The EOS 80D is aimed at dedicated enthusiast photographers, a demanding group of people who want to be able to shoot a huge range of subjects in a variety of conditions. Inside is a new 24-million-pixel sensor along with a DIGIC 6 processing engine; a combination that brings a native sensitivity range of ISO 100-16,000 (one-stop higher than the 70D) and a maximum expansion value of ISO 25,600 (the same as the 70D).
The maximum continuous shooting rate is the same as the 70D’s at 7fps, but the burst depth has been increased to 110 JPEGs or 25 raw files when a UHS-1 SD card is used. That’s a significant step up from the 65 JPEG or 16 raw files possible with the 70D.
Modern DSLRs have two autofocus systems: one for when using the camera conventionally (in reflex mode), where images are composed in the viewfinder; and a second for use in Live View and video mode.
Canon has improved both of these systems for the 80D in comparison with the 70D. The reflex mode system, for instance, has 45 AF points, all of which are cross-type, whereas the 70D has 19 points.
It can also use colour information from the 7,560-pixel RGB+IR (infrared) metering sensor to help with subject tracking. This and the increased burst depth makes the 80D more attractive to keen sport and action photographers.
Turning to the Live View and video autofocus system, the 80D uses Dual Pixel CMOS AF technology like the 70D, which means it has phase detection points on the imaging sensor itself. The new system is more sensitive and faster than the one in the 70D, but because fast autofocusing often isn’t desirable when you’re shooting video, it’s possible to vary the speed of the 80D’s system over seven steps for slower focus changes.