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Originally Posted by Data_Dog
Hi Chris. This is EXACTLY the kind of information I was after. Thanks for taking the time to analyse each pic and give such insightful information!
In the shot of the goat, I did consider a tighter crop but when I viewed it, there was still just a little bit of the wood on the bridge displayed. There wasn't really enough showing to see exactly what it was and I thought it was a bit distracting. So - position myself better for the shot and increase the DoF by stopping down? Roger that.
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Absolutely. One thing I've learned is that you don't really look through the viewfinder. The number of times you get home from a shoot, or your looking at your shots on the LCD, and you think "I never noticed that was there". Best piece of advice I was given was to really look through the viewfinder and, if you have the luxury of time, think before you press the shutter release.
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Originally Posted by Data_Dog
The second shot - This was one of my first shots with a DSLR. My daughter was more than willing to throw some poses for me in her bedroom, looking out the window. I didn't (and still don't) have any lighting gear or even a reflector so I really need to purchase some more accessories! Points noted on the contrast/vignette too.
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I don't have any lighting gear either and I don't think it's necessary most of the time. Window light is some of the most flattering light to shoot portraits by. With black & white conversions, contrast really is everything as it adds depth. How much contrast is a personal thing - others may really like this shot because its got relatively little contrast. Personally I like more but it varies to suit the type of shot. On a delicate portrait like this you don't want to go for the full on, punchy contrast as it'll look a bit OTT.
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Originally Posted by Data_Dog
Number three - The meerkat. This was an opportunistic shot just as it appeared out of a burrow. I fully understand your points on the lack of a point of interest and the positioning within the frame. I don't actually know myself what the little critter was looking at but it would have been nice to include that I suppose. Once again it's framing my shot and DoF.
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Meerkat! Yes! How stupid of me! Anyway... Some of the best wildlife shots are opportunistic. Unless you can spend weeks with an animal so you can predict it's movement, the best shots are usually luck.
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Originally Posted by Data_Dog
I really need to think more about the DoF and understand the camera controls better to adjust accordingly. If I'm honest I don't fully understand how to adjust that (in terms of the affect on backgrounds etc) at the moment but I'll make it my mission to investigate further!
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Composition and framing are, for me at least, the skill of photography. With the current crop of DSLRs it's pretty easy to get a decent quality shot and learning the technical aspects of photography I didn't find particularly difficult (but then I'm a scientist, PhD student and all round nerd so it's not really a surprise). However, I'm not a natural artist so I find I have to concentrate more on balance in the frame, leading lines and other compositional points more and it's what I look at in other peoples shots that I like to try to learn from.
Perhaps the other way of looking at it is that technical stuff can be taught but the artistic component can't be taught, but it still has to be learned...