Follow our simple steps below and learn how to stitch two photos together to create a vertorama image, or vertical panorama, which gives you the best possible image quality in your landscape photos.
In a new series of weekend guest blogs on Digital Camera World, professional travel and landscape photographer David Clapp will be sharing the stories behind how he made some of his favourite images. Sometimes it will be how he processed a photo; other times it will be how he simply got to his location in one piece! In his first post, the Getty contributor tells us how a challenging sunny, yet foggy, morning in Devon made getting a good exposure a real challenge.
If you’ve ever taken a shot in sunlight, or any other situation where the brightness range is high, the chances are your camera will have lost some detail in the darkest parts of the picture, the brightest parts or both. The problem isn’t to do with exposure. It’s because the difference between the brightest and darkest areas, or ‘dynamic range’, is so great that you can’t find a single exposure that can capture them both.
Here we explain how to check if you’re capturing all the tones in a scene, typical problem areas and simple ways you can boost your dynamic range.
When you’re faced with a subject that has a high dynamic range – that is, one that has high contrast, with both very bright highlights and very dark shadows – one technique you can use to capture the full tonal range is high dynamic range imaging. But as you will see in our Photoshop tutorial below, there is a simple way to get an HDR effect from just one picture.
High dynamic range (HDR) is something photographers either love or hate. We love it! You can use it to create some extremely dynamic, surreal images and push the look to its limits. There are many bad examples of HDR out there where extreme tone mapping in Photomatix has left images overcooked and overdone. But when you aim for realistic HDR and your images aren’t pushed to extremes, it’s a technique that can really help you in difficult lighting conditions.
Essentially, there are two reasons for making HDR photos. First, as a photographer you often experience lighting conditions that have a higher dynamic range than your sensor is capable of recording in one gulp, so HDR photos capture and compress the brightness range.Done well, no-one will ever know it’s an HDR.
The second reason that you would use HDR is for the look — to boost the colours and contrast of a dull subject or to give your image a grungy feel. With these reasons in mind, lets take a look at 6 ways you can make HDR photos that are subtle and spectacular.
Conor MacNeill is a London-based web developer. He only recently started getting into photography after a long break, and in just a short space of time his images have quickly grown in popularity on Flickr. We found out what beckoned him back to photography and what he aims to achieve in his work.
HDR is an effect that has quickly grown in popularity, and with good reason; the results can be dramatic, surreal, and unique. If you’re interested in giving it a go yourself, we’ve got a tutorial on how to make HDR images from 2 exposures. In the meantime, take a look at these fantastic examples of HDR photography.
Exposure blending enables you to mix images to get perfectly exposed skies, not always from the same scene. It’s not only a simple way of making HDR images, but it’s also a way of making more realistic-looking HDR images.
The process when shooting is simple and most cameras have a built-in Bracketing feature to aid you further. It’s crucial that one image captures the detail of the sky and the other that of the foreground – then you use Layers and Masks to blend the two.
The days are getting colder, and the nights shorter, but that doesn’t mean you can’t shoot great photos. Make the most of this unique time of year with our inspirational Things to try feature…