In the traditional darkroom, split tone effects are applied to images using a combination of chemicals to tint different tonal areas, such as the shadows or the highlights. This effect can be recreated in the digital darkroom by using this very simple method for split toning in Photoshop.
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Infrared light isn’t normally visible to the human eye, but in some circumstances it’s possible to capture it with your camera. The results of digital infrared photography can be truly stunning, lending a haunting appearance to outdoor scenes. The effect works particularly well on bright, sunny days in summer, when there are plenty of young, photosynthesising leaves on the trees.
There are many ways to skin a cat in Photoshop and converting to mono is no exception. Here are some other popular ways to convert to black and white for those who don’t want to use the Black & White tool.
Contrary to what some online photography gurus might have you believe, shooting in black and white isn’t as simple as switching your camera to Mono mode and then applying a few filters and effects in Photoshop. You can’t just convert any old picture to black and white and expect it to be a masterpiece. Below we’ll show you how to set up your digital camera so that you have the best foundation to work with when you go to convert them to black and white photos.
‘The Dark Hedges’ by Tommy McDermott is breathtakingly eerie and undoubtedly benefits from being black and white.
Converting an image to black and white is pretty simple, but if you want truly impressive results it pays to think about how and what you shoot, and learn how to use your photo editing software’s powerful tools to get the most from your shots. In this black and white photography tutorial, we’ll show you how to choose your subjects, set up your camera and how simple but effective adjustments in Photoshop can make your images stand out.
Leica has ended weeks of speculation and confirmed the launch of its new black and white camera, the Leica M Monochrom
The new Leica camera features a monochrome CCD sensor with a native resolution of 18 million pixels, as well as programmable tones, the company says.
By adding a delicate tint of colour to the midtones of a black-and-white shot, you can easily change its mood. A cold wash of blue makes the image look more atmospheric, while a warm sepia tint recreates a retro romantic look. The trick to creating cyanotype or sepia-toned shots is to add a subtle tint while keeping the blacks black and the whites white. Here’s how to create these brilliant Photoshop effects using Elements.
Olympus has launched a new range of SDHC cards to complement the new Olympus OM-D.
The cards, which have been designed for use by those who miss the “authenticity” of using film, will be available in either black and white or colour variations. Anybody purchasing the black and white variation will be limited to shooting in monochrome.