In this exclusive video shot on location in Bath, England, we follow leading travel photographer Neil Buchan-Grant as he gets creative with Olympus’ extensive range of Micro Four Thirds lenses and uses them to photograph storied landmarks in new, inspiring ways.
Discover which Nikon lenses work with which sensor formats in our DX format vs FX format comparison.
Tamron has announced the 16-300mm F/3.5-6.3 Di II VC PZD MACRO, what it bills as a ‘next-generation’, all-in-one high-power zoom lens. Also announced is the development of a new Tamron 28-300mm f/3.5-6.3 Di VC PZD lens.
Start getting more from your Canon lenses! In this expert guide written by our friends at the Canon magazine PhotoPlus you’ll find tips on how to use your Canon lenses to their full potential, as well as essential lens-buying advice and the best lens choices for different situations.
Tokina AT-X 16-28mm f/2.8 Pro review: designed to be a fast lens in every possible way, this new wide-angle Tokina lens has a high-quality look and feel.
This new constant-aperture, ultra-wide lens for crop-sensor cameras goes large on zoom range and offers impressive image quality. Find out why in our Tokina AT-X 12-28mm f/4 Pro review.
You don’t need expensive lenses to capture great images. In this tutorial we’ll show you how you can take stunning landscape photography with the simple 18-55mm kit lens that came with your DSLR.
Correcting distortion and other common lens errors can be a real chore. In this tutorial we show you a few simple ways to use Adobe Camera Raw and Photoshop’s Lens Correction filter that can cut your editing time down significantly.
Is lens flare spoiling some of your favourite photos? Stop wasting pictures and try these 3 fool-proof methods of banishing lens flare from your images when shooting wide-angle scenes.
Tilt-shift photography is commonly misconstrued solely as producing miniature effects in your images. But tilt-shift photography is much more than producing toy towns. In this tutorial we show you six vastly different effects you can produce with the same tilt-shift lens.