How to improve greyscale tones

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THE MISSION

Improve the look of a monochrome conversion

Time needed: 15 minutes

Skill level: Easy

Kit needed: Lightroom 5 or later

In the days of shooting with black-and-white film, photographers would place a coloured filter over the camera’s lens to produce more striking pictures. Different coloured filters lighten or darken the greyscale tones of specific objects in the scene. For example, a red filter makes blue skies appear dark grey in the monochrome print, so lighter clouds pop out in contrast. 

Your Canon’s Monochrome picture style setting enables you to produce a black-and-white photo in-camera. You can even set it to apply colour filters that help lighten or darken greyscale tones in particular areas, such as blue skies or green fields. This in-camera approach can be hit and miss, so we’ll show you how to take more control of greyscale tones in your monochrome conversions in Lightroom.

There are several ways to create a monochrome image in Lightroom. If you simply set Saturation to 0, you’ll get an instant mono conversion, but you risk producing a drab wash of greys, especially if the shot consists mostly of mid-tones. An eye-catching monochrome photo has a wide range of tones, from black shadows to white highlights. Let’s see how to get better black-and-white images… 

STEP BY STEP: Soft silver tones

Create a monochrome image that packs some punch with our simple walkthrough

QUICK TIP!

It’s still handy to set the Monochrome picture style in-camera to give you an idea of how your shot will convert to black and white

01 GO GREY

Import TYLR01.dng. In the Basic panel’s Develop module, click on the Black & White tab to desaturate the photo. Lightroom adjusts the position of the Black & White mix sliders. You can fine-tune the results. Drag Orange up to +33 to lighten the skin tones.

02 A QUESTION OF CONTRAST

After lightening greyscale tones that correspond to orange colours, the histogram has slid to the right. However, you still need to boost the contrast. If you move the cursor over the middle of the graph you’ll see that the Exposure slider influences this section.

03 INCREASE THE EXPOSURE

Click on the middle of the histogram and drag right to push exposure to +0.76 (or drag the Exposure slider right). Increase the strength of the tones by pushing the Contrast slider to +28. The higher-contrast photo has more impact and a healthier-looking histogram.

04 LIGHTEN THE SHADOWS

Click on the histogram’s Shadow Clipping Warning icon. Areas that will print as pure black will appear as blue patches. There’s no clipping, but some shadows lack detail. Push the Shadows slider up to +50. Reveal more detail by dragging the Blacks slider to +37.

05 BOOST THE CONTRAST

To reveal the form of our fine-art nude, we can push the contrast even further. The Tone Curve tab enables you to selectively lighten or darken tones in a variety of ways (see right), but for now simply click on the Point Curve drop-down menu and choose Strong Contrast.

TONE CURVE

Lightroom’s Tone Curve tab enables you to target tones and remap them to make them lighter or darker, displaying the results on a graph. We’ve selected the Strong Contrast preset, which gives a classic ‘S-shaped’ graph by decreasing Shadows and Darks and increasing Highlights and Lights. You could also manually drag the sliders that appear below the graph, or click-drag on the graph itself, moving your mouse up or down to increase or decrease the tones in that particular area.

 06 FINE-TUNE THE GREYS

This contrast boost reintroduces some background clipping, but there are no important details here. Go back to the B&W tab to fine-tune the conversion. Push Reds up to +40. Return to the Basic panel and go to the Presence section. Drag the Clarity slider up to +51.