Creative Focus: camera tips for static to spontaneous subjects
In today’s world of responsive technology, shooting successful imagery has never been easier. It’s hard to believe that not so long ago, a jostling Fleet Street photographer would have had no choice but to focus camera manually in the photo scrum, as would sports photographers.
Can you imagine tracking a fast-moving tennis pro without lightning-quick AF? Thankfully, today every camera, from the humble mobile phone to a consumer SLR, has a sophisticated and accurate AF system.
Image by David Clapp
Phase Detection vs Contrast Detection AF
Autofocus (AF) is split into two categories: Phase Detection and Contrast Detection.
The former is used in DSLRs: it takes some of the light hitting the mirror inside and redirects it onto a separate AF sensor. The sensor can calculate whether the subject is in focus very quickly, which makes it highly useful for tracking moving subjects.
Contrast Detection, found in point-and-shoot cameras, uses the actual imaging sensor to calculate focusing. It starts by focusing at infinity, checking the subject for contrast. If the subject is close, it appears very blurry and subsequently lacks contrast.
The camera moves the focusing and as it does so the image contrast increases. This is why point-and-shoot cameras operate far more slowly and often less intelligently than DSLRs.
What are camera focus points?
Inside a modern DSLR is an array of focusing points that can be seen through the viewfinder window. These points are sophisticated aids that allow the focal point of the image to be positioned by the photographer according to the subject.
A central focusing point is of little help to a portrait photographer, who relies on a left or right bias to position their subject’s face accordingly. When shooting moving kids in particular, in-camera technology is extremely helpful.
Once focus lock is attained using the centre spot, if the subject moves around the frame, the position is passed on to the other points.
Static and Continuous focus
Static or continuous AF modes give you a choice of subject-dependent tracking options. One-shot modes, for example, are great for static subjects like portraits, while Servo focusing focuses continuously with the shutter half depressed.
The AI Focus mode offers the best of both worlds, switching between the two modes automatically, initially static but then tracked if the subject moves.
Focus your camera with Live View
Focusing isn’t always about in-camera calculations. The Live View revolution enables you to gain pinpoint accuracy by using a magnified view of the subject.
In low-contrast situations – when shooting into the sun, for example – AF can be inaccurate.
Live View can minimise inconsistencies or the irritation of ‘hunting’, where the camera searches the focal range while attempting focus lock.
PAGE 1: Ways to focus your camera
PAGE 2: Set up for spot-on focus
PAGE 3: Get the eyes sharp
PAGE 4: Focus on off-centre subjects
PAGE 5: Tips for controlling focus
Best camera focus techniques: 10 surefire ways to get sharp photos
Studio Lighting: 4 seriously simple lighting techniques to try at home
on Tuesday, October 9th, 2012 at 12:14 pm under Photography Tips, Portraits.
Tags: camera tips, focus modes, How to focus, Photo effects, Portrait Photography