In the first part of our new Shoot Like A Pro series on mastering black and white photography, we explained how to compose for black and white photos – and what subjects work best. In the second post in the series we start to look at best practice post-shoot. We’ll look at how to take control of black and white conversion, and the subtleties of doing it both in Photoshop Elements and Photoshop CS.
Square cropped, black-and-white, long-exposure pictures of the sea are all the rage these days. To master this black and white landscape photography effect, you’ll need to learn a few core techniques, but they’re pretty easy to get to grips with. Here’s how to do it.
Since the earliest days of taking pictures, producing stunning black and white photography has required a combination of shooting and darkroom skills. For the best results, you need to hone your photo composition to be able to visualise the world in black and white. But you also must know how to manipulate an image for… Continue reading →
There are lots of ways to make a black and white conversion, but the number of choices depends on the software you’re using. Here we show you how to take control of the process by learning how to use your tools effectively to control the shade of great of each colour in your original image.
Here at Digital Camera World we’re not afraid of courting controversy. OK, maybe we are a little bit, which is why we thought it was time to be bold. We’ve interviewed a number of famous photographers over the years and been inspired by each of them, but as many readers often ask us… “who are the best photographers of all time?”
We put on our thinking caps and took a stab it. Following lots of coffee and some heated arguments, we agreed on a list of the 55 best photographers of all time. In the history of the world. Ever. Definitely.
In the traditional darkroom, split tone effects are applied to images using a combination of chemicals to tint different tonal areas, such as the shadows or the highlights. This effect can be recreated in the digital darkroom by using this very simple method for split toning in Photoshop.
Infrared light isn’t normally visible to the human eye, but in some circumstances it’s possible to capture it with your camera. The results of digital infrared photography can be truly stunning, lending a haunting appearance to outdoor scenes. The effect works particularly well on bright, sunny days in summer, when there are plenty of young, photosynthesising leaves on the trees.