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  #21  
Old 12-12-10, 02:24 AM
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amk1977 amk1977 is offline
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A number of things:

* using slower shutter speeds without over exposing an image (milky water, blurred clouds removing moving objects like people or cars)
* using a wider aperture/shallow depth of field without over exposing an image
* using a wide aperture/shallow depth of field with flash sync that may cause over exposure

Good example here
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  #22  
Old 15-12-10, 12:32 PM
Chris_Humphreys Chris_Humphreys is offline
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Architectural Photography

I have a 6 and 10 stop filter. I use the 6 stopper quite frequently on architectural photography where I need to create motion blur for people in a daylit shot. 6 stops in daylight gives me exposures of between 0.5 - 1.5 seconds, plenty in most sitiuations to create the right amount of blur.

I sometimes use the 10 stop filter in situations where I'm trying to shoot a building from across a busy road, a 10 second + exposure is usually enough to lose all the traffic completely. The same principle can be used to eliminate people from a busy street scene or building.

There you go, a couple more uses for your filter besides milky water effect.

Cheers

Chris
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  #23  
Old 15-12-10, 01:21 PM
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Originally Posted by Chris_Humphreys View Post

There you go, a couple more uses for your filter besides milky water effect.
Now I'll have to go off and find some traffic!
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  #24  
Old 15-12-10, 04:14 PM
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Quote:
Originally Posted by Chris_Humphreys View Post
I have a 6 and 10 stop filter. I use the 6 stopper quite frequently on architectural photography where I need to create motion blur for people in a daylit shot. 6 stops in daylight gives me exposures of between 0.5 - 1.5 seconds, plenty in most sitiuations to create the right amount of blur.

I sometimes use the 10 stop filter in situations where I'm trying to shoot a building from across a busy road, a 10 second + exposure is usually enough to lose all the traffic completely. The same principle can be used to eliminate people from a busy street scene or building.

There you go, a couple more uses for your filter besides milky water effect.

Cheers

Chris
Hey Thanks chris, better get my beer mat back and start putting it to some use
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  #25  
Old 16-12-10, 07:31 AM
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I understand a lot more now abut my ND 8, thanks.
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  #26  
Old 16-12-10, 12:00 PM
Chris_Humphreys Chris_Humphreys is offline
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Glad to have been of help. One tip for using the ND filters which you've probably already worked out: Once attached it's pretty difficult to see through them to compose and focus, switching to live view gives you an adjusted view.
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  #27  
Old 16-12-10, 01:26 PM
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It's spam and has now been deleted. I've also edited your post to remove the quoted link to the spammer's site
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  #28  
Old 16-12-10, 01:28 PM
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It's spam and has now been deleted. I've also edited your post to remove the quoted link to the spammer's site
Realised that when I clicked the link. Was going to report it as it sent my anti virus into apoplexy but had to go out in a hurry.
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  #29  
Old 16-12-10, 11:21 PM
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Quote:
Originally Posted by Chris_Humphreys View Post
Glad to have been of help. One tip for using the ND filters which you've probably already worked out: Once attached it's pretty difficult to see through them to compose and focus, switching to live view gives you an adjusted view.
Well, I went for an eveniing shoot in the beautiful cathedral city of Durham. It was cold, raining on and off, and I was determined for some long shutter speeds on the weirs on the Wear! I was wondering why I was finding it hard to see, let alone focus. It wasn't till I got home that I realised the ND8 was on from a previous shoot!
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  #30  
Old 17-12-10, 11:50 AM
Chris_Humphreys Chris_Humphreys is offline
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Originally Posted by DigiDiva View Post
Well, I went for an eveniing shoot in the beautiful cathedral city of Durham. It was cold, raining on and off, and I was determined for some long shutter speeds on the weirs on the Wear! I was wondering why I was finding it hard to see, let alone focus. It wasn't till I got home that I realised the ND8 was on from a previous shoot!
You're not the first and you won't be the last. I once did an entire interior shoot of my kids wondering why I was struggling for light. Even got my flash out to solve the issues, it was only when I was putting the camera away I noticed I'd left my polariser on from a previous shoot. Doh!
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