on how to get the sharpest photos possible with your camera’s lenses, we explain how to explore the close-up potential of macro lenses and discover a whole new world in almost any and every photo location.
In the third part of our Shoot Like A Pro Series on how to get the sharpest photos possible with your camera’s lenses, we how to embrace the extreme distortion created by fisheye lenses and get really striking results.
Sigma has introduced a new Mount Conversion Service that will allow photographers to swap their lenses over to a new camera system should they decide to switch brands – whether you shoot with DSLR or a CSC.
In the third part of our Shoot Like A Pro Series on how to get the sharpest photos possible with your camera’s lenses, we explain how extending the reach of your photography with a telephoto lens can help
you capture scenes that are beyond the scope of other optics.
In the second part of our Shoot Like A Pro Series on how to get the sharpest photos possible with your camera’s lenses, we turn our attention to prime lenses. In this post we explain why you might wish to swap the convenience of a zoom lens for the speed and quality of a prime lens to drastically improve the quality of your photos.
Our latest Shoot Like A Pro series aims to help you understand how to get the sharpest photos possible with your lenses. All the camera lenses explained in this series are common optics used by most photographers. Over the next several weeks we’ll explain how to get sharp photos with all types of camera lenses, from prime lenses, telephoto lenses, fisheyes to macro lenses. This week we start with wide-angle lenses.
Not all of us can afford expensive lenses, but that doesn’t mean we have to put up with poor quality images. In this quick tutorial we’ll show you how to make simple in-camera adjustments to fine-tune your lens’ performance and help eliminate imperfections like colour fringing and chromatic aberrations.
If you’ve ever wanted shallow depth of field effects but were put off by the price of tilt-shift lenses, our technique editor Chris Rutter explains in our latest DIY Photography Hacks post how he converted an old lens at a fraction of the price.
Like fitting a magnifying glass to the front of your regular lenses, these attachments make small subjects look big. In our latest round-up of essential accessories we test 6 models to find out which is the best close-up lens.
The step up from a compact camera to one that allows you to changes lenses can be quite daunting, but it’s also a move towards taking better images. Our head of testing, Angela Nicholson, has compiled a list of the most common lens errors photographers make and some advice about how to avoid them.